Albert Geal, a builder found good quality clay at Tunstall. In 1903 Geal Brothers of Nunawading began making agricultural pipes for orchardists, then moved on to make bricks and tiles. The Geals pottery was on 11 acres at the corner of Springvale Road and Miton Street. It was sold in 1973Coloured photo of tombstone on grave 1390, Church of England section, Box Hill Cemetery Geal, Albert died 1922 aged 63 years Geal, Alice died 1937 aged 75 years Geal, Albert died in action on 12 July 1916, aged 28 years Geal, George died of wounds on 2 June 1917, aged 24 years Beecroft, Mabel died 12 April 1937 Beecroft, Harry died 14 November 1958tombstones, geal bros., geal, albert, alice, albert jnr., george, beecroft, mabel, harry

Genealogy of the Geal family and their employment as potters and service in WW 1 of Albert Geal and George Geal.Genealogy of the Geal family and their employment as potters pottery, geal family, geal, albert, albert jnr, alice, bros, george, sidney, world war 1914-1918

Colour photo of the front of the house built in 1951 at 124 Blackburn Road by Sydney Geal. Bricks and tiles needed for the house were made at Geal's Pottery 266-272 Springvale Road, Nunawadinggeal, sydney, blackburn road blackburn, no. 124

Colour photo of the front of the house built in 1951 at 124 Blackburn Road by Sydney Geal. Bricks and ceramic tiles needed for the house were made at Geals' Pottery , 266-272 Springvale Road, Nunawadinggeal, sydney, blackburn road blackburn, no. 124

Colour photo of the front of the house built in 1951 at 124 Blackburn Road, by Sydney Geal. Bricks and ceramic tiles used in the house were made at Geal's Pottery 266-272 Springvale Road, Nunawadinggeal, sydney, blackburn road blackburn, no. 124

Colour photo of driveway leading to the house built by Sydney Geal in 1951, at 124 Blackburn Road, Blackburn. Bricks and ceramic tiles used in the house were made at Geal's Pottery, 266-272 Springvale Road, Nunawadinggeal, sydney, blackburn road blackburn, no. 124

3 Black and white copies of Geal Pottery, Springvale Road, Nunawading, since demolished.geal bros.

Account and receipt for A.G. Pipies from Geal Brothers Terracotta Pottery manufacturers, Tunstall.Account and receipt for A.G. Pipies from Geal Brothers Terracotta Pottery manufacturers, Tunstall.potteries, geal bros

4 pagesAn email from Cynthia Egan regarding her husband's ancestry of Geal Pottery in Victoriageal family, egan cynthia, geal bros

The Tarax Show was an early Australian children’s TV program on GTV-9 in Melbourne running from 1957 to 1969. A favourite character of the show was the mischievous doll Gerry Gee and the Melbourne ventriloquist Ron Blaskett.Gold and black diamond shaped pin with a picture of Gerry Gee, a puppet.Gerry Gee Tarax Clubtelevision, children, gtv 9, melbourne, gerry gee, ron blaskett, pupett

The Tarax Show was an early Australian children’s TV program on GTV-9 in Melbourne running from 1957 to 1969. A favourite character of the show was the mischievous doll Gerry Gee and the Melbourne ventriloquist Ron Blaskett. Small blue and gold triangular enamel badge with the Gerry Gee ventriloquist doll face symbol in gold at the top. It is attached by a metal pin at the back onto a piece of brown felt. The Gerry Gee Tarax Club was formed 1960 - 1965 by GTV Channel 9.Gerry Gee TARAX CLUB with the doll face at the top. Small gold symbol at the bottom of the badge.television, children, gerry gee, club badges, membership badges, puppets

PRIVATE WILLIAM JAMES POWER GEE. No 3112, 16th Battalion, RTA. DRIVER WALTER CHARLES GEE. No 3309, 6th Field Company Engineers, RTA. PRIVATE ALBERT (BERT) GEE. No 379, Gas poisoning, RTA. PRIVATE JOHN GEE, No 61149, 1 to 17 (Vic) Reinforcements, Died 20/10/1918. SERGEANT THOMAS GEE, No 858, 14th Infantry Battalion, 4th Pioneer Battalion, RTA. PRIVATE DAVID GEE, No 1090, 5th Infantry Battalion, 7th Battalion, Killed in Action 8/5/1915. CORPORAL FREDERICK GEE, No.762, 7th Inf Battalion, wounded on 26th April 1915, RTA 26th February 1916.Memorabilia - framed story of seven brothers, soldiers, in colour, using memorabilia of the soldiers and their lives. Printed on paper. Frame - black extruded plastic, glass front, cardboard backing.GEE BROTHERSframed item, anzacs, eaglehawk

Charlie Gee walks down the corridor at Elanora, using his cane and holding the hand of a visiting Japanese nurse for support.1 b/w photograph of Charlie Geeassociation for the blind, elanora home (brighton), charlie gee

Following a month of intense, bloody street fighting during the 1968 Tet Offensive, the city of Hue in Vietnam became the site of mass graves for approximately 2,800 bodies of civilians and South Vietnamese officials. They were executed by North Vietnamese forces in what is called the Hue Massacre, which lasted for 26 days from 31 January 1968. The graves were located in and around the city, Object collected by WO2 Robert Palmer Matthews (# 34974) of the Royal Australian Army Ordnance Corps.Booklet by Kenneth Gee. 10 pages of graphic black and white images of bodies and ugliness of war.The Graves of Hue/ By Kenneth Gee/ A short story of the use of terror/ as a political weapon by the/ communists in South Vietnam.booklet, the graves of hue, kenneth gee, vietnam, atrocities - vietnam, vietcong, hue, hue massacre, tet offensive

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens.Front: 8/ 37 A Gee Back: 19

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Laminated screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 27/37 The Wedding, 1924 A Gee Back: 17

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency, 1983 and 1984.A laminated screenprint of a portrait montage in black on coloured background. The foreground consists of over one hundred small portraits which cover the majority of the work. On the left and top right sides are black outlines of various flora. At the top of the work is black text which reads "1834 Portland 1984".Front: Angela Gee '83 (lower right) (pencil) Back: 20portland, angela gee residency

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck?, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 Back: 18

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of standing female figure dressed in black and holding a red umbrella. The figure is wearing a red glove and a pink item in her hair. The background is a floral wallpaper print in blues and greens. The clothing appears to be from the Victorian era. Mounted in a textured grey matt with green matt edging in a black and silver frame with glass.Front: 29/ 37 (lower left) a Gee (lower right) (pencil) Back: (no inscriptions)female artists, female artist, angela gee, poster workshop, 150th anniversary, angela gee residency

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Screenprint depicting a panoramic view of Portland Harbour and coastline in lower half. Top half of work features five enlarged sea creatures on a yellow background. The creatures are (from left to right): two seahorses; a side view of a fish; a bug; and a front view of a fish. Mounted on yellow matt with purple highlight and sage edging. Wooden and gold frame with glass glazingFront: Portland Pier 30/70 (lower left) A Gee 83 (lower right) (pencil)femal artists, female artist, angela gee, portland screenprint, portland bay press, 150 years, 150th anniversary, 1984

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Three indigenous women stand before trees and grass trees. The fgiure on the far left is wearing traditional clothing, and the two figures on the right wear Victorian period dresses. The background depicts abstract patterning. At the top of the print are the words "Portland is for Everyone". The bottom of the image includes the words "Thanks to the Aboriginal Cultural Centre, Heywood, and the Portland Historical Society." Background is mauve and colours include green, blue, yellow, orange and tan. Mounted in dark cream matt in an ornate gold-detailed wooden frame.Front: 41/60 (lower left) Angela Gee '83 (lower right) (pencil) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Screenprint of a standing male and four enlarged birds. The male figure is positioned on the right side and wears a long black coat and a black hat with 'HD' on it. The birds are predominantly on the left and are (from top to bottom) green parrot, blue duck, yellow swan, and purple bird. The background is a rust colour with blue detailing.Front: A Gee '83 FAWTHOP LAGOON PORTLAND 1983 (printed on print surface in black ink) Back: (no inscriptions)

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee residency 1983 and 1984Screenprint of cartoon-like male and female. The male wears a black suit, the female wears a white dress and hat with green trim, and a pink necklace. The background is a montage of figures and text. Prominent colours in the background are blue, red, yellow and green.Front: 18/37 (lower left) The Wedding, 1924 (lower centre) A. Gee (lower right) Back: (no inscriptions)