The train line from the city to Frankston was electrified which intensified the sale in the municipality of Moorabbin, particularly land which was in the vicinity of the railway stations.Example of the progress of the Municipality of MoorabbinAdvertising flyer for auction of real estate sales - plan of building blocks for saleMarriott Estate, Moorabbin Auction Saturday 8 December - 95 Splendid home sites - H. C. Costello & Comarriott, bentleigh, moorabbin, jasper road, mortimore street, fromer street, mckittrick street, real estate, auction

PHOTOGRAPH TAKEN FROM SMITH STREET, SHOWING LUFF'S HOUSE AND PART OF HILL STREET, ALSO VIEW OF CLUNES FROM HILL STREET SHOWING METHODIST CHURCH AND POST OFFICE.CLUNES FROM HILL STREET. ABOUT 1938 TO 1942photography, photographs, clunes township

BLACK AND WHITE PHOTOGRAPH OF CLUNES TOWNSHIP TAKEN FROM IN THE VICINITY OF GEORGE STREET, LOOKING WEST - ONE ORIGINAL PHOTOGRAPH MOUNTED ON CARD AND 6 PHOTOCOPIES. ORIGINAL AND 2 COPIES SAY VIEW FROM LESLIE STREET. COPY MOUNTED ON CARD - VIEW FROM GEORGE STREET. 3 PHOTOCOPIES HAVE LESLIE STREET CHANGED TO GEORGE STREET. NOTE ON BACK OF .4 - CLUNES FROM LESLIE (CROSSED OUT) GEORGE ST , 1879 (CROSSED OUT) 1881 OR 2FROM GEORGE STREET. LOOKING WESTlocal history, photography, photographs, clunes township

At the beginning of the 1890s, the Kew businessman and Town Councillor, Henry Kellett, commissioned J.F.C. Farquhar to photograph scenes of Kew. These scenes included panoramas as well as pastoral scenes. The resulting set of twelve photographs was assembled in an album, Kew Where We Live, from which customers could select images for purchase.The preamble to the album describes that the photographs used the ‘argentic bromide’ process, now more commonly known as the gelatine silver process. This form of dry plate photography allowed for the negatives to be kept for weeks before processing, hence its value in landscape photography. The resulting images were considered to be finely grained and everlasting. Evidence of the success of Henry Kellett’s venture can be seen today, in that some of the photographs are held in national collections.It is believed that the Kew Historical Society’s copy of the Kellett album is unique and that the photographs in the book were the first copies taken from the original plates. It is the first and most important series of images produced about Kew. The individual images have proved essential in identifying buildings and places of heritage value in the district.Very few of the natural or built features in this panoramic photograph of Wellington Street remain. The open land between High Street South and Denmark Street, then known as O’Shannessy’s Paddock, was to become a residential subdivision at the beginning of the 20th Century. On the far side of Denmark Street, bordered by a picket fence, is the Kew Railway Station (demolished 1957). Further east, the large building with the flagpole is the Kew Recreation Hall (demolished 1960), which was the centre of civic life for almost a century. The building was used for dances, civic functions and exhibitions. A bowling green, tennis courts, and a cricket ground surrounded the Hall. The dominant building in the photograph is Xavier College, founded in 1872 by the Society of Jesus. The first classes for pupils were held in 1878. It is presumed that Farquhar used its roof for two of his bird’s eye views.Wellington Street from High Streetkew illustrated, kew where we live, photographic books, henry kellett

George Wharton arrived in Melbourne in 1844. An architect and surveyor, he was appointed to lay out the 'Village of Kew' by N.A. Fenwick following the land sales of 1851. A protagonist for Kew's separation from the Boroondara District Road Board, he was elected chairman when Kew achieved municipal status in December 1860. His home, 'Fernhurst', was built in 1866 on eight acres in Studley Park, with a four-storey tower and pyramidal roof. The Italianate home was a prominent Kew landmark. It was demolished in 1979 and replaced by St Paul's College in 1980.Rare colour photograph of what was once a significant mansion in Kew.Original colour positive photograph (Kodak print) of 'Fernhurst' in 1978. Photographed by Stewart West in May 1978, one year before it was demolished, the photograph gives little idea of the large landholding once surrounding the house. Originally accessed from near the corner of Princess Street and Studley Park Road, its gardens had been subdivided in the 1900s and its footprint restricted to 13 Fernhurst Grove. Like many other grand houses, by the 1970s it had been converted into apartments. From the photograph, one can see that the house had retained many of its original features such as the distinctive tower and the wide bow-fronted verandah. The slates on the roof (apart from those on the tower) had been replaced by tiles and the cement render of the exterior painted white. Annotated reverse: "View of Fernhurst Home Taken from Street / 10"fernhurst, 13 fernhurst grove -- kew (vic.), george wharton, italianate architecture, vila maria society, st paul's school for the blind

BLACK AND WHITE PHOTOGRAPH OF CLUNES TOWNSHIP TAKEN FROM LESLIE STREET, LOOKING SOUTH. BIBLE CHRISTIAN CHURCH IN CENTRE OF PHOTOGRAPH.FROM LESLIE STREET LOOKING SOUTH OVER BIBLE CHRISTIAN CHURCH ON C/R FRASER IN BAILEY STREET RUNNING ACROSS MID PICTURE.local history, photography, photographs, clunes township

The photograph shows the mission and the weathervane in 1925.The photograph helps dating the installation of the weathervane on the roof that least 1925.Black and white photograph with thin white border depicting the Mission on Flinders Street from a slight angle. The photograph is glued to the photographic album page.Handwritten below in white ink: The Mission from Flinders Street Extension Saturday afternoon717 flinders street, mission to seamen, canopy, weathervane, weller album

Town & Big Hill from King Street areaBlack and White sketch drawn from King Street area St Patrick's church just right of centre. Poppet heads on skyline. A Panoramic View of Stawellstawell

COPY OF PHOTOGRAPH OF CLUNESCLUNES FROM HILL STREET.local history, photography, photographs, clunes township

This photograph was taken from Hare Street and shows the City of Echuca council offices, before the Shire of Campaspe came about. As the Shire got bigger these offices were extended, and in 2010 the new Echuca Libray was built on the west side of this building.This photograph is significant because it shows the City of Echuca building at the end of the 1970's.A coloured rectangular photograph of the City of Echuca offices, taken in 1979 from Hare Street.Stamped in red on the back 'Print made by Kodak M Nov. 79. It's Kodak for Color.' In blue pen in the top left hand corner is an uppercase R. shire of campaspe, city of echuca, hare street, 1979

Colour photograph taken of the Royal Blind Society of New South Wales building in Enfield, as viewed from Mitchell Street. The two storey building has a car park underneath, with a separate external car park in the front of the building and a sloping driveway and footpath up to the covered entrance. To the right of the driveway is a short term visitors park. Gum trees are planted amongst a well kept lawn. Image was taken around the later 1970s-mid 1980s. A "Royal Blind Society' sign points up the driveway.Digital Image of Enfield building taken from Mitchell Streetroyal blind society of new south wales, buildings

HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only nine in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's most valuable shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Jar, bluish tinge, chipped top lip, embossed "Fine Table Salt from J.T.Morton Leadenhall Street London". Recovered from the wreck of the Loch Ard. Artefact reg no LA/64"Fine Table Salt from J.T.Morton Leadenhall Street London"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, fine table salt, j.t.morton, leadenhall street, london, jar

PHOTOGRAPH OF CLUNES TOWNSHIP LOOKING WEST TAKEN FROM MRS.GREENWOODS HOME IN GEORGE STREET, CLUNES. BUILDINGS SHOWN INCLUDE JAMES MOLONEY AND CRITERION HOUSE. .1 SEPIA PHOTOGRAPH MOUNTED WITH POINTS OF INTEREST NOTED AROUND THE BORDER OF THE PHOTOGRAPH .2 LARGER SEPIA PHOTOGRAPH MOUNTEDFROM GEORGE STREET, LOOKING WESTlocal history, photography, clunes township

The group of buildings running down Bay Street from Liardet Street were know as the Market Buildings. On the corner was I & S BURNS No 1 Cash Grocer. Part of this site is currently occupied by Coles Port Melbourne supermarket.Photograph of the Market Buildings in Bay Street running down from Liardet Street. At the top of the corner building it reads I & S Burns No 1 Cash Grocers.On reverse 'Market Buildings PM L Cou..... Bay Street Cr Liardett Street'market buildings, built environment - commercial, business and traders - grocers and supermarkets, coles supermarket, i & s burns no 1 cash grocer, i & s burns

Kerosene Street Lamp from Patrick Street. Used c1870 to 1900stawell

PHOTOGRAPH OF TOWNSHIP OF CLUNES ABOUT 1875. LOOKING SOUTH. WOODEN BRIDGE IN FOREGROUND, 1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD .2 SEPIA PHOTOGRAPH MOUNTED EDGES REMOVED .3 BLACK AND WHITE PHOTO PRINT .4 BLACK AND WHITE PHOTO PRINT .5 PHOTOCOPY OF PHOTOGRAPHFROM ANGUS STREET HILL LOOKING SOUTHphotographs, clunes township and mining and footy oval

Allan Charles Quinn was a member of the Merchant Navy from aged 16 as well as being a trained photographer. This photograph was taken during his travels through America whilst still being associated with the Merchant Navy.This photograph of the Empire State building is a part of the Allan Charles Quinn Collection which is a photographic autobiography of the life of an individual seafarer.Black and white photograph of the Empire State Building, New York, taken from street level looking towards the top of the building.Handwritten in blue ink on reverse of photograph: "EMPIRE STATE/ 5-10-49".seamen, america, fifth-avenue, allan charles quinn, merchant navy, new york, skyscraper

Two colour photographs looking south east towards Falkiner Street from Porter Street, Eltham, 1996eltham, falkiner street, porter street

upper Main Street, from Patrick Street looking towards Big Hill, before road being resealedstawell buildings

Photo of Hargreaves mall from Mitchell street.place, mall, hargreaves mall

Shows old drive in theatre screenFebruary 1987. Taken from Mahnke Street.Big Hill Feb 87mining

View of Cato Lake showing the excavation of the lake. Photo taken from Victoria Street, rear of Napier Street residences. The excavation of the lake was to increase its depth and a excavator and bulldozer can be seen working the ground. Willow trees are to the right in the photo.Coloured photograph of the deepening of Cato Lake in c 2002. This view is from Victoria Street, rear of Napier residences. In this photo an excavator is removing dirt with a bulldozer in the background. 5.2.2002 (written in biro).stawell