Colour photographs of Flanders Poppies grown in Ballarat.poppies, flanders poppies, garden, ballarat, world war one, remembrance, mmm

This book was part of a large group of books referred to as the Pattison Collection, which belonged to the Warrnambool Public Library, part of the Warrnambool Mechanics’ Institute. About RALPH ERIC PATTISON and the ‘PATTISON COLLECTION’ The ‘Pattison Collection’ is a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the WMI was led to ask the City Council to take it over in 1911 due to lack of financial support. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Public Library as it was then called. Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 when Pattison accepted the position as City Librarian for the Warrnambool City Council his huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower areas of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave from 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However, he continued to take a very keen interest in the continual development of the Library until his death in 1969. THE NEW WARRNAMBOOL LIBRARY When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Pattison. Eventually, the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. A Dog of Flanders Author: Ouida - Maria Louise Ramé Publisher: George Robertson Date: 1873 The label on the spine cover with typed text 843 Front loose endpaper has a stamp from Corangamite Regional Library Service The Flyleaf has the name "Louise Ranie" written in blue ink. Pastedown front endpaper has a sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, a dog of flanders, ouida, maria louise ramé, marie louise de la ramée

Music book, white paper with black printed harp that encloses the text. Headed Allan Edition - Song titles: "The Rose of Flanders", Waltz, & "I'm Sorry Sally", Fox-trot, for orchestra. Published by Allan & Co. Melbourne

CEMA Art Collection Winner of 1968 Portland Art Society Prize for the category of other media.The painting is an abstract depiction of a field which is predominantly yellow with patches of red. The largest red patches are in the lower right corner and centre left side. Another focus point of the work is a large yellow mound slightly off centre which may represent a haystack. The background is a light blue sky. The work has a painted wooden frame with material mount and glass covering only the paint surface.Front: Huntington (signature, lower left) Back: ISABEL HUNTINGTON "POPPIES IN FLANDERS FIELD" (1968) (typed label) Yellow Sticker: 1968-cema, portland artists society, wwi

A document that relates the origins of the Flanders Field poem by John McCrea and the origin of the Poppy Appeal. The photocopy is page 92 from N'Oublions Jamais L'Australie (Never forget Australia) - Australia and Villers-Bretonneux 1918-1993. It was published by the Villers-Bretonneux 75th Anniversary Pilgrimage Project Committee in 1994. Document was from a folder of documents donated to the archive by Legatee Bill Rogers that related to his time as President (March 2006 - March 2008) or as a legatee.A record that the origin of the poem was significant to the Legatees that this page was collected by Bill Rogers in 2007.One A4 page about of the significance of poppies copied from a book.Top right is printed N'Oublions Jamais L'Australie.tradition, poppy appeal

An interesting article from the Digest of World Reading about Canadian John McCrae and his famous poem "In Flanders Field". It tells of his war service and how the poem was published in Punch on 8 December 1915. He was in the medical service when he succumbed to pneumonia in January 1918. The journal article was sent to the Legacy Co-Ordinating Council who sent it to the archive. The notation H25 in red pen shows that it was part of the archive project that was trying to capture the history of Legacy. Collected by an earlier archive committee which shows the poem was important to the Legatees. The poem was the inspiration for the torch emblem of Legacy.White A4 photocopy x 3 pages of an article published in 1960 and a letter on Legacy Co-ordinating Council letterhead from 1969.Handwritten H25 in red pen. Letter signed PW Danby, Hon. Secretary of the Legacy Co-Ordinating Council.history, world war one, poem

A memo from Legatee Frank Doolan about the poem In Flanders Field and the discussion about the correct wording. There was some discussion about whether it was 'poppies blow' or 'poppies grow'. The article was from 'The Star Weekly' of Toronto about the John McCrae poem. The poem is significant for legacy as the final verse mentions the torch that is used in the Legacy logo. The article was part of an album of past presidents from 1965 to 1989. The folder included biographical details and obituaries, eulogies and death notices of prominent Legatees. The items have been catalogued separately.Details about the poem that inspires the torch symbol of Legacy. The information was collected to record the lives of prominent legatees in a folder.Photocopy of an article in 'The Star Weekly' of Toronto and a memo dated 7/8/1973 from Legatee Frank Doolan about the article.poems, torch

Photocopy of an article in the 'You asked us' section about 'Flanders Fields, and the man who wrote it' published in The Toronto Star 13 November 1971. The article discusses the controversy surrounding the wording of the first and penultimate lines and claims that poet John McCrae originally originally wrote 'grow' but changed it to 'blow' when asked to by the editors of 'Punch'. The photocopy of the article was supplied by Legatee Ken Rabling. Legatee Frank Doolan signed the note he wrote to accompany the photocopy and dated it 7/8/73. An item from Legatee Frank Doolan, who was on the archive committee and made attempts to collate the history of Legacy. An example of the ongoing controversy surrounding the disputed wording. The poem 'In Flanders Field' was the inspiration for the torch of the Legacy Badge with McCrae's call to the reader to take up The Torch, as the organisation did by looking after the widows and families of fallen soldiers.01302.1 Handwritten signed note in blue ball point, address stamped in black. 01302.2 Photocopy of a page from 'The Star Weekly', Toronto, Canada dated 13 November 1971.01302.1 Top right hand side 'Box 16'poem, history

A guide to some of the historic buildings in Bendigo, Victoria.180 p., illus.bendigo

Red buckram hard cover, gold text on cover. Black text in book, 243 pages.books, military history

Print of the poem with a colour image of poppies above the textflanders field, poppies, ww1, poem

This canvas pennant was produced by the KAJ Falnders and given to participants on the 'pilgrimage' to Rome in 1957, for the first gathering of the International Young Christian Workers. YCWs from various nations exchanged pennants in Rome, gathered as souvenirs of the event.This is a rare piece, collected by Bill Armstrong, AO who was one of the young workers who visited Rome in 1957. When situated along side the pennants of other participating nations, it symbolises the internationalism of the YCW movement.Orange, Red and White Small Pennant featuring a picture of the World marking with the YCW flag Rome. In the centre of the pennant are the letters KAJ and on the edges of the pennant it reads: 'Internationale Romebedevaart'. In the tip of the Pennant are the letters FIDRA. On the reverse side in the centre are the letters VKAJ.

Index, ill, maps, p.355.non-fictionAn account of the first year of the great warworld war - 1914-1918 - history, world war 1914-1918 - great britain

Index, ill, maps, p.252non-fictionAn account of the second year of the great warworld war - 1914-1918 - history, world war 1914-1918 - great britain

Index, ill, maps, p.184.non-fictionThe role of naval guns in France in World War Oneworld war 1914-1918 - personal recollections, world war 1914-1918 - campaigns - france

Index, bib, ill, p.308.non-fictionA history of the catastrophic year of 1917 for the Allied forcesworld war 1914-1918 - campaigns - flanders, world war - 1914-1918 - history

Ill, maps, p.258.non-fictionThe fficial history of the Canadian Expeditionary Force in World War Oneworld war - 1914-1918 - canada, world war 1914-1918 - campaigns - flanders

Ill, maps, p.407.Monuments and memorials to the dead of the First World Warworld war 1914-1918 - memorials, world war 1914-1918 - military cemeteries

The sketches, contents were by William Cecil Dunford who trained in Artistry in the U.K and was posted to the YMCA as an Officer War Artist, his subjects were YMCA Places and Australian Diggers. It is believed that the originals are held by the AWM. Refer AWM Collection “NR P05307.003 which is a portrait of DUNFORD and a short biography.Large red buckram covered album with ornate gold trim on front, rear and spine, there are 31 sketches and photographic copies by War artist W.C.Dunford, on first page is a photo of YMCA Officers on Salisbury Plain July 1917.Label on the spine, “Sketches by C Dunford of 1914 - 18 war, scenes in Flanders. On the last page in pencil, “Methuen”ymca, flanders, military history,

This booklet is used as a template for the Honor Roll book on display at Legacy House, refer to item 00312. It contains a copy of 'In Flanders Field', with an explanation of symbolism of The Torch and The Spirit of Legacy. The Honour Roll is a record, made in honour of deceased Legatees, who have given service to the cause of Legacy. Significant in that this template is used for the Honor Roll books of deceased Legatees.Booklet of white cardboard and white pages with black type and Legacy logo printed in black.Front cover, HONOR ROLL Page 1, Poem. "In Flanders Fields" Page 2, Poem. "The Torch"; Legacy logo by Col. John McCrae. KIA Flanders 1916. (The Badge of Legacy) LEGACY CLUB Page 2, "The Spirit of Legacy" MELBOURNEhonour roll, legatees

Photographs of regional towns in Northern France that were sites of important battles in WW1 and WW2. Both towns are locations of Military Cemeteries.1. B & W photo of French Chateau in Fletre, Flanders, France. 2. B & W photo of Hazebrouck- Le Pont De Meuniers. A waterway in Northern France. 3. B & W photo of Hazebrouck - Watten- La Filature Carts Theatre in Northern France. 4. B & W photo of Fletre - Rue De Bailleul - Street of town in Northern France.1. Headed Fletre - La Chateau. 2. Headed Hazebrouck - Le Pont Des Meuniers. 3. Headed 3. Watten - La Filature. At bottom Imp. Gobrecht Hazebrouck. 4. Bottom - Fletre - Rue De Baillel and Imp Gobrecht Hazebrouck.passchendaele barracks trust, postcards, flanders

Photos of soldiers and Bombardment scenes from battlefields in Flanders in WW1.1. Picture of a street in France after a bombardment during WW1. B & W photo. 2. B & W photo of ambulances picking up wounded soldiers in a desolute bombed out village in France in WW1. 3. Soldiers standing in front of a bombed building in Poperinghe, Flanders, Belgium in WW1. 4. B & W studio photo of 5 British Soldiers from WW1 in uniform.1. In French and English says "Rue De Framboisiers after the Bombardment". 2. Says "R.A.M.C. picking up wounded in a captured village.passchendaele barracks trust, postcards, ww1

Pressed Flanders Poppy mounted on cardboard and plastic coated

Bendigo Historic Buildings. Publisher: National Trust of Australia. ISBN:0 9097 10 67 8. Photographs, illustrations & maps. Inscriptions: L Slate? Shale? S Lake 12/1/89 from Hilary. 180 pages.Mike Butcher & Gill Flandersbook, bendigo, buildings, historic, bendigo history, architecture

This piece of lace has at some time been cut up and re-grounded. It would originally have been used as a fashion item such as a flounce.Bobbin lace. Irregular shaped piece

Very fine old Mechlin lace used as a costume trimmingBobbin lace edging