Marjorie Cragg1900-1982 Schoolteacher in Melbourne. Married Henry Bird   Posing in front of flowering plant Marjorie Cragg

Albert E. Williams was a teacher at the Ballarat Technical Art School.Framed Study in Colour of a Flowering Plant from Naturealbert e. williams, art gallery design, art teachers' certificate, a.e. williams, ballarat technical art school, staffmember, flora, aqualegia, available

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This digital image was produced from one of the glass negatives that form part of the collection, probably taken by Louis Haeusler (b.1887) with the photographic equipment in the Wodonga Historical Society Haeusler Collection. This item is unique and has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.Digital image created from the Haeusler Glass negative collection. It depicts an unidentified woman and child standing beneath a flowering bush. A house is partially visible in the background.wodonga pioneers, haeusler family, glass negatives, dry plate photography

Hard cover book. Flowering Wilderness Author: John Galsworthy Publisher: William Heinemann Ltd Date: 1932 Further Information: Green cloth boards, gilt/black spine with gilt lettering. William Heinemann publisher's device on the title page, and rebound spine in black cloth. fictionFlowering Wilderness (1932) is a novel by John Galsworthy, and it's the second book in his 'End of the Chapter' trilogy it's a sequel to 'Maid in Waiting', continuing the story of the Cherrell family. It centres on Dinny Cherrell (niece of the Forsyth-adjacent Cherrell clan) and her love affair with Wilfred Desert, a poet who under threat of death while a captive in the Middle East had renounced Christianity and converted to Islam. The novel explores the social scandal and moral judgement that follows him back to England, and Dinny's loyalty to him in the face of society's condemnation. It's part of Galsworthy's broader fictional universe that includes the famous Forsyte Saga, although this particular trilogy follows a different but related family branch.shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, warrnambool, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, flowering wilderness, john galsworthy

kew historical society, newsletter, verna rieschild, garden design, gardens in kew, edna walling

Photograph made by A.P. Winzenried as a possible illustration for, "Green Grows Our Garden."3 copies colour photograph. Copy of a newspaper article made by A.P. Winzenried. Caption reads, "Flowering almond trees at the Burnley Horticultural College are in full bloom." Original b/w, copies hand coloured. 4 female students beside and in an almond tree in blossom in the Ornamental Garden.Handwritten, ' "The Argus". 18-8-35. W. Thompson, E. Pearce, M. Younger, H. Dance (in tree.)'a.p. winzenried, green grows our garden, almond trees, w. thompson, e. pearce, m. younger, h. dance, student group, newspaper cutting

Five boys in the garden at Blackjack, the home of the Robinson family to late 1956. The Blackjack property, house and acres of fruit orchards ran down to the Plenty River off Hume Street Greensborough. The photographs were taken as slides by Frank Robinson and digitised by his son James in 2015.Digital copy of colour photograph.blackjack, hume street greensborough, robinson family, frank robinson

Production method of a Pelaco shirt from raw material through to finished product66 page booklet with black and white photos, some coloured images, black text and sample materialpelaco, manufacturing

Originally contained in a 'magnetic' photo album of scenic photos of Yan Yean and Warrandyte believed to be donated by Mrs Eric Stephenson, Jingalong, 110 Ryans Road, Eltham, Vic. 3095; relocated to archival safe storage. On the 20th December 1853 Lieut Governor Charles LaTrobe took his spade to turn the first sod of an embankment across the swampy bed of the Plenty River at a lonely place called Yan Yean, in order to create Melbourne’s first water supply. In the early 1850’s water had been drawn from the Yarra which even then was known as Yarra Soup. A convict by the name of James Blackburn produced the basic design for supplying water to Melbourne from a reservoir on the Plenty River at Yan Yean, and later on he was appointed consulting engineer on the project. In 1853 a contract was let for the building of the wall for 91 thousand 575 pounds, and at one stage some 400 labourers were at work in the area. A tramway was constructed to convey stone and other materials from Melbourne. So famous was this magnificent stretch of water that illustrations of the bluestone embankment and tower appeared in London journals Whittlesea Historical Society – Historic items for Diamond Valley Community Radio September 1990 Colour photographyan yean

Canola in bloom near Newlynnewlyn, canola, agriculture, horticulture

Born: Manly, New South Wales, Australia 1859; Lived and worked: England 1884-1888; Died: Sydney, New South Wales, Australia 1943ImpressionismGift of Wooleen Pty. Ltd., 1980Treed path leading up to top of hill and building. Bronze brushed timber frame.Recto: Signed "W LISTER LISTER" in brown oil in l.r.c of composition; Not dated; Not titledpainting, trees, building, landscape, path

city of heidelberg repertory group., heidelberg theatre company inc, 1969, 126, director donald vidgen

George VI became King after his brother, King Edward VIII, abdicated in 1936. Threepence coins underwent significant changes during George VI's reign. From 1937, new 12-sided nickel-brass threepence coins were introduced, which were initially used alongside the silver threepence. This coin is an example of a coin no longer in use.A brass coin - threepence. It is 12 sided. The reverse shows a Thrift plant (armeria) with three flowering stems. The obverse has a George V1 profile facing left. Obverse: 'GEORGIVS VI D:G:BR:OMN:REX F:D:IND:IMP Reverse: 1938, three flowering stems of thrift plant.

Karl Duldig’s ceramic bowl is a particularly interesting example of Karl’s ability to creatively respond to a new environment with a fresh visual repertoire, in this case, the flowering Eucalyptus in a design reminiscent of traditional European folk art. The bowl is an excellent example of the utilitarian and decorative studio pottery produced by Karl and his wife Slawa Horowitz-Duldig between 1944 and 1960. Clay was an important medium for Karl. When he was forced to flee Austria for Switzerland, working with clay became a convenient medium; and he continued to expand his use of clay in Singapore. In Australia his work in clay extended from domestic hand-made pottery to public sculptures and architectural reliefs. In 1944 Duldig purchased a kiln, which was installed in the garage of the family’s St. Kilda flat, soon after a pottery wheel was acquired. It was the beginning of a cottage industry that supplemented the family income during the war years and beyond. Duldig initially sold his decorative ceramic wares through a local florist in St. Kilda, and subsequently through shops such as the Chez Nous French Art Shop (Howey Place) and Light and Shade (Royal Arcade), and the Primrose Pottery shop in Collins Street. The Primrose Pottery shop was an extremely important commercial outlet, and hub, for emerging artists, potters and designers from 1929 until 1974. Its proprietors Edith and Betty MacMillan worked closely with their suppliers, commissioning and taking items on consignment. In the post war period important Melbourne studio potters such as Allan Lowe, Arthur Boyd, John Perceval and Neil Douglas exhibited and sold domestic wares in the Primrose Pottery shop. The Duldigs studio pottery provides a counterpoint to the ceramics produced at Arthur Merric Boyd Pottery in Murrumbeena, which was established in 1944 by Arthur Boyd, John Perceval and Peter Herbst. The emphasis on painterly decoration was important and the AMB potters also produced simple household wares decorated with Australian flora and wildlife, for example Neil Douglas also made small bowls decorated with the fairy wrens, lyrebirds, gumnuts and eucalypts. Ann Carew 2016The Duldig Studio’s collection of ceramics has national aesthetic and historic significance. It contains a representative sample of works of art in ceramics created by Karl Duldig during his lifetime, including small sculptures, as well as functional and novelty items for the tourist market during the 1956 Melbourne Olympic Games. The artist’s working methods and the development of his practice are comprehensively demonstrated in the collection. This in-situ collection demonstrates the philosophy of the Vienna Secession and its inheritors that handcrafted, simple functional domestic wares might enrich both the lives of the maker and the user. This bowl is part of a collection of ceramics that has national historic significance in providing a rich illustration of an immigrant and artistic experience, and touching on the themes of settlement adaptation of artistic practice. The collection is also associated with places of cultural and historical significance in Melbourne such as the Primrose Pottery Shop, and the story of Australian studio ceramics in the post-war years. Ann Carew 2016Cream earthenware bowl with flowering gum motif and sponged green background.Duldig in script incised under.

Drawings, Description, Occurrence and Flowering Period of Wattles in Victoria

Contains brief descriptions of flowering plants in the Grampians area.Maps, colour photographswildflowers, plants, australia, grampians, identification

Colour photograph of a wooded hill, paddock, and flowering canolawombat hill newlyn, canola

Slide, Garden (Flowers) 12 Hope Street.Pink flowering tree.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street.

Slide, Garden (Flowers) 12 Hope Street.Pink flowering tree.slide, bendigo, garden (flowers) 12 hope street., garden (flowers) 12 hope street.