Eltham Council (now the Shire of Nillumbik) commissioned this work in 1989 to create an entrance / gateway to Edendale Community Farm. It was also aided by a grant from the Ministry of the Arts (now Arts Victoria). The former name of this work was "Gateway to Edendale Farm". Edendale Farm is a demonstration farm modelling sustainable environmental practices, providing support to the local residents of Nillumbik. Established in 1986, the land was purchased in 1970. It was previously an English gentleman's residence and was used for grazing. It consists of 5.6 hectares, with the Diamond Creek meandering through the property. The Victorian Fences Act 1968 governs liability of occupiers of adjoining lands to fence, and deals with disputes between neighbours regarding boundaries fences and costs. This work took into consideration ideas and suggestions from residents and committees, who required the use of recycled materials and that the work celebrate man's relationship with nature, animals and the earth, as well as relate to the fence-line on the far side of the carpark. Trembath also absorbed significant aspects of local history, making references to Eltham's agricultural past, the clearing of the land, the destruction of trees, the ruthless pruning of trees by suburban Councils and incorporated such Australian features as the post and rail fence. 'The Fences Act 1968' is significant for aesthetic, historic and social reasons at a regional level. It makes prominent the historical and social significance of Edendale and the rural aspects of Nillumbik. The use of existing tree stumps and salt pots in the work explores the iconography of the countryside such as the isolated farmhouse, pioneering farming practices, post and rail fencing and the regrowth of lopped trees. The title of the work, as well as the extensive community involvement in its creation, also makes reference to the Victorian Fences Act 1968, which makes neighbours jointly responsible for the cost of construction and maintenance of fences in the partitioning of land for settlement. 'The Fences Act 1968' has been classified as of regional significance by the National Trust of Australia. The work is an installation of wood and metal, approximately twenty five meters long. The design is very informal and rustic and runs the full width of the fence-line. It comprises groups of recycled tree trunks fitted with metal caps (chrome-nickel 'salt pots' that are shaped like tall bowler / top hats). Metal rods protrude from the trunks and some of these rods have metal birds. Two larger, sentinel-like stumps at the two outer ends have metal flame-like wings, which bend inward. To the left of the entrance, a simple architectural element indicates an isolated farmhouse. The rustic fence runs between the groups of tree trunks with native planting in clumps along it. The fence-line incorporates a functional engineered double gate and post and rail fencing. There may be many interpretations of the work and the intention is to stimulate interest and imagination rather than alienate. Interpretation is based on the personal experience that a visitor brings. The artist recommended that no explanation of the design logic be positioned with the work. N/Apublic art, sculpture, edendale, recycled, wood, metal, fences act 1968, gate, trembath, salt pot, tree stumps

A Centenary history of the Stawell Golf Club.Yellow card cover with two b/w photos each with a building, the lower photo has the Australian flag flying from the building.Stawell Golf Club Centenary 1898 - 1998 Farms Fences and Fairways By Jim Melbournestawell sport

Two colour photographs of axes used in cutting timber for post and rail fences.heritage week, eltham, courthouse, fencing, axe, activities

Two colour photographs of axes used in cutting timber for post and rail fences.heritage week, eltham, courthouse, fencing, axe, activities

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

.1 - Legal document - tender document - typed carbon copy titled "Supply and Erection of gates and paling fence and repairs to existing fences at the Royal Park car shed" with specification for the work, dated 25/3/1920 asking for prices - single sheet to be returned to the Secretary. .2 - same document but the lower portion has a price and name of the tenderer, John Broderick of Napier St Footscray, for 21 pounds. Dated 7/4/1920.trams, tramways, mmtb, cable trams, royal park, tenders, depots, zoo tram

George Tibbits, University of Melbourne. Faculty of Architecture, Building and Town & Regional PlanningIndex system that support the research for Beechworth : historical reconstruction / [by] George Tibbits ... [et al]Arranged by street names of BeechworthEach index card includes: street name and number of property, image of property, allotment and section number, property owners and dates of ownership, description of the property according to rate records, property floor plan with dimensions.beechworth, george tibbitsbeechworth, george tibbits

Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteeltham, art in public places, edendale farm, gastons road, public art, sculptures, the fences act 1968, tony trembarth

Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteeltham, art in public places, edendale farm, gastons road, public art, sculptures, the fences act 1968, tony trembarth

Sculpture at gateway to Edendale Farm, 30 Gastons Road, ElthamRoll of 35mm colour negative film, 8 strips and associated 10 x 15 cm colour printKodak Gold 100-5eltham, edendale farm, gastons road, sculptures, the fences act 1968, tony trembath

Colour Photo taken from slide

watercolourfence, farm, landscape, watercolour, margaret baskerville, rural, tree

The Shell House fence was erected in 1958 by M. Moloney and A Robertson. House was called Cooinda.Two black & white postcards of The Shell House and Fence, Nobbies Road, Phillip Island. (Now longer standing). The Rose Series P 4026 and 4028. The Shell Fence, Nobbies Road, Phillip Island.the shell house phillip island, the shell fence summerland phillip island, olive blamey

Column by journalist Simon Kinch, including musings on council requirements for fence plans, road traffic problems in Vermont South and the meanings of the acronym NADRASCAColumn by journalist Simon Kinch.fences, vermont south, nadrasca

From 1870 onwards discussions took place in Wodonga concerning the best location for a building to house and reorganise the holdings of the Wodonga Literary Institute and Free Library. The Literary Institute, originally the Belvoir Literary Group, had been formed prior to 1861 and changed its name with the renaming of the town in 1869. In 1873 a meeting was held to consider the re-organising of the Wodonga Literary Institute and Free Library as “there were a goodly number of valuable books and other property belonging to the Institution but they were not used, and it was a pity to see such valuable works and sketches shut up in a back store getting spoiled”. In October 1885 the Wodonga and Towong Sentinel reported that the Wodonga Athenaeum and Free Library committee were seeking a grant of £200 to add to the £200 already paid to purchase Hellerman’s buildings. In October 1886 the Wodonga Athenaeum in Hume Street was officially opened. It was designed by Gordon and Gordon, architects, and built by Stewart Bros. This building continued to house the Atheneum and its collection until 1915 when the new library in High Street was built. In 1916 the Athenaeum building was moved on drays drawn by Clydesdale horses, to 153 Lawrence Street and used as a private home since. The building is heritage listed. This image is one of a collection of glass negatives taken by Robert Prentice. The negatives are clearly identified as he inscribed in the glass a back-to-front capital R (Я) on to which was joined a capital P creating his mark ЯР. On the glass he would also scratch the name Prentice where he could, in this case along the bottom of the picket fence.This image is significant because it housed the Wodonga Literary Group and Free Library, the first library building in Wodonga.Black and white image of old wooden house with tin roof. Trees and a picket fence are at the front of the house.Written below picket fence: Atheneum Wodonga, Prenticewodonga literary institute and free library, atheneum wodonga, belvoir literary group, robert prentice

Some names associated with the photograph are written on the back as follows: Jack, Vince and Thelma Hayes, Edmund Hayes, Catherine Theresa Hayes (nee Carty) in front of fence.Framed black and white photograph of people in front of the Buninyong Racing Club Grandstand. There is a picket fence at the front of the scene. The frame has a flower-patterned edge. Some names associated with the photograph are written on the back as follows: Jack, Vince and Thelma Hayes, Edmund Hayes, Catherine Theresa Hayes (nee Carty) in front of fence.horse racing, buninyong, hayes family

The Kew Baptist Church was originally located on the corner of Cotham Road and St John’s Parade. In 1922, work commenced on a new, larger church in Highbury Grove. The foundation stone of the new building was laid by Cr Ratten of the City of Kew on Saturday 14 October 1922, with the First Kew Scouts forming a guard of honor. A collection taken up at the laying of the foundation stone raised £454. The site and building cost approximately £6,000. The architects for this new red brick ‘semi-Gothic’ church were Messrs Gawler & Drummond. The interior of the church accommodated 500 parishioners. The seating sloped towards the pulpit with no columns obstructing the view of the worshippers. An item from an outstanding and diverse image collection, assembled by members of the Christian and Washfold families of Kew. This early photo of the Kew Baptist Church shows its original fence, built by Henry Clifford Washfold, the father of the donor.Faded sepia real photo Kodak postcard of the exterior of Kew Baptist Church in Highbury Grove. Image shows original fence and paintwork of windows."Dad built the fence"kew baptist church -- highbury grove, churches -- kew (vic.), baptist churches, christian-washfold collection

This sign was hung on the wire fence fronting Johnston Street, Collingwood to announce the prospective opening of the Collingwood Technical School.This is one of the most significant items in the collection. It records the opening or very start of the Collingwood Technical School.Handwritten sign in a frame, announcing the prospective opening of The Collingwood Technical School on 15th July 1912. There is a small typwritten note on the sign 'This Notice was hung on the wire fence / fronting Johnston St.'The full text of the sign reads 'The Collingwood Technical / School, / Will be opened 15th July / 1912. / Full particulars at Office.' There is a small typwritten note on the sign 'This Notice was hung on the wire fence / fronting Johnston St.'collingwood technical school, signs, nmit,

Fence strainers were used to tension the wire on farm fences.Fence strainerfence strainers, farm equipment

Donated by Stan McFee from the Keith McIlwraith Collection.Black & White Postcard of a man standing in front of house behind a shell fence."The Rose Series P. 4028" "The Shell Fence, Nobbies Road, Phillip Island."shell fence phillip island, phillip island, stan mcfee, keith mcilwraith collection

Three photographs donated by Edna Perrin.Three Black & White Photographs of Mr Moloney outside his decorated house and fence with shells, Summerland Peninsula, Phillip Island 1. Mr Moloney outside the shell decorated house wall. 2. Close up of the shell fence with a swan and two tennis rackets depicted. 3. Mr Moloney at the front gate. Fence was erected 1958 by M Moloney and A Robertson.On back of photos 1 & 3: Mr Moloney at his shell decorated fence.shell house summerland phillip island, mr moloney's shell house summerland, edna perrin

Fence strainers were used to tension the wire on farm fences. This strainer was used on the Partington property in Greensborough. Walkers Fence Strainers are advertised in the Tweed Daily (Murwillumbah, NSW) on Saturday 11 April 1914, page 1. A relic from Greensborough's rural past.Metal fence-wire strainer. Some rust.Stamped on side of item "WALKERS"fence strainers, partington family, farm equipment

Colour Photograph showing a miner cottage for sale, with an old wood and wire fence and rusty gateA Sign on the Fence Partially reads "For Sale Monaghan's Real Estate ( The rest of the sign is unclear)

Camp 13 view of two compounds and the dividing fenceBlack and white photograph of (l - r) huts, fence, compound dividing fence and barb wire, entanged. A pole with search light. Another path, fence and huts and large hall, possibly to become there hall in Murchison.camp 13

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. Photograph of a horse harness resting on a wooden fence.Catalogue number written on reverse in pencil Written in pen on reverse 'Working horse harness on post + rail fence Churchill Island Easter Festival 30/3/2013'churchill island, photograph

Photographs taken by Esther Winifred Hall (nee Smallpage) - great grand-daughter of Stephen George Henty. Taken in 1934 Centenary Celebrations in Portland.Black and white photograph showing stone building (church) in shade of tree with stone fence and iron gate in foreground. Crosses attached to roof of building.Front: (no inscriptions) Back: St. Stephens Church Portland. New fence erected for Centenary 1934.esther winifred hall, portland centenary, 1934, henty