Showing 106 items matching film making
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The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
... precursors to the development of modern photography and film-making... precursors to the development of modern photography and film-making ...Miners from Snake Valley lobbied the Victorian Government in 1855 to make land available for sale for farming purposes as an alternative occupation and income for people who wished to stay in the region but move away from gold mining. A secondary motivation was to increase the supply of fresh produce and decrease prices of items that otherwise needed to be transported from Melbourne or other regions. Forty-three country lots were initially offered in the Three Mile area, ranging in size from two to ninety acres and costing from £1 to £3 per acre. An additional eighty-five country lots were auctioned later in the year, in addition to many smaller suburban lots. More lots were offered than sold, initially, but this represented conditions of sale requiring the total purchase cost up front which many people interested in purchasing could not afford, especially as land purchased for farming would accrue substantial additional costs for clearing and labour before becoming productive. Further lobbying activities and the election of parliamentary members sympathetic to the cause took place through the 1850s. Ovens Parliamentary Member, Daniel Cameron, was re-elected in 1856 on a platform of surveying the land for public selection with deferred payment options. Land reform remained an issue in the area through the 1850s and early 1860s, impacting broader decisions in the new State of Victoria relating to voting rights, use of Crown land and the farming of land that wasn't always suitable for the purpose. This photograph depicts Beechworth in approximately 1900, after several waves of land sales resulted in increasingly levels of development. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and infrastructure in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a square-edged image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, indigo shire, north-east victoria, farming, squatters, miners, agriculture, land-clearing, land reform, daniel cameron, land sales, three mile, snake valley, tarrawingee -
The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
... precursors to the development of modern photography and film-making... precursors to the development of modern photography and film-making ...This image shows six older Chinese men standing in a row with two younger non-Chinese men outside a small wooden business or official building in the Beechworth region, circa 1900. The two non-Chinese men are wearing clothes of the period that indicate relative prosperity (such as three piece suits, top hats, and a pocket handkerchief), whereas most of the Chinese men are wearing Western-style working clothes of the era. One Chinese man at the far right of the image is wearing similar garments to the non-Chinese men, including a bowler hat and longer, more tailored suit jacket. Chinese miners were a significant cultural group in Beechworth's gold rush period. Carole Woods' history of Beechworth, 'A Titan's Field', details that there were approximately 60 Chinese people in the area in 1855, more than 1000 in 1856 and 4700 (a quarter of the population) in 1857, despite the introduction in 1855 of official policies such as additional taxes formulated by the Victorian Government to limit access by Chinese immigrants. Most Chinese miners in the region came from southern China and had formerly worked as merchants, mechanics, farmers and shop-keepers. Chinese people were subjected to a 'protectorate' system, ostensibly to minimise the potential for conflict with other groups; this system required Chinese people to live in designated 'hygienic' camps with paid Chinese headmen who supervised the village and enforced the protectorate's rules. Chinese people were required to purchase an annual protection ticket to fund this system. The protectorate system was abolished in 1861, before this image was taken in approximately 1900, but it may still provide insight into social stratification or relationships between and within cultural groups in Beechworth resulting from such practices. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and Woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's cultural and social relationships in the early Twentieth Century, in particular the experiences of Chinese miners. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a circular image printed on the front and framed in a black backing. It is held together by metals strips to secure the edges of the slide.burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, magic lantern, indigo shire, north-east victoria, nineteenth century, 1900s, twentieth century, emulsion slides, chinese, chinese miners, protectorate system, protection licence, immigration, racism, classism, social groups, cultural groups, taxes, hygiene camps -
The Beechworth Burke Museum
Photograph - Lantern Slide, c1900
... to the development of modern photography and film-making techniques.... to the development of modern photography and film-making techniques ...This lantern slide shows the Ovens District Hospital (also called the Ovens Goldfields Hospital) in Beechworth in approximately 1900. The Hospital was built as part of a community push to develop the infrastructure needed for a permanent town in the 1850s. At the time there was no hospital located between Melbourne and the NSW town of Goulburn and it was recognised that the nature of mining and agricultural work predisposed people to serious injury. The community voted in 1853 to raise funds for a hospital and a voluntary committee elected from people who contributed £2 or more annually determined the organisation's management policies, which aimed to provide care for poor people at rates levied according to the person's means. Ongoing operations of the hospital were primarily supported by Government grants, however. The foundation stone was laid at a site in Church Street at a ceremony held 1st September 1856 which was attended by 2000 people using a locally crafted trowel with a tin ore handle and pure gold blade. The hospital, which was designed by J.H. Dobbyn, cost £2347. The hospital had two wards, a dispensary, apartments for a resident surgeon and the matron, an operating theatre and a board room. Further medical facilities including services to meet the cultural and health needs of the local Chinese community were later added, in addition to a Palladian-style cut-granite face built in 1862-63. It functioned as the region's primary hospital until surpassed by the Wangaratta Hospital in 1910. In the 1940s much of the building materials were salvaged and repurposed, with the exception of the facade which was restored in 1963 by the Beechworth Lions Club and still stands today. The facade featured on the covers of local history volume 'Beechworth: a Titan's Field' by Carole Woods and heritage-focused travel guide the 'Readers Digest Book of Historic Australian Towns'. Lantern slides, sometimes called 'magic lantern' slides, are glass plates on which an image has been secured for the purpose of projection. Glass slides were etched or hand-painted for this purpose from the Eighteenth Century but the process became more popular and accessible to the public with the development of photographic-emulsion slides used with a 'Magic Lantern' device in the mid-Nineteenth Century. Photographic lantern slides comprise a double-negative emulsion layer (forming a positive image) between thin glass plates that are bound together. A number of processes existed to form and bind the emulsion layer to the base plate, including the albumen, wet plate collodion, gelatine dry plate and woodburytype techniques. Lantern slides and magic lantern technologies are seen as foundational precursors to the development of modern photography and film-making techniques.This glass slide is significant because it provides insight into Beechworth's built environment and infrastructure in the early Twentieth Century, around the time of Australia's Federation. It is also an example of an early photographic and film-making technology in use in regional Victoria in the time period.Thin translucent sheet of glass with a round-edged square image printed on the front and framed in a black backing. It is held together by metal strips to secure the edges of the slide.Obverse: Y /burke museum, beechworth, lantern slide, slide, glass slide, plate, burke museum collection, photograph, monochrome, ovens district hospital, indigo shire, north-east victoria, hospital, palladian architecture, granite, community fundraising, community infrastructure, j.h. dobbyn, beechworth lions club, ovens goldfields hospital, chinese community -
Clunes Museum
Photograph - PHOTOGRAPHS OF SPECIAL EVENTS
... OF MAKING THE FILM MAD MAX - MOTORBIKES PARKED IN FRONT OF SHOPS /3... WATCHING .2 TWO PHOTOGRAPHS OF MAKING THE FILM MAD MAX ....1 TWO PHOTOGRAPHS OF JAMES ESMOND FESTIVAL - PARADE IN FRASER STREET, PEOPLE LINED UP WATCHING .2 TWO PHOTOGRAPHS OF MAKING THE FILM MAD MAX - MOTORBIKES PARKED IN FRONT OF SHOPS /3 THREE PHOTOGRAPHS OF OPENING OF THE WAREHOUSE SHOWING THE OFFICIALSINCL. NEIL NEWITT AND THE PEOPLE OF CLUNES .4 TWO PHOTOGRAPHS OF FLOATS - A TRACTOR AND A TRUCK IN A PARADE. THE TRUCK IS THE FLOAT FROM THE BOWLING CLUBesmond festival, mad max filming, opening of warehouse, bowling club float -
Phillip Island and District Historical Society Inc.
Photograph, 1969
Photograph donated by Country Roads Board.Black & White Photograph showing the Official Opening of the bridge, November 21 1969. The Hon M. V. Porter MLA making a speech.local history, photography, photographs, slides, film, civil engineering, bridges, history of the phillip island bridge, black & white photograph, phillip island bridges -
Federation University Historical Collection
Handwritten document, Ballarat Junior Technical School - Records of raffle results - 1921, 09/09/1921 and 10/10/1921
Ballarat Junior Technical School opened in 1913. It was located at the Dana Street State School. As numbers grew a larger building was needed. Plans were drawn and a school built within the grounds of the School of Mines. Students started at this new school in 1921. It was officially opened on 9 September 1921 by Sir Alexander, resident of Creswick, local member for North Ballarat and the Minister for Education. He also opened the School Fair which coincided with the buildings ceremony. This was a fair on a grand scale and lasted two days and nights. Staff and students worked for weeks making articles for sale. A parent's committee led by Mr J Rogerson, a local police detective, had been organizing for months. Money raised funded the dodge-ball court, purchased a typewriter, a second-hand piano, an inter-room telephone system, an epidiascope and film projector. Four pages of lined paper showing handwritten results for raffles held at Ballarat Junior Technical Schhool in 1921. Pages held together with a dressmaker's pin.J Rogerson, official drawerballarat junior technical school, dana street primary school, ballarat school of mines, 1921, sir alexander, school fair, parent's committee, j rogerson, police detective, dodge-ball court, typewriter, piano, telephone system, epidiascope, film projector -
Australian National Surfing Museum
VHS Movie, MAD WAX, 1986 (estimated)
A comedy surf film featuring Tom Carroll, Kong Elkerton, Bryce Ellis, Mark Sainsbury, and Ross Clarke-Jones as the Wiz. The Wiz stumbles on an old book about making your own wax and mixes a batch which magically transports him and his friends to some of the world's best surf spots. Music by popular Australian band GANGgajangMAD WAX had a national theatrical release in 1987. The film was shown at surf clubs, pubs and other surf film related venues during this period. The film is significant for the surfers who appear in the film (2 time World Champion Tom Carroll) and the 'loose' narrative thread which was common place in many surf films during the eighties. The film features Mark Sainsbury a popular professional surfer from New South Wales who suddenly died of a brain anueryism on 6th AUgust 1992. The poster and cover art for the VHS case were done by noted Quiksilver designer/artist Peter Webb. MAD WAX had its World Premier at the Enmore Theatre, Enmore, New South Wales on Saturday 28th February, 1987. The screening was accompanied by a live performance by GANGgajang whose music appears on the film soundtrack.VHS Surf film released by Quiksilver in February 1987. Colour cover art featuring a colour photograph of Gary Elkerton, one of the stars of the film.QUIKSILVER Presents. Cover art by Peter Webb (Quiksilver) Quiksilver logo.surf, quiksilver, wax, gangajang -
Kiewa Valley Historical Society
VHS Video - Kiewa, Kiewa Compile, Date compiled 25th Nov. 1998
The construction and development of the Kiewa Hydro scheme showing its construction and the people in work and play during its duration. It also shows the development of Mt Beauty and Bogong townships. The films were used as News Reels, Tourist Information and Entertainment.This item provids a snap shot in time (1990) when the Kiewa Valley was still relatively under populated and holiday houses owned by city bound workers was still relatively insignificant. As more and more holiday makers retire to a small but friendly region(Kiewa Valley and Mount Beauty) the increase in visitor numbers will affect the local rural bush scene more and more. The changes that will occur (in time) can be measured against the scenes presented in this video. The additional resources provided by the State Electricity Commission of Victoria of "alpine bush" fire control and management, together with an ongoing educational scheme for school children in learning about what constitutes the Alpine country's unique environment, are a very important offshoot, benefitting to both the communities within the Kiewa Valley and regional Victoria.This VHS tape is stored within its own plastic cover which has a front side Titled "KIEWA in the MAKING". The VHS tape is nestled within a formed inner structure which not only prevents the tape from moving to and fro but also unnecessary intrusion of foreign particles. Titled "Kiewa Compile" with 4 short films titled 1. Kiewa in the making 2. Kiewa Capers 3. It only seems like yesterday 4. Kiewa.kiewa, hydro electricity, state electricity commission of victoria, construction towns, 1940s 1960s, mt beauty, bogong, falls creek, clover power station, mckay power station, bill sutton, news film, construction workers, early machinery -
Orbost & District Historical Society
black and white photograph, late 19th - early 20th century
this is a photograph taken at the original jetty at Tabbara on the Brodribb River used by Samuel Richardson who established his mill in 1882. There was a constant demand for timber to supply the growing townships of Orbost , Marlo and surrounds. It was at this mill that the original paddle steamer Curlip was built. More information in "Curlip" by May Leatch. Helena Warrem (1871-1962) was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert).This photograph is a pictorial record of a typical family activity in the late 19th - early 20th century in the Orbost area, The clothing and manners are reflective of that time, This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a family group seated on a wooden jetty. There is a man on the right with a fishing rod. A man is standing next to woman holding a teapot and cup and saucer. On the left a woman is sitting and holding a baby on her knee. The rest are sitting or kneeling with a picnic cloth spread in front of them. There are bottles, jars, plates and cups on the cloth. on back - "The Warren Family Tabara Jetty"tabbara-jetty warren-family-orbost recreation-picnic -
Orbost & District Historical Society
black and white photograph, first half 20th century
This photograph shows Ina Warren with Jack warren, Linda Warren and Cora Lynn. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a woman with three small children sitting in a pumpkin on water . There are small flags (Australian and British) at each end. On the pumpkin is "HMAS ORBOST".pumpkins-orbost warren-helena-photographer -
Orbost & District Historical Society
black and white photographs, Warren, Mrs H, early 20th century
This photograph shows Percy De Forest and his brother, Alfred of McLeod Street, Orbost. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,Two black / white photograohs of two small children sitting in a large pumpkin on water.on front - An Orbost Pumpkinpumpkins-orbost de-forest warren-helena-photography -
Orbost & District Historical Society
black and white photograph, Warren, Mrs H, first half 20th century
The photograph shows Linda Warren, Enid Eaton, Jim Trewin and Jim Nixon. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This photograph has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker,A black / white photograph of a young girl on a horse pulling a group of children in a large pumkin. On the side of the pumpkin is "HMAS ORBOST"pumpkins-orbost warren-helena nixon-jim trewin-jim warren-linda eaton-enid -
Orbost & District Historical Society
black and white photograph, Warren. Mrs H, late 19th century - early 20th century
This photograph is of Percy Nixon, son of James Nixon and Alice Roberts Percy Nixon married Evelyn Harding. The photographer was Warren, Helena (1871-1962) who was a self-taught photographer who became both the local press correspondent and a producer of humorous trompe l'oeil postcard images. Helena Warren was a thirty-two year old settler living on a small mixed farm with her husband, William, at Newmerella, near Orbost in Gippsland, Victoria, when she bought her first camera, an Austral Box quarter-plate. Her family says she was entirely self-taught, like many women photographers who started out with nothing but the instructions on the packets of film and chemicals. In over fifty years practice she graduated from the total novice, who opened all her first mail order plates in bright sunlight and ruined them, to a competent photographer who became both the local press correspondent and an inveterate producer of humorous trompe l’oeil postcard images. Helena Francis Warren (nee McKeown) was married to William John Warren and lived in Newmerella. She supplied the photos for the Back-To-Orbost celebration book in 1937 and also designed the Back-To-Orbost badge. She was known for her soft toy making. (by Ivy Rodwell in from Personalities and Stories of the Early Orbost District by Mary Gilbert). This item is associated with a prominent Orbost family. George Nixon was the son of James and Alice Nixon. The Nixon families were among the earliest settlers on the Snowy River. This photograph also has significance in its association with Helen Frances Warren, a popular Orbost identity who was well known as an accomplished photographer and needleworker.A black / white photograph of a young boy standing next to a very large pumpkin. His right arm is resting on the top.pumpkins-orbost warren-helena-photography nixon-percy -
Cheese World Museum
DVD, Heywood Cheese; an oral history on film
For many years the Heywood Cheese Factory was an important part of life for Heywood and district farming and a vital place of employment for up to 40 men and 10 women. The factory opened in 1939 as a subsidiary of the Portland Butter Factory before becoming a world renowned cheese making enterprise. It was felt important to document its history from the surviving factory workers, including dairy suppliers and milk truck drivers. We hear their stories of the long hours and hard work without penalty rates, travelling unsealed roads and mixed with their humour of the bygone days is an important acknowledgement of that era. [blurb on back cover]This oral history provides significant material relating to the dairy industry in south west Victoria during the mid 20th century. The interviews give first-hand recollections of the interviewees involvement in the industry from a point of view of factory workers, milk pick-up drivers and farmers.Full colour DVD cover has photograph of Heywood Cheese factory and photographs of girls with calves, milk cans on a truck and workers in the cheese room, superimposed on a photograph of dairy cows grazing in a paddock. The DVD has the photograph of the cows grazing in the paddock.Heywood Cheese/An oral history on film (front) For many years Heywood Cheese Factory was ... [see historical information] Edited by Garry Kerr for the Heywood Pioneer Wagon Shed/ Museum History Group who wish to gratefully acknowledge the/ support of the Victorian Government and Public Records Office/ Victoria for making this project possible. Duration: 70 minutesallansford, heywood, cheese factories, cheese manufacturing, dairying, cheese -
Kew Historical Society Inc
Journal, Kewriosity : November 1988
Science for everyone [Science Shop, Swinburne Institute] / p1. Obituary [Ron Gould, City Engineer] / p1. Dates for November / p2. The Great Australian Journey [Australian Bicentennial Exhibition] / p2. Christmas cards / p2. Commentary / Cr Allen Martin p3. Neighbourhood mediation / p3. New Council valuation / p3. For the film buff [Camberwell Film Society] / p4. Kew Opportunity Shop / p4. Finding your fete / p4. Neighbourhood Watch / p4. Advice Bureaus beat the information maze [Citizens' Advice Bureau] / p5. Willsmere objectives / p5. Notices / p5. Kew Community House [My gosh the year has flown] / Judy Price p6. 1989 Community Grants / p6. Update on Kew Emergency flat / p6. Woodlands Avenue Playgroup / p6. Sport and Recreation 'Come and try' Day / p7. Calling Your leaders [Kew Rotary Club] / p7. Stitch your way into history [Bicentennial Tapestry Project,, Kew Historical Society] / p7. Kew [Citizens'] Band Report /p7. Music in the Round [chamber music] / p7. Footy News [Kew Football Club] / p8. Kew Philharmonic Concert / p8. Bushwalker with community spirit / p8. Kew footy history [Ian Job] / p8. Bowls Notes [Kew Bowling Club] / p8. Keeping you informed / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionScience for everyone [Science Shop, Swinburne Institute] / p1. Obituary [Ron Gould, City Engineer] / p1. Dates for November / p2. The Great Australian Journey [Australian Bicentennial Exhibition] / p2. Christmas cards / p2. Commentary / Cr Allen Martin p3. Neighbourhood mediation / p3. New Council valuation / p3. For the film buff [Camberwell Film Society] / p4. Kew Opportunity Shop / p4. Finding your fete / p4. Neighbourhood Watch / p4. Advice Bureaus beat the information maze [Citizens' Advice Bureau] / p5. Willsmere objectives / p5. Notices / p5. Kew Community House [My gosh the year has flown] / Judy Price p6. 1989 Community Grants / p6. Update on Kew Emergency flat / p6. Woodlands Avenue Playgroup / p6. Sport and Recreation 'Come and try' Day / p7. Calling Your leaders [Kew Rotary Club] / p7. Stitch your way into history [Bicentennial Tapestry Project,, Kew Historical Society] / p7. Kew [Citizens'] Band Report /p7. Music in the Round [chamber music] / p7. Footy News [Kew Football Club] / p8. Kew Philharmonic Concert / p8. Bushwalker with community spirit / p8. Kew footy history [Ian Job] / p8. Bowls Notes [Kew Bowling Club] / p8. Keeping you informed / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Kew Historical Society Inc
Journal, Kewriosity : June 1987
[Bill Martin, Senior Citizen of the Year ]/ p1&3. Dates for June / p2. [Community] Notices / p2. Commentary [Australia's Bicentennial] / Cr Joe Ormando, Mayor p3. Margaret Sasse's Gym [Toddler Kindy Gymbaroo] / p4. Children's Services / Elizabeth Sullivan p4. [Jubilee] Fountain research tells / Kew Historical Society p5. New home service / p5. New hours [Kew Senior Citizen's Centre] / p5. Open House [ Kew Community House] / Judy Price p6. Film finales [Parenting film nights, St Hilary's Anglican Church] / p6. Immunise soon / p6. Brave Melissa [Golds] fights on two fronts / p7. Car thefts [Kew Neighbourhood Watch] / p7. [Muscular] Dystrophy contact / p7. [Kew] Library / p7. Footy News [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew PMs [Prime Ministers] / p8. Council Briefs / p8.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fiction[Bill Martin, Senior Citizen of the Year ]/ p1&3. Dates for June / p2. [Community] Notices / p2. Commentary [Australia's Bicentennial] / Cr Joe Ormando, Mayor p3. Margaret Sasse's Gym [Toddler Kindy Gymbaroo] / p4. Children's Services / Elizabeth Sullivan p4. [Jubilee] Fountain research tells / Kew Historical Society p5. New home service / p5. New hours [Kew Senior Citizen's Centre] / p5. Open House [ Kew Community House] / Judy Price p6. Film finales [Parenting film nights, St Hilary's Anglican Church] / p6. Immunise soon / p6. Brave Melissa [Golds] fights on two fronts / p7. Car thefts [Kew Neighbourhood Watch] / p7. [Muscular] Dystrophy contact / p7. [Kew] Library / p7. Footy News [Kew Football Club] / p8. Keeping you informed [Citizens' Advice Bureau] / p8. Kew PMs [Prime Ministers] / p8. Council Briefs / p8. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Koorie Heritage Trust
Book, Barwick, Diane et. al, Handbook for Aboriginal and Islander history, 1979
... and film-making David McDougall; Publishing your work Shirley ...Contents: Archaeology Isabel McBryde; Archives H.J. Gibbney; Artefacts and museums Carol Cooper, Isabel McBryde; Australian Institute of Aboriginal Studies Diane Barwick, Jane Forge, James Urry; Biography: writing a life story Diane Barwick, Nan Phillips, Tom Stannage; Censuses and other population records L.R. Smith; Court and police records: evidence for Aboriginal history Tom Stannage; Genealogy: tracing family history Diane Barwick, Diane Bell, Francesca Merlan; Government - Government publications on Aborigines Brownlee Kirkpatrick; Government committees and Royal Commissions David H. Bennett. Guardians of history - Aboriginal heritage and the Australian Heritage Commission Josephine Flood; Historical Societies Nan Phillips, Tom Stannage. Land rights - Land rights: recent events and legislation Anita Campbell, Diane Bell, Diane Barwick; Land rights: an introductory bibliography Nicolas Peterson. Language: resources for research Luise Hercus, Francesca Merlan; Libraries James Urry; Maps and mapping John von Sturmer; Missions: settlements, sponsors, sources of information James Urry; Music Alice Moyle; Newspapers Andrew Markus; Oral history interviewing Peter Read; Photographic records - Koorie studies: records of the South Coast Yuin walkabout Guboo Ted Thomas; Photographs old and new Colin Roach; Films and film-making David McDougall; Publishing your work Shirley Andrew, Diane Barwick; Sport: resources for research Michael Mace, Bill Rosser; Tape recording Bryan Butler; Torres Strait Islands: information available in Papua New Guinea Peter Bolger; War and Aborigines Hank Nelson; Women in Aboriginal society: resources for research Diane Barwick, Diane Bell.xv, 187 p. ; 25 cm.Contents: Archaeology Isabel McBryde; Archives H.J. Gibbney; Artefacts and museums Carol Cooper, Isabel McBryde; Australian Institute of Aboriginal Studies Diane Barwick, Jane Forge, James Urry; Biography: writing a life story Diane Barwick, Nan Phillips, Tom Stannage; Censuses and other population records L.R. Smith; Court and police records: evidence for Aboriginal history Tom Stannage; Genealogy: tracing family history Diane Barwick, Diane Bell, Francesca Merlan; Government - Government publications on Aborigines Brownlee Kirkpatrick; Government committees and Royal Commissions David H. Bennett. Guardians of history - Aboriginal heritage and the Australian Heritage Commission Josephine Flood; Historical Societies Nan Phillips, Tom Stannage. Land rights - Land rights: recent events and legislation Anita Campbell, Diane Bell, Diane Barwick; Land rights: an introductory bibliography Nicolas Peterson. Language: resources for research Luise Hercus, Francesca Merlan; Libraries James Urry; Maps and mapping John von Sturmer; Missions: settlements, sponsors, sources of information James Urry; Music Alice Moyle; Newspapers Andrew Markus; Oral history interviewing Peter Read; Photographic records - Koorie studies: records of the South Coast Yuin walkabout Guboo Ted Thomas; Photographs old and new Colin Roach; Films and film-making David McDougall; Publishing your work Shirley Andrew, Diane Barwick; Sport: resources for research Michael Mace, Bill Rosser; Tape recording Bryan Butler; Torres Strait Islands: information available in Papua New Guinea Peter Bolger; War and Aborigines Hank Nelson; Women in Aboriginal society: resources for research Diane Barwick, Diane Bell.australian aborigines, to 1979. historical sources. | aborigines, australian -- history. | genealogy. | torres strait islanders -- history -- sources. | aboriginal australians -- genealogy. | aboriginal australians -- history -- sources. | aboriginal australians -- history. | aboriginal australians -- history -- archival resources. | aboriginal australians -- history -- library resources. | aboriginal australians -- history -- bibliography. -
The Adam Lindsay Gordon Commemorative Committee Inc.
DVD, The Making of Old Mary's Ride- A Film Docudrama- Brenton Manser
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Plutarch Project
Film screening Log Book, Log Book, Collins late 1950's
Yiannoudes Family Film Memorabilia It is normally a time consuming and difficult task to accurately assess a collection’s significance to the primary criteria, however in the case of the “Yiannoudes Family Film Memorabilia” we have no hesitation of its high significance about its historic, social, rarity, interpretive, cultural and provenance to Australia, including the country side where most of this collection memorabilia visited. From January 1959 and until 1982, “Cosmopolitan Motion Pictures”, owned by Mr Peter Yannoudes (Παναγιώτης Γιαννούδης) and Mr Stathis Raftopoulos (Στάθης Ραφτόπουλος) travelled around Australia to entertain the Greek, Turkish, Indian and Yugoslav speaking population of Australia and provide a significant cinema culture. They travelled as far as Perth in WA, Adelaide in SA, Tasmania, Darwin in Nt, Canberra in ACT and Sydney and NSW. However they found themselves also in places like Berri and Renmark in NSW, where concentrations of migrants lived and thrived during the period. Initially they were travelling by train, carrying all their equipment by hand and placing them in boxes and suitcases. However after 1962 when they acquired their first automobile, travelling became less of a burden, nevertheless cumbersome and laborious. They carried with them initially two portable projectors (second one as a backup) and at times travelled with a third in order to ensure that technology will not be letting them down at the time of film projection. At times the films were projected onto a white sheet of cloth because there was no proper screen to project it on at the venue they were using. Mr P. Yiannoudes has also published a book in October 2010, titled “Greek Cinema Across Australia – Behind the Scenes”. The book was published in two languages, English and in Greek. Details about the launch can be found on the Diasporic Literature Spot website at this address (in the Greek language) http://diasporic.org/ellinika/biblia/greek-films-in-australia/. His book is devoted to those with whom he co-operated in order to bring for the first time Greek language films into Australia. Their names are: Stathis Raftopoulos, Andreas Papadopoulos, Andreas Katopodis, Theodoros Kanellopoulos, Michael Ioannou, Fotis Hatzipavlides, Kostas Vrahnas, Evaggelos Terpenos, Dionysis Lourantos, Dimitris Georgiou, Vasilis Florias and Jim Gragie. All businessmen with the right entrepreneurial spirit to be the first and to make their mark in the making of cultural Australia. Mr P. Yiannoudes a Cypriot by descent born in the town of Vouni, a village in the area of Lemesos. In Lemesos he learned the first few things about cinema which would help him in all his later life. He migrated to Australia in 1956 has been a prominent member of the Greek & Cypriot Communities in Melbourne for many decades. He has been President of the Cypriot Community, President of Federation of Cypriot Communities in Australia (for 18 years), President of SEKA (for 26 years) and highly regarded member of the Greek-Cypriots Diaspora since he also has been Vice-President of the Global Federation of Cypriots of Diaspora for 18 years. Mr P. Yiannoudes is now working on creating a small museum of these pieces in the back of the Westgarth Theatre with the help of the Plutarch Project and …. In this collection numbering hundreds of items, we will try and capture some of the glory that was the Greek film industry in Australia for 23 years between 1959 and 1982. “Cosmopolitan Motion Pictures” also owned a large number of cinemas in Melbourne, the National Theatre in Richmond, the Westgarth Theatre in Northcote (which is still owned by the Yiannoudes family today), Sun Theatre in Yarraville, Kinema in Albert Park, Empire Theatre in Brunswick, Paramount Theatre in Oakleigh, Globe Theatre in Richmond, Galaxy Theatre in Brunswick and the Cosmopolitan Theatre in Brusnwick. At the same time they were hiring other theatres for film projections. They were the Astor Theatre in St. Kilda, Victoria Theatre in Richmond, Sunshine Theatre in Sunshine. Apart from Melbourne they were using the Pantheon Theatre in Adelaide, the Norwood Town Hall in Adelaide, the Shepparton Town Hall in Shepparton, the Premier Theatre in Perth, the Rivoli Theatre in Berri and the Renmark Theatre in Renmark. The number of films shown around Australia were over 1500 in total whilst about 1218 of them were in the Greek language. Other languages shown were in Turkish (about 150 films), Yugoslavian (about 100 films), English, French, German, Swedish, Dutch language films. “Cosmopolitan Motion Pictures” was the first company to bring Swedish and Dutch films to Australia. They also showed Martial Arts films for the first time in Australia in 1975 at the Galaxy Theatre in Melbourne. However one of the most significant pieces that tell the story with places and dates is the Show Logbook. The Show Logbook has a large number of stories to tell. It is still intact and in fair condition after all these years of travelling around Australia. It is categorised with an alphabetic index on the right by film title. Greek, Indian, Turkish and Yugoslav language film titles adorn its pages alongside the place where they were first shown, the towns and cities they visited and the dates for each one. It is an extremely significant part of history of the settlement of migrants in Australia. This Log Book is of Primary Significance to the "Cosmopolitan Motion Pictures" and the Yiannoudes family film memorabilia collection. It has a Historic, Social, Provenance and Rarity significance for the settlement of migrants in Australia and the entertainment industry.This is the Log Book, manually updated and used by "Cosmopolitan Motion Pictures" for films shown in different parts of AustraliaCollins Stock Records Booklogbook, films, shown, cultural, language, greek, australia, γιαννούδης, κατάσταση, yiannoudes -
Tatura Irrigation & Wartime Camps Museum
Theatre Program, Internierungslager Tatura 1, 24/12.1940
... , and the making available of movie films and musical instruments. ...Indicate life and interest of German male civilians who were held in internment during /world War 2. The names of several internees involved in the production are included. A unique document saved by the family for many years, and which illustrates the methods undertaken by the internees in order to improve their life while imprisoned. Also illustrates the help offered to the internee by the Australian Authorities, viz the use of office equipment to print the program, and the making available of movie films and musical instruments. Original paper program, printed on two sides.nil -
Kew Historical Society Inc
Journal, Kewriosity : July 1984
Street trees in Kew [Carol Frank-Mas & Associates, Landscape Architects Report] / p1. Community [Gamblers Annymousl Action Programme; Save the Children Fund; Kew Garden Club; Native Plant Group; Kew Baptist Church; Hyde Park Fellowship; Film afternoon; Toy Library; Kew Junction Traders - advertising] / p2. Raoul Wallenberg Gardens / p3. Kew Recreation Centre / p3. Kew Historical Society / p3. Kew Community House / p4. Youth Pages [New Youth Centre for Kew; Unemployed? / p5. International Youth Year 1985 [What is it? So..., In Kew! Plans] / p6-7. [Youth] Talkback / p7. Things to do in Kew [&] A bit further afield [Kew Drop-in; After school activities; The Gap; Teen Club; Community House] / p8. Mayoral Comment - "Villa Alba" / Cr Jill O'Brien [Mayor of Kew] / p9. Community Directory updates / p9. Sahara Yoga [Centre] / p10. Community artists / p10. Highbury Grove Playgroup / p10. Kew Senior Citizens' Centre / p10. Powerlines and street trees / p11. Kindergarten enrolments / p11. Immunisation sessions / p11. Roadworks / p11. Drivers needed [Kew Community Bus] / p11. Domestic noise / p11. C.A.B. [Citizens' Advice Bureau] / p11. Kew (Daytime) Garden Club / p11. Kew people for nuclear disarmament / p11. H.K.C. Activities Centre / p11. Children's Services in Kew [Occasional Care Centre; Children's Services Officer; Full-Time Day Care Centre; Three Year Old Kindergarten; After School Programme; Extended Hours Kindergarten] / p12.Kewriosity was a local newsletter combining Kew Council and community news. It was published between November 1983 and June 1994, replacing an earlier Kewriosity [broad] Sheet (1979-84). In producing Kewriosity, Council aimed to provide a range of interesting and informative articles covering its deliberations and decision making, together with items of general interest and importance to the Kew community and information not generally available through daily media outlets.non-fictionStreet trees in Kew [Carol Frank-Mas & Associates, Landscape Architects Report] / p1. Community [Gamblers Annymousl Action Programme; Save the Children Fund; Kew Garden Club; Native Plant Group; Kew Baptist Church; Hyde Park Fellowship; Film afternoon; Toy Library; Kew Junction Traders - advertising] / p2. Raoul Wallenberg Gardens / p3. Kew Recreation Centre / p3. Kew Historical Society / p3. Kew Community House / p4. Youth Pages [New Youth Centre for Kew; Unemployed? / p5. International Youth Year 1985 [What is it? So..., In Kew! Plans] / p6-7. [Youth] Talkback / p7. Things to do in Kew [&] A bit further afield [Kew Drop-in; After school activities; The Gap; Teen Club; Community House] / p8. Mayoral Comment - "Villa Alba" / Cr Jill O'Brien [Mayor of Kew] / p9. Community Directory updates / p9. Sahara Yoga [Centre] / p10. Community artists / p10. Highbury Grove Playgroup / p10. Kew Senior Citizens' Centre / p10. Powerlines and street trees / p11. Kindergarten enrolments / p11. Immunisation sessions / p11. Roadworks / p11. Drivers needed [Kew Community Bus] / p11. Domestic noise / p11. C.A.B. [Citizens' Advice Bureau] / p11. Kew (Daytime) Garden Club / p11. Kew people for nuclear disarmament / p11. H.K.C. Activities Centre / p11. Children's Services in Kew [Occasional Care Centre; Children's Services Officer; Full-Time Day Care Centre; Three Year Old Kindergarten; After School Programme; Extended Hours Kindergarten] / p12. publications -- city of kew (vic.), kewriosity, council newsletters, community newsletters -
Federation University Historical Collection
Pamphlet, University of Ballarat Australian Studies Centre, University of Ballarat Conference Pamphlet, December 1999
... -Russell' * Professor Bob Reece - 'The making of the Eureka Film... Bob Reece - 'The making of the Eureka Film' * Edward O'Reilly ...A conference in memory of Kevin Livingston to celebrate the role the Irish in Ballarat played in the formation of the nation..1) Light green tri-folded A4 pamphlet .2) Program for the 'Through Irish Eyes' Conference, A conference held in memory of Associate Professor Kevin T. Livinsgston by the University of Ballarat Australian Studies Centre, 3-5 December 1999. Speakers were: * Anne Beggs Sunter - 'irish Republican Echoes at Eureka * Jill Blee - 'Portrait of a Ballarat Irishman/woman * Dianne (Leonard) Cahir - 'The Irishness of Dunnstown * Dianne Campbell - Sir Henry Cuthbert * Dermot Clancy - Colonial Clergy - All Hallows College and the Australian Mission in the 19th Century. * Anne Cunningham - Dom bernard Smith's Australian Mission * Mella Cusack - Relations between the Young Irelanders and the Catholic Clergy in Australia * John Daykin - He that is Not With Me is Against Me: The Role of the Irish in the Defeat of conscription, Ballarat 1916-1917 * Dr Frances Devlin Glass - '[T]ouches of nature that make the world kin: Furphy, Race and Anxiety' * Helen Kinloch - Bernard O'Dowd,, and dreams of a Golden age in Australia' * Associate Professor Rederic Lacey - 'Exploring Pathways Towards reconciliation Through Encountering Our Shared Histories' * Dymphna Lonergan - 'Sounds Irish' * Dr David Lucy - ' Remarks on the Decline of Irish Language' * Patrick McCormack - The Irish Factor in the Campaign for Federation in New South Wales * Siobhan McHugh - 'In Search of Soul: One Irishwoman's Journey in Australia' * Ken Mansell * Dr Val Noone - 'the Irish in collingwood 1860-1900: Family Tree Meets historical Record * Ambassador Richard Anthony O'Brien * Terrence O'neill-FitzSimons - "Francis Thomas Cusack-Russell' * Professor Bob Reece - 'The making of the Eureka Film' * Edward O'Reilly - 'John Boyle-O'Reilly: Journeys and Monuments * Dr Chris Watson - 'Around the Boree Log and the identity of Irish Australians' * Dorothy Wickham - 'Saints or Sinners?: The Influence on Ballarat's Female refuge by Irish Women' * Christine Wright - 'A Stately Landmark: Adam Loftus Lynn .3) newspaper article on the conference from The Courier, 06/12/1999 - 'Irish Celebrate Their Role in City'Black print on light green paperaustralian studies, university of ballarat, kevin livingston, mt helen campus, "through irish eyes", jill blee, david james, rod lacey, val noone, dianne campbell, christine wright, terence o'neill-fitzsimons, helen kinloch, diane cahir, dorothy wickham, edward reilly, mella cusack, anne beggs-sunter, patrick mccormack, anne cunningham, shane carmody, dermot clancy, francis devlin-glass, chris watson, david lucy, dymphna lonergan, richard o'brien, bob reece, peter kennedy, gough whitlam, australian studies, university of ballarat, kevin livingston, mt helen campus, "through irish eyes", jill blee, david james, rod lacey, val noone, dianne campbell, christine wright, terence o'neill-fitzsimons, helen kinloch, diane cahir, dorothy wickham, edward reilly, mella cusack, anne beggs-sunter, patrick mccormack, anne cunningham, shane carmody, dermot clancy, francis devlin-glass, chris watson, david lucy, dymphna lonergan, richard o'brien, bob reece, peter kennedy, gough whitlam -
Federation University Historical Collection
Film Strips, Boot Repair Filmstrips
These film strips were most probably used at the Ballarat School of Mines. A filmstrip is one of the projective audio visual that a fixed sequence related still on a roll of 35 mm film.Six Film Strips in tin canisters relating to shoe repair.film strips, shoe repair, boot making, vocational training, repatriation, trades -
Eltham District Historical Society Inc
Photograph, Clearing land for Le Pine Funeral Home, cnr York Street and Main Road, Eltham, c.March 1998, 1998
Newsletter No. 116, September, 1997 846-848 MAIN ROAD ELTHAM Nillumbik Shire Council has granted a permit for a funeral parlour on land which includes this site at the corner of Main Road and York Street. The site contains an architect's office in a building which was formerly a shop and dwelling dating from the 1920's. The proposal requires demolition of this building which is one of the few remaining old shops which formed the rather spread out "town centre" of Eltham. Prior to making its decision the Council obtained a report from Graeme Butler and Associates, the heritage consultants who carried out Stage 1 of the Nillumbik Heritage Study. The report summarized the historical significance as follows:- "This brick comer shop with associated residence has potential local historical significance as a late 1920's grocer's shop, now much altered and one of only a few shops of that era left in Eltham's Main Road. This significance is qualified by the many changes. The other examples are better preserved and still function as shops." With this type of expert advice it is difficult to make a strong case for preservation of the building although, of course, it is a shame to see it demolished. The report includes details of the site itself and its history based on research carried out by Carlotta Kellaway. The building dates from the late 1920's when it was owned by C.R. Nicholls. From the early 1930's it was Charles Cockroft's grocery shop and he also ran a grain store there. According to his daughter, Edna Brown, he delivered groceries around the district taking his truck as far as Kangaroo Ground. In 1950 he shifted to Traralgon. Since then several different businesses have operated from the site including a bottle merchant and produce store. Conversion to the present office use involved alterations to the shop front and rebuilding the galvanized iron store at the rear. Newsletter 119 March 1998 In our Newsletter No. 116 it was reported that the former shop on the comer of Main Road and York Street, Eltham was to be demolished as part of a funeral parlour development. If you have passed the site recently you will have noticed that it has now been demolished - another part of the old Eltham township has disappeared.Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6a.r. warren, eltham feed store, le pine funeral home, main road, york street, c.r. nicholls, charles cockcroft, grocery store -
Eltham District Historical Society Inc
Photograph, Clearing land for Le Pine Funeral Home, cnr York Street and Main Road, Eltham, c.March 1998, 1998
Newsletter No. 116, September, 1997 846-848 MAIN ROAD ELTHAM Nillumbik Shire Council has granted a permit for a funeral parlour on land which includes this site at the corner of Main Road and York Street. The site contains an architect's office in a building which was formerly a shop and dwelling dating from the 1920's. The proposal requires demolition of this building which is one of the few remaining old shops which formed the rather spread out "town centre" of Eltham. Prior to making its decision the Council obtained a report from Graeme Butler and Associates, the heritage consultants who carried out Stage 1 of the Nillumbik Heritage Study. The report summarized the historical significance as follows:- "This brick comer shop with associated residence has potential local historical significance as a late 1920's grocer's shop, now much altered and one of only a few shops of that era left in Eltham's Main Road. This significance is qualified by the many changes. The other examples are better preserved and still function as shops." With this type of expert advice it is difficult to make a strong case for preservation of the building although, of course, it is a shame to see it demolished. The report includes details of the site itself and its history based on research carried out by Carlotta Kellaway. The building dates from the late 1920's when it was owned by C.R. Nicholls. From the early 1930's it was Charles Cockroft's grocery shop and he also ran a grain store there. According to his daughter, Edna Brown, he delivered groceries around the district taking his truck as far as Kangaroo Ground. In 1950 he shifted to Traralgon. Since then several different businesses have operated from the site including a bottle merchant and produce store. Conversion to the present office use involved alterations to the shop front and rebuilding the galvanized iron store at the rear. Newsletter 119 March 1998 In our Newsletter No. 116 it was reported that the former shop on the comer of Main Road and York Street, Eltham was to be demolished as part of a funeral parlour development. If you have passed the site recently you will have noticed that it has now been demolished - another part of the old Eltham township has disappeared.Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6a.r. warren, eltham feed store, le pine funeral home, main road, york street, c.r. nicholls, charles cockcroft, grocery store -
Eltham District Historical Society Inc
Photograph, Clearing land for Le Pine Funeral Home, cnr York Street and Main Road, Eltham, c.March 1998, 1998
Newsletter No. 116, September, 1997 846-848 MAIN ROAD ELTHAM Nillumbik Shire Council has granted a permit for a funeral parlour on land which includes this site at the corner of Main Road and York Street. The site contains an architect's office in a building which was formerly a shop and dwelling dating from the 1920's. The proposal requires demolition of this building which is one of the few remaining old shops which formed the rather spread out "town centre" of Eltham. Prior to making its decision the Council obtained a report from Graeme Butler and Associates, the heritage consultants who carried out Stage 1 of the Nillumbik Heritage Study. The report summarized the historical significance as follows:- "This brick comer shop with associated residence has potential local historical significance as a late 1920's grocer's shop, now much altered and one of only a few shops of that era left in Eltham's Main Road. This significance is qualified by the many changes. The other examples are better preserved and still function as shops." With this type of expert advice it is difficult to make a strong case for preservation of the building although, of course, it is a shame to see it demolished. The report includes details of the site itself and its history based on research carried out by Carlotta Kellaway. The building dates from the late 1920's when it was owned by C.R. Nicholls. From the early 1930's it was Charles Cockroft's grocery shop and he also ran a grain store there. According to his daughter, Edna Brown, he delivered groceries around the district taking his truck as far as Kangaroo Ground. In 1950 he shifted to Traralgon. Since then several different businesses have operated from the site including a bottle merchant and produce store. Conversion to the present office use involved alterations to the shop front and rebuilding the galvanized iron store at the rear. Newsletter 119 March 1998 In our Newsletter No. 116 it was reported that the former shop on the comer of Main Road and York Street, Eltham was to be demolished as part of a funeral parlour development. If you have passed the site recently you will have noticed that it has now been demolished - another part of the old Eltham township has disappeared.Roll of 35mm colour negative film, 6 strips Also photographic prints 10 x 15 cmKodak Gold 200-6a.r. warren, eltham feed store, le pine funeral home, main road, york street, c.r. nicholls, charles cockcroft, grocery store -
NMIT (Northern Melbourne Institute of TAFE)
Video recordings: Instructional NMCOT and NMIT 1980s
U-Matic Video recordings (Master tapes) mostly dated in the 1980s. Alphabetically: A house of all trades [No date] (14 min). An Introduction to floor managing An introduction to floor managing. Architrave: running the mould. Solid plastering. [No date] (17 min). Boom spray calibration (turf management). [No date] (6 min). Drafting. Module C51 Step no 4.(footwear) (1987) [No time] (Edit master) Fibrous plastering (1988) (Duration 11.00) Firm foundations: presenting a case for finance (21 min) Flux cored arc welding. Roof plumbing: fitting outlet. Friction in engineering (20 min). Grafting and budding techniques. (1986) (Duration 10.00) Horticultural courses at Collingwood College of TAFE. [No date] (10 min). Making a hand made thread. [No date] [No time] Making a hand-made thread Manual metal arc welding [No date] (24 min). Master saddlery; stitching: 1 saddle, 2 back. Microphones and their use in location sound recording [No date] [No time] Microphones and their uses in location sound recording Mold cutting [No date] [No time] Plain sailing: a film about business planning (20 min). Potentiometers, Part 1. (1983)(16 min). Preparation of artwork for video tape production (1977)(162 min). Preparation of instructional video tapes (1977)(12 min). Roof plumbing: fixing eaves cutters: Part 1 – fixing methods. [no time] Saddlery: hand stitching Safe saddle making. (1985) [No time] Solid plastering/Setting in Plaster and lime (1987) (Duration 10.00) (Edit master) Special electronic effects in video production. [No date] [No time] Splitting a stone using plugs and feathers [No date, possibly 1987] (Duration 9.40) (Master edit) The necessary art; videotape lighting: practical tips. (1974)(15 min). Tiling a staircase (1987) (Duration 25.00) (master edit) Water resistant board (W.R. Board): What is a word processor (26 min). WR Board northern metropolitan college of tafe, handbooks, nmit -
Clunes Museum
Photograph, UNKNOWN
.1 15 X COLOUR PHOTOGRAPHS OF THE PREPARATION AND FLIMING OF THE NED KELLY MOVE 2002 IN FRASER STREET, CLUNES VICTORIA .2 VHS TAPE OF THE MAKING OF THE NED KELLY FILM CONTAINED IN CARDBOARD COVER .2 5/02 MAXELL GX POWER TAPE SPECIAL ned kelly film, film production, filmed at clunes vic -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Locomotive R761 and Bicentennial Train 3801 departing Wodonga, 16 October 1988
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Locomotive R761 with Driver Norm Depomeroy and Fireman Steve Gibson running in parallel with the Bicentennial Train hauled by Locomotive 3801 with Driver Fred Rochow and Fireman David Brown. Locomotive R761 - The R761 arrived in Victoria on the 28th February 1952 upon the ship ‘Helenus’ and entered service on the 9th April 1952. R761 spent long periods in storage and occasionally saw service until it was withdrawn. In 1970 R761 was overhauled and was made available for use on special trains. It became the final R class to run in VR service on the 5th September 1974, ending 120 years of mainline steam operation in Victoria. After years of debate about its future, on the 30th March 1985 the loco was officially returned to service, hauling special trains to celebrate the years of steam locomotives. Locomotive 3801 was built by Sydney company The Clyde Engineering Co. Ltd., Granville in 1943 as the first of five streamlined (C) 38-class locomotives for the New South Wales Government Railways’ top-link express passenger duties. The delivery of 3801 was much delayed due to wartime labour & material shortages, together with competing wartime construction priorities. After many years of service, 3801 had been scheduled for withdrawal in 1962 due to deteriorating mechanical condition, but rail enthusiasts raised sufficient funds to cover the cost of its overhaul. 3801 joined the collection of the New South Wales Rail Transport Museum (NSWRTM), Enfield on withdrawal from NSWGR service and continued in operation as a tour locomotive. It hauled the “Western Endeavour” on the first crossing of the Australian continent by a standard gauge train from Sydney to Perth and return in August – September 1970. 3801 also stars in the railway film ‘A Steam Train Passes’ made by Film Australia in 1974 By 1976 had been withdrawn from service due to poor boiler condition and placed on static display by the Rail Transport Museum in Thirlmere, NSW. The Locomotive remained in Thirlmere until 1983 when it was decided it should be restored for the Australian Bicentenary in 1988. A new organisation was created specifically for the purpose of operating 3801, and thus 3801 Limited was incorporated on 5th June 1985. Work on the locomotive was completed after three years, with 3801 making its debut at a special Railway Ball hosted in its honour on 29th November 1986. During the Australian Bicentenary celebrations in 1988, it operated an extensive program across Australia visiting every mainland capital accessible by rail including an appearance at AusSteam ’88 in Melbourne in October 1988, stopping over in Wodonga on the way. After the company’s 20-year lease on the locomotive expired in 2006 Railcorp chose not to extend the agreement, and the locomotive returned to the Rail Transport Museum at Thirlmere (now the NSW Rail Museum). 3801 was withdrawn from service in 2007 for major boiler repairs. Locomotive 3801 was officially relaunched at Sydney's Central Station on Friday 12 March 2021 by Her Excellency, the Honourable Margaret Beazley AC QC, Governor of New South Wales.On front of locomotive on the left "STEAMRAIL /R761". On front of locomotive on the right "BICENTENNIAL TRAIN/3801" railways wodonga, fred rochow, locomotive r761, bicentennial train, locomotive 3801 -
Wodonga & District Historical Society Inc
Photograph - Fred Rochow Railways Collection - Bicentennial Train Locomotive 3801, 29 October 1988
The Fred Rochow Railways Collection incorporates photos related to the operation of the Wodonga Railway Station including different types of trains and railways staff C. 1930 – 1990. It was donated to the Wodonga Historical Society by Fred Rochow, a railwayman who spent many years based in Wodonga. He joined the Victorian Railways on 17th June l947 and retired in 1988. For some time, he was a member of the Australian Federated Union of Locomotive Enginemen and served a term as a member of the Trades Hall Council. He had an extensive knowledge of the struggles that took place to achieve better conditions for railway workers. Fred worked for many years as a fireman and then worked his way up the ranks to driver, experiencing many changes from the days of steam locomotives through to diesel trains, locomotives and even the modern XPT train. He worked throughout Victoria at different stages of his career, with his final working years focused on the northeast of Victoria and the Albury to Melbourne line. After his retirement, Fred continued to share his love of steam miniature trains with the community.This collection has local and statewide significance as it captures images of trains, locomotives and personnel who operated the railway services in Wodonga and throughout Northeast Victoria. The railways played a critical role in opening up Victoria and connecting Australia for trade, business, social communication and transport.Bicentennial Train hauled by Locomotive 3801 passing through Wodonga. Locomotive 3801 was built by Sydney company The Clyde Engineering Co. Ltd., Granville in 1943 as the first of five streamlined (C) 38-class locomotives for the New South Wales Government Railways’ top-link express passenger duties. The delivery of 3801 was much delayed due to wartime labour & material shortages, together with competing wartime construction priorities. After many years of service, 3801 had been scheduled for withdrawal in 1962 due to deteriorating mechanical condition, but rail enthusiasts raised sufficient funds to cover the cost of its overhaul. 3801 joined the collection of the New South Wales Rail Transport Museum (NSWRTM), Enfield on withdrawal from NSWGR service and continued in operation as a tour locomotive. It hauled the “Western Endeavour” on the first crossing of the Australian continent by a standard gauge train from Sydney to Perth and return in August – September 1970. 3801 also stars in the railway film ‘A Steam Train Passes’ made by Film Australia in 1974 By 1976 had been withdrawn from service due to poor boiler condition and placed on static display by the Rail Transport Museum in Thirlmere, NSW. The Locomotive remained in Thirlmere until 1983 when it was decided it should be restored for the Australian Bicentenary in 1988. A new organisation was created specifically for the purpose of operating 3801, and thus 3801 Limited was incorporated on 5th June 1985. Work on the locomotive was completed after three years, with 3801 making its debut at a special Railway Ball hosted in its honour on 29th November 1986. During the Australian Bicentenary celebrations in 1988, it operated an extensive program across Australia visiting every mainland capital accessible by rail including an appearance at AusSteam ’88 in Melbourne in October 1988, stopping over in Wodonga on the way. After the company’s 20-year lease on the locomotive expired in 2006 Railcorp chose not to extend the agreement, and the locomotive returned to the Rail Transport Museum at Thirlmere (now the NSW Rail Museum). 3801 was withdrawn from service in 2007 for major boiler repairs. Locomotive 3801 was officially relaunched at Sydney's Central Station on Friday 12 March 2021 by Her Excellency, the Honourable Margaret Beazley AC QC, Governor of New South Wales.On front of locomotive Australia Bicentennial logo and sign "BICENTENNIAL TRAIN/3801" railways wodonga, fred rochow, locomotive r761, bicentennial train, locomotive 3801