The Victorian Scottish Regiment was an infantry unit of the Colony of Victoria Australia raised in 1898. It became part of the Australian Commonwealth Military forces in 1901 and was later renamed the 5th Battalion, Victorian Scottish Regiment. In 1960 the Victorian Scottish Regiment became the Royal Victoria Regiment and the present 5th/6th Battalion, Royal Victoria Regiment is today the custodian of its Australian-Scottish customs and traditions. Officer's full dress scarlet wool doublet with yellow stand collar and cuffs, and Inverness skirts. Left front of doublet, cuffs and Inverness skirts all edged with white piping. Lower edge of collar, cuffs and skirts are decorated with three rows of doubled, 1/8” silver Russian braid; each row completed with a large whitemetal coloured metal "King Edward VII Australian Commonwealth" button of the period 1901-1911. 5/8” silver lace around top of collar, and top and seam of gauntlet cuff. Silver braid shoulder straps and screw buttons MISSING. Eight large buttons at front of tunic, and two at back waist. Two large brass belt hooks at side waist of doublet. Lower front skirt flaps have welt pockets lined with linen. Body of tunic lined with a white wool mixture, lightly padded around the underarms. Lower skirt flaps lined with a medium weight cream wool twill and upper smaller flaps lined with a finer cream wool twill. Sleeves lined with cream cotton twill and written in blue ink on lotter right opening lining is '5-7 37'. Collar lined with red wool and neck fastened with two brass hook and eyes. No black patent leather tab at collar.blue ink on lotter right opening lining is '5-7 37'vsr, victorian scottish regiment, australian army, 5th battalion, 5th battalion victorian scottish regiment, royal australian infantry corps, rainf, 5/6 rvr, 5th/6th battalion, royal victoria regiment, pipes and drums, officer, full dress, doublet, scottish dress

Green and gold shot silk dress. Hemline is edged with a binding of black velvet - one cm wide. Bodice lined with cream linen, sleeves lined with cream cotton, skirt lined with cream linen(?) or cotton(?). Long sleeves are shaped in a ""semi-circular'' shape at the elbow, and taper in at the wrist. Sleeves are trimmed with green fringing, and a flat green satin bow. Wrist is trimmed a 2cm wide band of cream cotton lace. Top of sleeve at shoulder is also trimmed with green and fringing encircling the sleeve top.High round neck is faced with a 1cm band, and a row of the cotton lace. Two bands of fringing give a rectangular "style'' effect on the front bodice, which is fastened at centre front with ten metal hooks, and nine hand stitched ''holes'' to fasten, and one hand stitched loop at the neckline. Fringing continues over the shoulder, into a 5-sided shape across the shoulder blades. Skirt has two pleats on RHS front and two on left hand side of back and a 7cm centre panel of tight pleating. Skirt extends into a train at back. An inside pocket is accessed from under a pleat in the RHS skirt.costume, female, victorian full length dress with train

Long sleeves, with gathering at the elbow to allow movement. Finished at the wrist with two eleven cm deep frills, edged with two cm wide navy blue, cotton fringing. A four cm deep gathered frill edges the high round neckline, with a narrow piping finishing the neckline seam. Two panels at the front extend from the shoulders,to the peaked waistline. These are gathered at the shoulders, edged in navy blue fringing, and the waistline edge has the gathers alternately stitched together to form a hook and eye fasteners. A fine piping defines the peaked waistline. Bodice fully lined with cream cotton fabric. Armhole/sleeve seam finished with a fine piping.Skirt has been hand stitched into tight tiny pleats. Skirt is fully lined with cream linen, and is edged at the hemline, with one cm soft green braid. Centre front of skirt has a panel extending from the peak of the waistline, where it is 5.5cm wide to the hemline, where it is 20cm wide. This panel is edged in the navy blue fringing, and is attached to the skirt at approx 15-18 cms. Panel is fully lined with cream linen. At approx. 9-10cm spaces a 4cm fabric frill and an angled band of the navy fringing. This gives a ''ladder-like'' effect. Sleeves are bell shaped, and finished at the wrist with a 11.5cm and a 12.5cm frill, both finished with the navy fringing.costume, female, full length dress with blue fringing

Photograph of Tom Bennet and Tom Bryan in front of 1920s ambulance. Both appear to be wearing full dress uniforms.Black and white photograph of two ambulance officers wearing full dress uniforms in front of ambulancetom bryan

Very fine black and cream check silk lined in the bodice and sleeves with fine grey silk. Long sleeves are finished with a 4cm deep cuff, trimmed with a double row of cording, and a 1.5cm wide pleated frill. Two black shiny buttons trim the cuff(possibly plastic), which fastens with three press-studs. Waist is defined with one band of corded fabric. Two bands of cording outline the V neckline, which is also finished with a pleat frill. Cording, and three rows of hand - gathering outline a shaped frill at the hemline-alternately 31cm and 46cm deep. Seven black buttons fasten the front of the bodice. A placket extends into the skirt, fastened by four press-studs. Skirt has four knife pleats each side of the centre placket. Four knife pleats at each hemline, and six at centre back. These are all over-stitched with three double rows of stitching in a V shaped design. Hand stitched button holes.costume, female, black and cream silk dress

Grace James, the creator of the items in the Grace James collection, designed and created costumes over a 19 year period (1969-1988) for her daughter Ceri. The collection of clothing ranges from evening wear to knitted garments. All the items display exemplary dressmaking skills. The designs are of the period and reflect evolving fashions of the time. Some items are copies of published designs whereas others are original creations. The collection was donated in 2006.While most of the items in the Fashion & Design Collection of the Kew Historical Society are commercially designed items of clothing, there are also items made by home dressmakers. Many of these exhibit outstanding design knowledge and technical skills. A large and important group of these items of women's clothing is contained in the Grace James collection of outfits created for the dressmaker's daughter. The items have additional significance due to information about the purpose of the creation and the date when it was constructed.Long plain red sleeveless dress made of a crepe like fabric. The dress has narrow strapped shoulders. Red, pink and black floral chiffon overlap. The chiffon overlap is a John Kaldor fabric.grace james, women's clothing, dressmakers - surrey hills (vic), fashion -- 1970s, fashion design

This ankle length black dress with pleated skirt , buttoned bodice, self belt and long sleeves is an example of the dressmaking skills of the women of the families of the pioneer settlers and market gardeners of the Moorabbin Shire c1910The Blackburn family were early settlers in Moorabbin Shire. The pioneer settlers and market gardeners of Moorabbin Shire had to be self reliant and made their own clothing and utensils. This is one of many items that exhibit the skill and craftsmanship of the women in these familiesA lady’s ankle length, black dress with a pleated skirt, buttoned bodice, a self belt and long sleevesclothing, brighton, moorabbin, pioneers, dressmaking, dendy henry, market gardeners, craft work, blackburn nance

The image shows the Drum Major of the 6th Battalion, the Royal Melbourne Regiment between 1936-1960. He wears the uniform of the regiment which is similar to that of the Royal Fusiliers, with whom the 6th Battalion was affiliated. The Royal Melbourne Regiment was amalgamated into the Royal Victoria Regiment in 1960. RP5/6-00811-1 is the original coloured photograph printed on card (now fragile). RP5/6-00811-2 is a print of the digitally restored image what has been framed. Drum Major 6th Battalion, the Royal Melbourne Regiment c.1936-1960. drum major, 6th battalion, the royal melbourne regiment, australian army, australian army band, 5/6 rvr, 5th/6th battalion, rmr, royal victoria regiment, australian army full dress uniform

Full length sleeveless dress of dark blue fabric with light blue all over embossed floral pattern. Front of bodice made from one piece with two darts from the waist. Back same as above. Square neckline formed by pleated section of fabric (upward facing knife pleats) across the front. The pleating continues on the shoulder panels at the front. 13cm wide at shoulders. The shoulder pieces continue to attach at the back bodice but widen to form a rounded collar effect on either side. At centre back where collar joins, a folded piece of fabric is attached to form two tails of a bow falling past the waist (39cm). A decorative metal clasp with three rows of diamantes is attached at the top of the bow, 7cm below the neckline. On the front bodice there are two decorative rows of diamantes below the shoulders where the shoulder piece joins the pleated section across the front. Front and back bodice dip slightly at centre. Side opening on LHS with 36cm metal zipper from armhole. Hook and eye at top. Fabric piping around waistline front and back. Skirt made of four pieces. Centre and side seams. Gathered into waist (bodice) with series of small pleats random (uneven) knife and box flat seams. Large stitches visible on front of bodice where pleated section is visible. 2cm wide strips of elastic hand stitched inside each shoulder section, attaching front and backs of bodice. Check collar attached.costume, female evening, dress

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This day dress conforms to the V&A's description of fashion in the 1950s in that: 'The 1950s continued the late 1940s style with very full skirts, cinched waists and sloping shoulders. Dresses with pencil or full skirts were seen in either plain fabrics or floral prints.'Sky blue ballerina length dress with pleated skirtaustralian fashion - 1950s, day dresses, women's clothing

USA Marine Master Sergeant Full Dress Uniform.uniform

Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles

Dr McMillan was from Canada to deliver the inaugural Olivier Beguin Memorial Lecture in Canberra, June 10, 1974. He was General Secretary of the Bible Society in Canada, a minister of the Presbyterian Church of Canada, and was a past Moderator. Olivier Beguin was a Swiss teacher who as general secretary of the United Bible Societies for nearly 25 years.Portrait of Rev. Dr Kenneth McMillan, seated, dressed in full clerical dress.Rev Dr Kenneth McMillan, New Spectator, May 22, 1974, p. 9mcmillan, dr keneth; canada bible society; olivier beguin memorial lecture

Captain Raphael was at Camp 4 internment camp Tatura during WW2.Black and white photograph of Captain "Rangi" Paphael. Full length, full dress. To his left rear a hut with 3 lower left corner.camp 4, captain raphael, tatura internment camps

Bendigo Performance of ''The Mystics'' - Handwritten adverting sheet of the ''Premier Production'' - full dress rehearsals and three Productions at St Aidens - dated30/1/80)merle hall collection, the mystics

Typical British and Commonwealth full dress cap for 1950sBlack peaked cap with black wool crown and red piping and hat band. Royal Australian Artillery gilt cap badge. Black patent leather chin strap with 13mm dia. brass AMF buttons. Black patent letter peak with 20mm gold wire edging and green undersides. Tan leather sweat band. Tan cloth lining with green printed manufacturer's name and purple stamped details Green printed. "Hobson & Sons (London) Ltd. Purple stamp. "1952 6 7/8 Made in England" Note - no personal markingsheadgear, cap

Military officers waist belt used on full dress occasionsAs manufactured and distributed by GMHBrown leather waist belt with brass buckle and fittings,military, belt, officer

IDENTITY UNKNOWN - DARK HAIRED LADY DRESSED IN FULL LENGTH WHITE/CREAM EVENING FROCK. WITH FEATHER BOA.ORIGINAL PHOTOGRAPH POSTCARD OF LADY FORMALLY DRESSED IN FULL LENGTH GOWN AND FEATHER BOA.DEC 1908 VICTA STUDIO CLUNES.local history, photography, photographs, costumes. female

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This dress is one of a number of items donated to the Fashion Collection by Annie McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s.Black acetate top and skirt. The short top includes a pleated border and shoulder straps, The full dress of the same fabric and colour is comprised of layers to emphasise its natural flaring quality.Label: Tussicocktail dresses, australian fashion - 1980s, women's clothing, evening wear, mcintyre collection, annie mcintyre, tussi

Black and white copy of original portrait of a seated Lady resting her right elbow on a desk. She is wearing a light coloured full dress with white lace collar and cuffs and black embellishments.mrs caroline adamson, miss caroline maria cowen linton

Black and white copy of original portrait of a lady standing wearing a light coloured full dress. Her right hand is resting/holding a decorative book. Her dark hair is parted in the middle held with a net.mrs robert donaldson, jane donaldson

Photos of the lifeboat crewsRealism, historicalBlack & white photograph of the lifeboat crew from the "Queenscliffe" in full waterproof dress in 1947On the reverse - " 86-05"

Lady Bells were widely made and used during the 1800's as bells to call the servants.A brass bell in the shape of a lady wearing a full ball dress. Her hands are clasped in front.bell lady-bell brass ornament

Green knitted full length dress with elbow length sleeves, gold buttoned front and collar. knitwear, dress, fashion, 1950s

Photos of soldiers sent back from Europe during WW1. Soldiers unidentified but the person on the right in both is believed to be part of the Fawcett Family. Items in the collection of W.P. Fawcett, refer Cat No 9627.Photos in form of a postcard. 1. Black and white portrait photo of 3 Australian Soldiers. Two are sitting and one is standing, all in full dress uniform. 2. Black and white portrait photo of 3 soldiers, all standing looking into the camera. Two soldiers in Australian Battle uniform and one soldier in kilt and uniform jacket.1. On back "To My Dear Mother from Will with Love".ww1, soldiers, photograph, fawcett 1

Cream/White lace, full length, lined dress. About 1950 - 1960Styled by S & S Advanced Maodes of Melbourne. Style No AM 5012 Size W Price Pounds 12.7.6 B Sectionclothing, irene charlton

Les Payne (1908-1987) arrived in the area in 1924 and was a well known local identity who served on Chelsea Council from 1943 until his retirement in 1979. He was elected Mayor six times (in 1946/47, 53/54, 64/65, 67/68, 69/70, 75/76). Les owned the General Store in Point Nepean Rd (Nepean Hwy) near Kelvin Grove, Chelsea and was a volunteer with the Edithvale Fire Brigade and a prominent member of the Edithvale Methodist Church. In 1935 he married Phyllis (nee Baker).Black and white photo of Mayor Les Payne, dressed in Mayoral robes, standing beside his wife, Phyllis Payne who is in full evening dress.chelsea council, mayor, les payne, phyllis payne, chelsea

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

This type of diving suit was used for construction diving by the Melbourne Port Emergency Service.Early type of diving suit used in underwater construction since the 1940s before rubber wet or dry suits.Siebe Gorman standard dress full body diving suit with head cap and gogglesdiving suit, diving, underwater construction, mpes