Showing 9 items matching "female head wear"
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Whitehorse Historical Society Inc.Costume - Hat, Female head wear, C 1960's
... Female head wear...The makers label is sewn on crown of hat Female head wear Costume Hat ...Hat was purchased at a Vintage fashion showSmall light brown felt hat with brown and fawn curled feather on one side. Hat is lined with black silk like material. The makers label is sewn on crown of hat Mr Individual Melbournemr individual -
Kiewa Valley Historical SocietyHat Pin, circa 1920
... ...female head wear...It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors millinery hat pin female head wear hat accessory This pin has a black plastic tear-drop ball at its head (earth shaped). ...Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis pin has a black plastic tear-drop ball at its head (earth shaped). It has diamond like chiseled profile from a centre band to the apex of both ends. The centre region has a herring bone pattern. Identical to Item KVHS 0356millinery, hat pin, female head wear, hat accessory -
Kiewa Valley Historical SocietyHat Pin, circa 1920 - 1930
... ...female head wear...It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors millinery hat pin female head wear hat accessory Brass Pin, two 3.5cm cones, gold coloured tapered down to imitation half peal centre piece Cones stamped with small flower petals Hat Pin unknown ...Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsBrass Pin, two 3.5cm cones, gold coloured tapered down to imitation half peal centre piece Cones stamped with small flower petalsmillinery, hat pin, female head wear, hat accessory -
Kiewa Valley Historical SocietyPin Hat, circa 1940s to 1950s
... ...female head wear...It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors costume female head wear accessories hat pin This long hat pin is adorned with a flat, oval-shaped, piece of black plastic. ...Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin -
Kiewa Valley Historical SocietyHat Pin, circa 1940s to 1950s
... ...female head wear...It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoors costume female head wear accessories hat pin This long hat pin is adorned with a flat, oval-shaped, piece of black plastic. ...Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin -
Glenelg Shire Council Cultural CollectionPainting, Queen Victoria, 1897
... CEMA Art Collection Previously located in History House Queen Victoria 1800s Portrait Portrait Painting Female female portrait Front: J.A.BRIGGS Queen Victoria, 1838-1901 Back: Painted by J A Briggs 1897 Portrait of Queen Victoria depicting her torso and head. She looks to her right and is shown in an almost profile view. Dressed in black with a white collar, she wears ...CEMA Art Collection Previously located in History HousePortrait of Queen Victoria depicting her torso and head. She looks to her right and is shown in an almost profile view. Dressed in black with a white collar, she wears a blue and white band in her hair. She wears a small gold earring, black choker with gold locket and a brooch with a man's portrait. The work has a gilded frame with some decoration and exposed canvas.Front: J.A.BRIGGS Queen Victoria, 1838-1901 Back: Painted by J A Briggs 1897queen victoria, 1800s, portrait, portrait painting, female, female portrait -
Bendigo Historical Society Inc.Clothing - DECORATIVE CORDING AND PEARL TRIMMED TASSEL, Tassel, 1920's - 30's,maybe1800's
... Female decorative cord and pearl trimmed tassel Cream silk, cord, wound into a 7cm diameter disk, with loops and decorative pearl trimmed tassel. Matching 11400.843, there is no evidence on the evening cape that it was at one time, attached. This item may be a decorative item that was worn over the wrist, and added interest to the wearer of the cape. A ''turk's head ...Cream silk, cord, wound into a 7cm diameter disk, with loops and decorative pearl trimmed tassel. Matching 11400.843, there is no evidence on the evening cape that it was at one time, attached. This item may be a decorative item that was worn over the wrist, and added interest to the wearer of the cape. A ''turk's head'' woven ball'', 1.5cm diameter, and tassel head, add to this decorative item.costume accessories, female, decorative cord and pearl trimmed tassel -
Vision AustraliaPhotograph - Image, Two women walking into Kelaston with staff members
... wears dark glasses, and has both a female and male holding her right arm. The male in the middle also holds the hands of a fourth woman, who has her other hand held by a man holding an envelope and standing behind suitcases. Association for the Blind Kelaston home (Ballarat) CK72 1/3 size also head ...Two women approach to enter Mirridong, with assistance from four others. From the left, the first woman speaks as she places her hand around that of the second woman's grip on a wooden cane. The second woman wears dark glasses, and has both a female and male holding her right arm. The male in the middle also holds the hands of a fourth woman, who has her other hand held by a man holding an envelope and standing behind suitcases.1 B/W photograph of people entering KelastonCK72 1/3 size also head only women 1st and 3rd from leftassociation for the blind, kelaston home (ballarat) -
Bendigo Historical Society Inc.Photograph - Garran and Dean Wilkinson: Collection: Bakery
... Two female staff members are working on baked goods on a bench at the back of the room. All staff members are dressed in white uniforms, including head wear. ...Two female staff members are working on baked goods on a bench at the back of the room. All staff members are dressed in white uniforms, including head wear. ...Gillies Bros Timeline 1929 Leslie Graham Gillies is born on July 12, 1929 in Charlton, Victoria, son of Donald John and Agnes Maud Gillies. 1943 At age 14, Les Gillies goes to work at the Aunt Sally Milk Bar. His employer is Les McClure of Dad’n’Dave Café and Four’n’Twenty pie fame. 1950 Les Gillies, with brothers Alan and Norm, opens a bakery and the Rosebud Tea Rooms in Mitchell Street, Bendigo. 1951 The Gillies brothers. open on the corner of Hargreaves and Mitchell Streets. Over fifty six years of trading this corner becomes known as the Gillies Pie corner. The brothers also run the Kentucky Café from this site. 1954 Les Gillies marries 3CV radio announcer, Yvonne Smith. 1958 The Gillies brothers purchase the Black Swan Hotel in McCrae Street and turn it into a factory and retail outlet. 1976 The Gillies brothers open up a new factory in Garsed Street, Bendigo. 1985 The Gillies brothers purchase Kay’s Cakes in Geelong and the pie making part of the business relocates to Geelong. The Garsed Street factory is used for packaging and distribution. 2007- The Gillies business is sold. The Pie corner changes hands and the Garsed Street factory becomes empty. 2015- Les Gillies passes away at the age of 86 years. 2026 The Garsed Street factory is empty and derelict. The pie window in Hargreaves Street is still operating under the banner of the ‘Bendigo Original Pie Shop’. Black and white photograph taken in the Decorating and Finishing Room. In the foreground is table covered with baked fruit cakes. A male staff member is operating a commercial mixer. Two female staff members are working on baked goods on a bench at the back of the room. All staff members are dressed in white uniforms, including head wear. Written on the mounting board below the photograph. "Decorating and Finishng Room. L.Matthews, Sandra Steen, L. Woodward. GILLIES BROS. BENDIGO."gillies, fruit cakes, bakery
