Stripping of the foundations commenced in 1948 and the first concrete in the dam was poured in May, 1949. With the suspension for the winter months of work on the High Plains, it was possible to increase the number of men, and work then proceeded at a steady pace for the remainder of the year. Some interruption was caused by a flood in September, which over topped the rockfill coffer dam. By the end of 1950 17,000 yards of material had been excavated from the foundations and 4,000 cubic yard of concrete placed. Work at Clover Dam was completed in 1953, but two bays were left open for flood emergency. The pondage was filled on the 16th August, 1954. A pictorial record of the placing of concrete foundations of Clover Dam and also shows the methods of construction used at this site in 1949.Black and white photograph taken during the construction of Clover Dam. Shows early stages of the concrete foundations, cranes and the railway line which was constructed to bring materials to the site. Handwritten in blue ink of back of photograph "Clover Dam Foundations"dam, foundations, concrete, construction

Four colour photographs showing drystone foundations of the Dry Diggings Primary School.dry diggings, education, schools, dry diggings state school

Four colour photographs showing drystone foundations of the Dry Diggings Primary School.dry diggings, education, schools, dry diggings state school, australia

Typed below photograph, "Heathmont Bowling Club foundations". [no date].

This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1942 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. Foundations of The Australian Monetary System 1788-1851 Author: S J Butlin Publisher: George Robertson Date: 1953 Label on spine has typed text PAT 332.49 BUT Pastedown front endpaper has sticker from Corangamite Regional Library Servicewarrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, warrnambool mechanics’ institute, pattison collection, warrnambool library, ralph eric pattison, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, foundations of the australian monetary system, s j butlin, foundations of the australian monetary system 1788-1851

EventsColour photo, Laying foundations for poppet head in deSoza park, Jan. 1992,Derrek Leather (left) and Ed O'Loughlin (right)gold king festival, de soza park, poppet head, derek leather, ed o'loughlin

2 Photographs, 1 Colour, 1 B/W. Brick foundations from the Moonlight Extended Mine in Moonlight Street Looking southgold mining, moonlight extended mine

2 Photographs, 1 Colour, 1 B/W. Brick foundations from the Moonlight Extended Mine in Moonlight Street Looking southgold mining, moonlight extended mine

Black and white photograph of back of Mechanics Institute, Vermont where digging foundations for St Lukes Church is taking place. Mechanics is now Scout Hallmechanics institute, vermont, st lukes anglican church, scout hall vermont

Colour photograph of original bearers in the Old Colonists shop awaiting replacement floorboards, and the bluestone foundations which were reused from an earlier building on the site that was associated with the Government Camp. old colonists' hall, shopfront, floorboards, bluestone, government camp

St Laurence O'Toole church and cemetery is located in a rural setting at 801/821 Creswick-Newstead Rd, Sandon. Originally a small wooden school (22’x14’) was erected in Sandon by Father Patrick Smyth (who was involved in the Eureka Stockade movement) in 1859. It was also used for Mass and became known as a chapel. In June 1882 tenders were called for the construction of a brick Church by the Castlemaine architect, T.F. Kibble, and it was built at a cost of 1000 pounds. The church was blessed by Archbishop Goold on 06 May 1883 and dedicated to St Laurence O'Toole. The brick building demonstrates original design qualities of a Victorian Rudimentary Gothic style, including the steeply pitched, parapet gable roof form, together with a central steeply pitched, gabled porch that projects slightly from the main gable end. Other intact qualities include the exposed brick wall construction, lapped galvanised corrugated iron roof cladding, minor gabled porch at the rear, small ventilation dormers nearby the roof ridgeline, series of stone steps that lead to the central porch with its double pointed door opening and vertical boarded doors, simple rose window in the main gable end, pointed windows, brick buttresses with double lower copings, and the light masonry detailing (the banding marking the floor level within, buttress copings, window and door surrounds and quoins, and the drip moulds).(Shire of Mount Alexander: Heritage Study of the former Shire of Newstead, 2000) The visually connected cemetery demonstrates important visual qualities formed by the regular rows of graves and cemetery architecture, and the grassed and treed rural landscape. It is a rare and substantially intact example of a Victorian Catholic Church with a cemetery in its churchyard. Many headstones and cemetery architecture, date from the 19th century and represent some fine examples of masonry craftsmanship. Some refurbisments occurred during the 1940s and in 2002 a major restoration project was undertaken from roof to footings, by a dedicated band of volunteers and trades people. Work was completed mid 2003 and in November 2003 St Laurence’s was re-dedicated with the celebration of Mass and a picnic tea. Details of the exterior of St Laurence O'Toole Catholic Church, Sandon in Central Victoria.sandon, sandon cemetery, st laurence o'toole catholic church, sandon, sandstone, foundations

L-R: Eric Staff, Michael Sinclair, Marie (Mary) Staff, Mrs Rigby, Eileen Rigby, Mr Rigby (partly hidden); Michael Sinclaiur in foreground. On back of photo: "I had this taken to show you Lyon's Garage. You can see the foundations and the filling in. Like our lawn. The Xmas tree we had for Michael with X" Black and white photographeltham, main road, lyon's garage, michael sinclair, eric staff, marie (mary) staff, mrs rigby, mr rigby, eileen rigby

Notice - printed on foolscap paper, MMTB Notice to Traffic Staff, D 2566, issued by R. C. Drummond Traffic Manager, 26/10/1971 of the "Construction of Foundations for new railway bridge at Flinders and Spencer St" about the closure of Spencer St and alternative arrangements for tram passengers - walk - Saturday 30/10/1976 and Sunday 31/10/1976.has in ink in the top left hand corner "60 crew"trams, tramways, railways, vr, spencer st, bridges, murla

A catalogue titled ' Foundations. Bendigo College of Advanced Education's F.M. Courtis Collection.' Bendigo Art Gallery 26 June - 27 July 1986. ' An exhibition celebrating the 10th Anniversary of Bendigo College of Advanced Education. Bottom left corner of front cover is a number sticker, 0129 CLE.bendigo, education, bendigo college of advanced educati, bendigo college of advanced education, bendigo, art, art work, artists, exhibition, f. m. courtis, gallery, painting, painter, australian art, catalogue. bottom left corner of front cover is a number sticker, 0129 cle.

Digital photograph

Booklet produced by St Vincent's Care Services presenting a timeline of Eltham Retirement Centre 1955-2015 when it was purchased by St Vincent's Health Australia. Also includes Sisters of Charity Heritage timeline 1815-2015. Eltham Retirement Centre was previously known as Judge Book Village. judge book memorial village, judgebook, st vincent's health australia, timeline, chronology, sisters of charity, eltham retirement centre, aged care services

Part of a collection obtained by K C Hofmaier 1963 by purchase of a library at gembrrok (Vic) which contained a number of books from the old Ballarat german language library with school text books and theological works formerly the property of the founder of Ballarat College Rev'd Wm Henderson. William Henderson was Minister of St Andrews Kirk at the time of writing. The very strong Presbyterian roots of Ballarat College were a legacy of this man. Socially significant for school community because of its authorship - William Henderson founded ballarat College. Black calf binding with damaged spine; gold lettering on front cover; dark green endpapers; gilt page edges;Handwritten inscription on front endpaper: by Wm Henderson / founder of Ballarat College Handwritten inscription on back of endpaper: Collected by K C Hofmaier 1963 by purchase of a library at gembrrok (Vic) which contained a number of books from the old Ballarat german language library with school text books and theological works formerly the property of the founder of Ballarat College Rev'd Wm Henderson.william-henderson, keith-hofmaier, 1882, ballarat-college, theology.

2 Photographs, 1 Colour, 1 B/W: One Photograph is of Remains of brickwork behind a wire fence. The other is of the brickwork with a tree to the left.gold mining, grant lamont

2 Photographs, 1 Colour, 1 B/W: One Photograph is of Remains of brickwork behind a wire fence. The other is of the brickwork with a tree to the left.gold mining, grant lamont

Annual report providing overview of activities and achievements including: the launch of educational tool Code Jumper, use of Zoom to complete training with people with new Seeing Eye dogs, successful trial of Check In and Chat webinars, successful lobbying with ABC and SBS trialing a 1 year audio description service, and the introduction of Australia's first tactile bank notes. 1 volume with illustrations providing overview of organisational achievementsvision australia, corporation records, nicole migani-roberts, ron hooton, andrew moffat, paul kapeleris, hannah sutherland, gordon gray, david hodgson, nadia mattiazzo, tim boyle, gareth ward, kim rulach, jane bradley, caitlin jung, tony wu, matthew layton, ian edwards, karen wolffe, nemoy malcolm, jenny abela, sybil smith, alimata karimu, june smith, joy nuske, liz chen, mary delahunty, stella glorie, victoria pymm, lindsay boulton, chris edwards, marion dickinson, max schroder, susan diver, ian finlayson, nastasia campanella, tanya savva

Ill, p.373non-fictionPart of his numerous writings concerned his work on Venice in three volumes: The Stones of Venice. He visited Venice in November 1849 with his wife, Effie, and stayed at the water-fronted Hotel Danieli. Their six-year marriage was never consummated and for Effie, Venice provided an opportunity to socialise, while for Ruskin it was a venue to engage in more solitary studies. In particular, he made a point of drawing the Ca' d'Oro and the Doge's Palace, or Palazzo Ducale, fearing they would be destroyed by the occupying Austrian troops. Ruskin made extensive sketches and notes for the three-volume work, which soon developed from a technical history of Venetian architecture, from the Romanesque to the Renaissance, into a broad cultural history. Cleverly Ruskin managed to reflect his own view of contemporary England and to weave in a warning about the moral and spiritual health of society. Ruskin argued that Venice had slowly deteriorated. Its cultural achievements had been compromised, and its society corrupted, by the decline of true Christian faith. Instead of revering the divine, Renaissance artists honoured themselves, arrogantly celebrating human sensuousness. It is a work of immense worth both culturally and artistically. venice, venice - architecture

Black and white photograph of planplans, ballaarat botanical gardens pavilion, circa 1890

non-fictionKathleen Fitzpatrick story of growing up in the first quarter of the century and her impressionshughenden, dick and frank buxton

Digital image of the construction by the Ballarat Tramway Preservation Society in 1982 in the South Gardens Reserve. Formwork for foundations stacked on the site with some completed foundations behind. The fish hatchery fence is on the right hand side. Behind the worksite is a very quiet Gillies St. in terms of traffic.Yields information about the construction of the first stage of the existing Museum tram depot Digital Image of the construction of the foundations for the Ballarat Tramway Museum depot.trams, tramways, btm, btps, depot, construction, ballarat, botantical gardens

Significant to mining history of Bendigo.Black and white photograph: concrete winder foundations within corrugated iron shed. Leaning on wall in background circular 'lifebuoy' shape white object with 'London, Henley' written around the edge.Written in pencil on back of photograph : ' Main winder foundation 28/4/35'napoleon gold mine, mine machinery, winder, foundations