Showing 30 items matching "fuchsia"
-
University of Melbourne, Burnley Campus ArchivesPhotograph - Black and white print, 18. Fuchsia Bush, 1925-1955
... 18. Fuchsia Bush...Fuchsia Bush. In the ground...fuchsia bush Fuchsia Bush. In the ground 18. ...Fuchsia Bush. In the groundfuchsia bush -
Whitehorse Historical Society Inc.
Article, Fuchsia Street Blackburn, 2013
... Fuchsia Street Blackburn...Article on house for sale, 26 Fuchsia Street Blackburn....Fuchsia Street Blackburn No 26 sale Article on house for sale, 26 Fuchsia Street Blackburn. ...Article on house for sale, 26 Fuchsia Street Blackburn.Article on house for sale, 26 Fuchsia Street Blackburn.Article on house for sale, 26 Fuchsia Street Blackburn.fuchsia street blackburn no 26, sale -
Whitehorse Historical Society Inc.
Document, Fuchsia Street Blackburn, 1996
... Fuchsia Street Blackburn...Auction of 38 Fuchsia Street Blackburn Saturday 2 Nov 1996. ...Agent: Woodards. Fuchsia Street Blackburn No 38 Woodwards Auction of 38 Fuchsia Street Blackburn Saturday 2 Nov 1996. ...Auction of 38 Fuchsia Street Blackburn Saturday 2 Nov 1996.Auction of 38 Fuchsia Street Blackburn Saturday 2 Nov 1996. Sold Oct 1996 for $400,000. Agent: WoodardsAuction of 38 Fuchsia Street Blackburn Saturday 2 Nov 1996.fuchsia street blackburn no 38, woodwards -
Eltham District Historical Society IncSlide - Photograph, Watery Gully Park Fuchsia Nursery, Wattle Glen, c.May 1988
... Watery Gully Park Fuchsia Nursery, Wattle Glen...Watery Gully Park Fuchsia Nursery Wattle Glen Fuchsia Nursery Watery Gully Park Process Date MAY 88M 35mm colour positive transparency (1 of 25) Mount - Kodak Ektachrome Watery Gully Park Fuchsia Nursery, Wattle Glen Slide Photograph ...35mm colour positive transparency (1 of 25) Mount - Kodak EktachromeProcess Date MAY 88Mwatery gully park fuchsia nursery, wattle glen, fuchsia nursery, watery gully park -
Vision AustraliaPhotograph - Image, Matilda Aston with fuchia necklace, 1897-1905
... She looks to have rosettes on her shoulders, a pin with 'V (crown symbol) R' under her chin, and fuchsias draped around her neck. The image could have been taken around 1897, when Queen Victoria celebrated her jubilee and various ornaments were produced to symbolise the occasion....Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklace...Tilly Aston Association for the Blind Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklace Matilda Aston with fuchia necklace Photograph Image ...Tilly Aston sits in this studio portrait, her outfit obscured by the oval framing of the image. Her hair has been tied back and around her crown, as per her adulthood. A collared top with long sleeves which have a band around the cuff. She looks to have rosettes on her shoulders, a pin with 'V (crown symbol) R' under her chin, and fuchsias draped around her neck. The image could have been taken around 1897, when Queen Victoria celebrated her jubilee and various ornaments were produced to symbolise the occasion.Young adult female in studio portrait wearing collared, long sleeved dress with fuchsia necklacetilly aston, association for the blind -
University of Melbourne, Burnley Campus ArchivesAlbum - Colour 35mm slides, Glenys Rose, Plants, Unknown
... ...fuchsia...Camellia pink cv. 7. Fuchsia cultivar 'Charm Rose Purple.' 8-10 Acacia podalyriifolia. ...Camellia pink cv. 7. Fuchsia cultivar 'Charm Rose Purple.' 8-10 Acacia podalyriifolia. ...22 colour slides, 14 of the same plant and the remainder of other flowering plants. 4. Kniphophia uvaria. 5. Camellia white cv. 6. Camellia pink cv. 7. Fuchsia cultivar 'Charm Rose Purple.' 8-10 Acacia podalyriifolia. Some scanned.plants, flowering plants, kniphofia uvaria, camellia, fuchsia, acacia podalyriifolia, native garden -
Vision AustraliaAward - Text, National Library of Australia, 1992 TDK Australian Audio Book Award: Adult Literature category - Patrick White: A Life, 1992
... 'Fuchsias' 1939 by Lionel Lindsay between header and recipient ...Louis Braille Audio Talking books Awards 'Fuchsias' 1939 by Lionel Lindsay between header and recipient 1 x A3 sheet with black writing and illustration of flowers 1992 TDK Australian Audio Book Award: Adult Literature category - Patrick White: A Life Award Text National Library of Australia ...To encourage the development of audio books, a series of awards were established by the National Library of Australia in 1988, and sponsored by TDK from 1991 until their demise in 2000. Open to both commercial and non-commercial publishers, it aimed to recognise the quality achievements by individuals and publishing houses and to promote the inclusion of audio books into the mainstream market. In 1992 the winner of the Adult Literature Category was "Patrick White: A Life" by Louis Braille Books.1 x A3 sheet with black writing and illustration of flowers 'Fuchsias' 1939 by Lionel Lindsay between header and recipient louis braille audio, talking books, awards -
Ringwood and District Historical SocietyCertificate, Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society - 1954-1971, 1954 - 1971
... 6 certificates awarded to S.Winch for vases of cut flowers (23-Oct-1954); equal best exhibit - Fuchsia Section - 12-Mar-1966 (2 certs), Best exhibit Fuchsia Section (13-May-1967), Double Fuchsias 3 varieties (8-May-1971) & exhibit in Fuchsia Section (6-Mar-1971)...6 certificates awarded to S.Winch for vases of cut flowers (23-Oct-1954); equal best exhibit - Fuchsia Section - 12-Mar-1966 (2 certs), Best exhibit Fuchsia Section (13-May-1967), Double Fuchsias 3 varieties (8-May-1971) & exhibit in Fuchsia Section (6-Mar-1971) Ringwood Horticultural & Agricultural Society Certificates of Merit for outstanding exhibits Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society: 3 buff coloured with blue lettering, 3 white with blue lettering - each with a picture of flowers. ...6 certificates awarded to S.Winch for vases of cut flowers (23-Oct-1954); equal best exhibit - Fuchsia Section - 12-Mar-1966 (2 certs), Best exhibit Fuchsia Section (13-May-1967), Double Fuchsias 3 varieties (8-May-1971) & exhibit in Fuchsia Section (6-Mar-1971)Set of 6 certificates of Merit for outstanding exhibits at the Ringwood Horticultural & Agricultural Society: 3 buff coloured with blue lettering, 3 white with blue lettering - each with a picture of flowers. +Additional Keywords: S Winch(5) and D HollowayRingwood Horticultural & Agricultural Society Certificates of Merit for outstanding exhibits -
Embroiderers Guild, VictoriaTextile - Embroidered Hmong Dress Panel
... Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...During periods of harsh persecution, Hmong women developed a way to record their history by weaving it directly into their clothing. Called "pajntaub" , which means "flower cloth", and it was traditionally practiced only by the women of the community. Using a variety of complex stitching techniques, they created intricate geometric patterns. These designs were not just for decoration on clothes, collars and baby carriers. At times when their own language was suppressed, these symbols served as a form of communication and cultural documentation, with history hidden in the very pleats of their skirts. This tradition took on a new powerful meaning in the late 1970's after the wars in Southeast Asia. Forced into refugee camps in Thailand, Hmong women began creating "story cloths". These were larger tapestries that documented their lives, their traditions, and their harrowing journey from their homelands to the camps. These story cloths became a way to tell the world what had happened to them . They also became a vital source of income, sometimes selling for just one dollar, which helped families survive in the camps. Hmong Archives; Library of Congress. Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. Embroidered in buttonhole stitch and satin stitch filling. Worked on black even weave linen. -
Embroiderers Guild, VictoriaTextile - Embroidered Hmong Dress Panel
... Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...During periods of harsh persecution, Hmong women developed a way to record their history by weaving it directly into their clothing. Called "pajntaub" , which means "flower cloth", and it was traditionally practiced only by the women of the community. Using a variety of complex stitching techniques, they created intricate geometric patterns. These designs were not just for decoration on clothes, collars and baby carriers. At times when their own language was suppressed, these symbols served as a form of communication and cultural documentation, with history hidden in the very pleats of their skirts. This tradition took on a new powerful meaning in the late 1970's after the wars in Southeast Asia. Forced into refugee camps in Thailand, Hmong women began creating "story cloths". These were larger tapestries that documented their lives, their traditions, and their harrowing journey from their homelands to the camps. These story cloths became a way to tell the world what had happened to them . They also became a vital source of income, sometimes selling for just one dollar, which helped families survive in the camps. Hmong Archives; Library of Congress. Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. Embroidered in buttonhole stitch and satin stitch filling. Worked on black even weave linen. -
Embroiderers Guild, VictoriaTextile - Embroidered Hmong Dress Panel
... Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. ...During periods of harsh persecution, Hmong women developed a way to record their history by weaving it directly into their clothing. Called "pajntaub" , which means "flower cloth", and it was traditionally practiced only by the women of the community. Using a variety of complex stitching techniques, they created intricate geometric patterns. These designs were not just for decoration on clothes, collars and baby carriers. At times when their own language was suppressed, these symbols served as a form of communication and cultural documentation, with history hidden in the very pleats of their skirts. This tradition took on a new powerful meaning in the late 1970's after the wars in Southeast Asia. Forced into refugee camps in Thailand, Hmong women began creating "story cloths". These were larger tapestries that documented their lives, their traditions, and their harrowing journey from their homelands to the camps. These story cloths became a way to tell the world what had happened to them . They also became a vital source of income, sometimes selling for just one dollar, which helped families survive in the camps. Hmong Archives; Library of Congress. Hill Tribe clothing panel in fuchsia pinks and royal blue, with white, green, orange highlights. Embroidered in buttonhole stitch and satin stitch filling. Worked on black even weave linen. -
Embroiderers Guild, VictoriaTextile - Embroidered Hmong Dress Panel
... Hill Tribe clothing panel in progress in fuchsia pinks and royal blue, with white, green, orange highlights. ...Hill Tribe clothing panel in progress in fuchsia pinks and royal blue, with white, green, orange highlights. ...During periods of harsh persecution, Hmong women developed a way to record their history by weaving it directly into their clothing. Called "pajntaub" , which means "flower cloth", and it was traditionally practiced only by the women of the community. Using a variety of complex stitching techniques, they created intricate geometric patterns. These designs were not just for decoration on clothes, collars and baby carriers. At times when their own language was suppressed, these symbols served as a form of communication and cultural documentation, with history hidden in the very pleats of their skirts. This tradition took on a new powerful meaning in the late 1970's after the wars in Southeast Asia. Forced into refugee camps in Thailand, Hmong women began creating "story cloths". These were larger tapestries that documented their lives, their traditions, and their harrowing journey from their homelands to the camps. These story cloths became a way to tell the world what had happened to them . They also became a vital source of income, sometimes selling for just one dollar, which helped families survive in the camps. Hmong Archives; Library of Congress. Hill Tribe clothing panel in progress in fuchsia pinks and royal blue, with white, green, orange highlights. Embroidered in buttonhole stitch and satin stitch filling. Worked on black even weave linen. -
Rutherglen Historical SocietyCertificate - Prize Certificate Rutherglen and Murray Valley Agricultural & Horticulture Society, 1906 (Exact)
... Second Prize certificate won by Scott, J G at Rutherglen Show for Three Fuchsias (Assorted in Pots)...Second Prize certificate won by Scott, J G at Rutherglen Show for Three Fuchsias (Assorted in Pots) rutherglen show rutherglen & murray valley agricultural & horticultural society j g scott "Rutherglen and Murray Valley / Agricultural & Horticultural Society / Twenty Seventh Annual Exhibition / Wednesday, 24th October, 1906" / "A.H. ...Prize certificate for 1906, Rutherglen & Murray Valley Agricultural & Horticultural Society. Light Green certificate with black printing. Second Prize certificate won by Scott, J G at Rutherglen Show for Three Fuchsias (Assorted in Pots)Prize certificate for 1906, Rutherglen & Murray Valley Agricultural & Horticultural Society. Light green with black printing. "Rutherglen and Murray Valley / Agricultural & Horticultural Society / Twenty Seventh Annual Exhibition / Wednesday, 24th October, 1906" / "A.H. Thompson, Secretary"rutherglen show, rutherglen & murray valley agricultural & horticultural society, j g scott -
Whitehorse Historical Society Inc.Document, Realising Auction, C1956
... Trustee Realising Auction 18/11/1956 Myrtle Grove, Linum Street, Fuchsia Street, The Avenue, Main Street, Laburnum Street, Gardenia Street, South Parade, Gordon Crescent, Wolseley Crescent....equity trustees company ellingworth estate agency armstrong & hoath estate agents corr & corr solicitors laburnum street blackburn the avenue laurel grove Mrytle Grove Main Street Gardenia Street Clarke Street Wolseley Crescent Gordon Crescent Trustee Realising Auction Trustee Realising Auction 18/11/1956 Myrtle Grove, Linum Street, Fuchsia Street, The Avenue, Main Street, Laburnum Street, Gardenia Street, South Parade, Gordon Crescent, Wolseley Crescent. ...Trustee Realising AuctionTrustee Realising Auction 18/11/1956 Myrtle Grove, Linum Street, Fuchsia Street, The Avenue, Main Street, Laburnum Street, Gardenia Street, South Parade, Gordon Crescent, Wolseley Crescent.Trustee Realising Auction equity trustees company, ellingworth estate agency, armstrong & hoath, estate agents, corr & corr, solicitors, laburnum street, blackburn, the avenue, laurel grove, mrytle grove, main street, gardenia street, clarke street, wolseley crescent, gordon crescent -
Embroiderers Guild, VictoriaContainer - Box, Mrs Jean Burrows, Mid 20th century
... The top is decorated in stump work portraying the flower of the fuchsia gum in shades of orange and yellow. ...The top is decorated in stump work portraying the flower of the fuchsia gum in shades of orange and yellow. ...Purchased from Embroidery with Wool Exhibition 1981.Octagonal box covered in green fabric. The top is decorated in stump work portraying the flower of the fuchsia gum in shades of orange and yellow. Coral knot stitch around the edges of the lid. Trapunto on inside lid. Orange silk lining. 'Fuschia Gum" JB 1981embroidery, creative, stumpwork, boxes, australia, 1980-2000 -
Embroiderers Guild, VictoriaFunctional Object - Button
... Dress and love buttons (small). 13 coloured enamel, 4 portrait enamel, 8 tiny iridescent Mother of Pearl, 9 cream and gold with crown, 6 Mother of Pearl with fuchsia, 8 white circular with brown 'eyes'. ...Dress and love buttons (small). 13 coloured enamel, 4 portrait enamel, 8 tiny iridescent Mother of Pearl, 9 cream and gold with crown, 6 Mother of Pearl with fuchsia, 8 white circular with brown 'eyes'. ...D. 4 portrait - France, 9 cream (glove) Paris.D. Dress and love buttons (small). 13 coloured enamel, 4 portrait enamel, 8 tiny iridescent Mother of Pearl, 9 cream and gold with crown, 6 Mother of Pearl with fuchsia, 8 white circular with brown 'eyes'. buttons, france -
Warrnambool and District Historical Society Inc.Functional object - Bookmark, Thomas Stevens, Coventry and London, Mizpah, late 19th century
... This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. ...Religious book marks Stevengraphs Mizpah The Lord watch between Me and thee when we are Absent one from another This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. ...This bookmark was found loose inside one of our antiquarian books and no connection to the book or its unknown original owner have been found. The word Mizpah means Watchtower in Hebrew and a Mizpah card or bookmark was sent or given to Jewish people who were separated from their loved ones, with the message that the Lord was watching over those absent. The bookmark has been made by the firm of Thomas Stevens of Coventry. This city was the English centre of ribbon weaving in the 19th century and Thomas Stevens, a local weaver, invented and developed in the 1860s the art of making woven silk items - book marks, greeting cards, art works etc. These were called Stevengraphs. Stevens opened a factory in London in 1878 and by the 1880s was producing over 900 woven silk designs. Stevengraphs are a collectors' Items today and this Mizpah bookmark is a fine example of one.This is a woven silk bookmark with multi-coloured patterns. coloured script and a sprig of fuchsia flowers, all on a yellow background. There is a red tassel at the end of the bookmark. The bookmark was affixed to a rectangular sheet of paper containing details of the maker but the bookmark is now detached. The backing sheet is partly torn.Mizpah The Lord watch between Me and thee when we are Absent one from anotherreligious book marks, stevengraphs -
Villa Alba MuseumPhotograph - Hearth Tiles, Second Bedroom Fireplace, Villa Alba, c.1882
... They feature the flowers and foliage of fuchsias and lily of the valley. The tiles at the edge have been cut to fit into the surround. ...They feature the flowers and foliage of fuchsias and lily of the valley. The tiles at the edge have been cut to fit into the surround. ...The Villa Alba Museum is cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration. Most rooms in this historically and aesthetically significant house have stone (typically marble) fireplaces that are inset with plain and decorative tiles produced by the company of Mintons Ltd.Born digital photograph of the decorative tiles used in the hearth of the fireplace in the second bedroom of Villa Alba. The polychrome tiles are decorated in a manner reminiscent of Ottoman Iznik tile work. They feature the flowers and foliage of fuchsias and lily of the valley. The tiles at the edge have been cut to fit into the surround. The tiles have black visually interlocking borders. There are twelve tiles used at the front which extends six tiles deep. All of the tiles were produced by Mintons Ltd.fireplaces, mintons, mintons - tiles, villa alba -- second bedroom -
The Beechworth Burke MuseumTextile - Banner, c1872
... The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. ...Beechworth Burke Museum Chinese Benevolent Asylum Ovens District Hospital Beechworth Carnival processions Carnival processions Beechworth Chinese community Beechworth Fine Arts Exhibition Donald Fiddes PRESENTED TO THE CHINESE / OF BEECHWORTH BY THE / COMMITEES OF THE PUBLIC / INSTITUTIONS THAT / TOWN IN COMMEMOR / OF THE CARNIVAL 1873 The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. ...This banner was one of five banners gifted to the Beechworth Chinese community in recognition of their support of the Hospital and Benevolent Asylum in 1875, from the Carnival Committee. These banners had been purchased in China by a social envoy from Beechworth then presented to the Chinese community during the Beechworth Fine Arts Exhibition in May of that same year, by Donald Fiddes, President of the Ovens District Hospital. The Burke Museum's Chinese Collection presents the history of Chinese settlement in Beechworth from 1856 and its involvement in local community affairs in the second half of the 19th century. In settling in the area they formed their own community with distinctive Chinese cultural traditions, forming their own 'camps' with laid out streets, housing a Temple, Chinese Theatre and restaurants, hotels, stores, gambling houses and dwellings. Members of the Chinese community took an active interest in town affairs and were generous donors to the appeal to build the Ovens District Hospital in 1856/7. The vibrant colours and dynamic graphics of the silk embroidered Chinese banners were a highlight of Beechworth Charitable processions that took place in the main street. Two of the Chinese banners were conserved for the Burke Museum in 2006 by Carol Campbell of Phoenix Conservation Services with funding from Victoria’s Heritage Grants. In 2015, with the enormous support of the Copland Foundation and fundraising activities by the Friends of the Bur Museum Committee, conservation of the third banner was undertaken by Artlab Australia in Adelaide.The banners display traditional Chinese textile techniques and are visually beautiful and very rare and are considered of local and national significance, with the potential to be deemed internationally significant.The banner has a narrow fuchsia embroidered top border, a wider embroidered panel depicting 2 dogs with embroidered Chinese text and a larger lower panel with the embroidered text “PRESENTED TO THE CHINESE OF BEECHWORTH BY THE COMMITEES OF THE PUBLIC INSTITUTIONS (missing) THAT TOWN IN COMMEMOR (missing) OF THE CARNIVAL 1873” The 2 lower panels have narrow decorative borders decorated with mirrors and extensive embroidery. There is an additional embroidered tab running along the right hand edge. The bottom edge has a wide knotted fringe. The back is lined with fabric decorated with a painted scene. Refer Attachment 1 quote ARTLAB AustPRESENTED TO THE CHINESE / OF BEECHWORTH BY THE / COMMITEES OF THE PUBLIC / INSTITUTIONS THAT / TOWN IN COMMEMOR / OF THE CARNIVAL 1873beechworth, burke museum, chinese, benevolent asylum, ovens district hospital, beechworth carnival processions, carnival, processions, beechworth chinese community, beechworth fine arts exhibition, donald fiddes -
Ringwood and District Historical Society
Document, Ringwood and District Horticultural and Garden Club, Ringwood and District Horticultural and Garden Club Syllabus - 1972, 1972
... Secretary 38 William Street, Ringwood Telephone: 870-7458 (Inside) Page One Jan 17th Pressed Flowers Feb. 21st Judging Standards Mar.20th Fuchsias Apr. 17th Native Plants May 15t Indoor Plants June 19th Fruit Tree Pruning Page Two July 17th Toowoomba Festival Aug. 21st Camelias Sept. 18th Bulbs Oct. 16th Vegetables Nov. 20th Annual Meeting. ...Secretary 38 William Street, Ringwood Telephone: 870-7458 (Inside) Page One Jan 17th Pressed Flowers Feb. 21st Judging Standards Mar.20th Fuchsias Apr. 17th Native Plants May 15t Indoor Plants June 19th Fruit Tree Pruning Page Two July 17th Toowoomba Festival Aug. 21st Camelias Sept. 18th Bulbs Oct. 16th Vegetables Nov. 20th Annual Meeting. ...Ringwood and District Horticultural and Garden Club Syllabus 1972.Small card Ringwood and District Horticultural and Garden Club Syllabus 197__ Monthly Meetings are held in the Public Library, Warrandyte Road, Ringwood, on the Third Monday of each month at 8 pm. (Mrs.) V.H.WILSON, Hon. Secretary 38 William Street, Ringwood Telephone: 870-7458 (Inside) Page One Jan 17th Pressed Flowers Feb. 21st Judging Standards Mar.20th Fuchsias Apr. 17th Native Plants May 15t Indoor Plants June 19th Fruit Tree Pruning Page Two July 17th Toowoomba Festival Aug. 21st Camelias Sept. 18th Bulbs Oct. 16th Vegetables Nov. 20th Annual Meeting. Question Night Dec. 11th Christmas Break up -
University of Melbourne, Burnley Campus ArchivesCertificate - Award Certificate and Medal, W. Calvert, Victorian Intercolonial Exhibition 1866-7 First Prize Medal for General Collection of Cut Flowers, 1866-1867
... Manners-Sutton, K.C.B, on the 24th October 1866; Closed February 23rd 1867 FIRST PRIZE MEDAL AWARDED FOR GENERAL DISPLAY OF CUT FLOWERS (Fuchsias, 10 varieties; Collection of cut flowers 50 varieties) TO J. ...Manners-Sutton, K.C.B, on the 24th October 1866; Closed February 23rd 1867 FIRST PRIZE MEDAL AWARDED FOR GENERAL DISPLAY OF CUT FLOWERS (Fuchsias, 10 varieties; Collection of cut flowers 50 varieties) TO J. ...First Prize Medal awarded to J. Scott, Nurseryman, Hawthorn. during the Intercolonial Exhibition 1866-67. Awarded by Mrs J.C. Corbett's aunt married a son of James Scott.Bronze coloured medal raised in relief - set in illuminated cardboard certificate glued on wooden back board with brown paper backing. Awarded to James Scott, Nurseryman, Hawthorn. Designed and printed and hand finished by W. Calvert 89 Little Collins St. East, Melbourne. Sculpted by C. Summers. Printed on the illuminated certificate are the Royal Standard of United Kingdom and Victorian coat of arms. (Also see B93.0664 - associated award to J Scott, and framed colour printed replica B92.0548)Bronze relief MEDAL AWARDED TO JAMES SCOTT VICTORIA INTERCOLONIAL EXHIBITION 1866-7 Latin inscription FACIES NON OMNIBUS UNA NEC DIVERSA TAMEN. QUALEM DECET ESSE SORORUM, with pictured classical ladies grouped in the relief. Certificate surrounding the metal relief contains much printed explanation of the exhibition. Opened by his excellence Sir J. H. T. Manners-Sutton, K.C.B, on the 24th October 1866; Closed February 23rd 1867 FIRST PRIZE MEDAL AWARDED FOR GENERAL DISPLAY OF CUT FLOWERS (Fuchsias, 10 varieties; Collection of cut flowers 50 varieties) TO J. SCOTT, NURSERYMAN, HAWTHORN. Handwritten on reverse, 'Presented by Mrs. J.C. Corbett, 28 Stawell St., Kew. (Her aunt married a son of James Scott)medal, certificate awarded, j. scott, nurseryman, w. calvert, c. summers, mrs. j.c. corbett, james scott, j.c. corbett, flowers, first prize, intercolonial exhibition -
St Kilda Historical SocietyDocument - Advertisement, G Brunning & Son St Kilda Nurseries, Pre - 1901 (original)
... Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. ...Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. ...George Brunning was born in Suffolk, England, on 2 October 1830 and settled in St Kilda in June, 1852. He was a gardener and became part-proprietor and manager of Rule's Nursery in Richmond before establishing the first nursery of his own in 1861. Following his death on 5 June 1893, his sons continued the business. An article published in Punch in 1907 observed 'Nearly all the flowers grown in and around Melbourne, indeed, throughout Victoria, which are not native to Australia, had their origins in the nurseries of George Brunning and Sons. The statement is a large one to make, but it is literally true.'Single page black and white photocopy of advertisement from an unidentified publication for G Brunning & SonG Brunning & Son, St Kilda Nurseries, Near Melbourne, Beg to announce they have the Largest and Most Extensive Nursery Stock in the Australian Colonies. Ten acres of our ground are under cultivation with Flowers and Shrubs, upwards of two acres being covered with pot grown plants. We are the biggest Importers of new florists flowers in the Southern Hemisphere, always adding to our Stock all the Novelties as they appear in Europe. Our nurseries are particularly noted for the fine collections of roses, show, fancy and zone pelargoniums, fuchsias, picots, carnations, and other leading Plants, Shrubs, etc. In addition, we cultivate extensively the best and most popular kinds of fruit trees, of sorts suitable for private gardens, or for market purposes. Priced Catalogues are published annually in May, and will be forwarded gratis on application to G Brunning & Son, St Kilda Nurseries, Near Melbourne. Visitors to Melbourne are respectfully invited to inspect our Nurseries.g brunning and son, plant nurseries victoria, st kilda, 19th century -
Ringwood and District Historical Society
Programme, Ringwood and District Horticultural and Garden Club, Ringwood and District Horticultural and Garden Club Schedule for the Annual Autumn Show, 1971, 1971
... Page Twelve Fuchsias Florets to be displayed on collar in a container (Small). ...Page Twelve Fuchsias Florets to be displayed on collar in a container (Small). ...Ringwood and District Horticultural and Garden Club Schedule for the Annual Autumn Show, 1971.12 page booklet- typed Schedule.Front Page Ringwood and District Horticultural and Garden Club Schedule for the Annual Autumn Show To be held in the Assembly Hall, Ringwood High School, Bedford Road, Ringwood Saturday, March 6, 1971. (Doors Open at 2 p.m.) Entries close: 9 p.m. Thursday March 4th, 1971. Admission: Adults: 30 centsChildren: 5 cents Next Page OFFICE BEARERS LIFE MEMBERS: Mrs.Lord, Mrs.W.McDowell, Mr.B.J.Hubbard, Messrs.W.Gillespie, E.Bennett, G.W.Burns, E.T.Kearsley, Les.Ingram, W.McDowell. PRESIDENT:Mr.J.Roberts 39 Warrandyte Road Ringwood, Telephone: 870-1483 VICE-PRESIDENTS: Mrs.D.Hutchinson Mr.V.H.Wilson MENS' COMMITTEE: Mr.G.W.Burns, Mr.W.McDowell, Mr.E.Frame, Mr.V.H.Wilson, MR.J.Percival LADIES COMMITTEE: Mesdames: W.McDowell, D.Hutchinson, A.Mabu, D.Wilson, Miss Isbester TREASURER: Mr.D.Puckey Summit Crescent Ringwood North SECRETARY: Mrs.V.H.Wilson 38 William Street Ringwood, Telephone: 870-7458 ENTRIES CLOSE ON THRUSDAY MARCH 4TH 1971 AT 9 P.M. NO LATE ENTRIES WILL BE ACCEPTED AT THIS SHOW. PROGRAMME Staging of Exhibits 8.30 a.m. till 12 Noon Judging Commences 12.30 p.m. Show Opens 2.30 p.m. Removal of Exhibits 9.00 p.m. Admission: Adults: 30 centsChildren: 5 cents Page One EXHIBITORS MAY MAIL OR TELEPHONE ENTRIES TO THE UNDERMENTIONED:- MRS.V.H.WILSON,38 William Street, Ringwood870-7458 MRS.D.HUTCHINSON, 48 Caroline Street, RINGWOOD 870-8577 ENTRIES CLOSE THURSDAY MARCH 4TH AT 9 P.M. RULES FOR COMPETITORS All Exhibits must be stages by 12 Noon and must not be removed before 9 p.m. Exhibitors must apply on moring of Show to the Secretary for Cards which must be placed in front of Exhibit in the allotted space. All Exhibits, except Floral Art, must be grown by the Exhibitor. Awards will be made by the Judges whose decision is final. Prize Money available at 8 p.m. and if not claimed within one month will revert to the Society. Exhibits should be names. In a close finish this counts. No Exhibitor allowed in Hall whilst Judging is in progress. Any Protest shall be in writing accompanied with a 50 cent deposit lodged with the Secretary before 7 p.m. on day of Show. Protest must be limited to non-accordance of an Exhibit within the Schedule. The Committee is empowered to determine and protest to be forfeited if it deems such to be frivolous. BOWL:- The width of the vessel must be greater than its height. VASE:- The height of the vessel must be greater than its width. Page Two Continuation of: RULES FOR COMPETITORS... The Rules of the Royal Horticultural Society of Victoria will apply. Dahlias will be judged under the Rules and Standards laid down by the National and Royal Dahlias Society of Victoria. A VASE consists of 3 to 6 stems (in Cut Flowers) unless otherwise stated. AWARDS: Bronze Medal of the National Dahlia Society for Best Dahlia Exhibit. BLUE RIBBONS MAY BE AWARDD FOR:- BEST VASE OF CUT FLOWERS BEST DAHLIA OVER 6 INCHES BEST VASE DAHLIAS UNDER 6 INCHESBST FLORAL ART EXHIBIT BEST SEEDLING DAHLIA CERTIFICATES OF MERIT:- GIANT DAHLIA OVER 8 INCHESBEST SHRUB MINIATURE CACTUS DAHLIA BETWEEN 4 1/2" TO 6" BEST POT PLANT CHARM DECORATIVE BETWEEN 6' AND 8' BEST VEGETABLE BEST SINGLE ROSE UNLESS OTHERWISE STATED ENTRY FEE PER SCHEDULE CLA CLASS - 5 CENTS PER ENTRY. PLEASE NOTE THAT ENTRY FEE FOR ITEMS NO. 1 AND 2 IS 25 CENTS IN EACH SECTION ENTRIES CLOSE: THURSDAY MARCH 4TH, 1971 AT 9 P.M. Page Three VICTORIANCHAMPIONSHIPSECTION 1 SCH.NO: FIRST 1DAHLIAS UNDER 8 INCHES 12 Vases (3 of each) Distinct Varieties TROPHY VALUED AT $5.00 29 Giant Dahlias, Distinct Varieties (SPONSORED BY AMETCO TRAVEL AGENCY, RINGWOOD) To be won Three Times - Trophy valued at $20-00 DAHLIAS OPEN SECTION 2 39 Dahlias 3 Medium Cactus, 3 Miniature Cactus, 3 Charm Cactus, Distinct Varieties, Shown separately $2-00 44 Giant Decorative, Distinct Varieties 50c. 51 Giant Decorative 30c. 63 Giant Cactus, Distinct Varieties 50c. 71 Giant Cactus 30c. 86 Medium Garden Cactus N.N.D. 50c. 93 Medium Garden Cactus, Distinct Varieties 50c. 10 3 Medium Decorative Distinct Varieties 50c. 11 1 Medium Decorative 30c. 12 6 Vases Miniature Cactus, Distinct Varieties - 3 of each - 75c 13 3 Vases Miniature Cactus, Distinct Varieties - 3 of each - 50c 14 3 Vases Miniature Decorative, Distinct Varieties - 3 of each 50c 15 1 Vase Miniature Dahlias - 3 Blooms Distinct Variety 30c 16 3 Vases Charm Cactus, Distinct Varieties - 3 of each - 50c 17 3 Vases Charm Decorative - Distinct Varieties - 3 of each 50c Page Four Continuation of: SECTION 2 - DAHLIAS OPEN. SCH.NO. FIRST 18 1 Vase Charm, 3 Blooms, Distinct Variety30c 19 Seedling Dahlia Over Six Inches30c 20 Seedling Dahlia Under Six Inches 30c 21 3 Vases Pompones, Distinct Varieties, 3 of each50c 22 1 Vase Pompones, N.N.D, 50c 23 3 Exhibition Cactus Distinct Varieties 50c 24 1 Exhibition Cactus30c 25 1 Miniature Dahlia20c 26 1 Charm Dahlia 20c 27 1 Vase Dahlias Under 8 Inches, 10 Stalks, N.N.D. 75c SECTION 3: RINGWOOD AND DISTRICT AMATEUR CHAMPIONSHIP DAHLIAS - AMATEUR 28 6 Giant Dahlias, Distinct Varieties $1.00 29 9 Dahlias Distinct Varieties (Shown Separately) 3 Medium Cactus; 3 Miniature Cactus, 3 Charm Cactus $2.00 30 3 Giant Decorative Distinct Varieties 50c 31 1 Giant Decorative30c 32 3 Giant Cactus, Distinct Varieties 30c 34 3 Medium Decoratve Distinct Varieties 50c 35 1 Medium Decorative 30c 36 3 Medium Cactus Distinct Varieties50c 37 1 Medium Cactus 30c 38 3 Vases Miniature Cactus Distinct Varieties (3 of each) 50c 39 1 Vase Miniature Cactus 3 Blooms N.N.D. 50c 40 1 Vase Miniature Decorative 3 Blooms N.N.D.50c Page Five Continuation of: SECTION 3 - AMATEUR DAHLEA CLASS SCH.NO: FIRST 413 Vases Charm Cactus, Distinct Varieties - 3 of each -50c. 421 Vase Charm Cactus, Distinct Variety - 3 Blooms - 30c 433 Vases Charm Decorative, Distinct Varieties, 3 of each50c 441 Vase Charm Decorative 5 Blooms N.N.D. 30c 451 Vase Miniature, 3 Blooms, N.N.D.20c 461 Charm 471 Vase Pompones 5 Blooms N.N.D.50c 481 Vase Show or Ball Dahlias 3 Blooms N.N.D. 50c. SECTION 4: DAHLIAS - NOVICE 491 Giant Dahlia 30c 501 Medium Dahlia 30c 511 Vase Miniature Dahlias, 3 Blooms, N.N.D.30c 521 Vase Charm Dahlias, 3 Blooms, N.N.D. 30c 531 Miniature Dahlia20c 541 Charm Dahlia 20c SECTION 5:R O S E S-O P E N 55Roses, 3 Blooms in Separate Containers, (Distinct Varieties)40c 56Roses, 3 Blooms, 1 colour shown separately 30c 57Roses, 3 Blooms, Bud to Full Bloom 30 c 58Roses, 3 Vases, Distinct Varieties 75c 59Roses, 1 Vase Full Bloom showing stamens 30c 60Roses, 1 Vase C.V.A. 20c Page Six Continuation of: SECTION 5 - R O S E S-O P E N SCH.NO:FIRST 611 Rose in Bloom20c 62Rose, 1 Vase of Floribunda or Grandiflora 30c SECTION 6 - R O S E S - A M A T E U R 63Rose, 1 Bloom20c 64Rose, 1 Vase, C.V.A. 30c 65Roses, 3 Blooms, Distinct Varieties35c 66Roses, 3 Blooms, Bud to Full Bloom 35c 67Roses, 1 Vase Floribunda or Grandiflora30c SECTION 7C U T F L O W E R S -O P E N 683 Vases Cut Flowers, Distinct Kinds, C.V.A. 50c 691 Vase Cut Flowers, Distinct Variety, C.V.A. 25c 701 Vase Cut Flowers, Red Shades, Distinct Kind 25c 711 Vase Cut Flowers, Pink Shades, Distinct Kind25c 721 Vase Cut Flowers, White Shades, Distinct Kind 25c 731 Vase Cut Flowers, Cream or Yellow Shades25c 741 Vase Cut Flowers, Blue Shades 25c 751 Head Hydrangeas25c 763 Vases Geranium or Pelargonium, N.N.D. 25c 771 Vase Asters, C.V.A.25c 781 Vase Zinnias, Distinct Variety, Dahlia Flowered25c 793 Vases Zinnias, Distinct Colours, Dahlia Flowered 25c 801 Vase Lilliput Zinnias, C.V.A. 25c 811 Vase Marigolds. C.V.A. 25c 821 Vase Cut Flowers, not shown in this Schedule 25c 831 Vase Decorative Chrysanthemum, C.V.A., A.N.S.25c Page Seven Continuation of: SECTION 7:CUT FLOWERS - OPEN - SCH.NO: FIRST: 841 Container phlox, C.V.A.25c SECTION 8C U TF L O W E R S - AMATEUR 853 Vases Cut Flowers, Distinct Kinds, C.V.A. 40c 861 Vase Cut Flowers, Distinct Variety, C.V.A. 25c 871 Vase Cut Flowers, Red Shades, Distinct Kinds25c 881 Vase Cut Flowers, Red Shades, Distinct Kinds 25c 891 Vase Cut Flowers, Blue Shades, Distinct Kinds 25c 901 Vase Cut Flowers, White Shades, Distinct Kinds 25c 913 Vases Fuchsias, C.V.A.25c 923 Vases Geraniums or Pelargoniums (N.N.D.) 25c 931 Vase Aster, C.V.A.25c. 941 Vase African Marigolds, Distinct Variety 25c 951 Vase Zinnias, Dahlia Flowered, C.V.A. 25c. 961 Vase Cut Flowers not stated in Schedule 25c 971 Flower not stated in Schedule 25c 981 Vase Geranium, Distinct Variety25c 991 Container Phlox25c Page Eight SECTION 9 - C U T F L O W E R S - N O V I C E SCH.NO:FIRST: 1001 Vase Asters 25c 1011 Vase Snap Dragons C.V.A.25c 1021 Vase Marigold C.V.A.25c 1031 Vase Zemias, Dahlia Flowered, C.V.A. 25c 1041 Vase Zemias, Lilliput, C.V.A. 25c 1051 Container Phlox 25c SECTION 10 F L O R A L A R T O P E N FIRST SECOND 106Arrangement of Flowers for the Home50c 20c 107Table Centre Piece of Mixed Flowers 50c 20c 108Bowl of Dahlias 50c 20c 109Arrangement of Autumn Tones (Any Foliage Allowed)50c 20c 110 Arrangement of Flowers (Dahlias to predominate - May include any plant material and accessories)$1-00 50c 111Dry Arrangement 50c 20c 112Church Arrangement 50c 20c 113A Basket of Fruit 50c 20c 114Line Arrangement (May include any Plant Material) 50c 20c 115"AS I LIKE IT" (May include any Plant Material and Accessories) 50c 20c 116Arrangement, Tall and Stately 50c 20c 117Bowl of Floating Flowers (FLOWERS MUST FLOAT)35c 15c Page Nine SECTION 11 F L O R A L A R T - A M A T E U R SCH.NO: FIRST:SECOND: 118Arrangement of Dahlias35c 15c 119Miniature Arrangement 50c 15c 120Harvest Arrangement of Flowers and/or Vegetables 40c20c 121Arrangement of Gladioli 35c 15c 122One Flower Spray30c 15c 123Arrangement of Five Dahlias 35c 15c 124Presentation Basket50c 20c 125Arrangement in Pink and Gray on Silver 40c 20c S P E C I A L N O T I C E PLEASE NOTE THAT SCHEDULE NUMBERS 106, 118 AND 120, TO BE EXHIBITED IN 2FT.6IN. NICHE.. SECTION 12 F L O R A L A R T - INTERMEDIATE SCH.NO: FIRST: SECOND: 126A Dry Arrangement 30c15c 127Presentation Basket40c20c 128Tall Arrangement 30c15c 129Line Arrangement Five Flowers40c20c ENTRIES CLOSE THURSDAY MARCH 4TH, 1971 AT 9 P.M. Page Ten SECTION 13 F L O R A L A R T - N O V I C E SCH.NO:FIRST: SECOND: 130"My Choice" 30c 15c 131Dry Arrangement 30c 15c 132One Flower Spray 30c 15c 133Presentation Basket 40c 20c 134Arrangement, "AS I LIKE IT"30c 15c SECTION 14V E G E T A B L E S SCH.NO:FIRST: 135Collection of not more than 8 Vegetables $1.50 136Brace (2) of Apple Cuccumbers25c. 137Brace (2) of Long Cuccumbers 25c 138Plate of 4 Tomatoes, smooth, (eith Stalks) 25c. 139Plate of 4 Onions25c 140One Vegetable Marrow25c 141One Pumpkin 25c 142One Lettuce25c 143Plate of Peas - 12 Pods - 25c 144Plate of Climbing Beans - 12 Beans25c. 145Plate of Dwarf Beans - 12 Beans - 25c 146Bunch of Three Carrots with Tops25c 147Bunch of Three Parsnips 25c 148One Head Silver Beet25c 149Plate of 4 Potatoes25c 150Bunch of 3 Red Beet with Tops 25c 1513 Sticks of Rhubarb with Leaves25c 152Vegetable not otherwise specified 25c 1533 Cobs Sweet Corn25c. Page Eleven SECTION 14 - F R U I T SCH.NO: FIRST: SECOND: 154A Dish of 4 Culinary Apples 25c 155A Dish of 4 Dessert Apples 25c 156A Dish of 4 Lemons 25c 157A Dish of 6 Passion Fruit 25c 158A Fruit not otherwise stated 25c SECTION 15 - FLORAL ART - CHILDREN 11 TO 14 YEARS 159Floral Mat 12 inches by 9 inches 75c25c 160Arrangement of 3 Flowers (Any Foliage) 20c10c 161Decorated Saucer of Flowers20c 10c 162Flower Arrangement in Egg Cup 20c10c 163Novelty of any Horticultural Material20c 10c 164Boquet of Flowers 20c 10c 165Miniature Arrangement not to Exceed Three Inches 20c 10c. 166Arranged Vase of Flowers 20c 10c 167Arranged Vase of 6 Dahlias20c 10c. SECTION 16SPECIAL FUCHSIAS SECTION 168Single, 3 Distinct Variety 169Single, 6 Distinct Variety 170Single, 3 C.V.A. 171Single, 6 C.V.A. 172Double, 3 Distinct Variety 173Double, 6 Distinct Variety 174Double, 3 Distinct Variety 175Double, 6 C.V.A. Page Twelve Fuchsias Florets to be displayed on collar in a container (Small). Containers and Collars will be supplied by the Club, PRIZE-CARDS - FIRST, SECOND, WILL BE AWARDED ALSO MERIT CARD. A TROPHY WILL BE AWARDED TO THE BEST EXHIBIT IN SPECIAL FUCHSIAS SECTION SPECIAL OPEN CLASS - POT PLANTS.... SCH.NO:FIRST: 1761 Pot Plant, Foliage30c 1771 Pot Plant, Orchid In Bloom 30c 1781 Pot Succulents 30c 1791 Pot Geranium in Bloom 30c 1801 Pot Geranium Foliage 30c 1813 Indoor Plants - Different Varieties 30c 1825 Pots, at least 3 in Bloom 30c 183Container of Mixed Plants 30c 1841 Pot Plant in Bloom 30c Back Page G A R D E N C O M P E T I T I O N G A R D E N C O M P E T I T I O N sponsored by RINGWOOD CITY COUNCIL (Entries close Thursday February18th) (JUDGING SATURDAY FEBRUARY 27TH, 1971) ENTRIES MAY BE LEFT WITH: MRS.D.HUTCHINSON MRS.V.H.WILSON 43 Caroline Streetor38 William Street RINGWOOD RINGWOOD 870-8577870-7458 JOIN THESOCIETY Our MONTHLY MEETINGS are held on the THIRD MONDAY at 8 p.m. on each month in the PUBLIC LIBRARY, Warrandyte Road, RINGWOOD. YEARLY SUBSCRIPTION: ONE DOLLAR ($1-00) C H R Y S A N T H E M U M S H O W SATURDAY, MAY 8TH, 1971 WATCH FOR FURTHER DETAILS Sunrise Secretarial Service, 12 Grey Street, Ringwood East Telephone: 870-6871 -
Whitehorse Historical Society Inc.
Document, Frankcom's Paddock Blackburn, 1914
... t. r. b morton & son francoms paddock blackburn road blackburn canterbury road south parade main street myrtle grove laurel grove laburnum street the avenue fuchsia street view street linum street kings paddock blackburn township estate gardenia street 1914 Auction of 80 lots Auction of 80 lots at Frankcom's Paddock, Blackburn: Laburnum Street, Myrtle Grove, The Avenue, Fuschia Street, View Street Frankcom's Paddock Blackburn Document Document ...Auction of 80 lotsAuction of 80 lots at Frankcom's Paddock, Blackburn: Laburnum Street, Myrtle Grove, The Avenue, Fuschia Street, View StreetAuction of 80 lotst. r. b morton & son, francoms paddock, blackburn road, blackburn, canterbury road, south parade, main street, myrtle grove, laurel grove, laburnum street, the avenue, fuchsia street, view street, linum street, kings paddock, blackburn township estate, gardenia street, 1914 -
Whitehorse Historical Society Inc.Document, Kings Padddock Blackburn
... auctions kings paddock blackburn south parade laburnum street the avenue fuchsia street laurel grove main street t.r.b. morton & son Plan showing land for sale at Kings Paddock Plan showing land for sale at Kings Paddock, Blackburn (second section). ...Plan showing land for sale at Kings PaddockPlan showing land for sale at Kings Paddock, Blackburn (second section).Plan showing land for sale at Kings Paddockauctions, kings paddock, blackburn, south parade, laburnum street, the avenue, fuchsia street, laurel grove, main street, t.r.b. morton & son -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - Flower - Fuchsia, Allan Doney, 1950 -1970
... Negative Flower - Fuchsia Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - Flower - Fuchsia, Allan Doney, 1950 -1970
... Negative Flower - Fuchsia Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - Flower - Fuchsia, Allan Doney, 1950 -1970
... Negative Flower - Fuchsia Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - Flower - Fuchsia, Allan Doney, 1950 -1970
... Negative Flower - Fuchsia Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration. -
Allan Doney Collection, Bendigo Historical Society Inc.Negative - Flower - Fuchsia, Allan Doney, 1950 -1970
... Negative Flower - Fuchsia Allan Doney ...In the years of Allan Doney’s photography, landmark buildings succumbed to fire, neglect and redevelopment. He photographed the grey sand hills from Bendigo’s mining past, the streetscapes, poppet heads, miners’ cottages, gracious homes with ornate verandahs, trams and much more. Above all, his photographs show how much of the city has survived from the 19th century – and how much has not. Through two decades of great change, Allan Doney was there to capture ways people interacted with it. Although he travelled to many other places in Northern Victoria and beyond in search of subjects for his art, he seemed to always return to Bendigo for inspiration.
