Showing 10 items matching "feminist art practice"
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Women's Art RegisterBook, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
... feminist art practice... material held in The Women's Art Register portraiture feminist art ...Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch -
Women's Art RegisterBook, Lucy R. Lippard, From the Centre. Feminist essays on women's art, 1976
... art and feminist art practices. This collection brings... contemporary art, women's art and feminist art practices ...Following an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance -
Women's Art RegisterBook, Judy Chicago, Through the Flower. My struggle as a women artist
... Chicago, who is pivotal to the development of feminist art... of feminist art practices in the United States. She writes ...BookBooknon-fictionBookfeminism, feminist art, exhibition, abstraction, art education -
Women's Art RegisterBook - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art RegisterBook, Catriona Moore, Dissonance. Feminism and the Arts 1970-90, 1994
... movement feminism feminist arts practice Australian artists ...An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register -
Women's Art RegisterBook - Anthology, Katy Deepwell, New Feminist Art Criticism, 1995
Essays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts.Booknon-fictionEssays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts. theory, psychoanalytic theory, modernism, curatorship, museology, censorship, hierarchy of media, feminist pedagogy, education, performance art -
Women's Art RegisterBook, Uta Grosenick, Women Artists in the 20th and 21st Century, 2003
Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch -
Women's Art RegisterBook - Anthology, Joan Kerr and Jo Holder, Past Present. The National Women's Art Anthology, N/A
... collaborative practices Essays on feminist art, art history, criticism ...Essays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices -
Women's Art RegisterBook, Judith Brooks, The Women's Gallery 1988 - 1995, 2019
Documents every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.BOOKnon-fictionDocuments every event in the volunteer-run Women's Gallery, which ran June 1988 until December 1995, in bohemian Brunswick Street Melbourne and showed 119 solo and group exhibitions, and hosted book launches, music and theatre performances, seminars and poetry readings.solo and group exhibitions, spiritual art, political art, portraiture, iwd exhibitions, collaborative prectice, collective practice -
Federation University Art CollectionWork on paper - Digital Prints, Gilson, Deanne, 'Wadawurrung Axe Heads 1-4' by Deanne Gilson, 2011
Dr Deanne GILSON (1967- ) Country: Wadawurrung Deanne Gilson is a Federation University alumni, and an award-winning multi-disciplinary artist. Her practice draws its inspiration from ‘Ancestral marks’ and design on cultural objects found in museum archives and family oral histories. Deanne’s practice seeks to interrogate the colonial legacy of settlement and the western hegemonic systems of class, race and representation in historical photographs that were imposed on her Ancestors. Her work also explores the matriarchal role through her feminist perspectives, looking at the history of marriage and the oppressive function it has played within her family. Deanne has completed the following educationala achievements. 2014 – 2015 Masters by Research (Visual Art), Deakin University Geelong 2013 Graduate Diploma in Education Secondary, Federation University 2011 Certificate IV in Aboriginal Contemporary Art & Craft 2010 Cultural Heritage Management Course, Lakes Entrance 1 Week 2007 – 2010 Graduated, Bachelor of Visual Arts with Honours, University of Ballarat 1984 Diploma of Art, School of Mines & Industries TAFE This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.This work depicts an axehead found on Wadawurrung country and is a responce to workign alongside archeologists untertaking land surveys of her ancestral lands and the visual documentaiton of artefcts.art, artwork, deanne gilson, gilson, wadawurrung, stone axe, aboriginal, alumni
