Showing 5 items matching "feminist arts practice"
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Women's Art RegisterBook, Catriona Moore, Dissonance. Feminism and the Arts 1970-90, 1994
... ...feminist arts practice...Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Complements other books in the Women's Art Register Includes articles covering artists, exhibitions and projects important in the development of the Australian women's art movement feminism feminist arts practice Australian artists community arts The Women's Art Register An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. ...An anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.Booknon-fictionAn anthology of essays by significant writers, critics and artists, edited by Catriona Moore, examining contemporary women's art in Australia. Includes definitions of women's and feminist art, reviews and critiques of exhibitions and individual artists. The first section includes articles reprinted from publications including Lip and Refactory Girl.Projects include 'The D'oyley Show', "Mothers, Memories and Others' Memories", and Lucy Lippard's visit in 1975.feminism, feminist arts practice, australian artists, community arts, the women's art register -
Women's Art RegisterBook, Uta Grosenick, Women Artists in the 20th and 21st Century, 2003
... Overview of artists central to the development of feminist arts practice and recognition....Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Overview of artists central to the development of feminist arts practice and recognition. Complements other material held in The Women's Art Register Marina Abramovic Louise Bourgeois Guerrilla Girls Cindy Sherman Adrian Piper Georgia O'Keefe portraiture perfomance political art Tracey Emin Hannah Hoch Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers. book Women Artists in the 20th and 21st Century Book Book Uta Grosenick Taschen ...Individual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.bookIndividual focus on 47 women artists, predominantly from the UK, USA and Europe, in photographs and brief text prepared by various critics and writers.marina abramovic, louise bourgeois, guerrilla girls, cindy sherman, adrian piper, georgia o'keefe, portraiture, perfomance, political art, tracey emin, hannah hoch -
Women's Art RegisterBook - Anthology, Thomas B Hess and Elizabeth Baker, Art and Sexual Politics Why have there been no great women artists?, 1971
... A seminal text that influenced much of the writing and discussions surrounding feminist arts practice in America and beyond. It will complement other books in the Register's collection that interrogate the same theme. essays feminism studio practce Art History gender politics discrimination museolgy Curatorship identity Professor of Art Linda Nochlin, and critic and art historian Thomas B. ...Professor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity -
Women's Art RegisterBook - Anthology, Katy Deepwell, New Feminist Art Criticism, 1995
... Compiled in the 1990s predominantly British artists, arts workers, academics and critics discuss the issues pertinent issues surrounding women's practice and representation at the time. Much discussion is contextualised in previous writings on feminist practice....Complement material held in the Women's Art Register theory psychoanalytic theory modernism curatorship museology censorship hierarchy of media feminist pedagogy education performance art Essays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts. ...Essays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts.Booknon-fictionEssays addressing questions surrounding the effects of feminism on arts practice including responses to feminist exhibitions, the way arts degrees are taught d how feminism's engagment with psychoanalysis and postmodernism has deconstructed borders between the arts and crafts. theory, psychoanalytic theory, modernism, curatorship, museology, censorship, hierarchy of media, feminist pedagogy, education, performance art -
Women's Art RegisterBook, Sandy Kirby, Sight Lines. Women's Art and Feminist Perspectives in Australia, 1992
... Women's Art Register Richmond Library, 415 Church Street Richmond melbourne Provides context on how various aspects of arts feminism manifest in the groups, performances, events, issues, documents and ideas which engaged female artists. Complements other material held in The Women's Art Register portraiture feminist art practice performance art political art art and craft Thancoupie Jill Orr Vivienne Binns collective art Erica McGilchrist Mickey Allan Ann Newmarch Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia. "709.94/KIR" Inside Front Cover. ...Charts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch
