RICHARD FORD WAS A LOCAL ARTIST AND TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOL. HE GAVE THIS PAINTING TO BETTY HARRIS (NOW CAMPBELL) - DECEMBER 1947FRAMED OIL PAINTING OF A BOWL OF ROSES BY RICHARD FORDlocal history, illustrations, oil, ford, richard

Richard Ford was a local artist heavily involved in the local community, famous for the theatrical backdrop in the Clunes Town Hall as well as the WWI mural on the west wall of the same building.This painting is an example of the type of work that was produced by a Clunes local artist. This painting was a gift from Richard Ford to the Late Reg Kinnersly who was a pupil in Richard Ford's "Sloyd" , arts and craft style classFramed painting "Still Life" of vase and flowers dated 1956Signed by artist Richard Fordrichard ford, artist, mural, wwi

OIL PAINTING FEATURING BRIDGE ACROSS CRESWICK CREEK IN THE STATION FLAT AREA. NORTH WEST OF CLUNES. BRIDGE IS NOW REPLACED BY "FORD".OIL PAINTING BY CLUNES ARTIST RICHARD FORD.local history, illustration, oil, ford richard

RICHARD FORD ARTIST, CLUNES, VICTORIA, AUSTRALIAWOODEN FRAMED OIL PAINTING OF POPPIES IN A GREEN VASE BY RICHARD FORDNILflowers, still life, richard ford

OIL PAINTING OF CLUNES TOWNSHIP BY RICHARD FORD - FRAMED. PAINTING DEPICTS CORNER OF FRASER STREET AND TEMPLETON STREET AND SHOWS THE TOWN HALL, WESLEYAN CHURCH, ST THOMAS AQUINAS CHURCH, AND THE UNION BANK.artwork, richard ford, oil on canvas, churches

RICHARD FORD, AUSTRALIAN ARTIST CONNECTED TO CLUNES, VICTORIA, AUSTRALIA FOR MUCH OF LIFE.1 FRAMED BLACK AND WHITE PHOTOGRAPH - KNIGHTING OF EDWARD FORD 1960 .2 FRAMED NATIVE FLOWERS STILL LIFE .3 FRAMED FLOWERS STILL LIFE .4 FRAMED POPPIES STILL LIFE.2.3.4 SIGNED: R FORDrichard ford, clunes artist, clunes teacher

RICHARD FORD, AUSTRALIAN ARTIST CONNECTED TO CLUNES, VICTORIA, AUSTRALIA FOR MUCH OF HIS LIFE.1 CHINA PLATE WITH IMAGE OF THE EXHIBITION BUILDING IN CARLTON, VICTORIA, AUSTRALIA. SKETCHED IN CANDLE SMOKE THEN VARNISHED .2 CHINA PLATE WITH IMAGE OF CAPTAIN COOK'S COTTAGE LOCATED IN THE FITZROY GARDENS, VICTORIA, AUSTRALIA. SKETCHED IN CANDLE SMOKE THEN VARNISHEDSIGNED: R FORDrichard ford, clunes artist, clunes teacher

RICHARD FORD WAS A LOCAL ARTIST, WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURALIST AND PARK CURATOR, AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOL.PHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

RICHARD FORD WS A LOCAL ARTIST WHO PAINTED THE STAGE BACK DROP AND THE WORLD WAR 1 MEMORIAL IN THE CLUNES TOWN HALL. HE WAS A COUNCIL FOREMAN, HORTICULTURIST AND PARK CURATOR AND LATER TAUGHT WOODWORK AT THE CLUNES HIGHER ELEMENTARY SCHOOLPHOTOGRAPH OF RICHARD FORD IN HIS GARDEN IN SMITH STREET, CLUNESlocal history, photography, photographs, ford, richard

Smoked painted plate, pink and white, edged with gold, painting signed R. Ford (RICHARD FORD)Trademark on back "Barratt's of Staffordshire, England" Sticker marked "132"plate, richard ford

RICHARD FORD, CLUNES ARTIST, TEACHEROIL PAINTING IN A WOODEN FRAME BY RICHARD FORD. AN OLDER PERIOD STREETSCAPE OF CLUNES. POSSIBLY VIEWED FROM SCHOOL HILL.richard ford

.1 PAINTING OF ORIGINAL CRESWICK HOSPITAL SKETCHED ON CERAMIC PLATE, THEN VARNISHED .2 PAINTING OF MOUNTAINS, RIVER AND COTTAGE SKETCHED ON CERAMIC PLATE, THEN VARNISHED.1 CREAM COLOURED CERAMIC CIRCULAR PLATE, SKETCH OF ORIGINAL CRESWICK HOSPITAL. IMAGE SKETCHED INTO CANDLE SMOKE .2 CREAM COLOURED CIRCULAR PLATE, SKETCH OF MOUNTAIN AND RIVER SCENE. IMAGE SKETCHED INTO CANDLE SMOKER FORDrichard ford, local history

GIFT OF MCKENZIE FAMILYA PAINTING OF LILAC COLOURED CLEMATIS AND BROWN JUGR FORD 1944 SIGNED IN BOTTOM RIGHT HAND CORNER OF PAINTING ON REVERSE: A WHITE STICKER WITH "DONATION" HANDWRITTEN ON "W H & C E MCKENZIE 18 DRYSDALE ST PORTARLINGTON" HAND WRITTEN IN BLUE PAINTillustration, oil, local artist, richard ford

The Barber family arrived in Australia in 1803. Charles Henry Barber took up Gundowing in 1838. The history includes the Barber family homestead. John McDonald, Schools, St Andrew's Church, Richard Goldsworthy 1843, John and George Larkin, Geering,;David, Joseph and Arthur Ford , Richard Barton, Thomas Carrol, Mrs E. Bell, John Arundel, Tobacco, History of Gundowring and its familiesWhite roll of computer paper - old style with 'tear off' strip of holes along each side enabling easy tearing.Typed continually including over the join (also perforated) of the 10 pages. Includes many headings re Families living in the area. Perforations on sides torn off to enable easy storing.On the back of the Title written in blue pen - 'Historical Society of Kiewa Valley / A History of the /Kiewa Valley.' Written in aqua pen - 'Barbour (sic) Family / Historyfamilies in gundowring, families in the kiewa valley, barber family, john mcdonald, richard goldsworthy, john and george larkin, geering, ford brothers, richard barton, thomas carrol, mrs e. bell, john arundel, tobacco

RICHARD FORD WAS AN ARTISTPHOTOGRAPH OF FOUR CHURCHES TAKEN FROM RICHARD FORD'S GARDEN IN SMITH STREET, CLUNES.AS ABOVEchurches, st-pauls anglican

OLIO - STAGE CURTAIN [PHOTOGRAPH] IN CLUNES TOWN HALL.PHOTOGRAPH OF AN OLIO - STAGE CURTAIN - OIL PAINTING LANDSCAPE PART OF STAGE SET. PAINTED BY RICHARD FORDlocal history, photography, photographs, town hall, richard ford

China Plate Smoke painted by R. Ford, Yellow China with Black, painting marked "Station Flat, Clunes" (RICHARD FORD)Trademark Johnson Bros Made in England Sticker marked "134"plate, richard ford

OIL PAINTING BY RICHARD FORD, PAINTED ON CANVAS FRAMED IN CREAM COLOURED ORNATE FRAME CREEK SCENE, CREEK SURROUNDED BY TREES AND SHRUBSrichard ford, oel painting

GIFT OF PAYNE FAMILYWOOD FRAME PAINTED WHITE, OIL PAINTED LANDSCAPE OF CLUNESlocal history, illustration, oil, paintings, drawings

This photograph shows a group of workmen standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. This photograph has historic significance for its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth.Faded sepia rectangular photograph printed on photographic material, mounted on board. Obverse: The Owens and Murray Advertiser Reverse: Parkinson (crossed out) BMM 7725 15/ Failey/ [logo Farrell and Martin Landscape Photographers]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists

This photograph shows a group of workmen standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. This photograph has historic significance for its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth.Black and white rectangular photo printed on paper, unmounted. Copy rather than original. Obverse: The Ovens and Murray Advertiser Inverse 2581 PH246 ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists

This photograph shows a group of men standing outside the Ford Street office of the Ovens and Murray Advertiser in Beechworth. This group includes the Advertiser''s manager, Richard Warren, who is bearded man standing in the doorway and who's name is written on the reverse of the photograph. The Advertiser was a local paper, first printed as a weekly in 1855, and then as a daily in 1857. It continues to be printed today, albeit in a different form. The Advertiser was launched by architect Francis Hodgson Nixon with assistance from businessman John Henry Gray, and newspaperman Richard Warren. Warren was sole owner from 1860 until his death in 1906, and it responsible for much of the paper’s success. Its goals included coverage of local events, as well as of global news, and the promotion of economic liberty, arts, and sciences. Beyond these initial goals, the Advertiser was instrumental in local politics, particularly Beechworth’s association with conservatism and constitutionalism in the 1860s and 1870s. Numerous other papers sprung up to contest the Advertiser’s hold during the latter half of the nineteenth-century, but none were able to completely oust it from its post. As well as representing a key chapter in Beechworth’s history, the Advertiser can be used as a key source for the stories and figures of historic Beechworth. As well as managing the Advertiser, Richard Warren's owned or managed multiple businesses in Beechworth, founded the Ovens hospital and Benevolent asylum, invested in local companies, and participated in a range of religious brotherhoods and societies. He married Mary Ann Mitchell when he was twenty-six, and, while the couple were unable to have children, they adopted one son, who began managing the Advertiser in the late-nineteenth century. This photograph has historic significance afor its relationship to the history of the Ovens and Murray Advertiser, which is a key example of of successful nineteenth-century business in Beechworth, and for including an image of Richard Warren, a key figure in the period. Sepia rectangular photograph, faded, printed on photographic material and mounted on board. Obverse: The Ovens and Murray Advertiser Reverse: Or M A/ Printing Office/ Ford Street About 1860/ Beechworth/ R Warren [logo: R & M Harvey/Authorised Newsagents/ and Gift Shop/ Beechworth Phone 114]ovens and murray advertiser, the ovens and murray advertiser, newspaper, printing, ford street, richard warren, journalism, advertising, 1800s, 1800s beechworth, #beechworth, local business, advertiser, workmen, hats, printers, journalists, warren, mary ann mitchell, mary ann warren, 1860s, 1860s beechworth, r warren, r & m harvey

The booklet comprises of a series of papers published in the Ballarat Star, with some revisions. The Administrative Council hoped the publication would increase interest in Technical Education, especially the Art of Mining. He would also hope the public would recognise the Ballarat School of Mines as an institution adapted to supply technical education. The Ballarat School of Mines Council listed at the front of the book includes: Redmond Barry (President and Trustee), Judge Rogers (Vice-President), Somerville Livingstone Learmonth (Trustee), Rivett Henry Bland (Trustee), Charles Gavan Duffy, John A. MacPherson (MLA), William McLellan (MLA), Duncan Gillies (MLA), F. McCoy (University of Melbourne), John I. Bleasdale, W.H. Barnard, James M. Bickett, Henry Richards Caselli, P. Chauncy, J.M. Davey, Joseph Flude, R.F. Hudson, Robert Lewis, James Oddie, Robert M. Serjeant, J. F. Usher, John Walker, J. Williamson, Mayor of the City of Ballaarat, chairman (for the time being) of each of the seven Mining Boards of Victoria. The President of Examiners was Judge Rogers, and the Honorary Auditor was Richard Ford.Stapled, brown soft covered booklet of 48 pages. Section I outlines the establishment of the Ballarat School of Mines, the buildings and land used by the school, describes in detail the former Ballarat Circuit Court and describes the lecture rooms. Section II describes the Ballarat School of Mines Museum, including a description of exhibits. Section III describes the lecture hall, and the apartments on either side of the hall, including the office of the registrar W.H. Barnard, mathematical classroom, chemical laboratory, and metallurgical laboratory. Section IV outlines the subjects offered by the Ballarat School of Mines, including Mathematics taught by John Victor of Grenville College, who had been educated at Trinity College Dublin. Mining and Land Surveying was taught by C.W. Thomas. Mr Croll taught mechanical drawing, followed by Jonathan Robinson of the Union Foundry, and finally S. Keast. It then lists some text books used in the school. Section V mentions the School Council, lack of funds, future directions, mining laboratory. Vi- Describes the land and out buildings, and the proposed building for metal and wood turning, brass foundry, blacksmith, working engine, etc. This section describes some large donations to the school - 50 pounds from the Misses Meglin of Melbourne, 10 pounds 10 shillings to the 'Pyrites fund' by the Walhalla and Long Tunnel Companies in Gippsland. Section VII covers the teaching of chemistry by Joseph Flude. Section VIII outlines the metallurgy classes and the process of assaying. Section IX covers telegraphy taught by Mr Bechervaise Section X describes the examination process at the Ballarat School of Mines. Examiners in mathematics were G.J. Russell (Buninyong) and John Lynch (Smythesdale), mining and land surveying John Lynch and P.C. Fitzpatrick (Ballarat), Principles and Practice of Mining R.M. Serjeant (Band and Albion Consols), Mechanical Engineering John Lewis (New North Company Clunes, Mineralogy and Geology G.H. F. Ulrich, Assayign and Chemistry J. Cosmo Newberry, and Telegraphy R.L.J. Ellery (government astronomer) and Sam W. Macgowan. Underground managers and captains in quart mining was examined by Henry Rosales (Walhalla Company), and alluvial mines by Messrs Bockett, Kent, Martin and Mitchell. Engineers and Engine driving was examined by W.H. Keast,Peter Matthews, Jonathan Robinson and J.M. Troup. Section XI - Covers Annual reports of the school, and honorary correspondents of the school including: John Day (Geelong); R. Evan Day (London); W.W. Evans, M.J.C.E. of New York; J.Y. Fishburne, M.B. of Ararat; Felice Giordano, Inspector of Mines, Italy; Julius Von Haast, Ph. D.F.R.S., Government Geologist of Canterbury; James Hector, M.D., F.R.S., Government Geologist of Wellington, New Zealand, W.F. Hopkins (Grant); Charles A. La Trobe, C.E. (Engineer-in-Chief International Railway Plant, London); Archibald Liversidge, F.G.S. (Professor of Mineralogy and Reader in geology at Sydney University; J.J. Macgregor, M.D. (Creswick); J.T. McKenna (1st class of SMB underground management - Northern Territory); Henry Rosales, M.E. and M. (Walhalla); Harrie Wood (SMB founder and Under-secretary for Mines, Sydney); John Walthew (Stockport, England) .2) Signed 'E.J. Tippett', former President of the Ballarat School of Mines Council melbourne, mla, ballarat school of mines, redmond barry, j f usher, james bickett, w f hopkins, rivett henry bland, s m b, judge rogers, somerville learmonth, charles gavan duffy, gavan duffy, john macpherson, william mclellan, duncan gillies, f mccoy, university, john bleasdale, henry richards caselli, henry caselli, p chauncy, j m davey, joseph flude, r f hudson, robert lewis, james oddie, robert m serjeant, john walker, j williamson, richard ford, ballarat court house, assay, john victor, grenville college, trinity college dublin, c w thomas, jonathan robinson, union foundry, s keast, blessdale, john day, r evan day, w w evans, j y fishburne, felice giordano, julius von haast, james hector, charles a la, trobe, archibald liversidge, j j macgregor, j t mckenna, henry rosales, harrie wood, john walthew, fees, frederick mccoy, w.h. barnard

SMALL OVAL BLACK AND WHITE PHOTOGRAPH OF FRANCES FORD - SQUARE DARK GREY SURROUND. LEFT ARM LEANING ON PEDESTAL- WIDE BLACK COLLAR WITH WHITE TRIMMING.RICHARDS AND COlocal history, photography, photographs, early citizens, richard ford

MEMBERS OF THE FORD FAMILY, TAKEN IN FRONT OF TOTTY TREMBATH'S HOUSE IN 1910, FROM LEFT VIV, NELL, NELLIE, (MOTHER) DULCIE, FRONT ROW - ESME, HARRY, AND TOM WITH THOMAS (FATHER) SITTING IN CART, VIV IS HOLDING A WHALE'S BACK BONE, THEY HAD PICKED UP IN PORT FAIRY.1 FRAMED WITH GLASS PHOTOGRAPH OF THE FORD FAMILY IN 1910, WITH HORSE AND BUGGY. .2 HANDWRITTEN NOTE OF THE PEOPLE IDENTIFIED IN THIS PHOTOGRAPH, SEE BELOWTHIS PHOTO WAS TAKEN OF THE FORD FAMILY IN 1910. THEY CAME FROM DUNACH NEAR TALBOTlocal history, photography, photographs, trembath, perry, richard ford

CREAM COLOURED PLATE WITH A CANDLE SMOKE ARTWORK, PAINTED OVER WITH VARNISH. A SCENE OF A COUNTRY BUSH IN MUTED SEPIA TONES . PLATE IS EDGED IN GOLD PAINT. PAINTED BY RICHARD FORDSIGNED R FORD AT BOTTOM LEFT HAND SIDE OF THE SKETCH CHINA STAMP IN GREY COLOUR "TUDOR ROSE ENGLAND" ON BOTTOM OF PLATE. PAPER AFFIXED TO BOTTOM OF PLATE: TYPED "SPECIAL (OPEN) AN ARRANGEMENT SUITABLE FOR A XMAS PARTY. AS YOU LIKE IT. (OWN CHOICE). FIRST PRIZE" MRS W. FAWCETTtudor rose china, prize