Worn by donor's daughter during the 1970s.Fake fur jacket with cream to brown VanDyke stripe pattern of fur. Wide raglan sleeves. Slit front pockets, fully lined in brown rayon material.Sabena Fashions of Melbourne 30% Polyacrylcostume, female, fur jacket

Worn by donor's grandmother Florence. Use by Kael's mother Ruth who had it from long to short.Short brown fur jacket. Fur in panels from shoulder to waist. Round collar, raglan sleeve, slit pockets on front. Fully lined in Polyester material.costume, female

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Beige coloured rabbit fur jacket comprised of contrasting bands of peltswomen's clothing, australian fashion -- 1950s, fur jackets -- coats

Dark brown infants fur jacket . Long sleeves. Front opening-no fastenings. Fully lined with dark brown satin. Round neckline front and back.costume, children's, dark brown infants jacket

Hand knitted by donor in 1974 to use with green dress and white jacket.Small green handbag with gold coloured clasp and chain. Has sample of green lurex thread inside bag. Bag is lined with green nylon inside. See also NA5487 for information on green dress. Also fake fur jacket NA5490knitting, wool, 1974

Hand knitted by donor in 1974 and worn with white jacket and green handbag.Knitted long dress with long sleeves. Has patterned top and sleeves and patterned bottom green has shining lurex thread. Has 6 green buttons & zip at back. See NA5485 for information on matching hand bag. See also fake fur jacket NA5490knitting, wool, 1974

Ilma Jennings was a daughter of William Jonathan and Matilda Jennings (née Michell). She was born at Linton in 1909. She became a teacher (registered 1926) and married Noel Ferrier in 1945.Head and shoulders portrait photograph which shows a young woman with waved, bobbed hair. She is wearing a fur-trimmed jacket and a pearl necklace.ilma jennings, ilma ferrier

John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) Etching showing a bearded man with fur-lined hat and jacket. Includes one circle in each corner.Signaturekeith wingrove memorial trust, bookplate, australian bookplate design awards

Part of Old Lintonian collection ; No. 111.Sepia photograph of an older bearded gentleman wearing three-piece suit, bow tie and fob watch on chain, standing with right arm by his side, left hand resting on the right arm of a woman wearing long full gown and fur trimmed jacket (collar wrists and hem) and hat, seated with left arm on lap, right arm resting on chair armmr mclachlan, mrs mclachlan, old lintonian collection

HUttley - Martin FamilyB/W/ photo. Older Woman in yard, dark Skirt, jacket with fur, light bucket hat holding dark handbag nest to body, light gloves Mum Huttley D'Arcy Street home Stawell West Madge Huttley's mother at D'Arcy St Home.huttley, martin

sepia studio study with some hand tinting shows upper body of young female adult. Plaid skirt, leather gloves, purse ? Floral spray, tinted. Pale buttoned blouse, hip length fur. Collared long sleeved jacket, floral decorated stgraw hat atop curled hair. Image is mounted on stiff card with commercial details theron. In gold lettering on lower front, coat of arms, ' Charlemont, Sydney, by appointment to his excellency, Lord Carrington.Charlemont & Co., Grosvenor Studioes, Royal Arcade, Sydneyperson, individual, female portrait

Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Black and white photograph of a woman dressed in a hat, skirt and jacket, holding gloves and a fur stole. She is standing on a brick porch in front of glass paned doors. The woman is Laura Ritchie and the town is Ballarat.Written in pen on back - Ballarat, October 1956frank wright, laura ritchie, ballarat

This jacket was made for Marjorie Burton by her mother who was a milliner and an excellent dressmaker who worked from home. She made all of Marjorie's clothes, hats and outfits. as a result, Marjorie was always well-dressed in stylish clothing.. This item is an example of a handcrafted item and reflects the handcraft skills of women during the first half of the twentieth century.A hand-sewn short-sleeved velvet jacket. It has fur cuffs. It is lined with a cream coloured satin-like material which has been used to make a narrow collar.jacket hand-sewn burton-marjorie needlecraft

Slouch hat and Uniform jacket belonging to Edwin James JONES No 3511 AIF. Refer 1367.5 for his service history. The hat was manufactured in 1918 by Dalter Lucas & Sons Bury, UK. It appears to be of a similar style to those issued to Gurkha troops due to the thickness of the felt, the three rows of stitching around the brim and the use of a press stud to pin up the left hand side of the brim..1) Coat, Battle Dress, Kahki, includes 2 x “Australia” shoulder badges, 2 x “Rising Sun” epaulette badges, 2 x “yellow over purple” colour patches, 3 x “service chevrons”, 1 x “Empire Wounded stripe”, 1 x “Lewis Gun” cloth badge, all metal buttons intact as well as waist belt. .2) Hat, Slouch, kahki fur felt, cotton pugaree, leather head band, Rising sun badge, no chin strap..2) Pressed into the hat band appears to be; “Dalter Lucas & sons (1910) Ltd, BURY 1918”uniforms, military clothing, costume accessories - male

Items in the collection re Jack Swatton, refer Cat No 6719.2P for his service details.1. Khaki cotton safari jacket. Has four pockets, four brown bakelite buttons, shoulders have two badges each: - Red curved cloth badge with words "Northern Victorian Regiment". The other badge is square red cotton with Rising Sun, crossed swords and roman numerals III. 2. Hat - Khaki fur felt. No badge.1. Written on label is "3/92404 - Swatton C.J".post ww2, 38th bn, passchendaele barracks trust

Part of Flight Lieutenant Ian A. 'Joe' Lyons MBE Collection. See Catalogue 5374P for details of his service record.Navy blue coloured padded nylon RAAF flying jacket with navy blue faux fur collar. Silver coloured zip closer. Zippered pocket on left sleeve, White cloth manufacturer's label sewn onto inside collar. Black nylon fabric liner. Two front pockets.On Manufacturer's label: ' Flight Jacket, 100% Nylon Outer shell, Dry Clean Only'.ian a. 'joe' lyons, raaf, uniform, flying jacket

Black & white, matt photograph of three ladies. Two of the ladies are wearing coats and the other a striped jacket, skirt, beret and gloves. The lady on the right is holding her gloves in her hand and the lady in the centre has a fur around her neck. They are both wearing hats. They are standing in front of a bushy tree.photo, group, female, foster & wilson collection, photograph

Black & white photo of three women. Two are wearing long coats and one a short, striped jacket and skirt. All are wearing hats. The older lady in the centre has a fur around her neck.Progress Studio, Midway Arcade, 256 Collins St., Melbourne. C.3516.photograph, portrait, female group, foster & wilson collection, photograph of 3 ladies

This is a military, very cold environment jacket. Suspect Korean War vintage, possibly British or Aust. made. 1. This is a green jacket, 100% lined with fur. It has a raised fur lined neck. It has two pockets on lower front. The pockets have an inner neck (5 cms). Pockets held shut with buttons. The front is held shut with a metal zip and big buttons. The buttons are 28mm diameter, light brown. The wrists have draw straps to seal out cold. Ref: The lining inside:- Rear section fully sewn in, in the two front panels, the bottom edges are not sewn in. 2. Scarf. Woollen, Khaki, thick. Written on front left jacket chest is name - “PEARSE”cold weather coat, korean war, passchendaele barracks trust

Uniform items were issued to 45533 Capt Gary R Warnest (RASvy). He served from17 Feb 1970 to 26 Mar 2008 and was commissioned from the ranks as a WO1 in 1992. This uniform was on display at the "Mapmakers" Exhibition at the Bendigo Military Museum Jun- Aug 2025 for the 110th Anniversary of the Royal Australian Survey Corps. .1) Jacket, Service Dress, khaki, winter (Officer Pattern) with 2 x RASvy lapel badges, 6 x Capt rank badges ( 3 "pips" on each shoulder), anodized " bright shine" RASvy buttons 4 x large, 4 x small, 4 x outside pockets. .2) Trousers, Service Dress, khaki, winter, 4 x pockets. .3) Shirt, polyester, khaki, long sleeves. .4) Tie, woolen, khaki. .5) Belt, Sam Browne, brown leather, waist and shoulder strap. .6) Lanyard purple - RASvy. .7) Officers brown leather gloves, ceremonial .8) Hat khaki fur felt "Slouch Hat" RASvy with chin strap Catalog item 9070 .1) “WARNEST" in hand written blue biro .3) Lable AGCF Vic 1989 Size 37. Service No: 45533, Name: GR WARNEST uniform - army - male, costume - male, costume accessories - male, royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

1. Jacket, Khaki Woollen. Four pockets held shut with copper buttons. Four copper buttons on central front. Two Rising Sun Badges (darkened) on collars. Metal "Australia" badges on each epaulette. 38 Bn colour patch on right shoulder. 2. Trousers - Khaki Woollen. Fly held shut with 6 Bakelite buttons. No belt loops - buttons for braces. Trousers are cuffless. 3. Hat Khaki - fur felt. Light khaki puggaree. Copper A.C.M.F. badge. 4.& 5. Puttee, khaki Woollen. It has a 25mm wide tape at one end. It's length is 116 cm. The broad piece is 202 cm long. Width 10cm 1. Written inside, appears to be "L. Townsend". Stamped date of 1943 has '3' crossed out and '6' inserted.38 bn, aust, ww2, passchendaele barracks trust

1. Battle Dress Jacket. Wool Khaki. It has Sgts Stripes, on each shoulder are cloth badges. 3 Div and Northern Victorian Rgt. The jacket has two breast pockets and a purpose made cloth belt. 2. Trousers Battle dress. Wool, khaki. Fly held shut with five buttons. Brown buttons hold belt loops. 3. Shirt, polyester. light Khaki. Long sleeve. Two breast pockets held shut with brown buttons. 4. Tie, light brown. 5. Hat, Khaki fur felt. It has a silver hat badge of 38 Battn - Motto HONOREM CUSTODITE.Inside shirt collar has letters. “R.W” written in ink. Written in texta, inside leather band is: - “Atkinson 2794820”38 bn, post ww2, cmf, passchendaele barracks trust

Hardcover, No Dust Jacket"Patricia Boyd, 11A Clendon Road, SE3" inside front coverwalsh st library

This jacket and cap were designed by Rosalie 'Rosa' Kiessling about 1967. They formed part of the Fashion Group Inc's Walkabout Tour of the USA in 1967 which aimed to promote Australian fashion design in America. German by birth Rosalie, grew up skiing and ice skating, studied fashion design in Munich and worked designing women’s ski wear and lingerie before migrating to Australia via New Zealand in 1939 with her husband. As skiing increased in popularity following the end of WWII, Rosalie’s business grew reaching its peak during the 1960s. Though it was never large; at most she employed three staff. Her designs featured in the pages of Australian Vogue, Flair and the Women’s Weekly throughout the 1960s and received coverage from newspapers in Australia, New Zealand the United States. Rosalie was closely involved with the Swiss Club of Victoria, the Australian Wool Board and the Fur Traders Association, participating in numerous fashion shows and awards run by these groups. In the late 1960s she became involved with the Melbourne Branch of the Fashion Group Inc, a worldwide non-commercial association of women involved in the fashion industry. Rosalie continued to design and manufacture fashionable but functional ski wear until the late 1970s, although increasing imports from large overseas manufactures and constant new innovations in fabric technology made it difficult for her to compete in a relatively small industry. This ski jacket and cap illustrate Rosalie Kiessling's emphasis on practical glamour. She was the first Australian ski wear manufacturer to bring high fashion to ski wear design; which though common in the boutiques of St Mortiz, Chamonix and St Anton was new to Australia. The use of an Australian wildflower motif and of these pieces in the Fashion Group's Walkabout Tour also speak to her involvement in and promotion of the Australian fashion industry during the 1960s.Ski jacket and matching cap appliqued with Australian wildflowers.Noneskiing, ski clothing, fashion design, australian fashion, australian flora

Heinz Kuehlenthal, Dunera refugee, internee in camp 3 during WW2. His name is on the door as the Bank Director.Photocopy of a painting depicting a man at his desk. He has short dark hair wearing a blue jacket and tie with white shirt. He has a pen in his right hand and holding it up to his lips. He has an open book in front of him. On the desk there are two black telephones, an ink well, letter tray and three bells. A large framed picture of a man in profile wearing a hat and burgandy jacket dominates the desk. A calendar on the wall shows August 3. The door to the office has a glass window with the wording "Bank director Heinz Kuelenthal" There is a shadow of a woman on the other side of the door. Hand written across the bottom of the picture is "....Dein Peter. Tatura 3 Aug 1943" Writing across the top is "Dries W...?? Dir fur spater...."heinz kuehlenthal, peter dein, dunera, camp 2, tatura

Manufactured by Action Wear.

Manufactured by Action Wear

Jacket made by donor as part of ensamble.- Cream fake fur with collar with a press stud fastening hidden by a large, covered button. Jacket is satin lined throughout. See also NA5487 Green knitted dress and NA5485 Green knitted bag.Nilclothing, jacket