The photographic postcard was made in 1915-1916 by Willets Photography in Geelong. It is one of a series called 'Victorian Training Ships and it featured the sailing ships John Murry and the Dart'. The John Murry was commissioned by the Victorian Government for the training of juvenile offenders from 1910-1918 and anchored just off Williamstown, Victoria. The ship was previously named Loch Ryan. The Dart was named such in 1882, and in 1904 the New South Wales Government purchased her for use as a training ship. ln 1912 the Victorian Government bought her for use as a tender, to support the John Murry training ship until she was again sold in 1919 to the owner of a shipping and trading agency. The postcard is significant for its association with sailing ships and with training ships. It is also significant for its representation of two training ships used for rehabilitation. This form of treatment became controversial so the project didn't last for many years. None-the-less, it is part of our Victorian history.Black and white postcard picturing two sailing ships plus printed and handwritten text. The ships are the John Murry and the Dart. The postcard is in the series 'Victorian Training Ships'. Made by Willets of Geelong. Printed on front "Victorian Training Ships", "Greetings 1915-1916" and "Willets PHOTO / GEELONG" Written in ink below ships "John Murry" & "Dart". flagstaff hill, warrnambool, willets photo geelong, greeting card, 1915-1916, postcard, victorian training ships, sailing ships, john murry, dart, maritime museum, maritime village, maritine photograph, training ships, juvenile reformation, loch ryan, willis photography, geelong photographer, williamstown

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of an illuminated street sign, lamp, at the North Geelong terminus. Photographer not known, c 1950. Sign has the words "Geelong Electric Tramways / Destination? / No. 3 Terminus"On the rear in ink "Illuminated terminal sign"trams, tramways, geelong, signs, north

Yields information about the first series of Geelong trams in 1912.Postcard, divided back of one of the first Geelong trams in the depot. No number can be seen on the front of the tram. The first batch was numbered 1 to 10. Note the detail painting on the piece of vertical panel at the end of the saloon. Note the track brake. The postcard writer advised that it was one of Geelong's new trams. Divided back type with areas for correspondence, stamp and address. On the left hand side - W. H. Watts Photographer Geelong.trams, tramways, geelong, depot, new tramcars, tram 30

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 22 at the Geelong Railway Station. Photographer unknown same as 5859 - possibly Wal Jack - see date on Reg Item 5861. Wal's album notes dates the photo as June 1939. Printed on Kodak Velox paper. The tram has two trolley poles. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. trams, tramways, geelong, railway station, tram 22

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 22 at the Geelong Railway Station. Photographer unknown - possibly Wal Jack - see date on Reg Item 5861. Wal's album notes dates the photo as June 1939. Printed on Kodak Velox paper. The tram has two trolley poles, the destination of Newtown. A conductor is standing in one of the doorways. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 6/6/2020. trams, tramways, geelong, railway station, tram 22

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Jon Duthie - Friends of the Bluff Sometimes the work that volunteer groups put in to bringing back nature goes completely unnoticed. When Jon and his colleagues began work at the Barwon Bluff the site was largely devoid of any vegetation. Today most new residents and visitors to Barwon Heads don’t even know that the site is actually a revegetation site. Jon is extremely knowledgeable, dedicated and passionate and has contributed significant amounts of time to raising awareness about the marine and coastal environment. For over twenty years he has also helped to organise Festival of the Sea in Barwon Heads.Image showing an environmental portrait of a man standing on a beach with sand dunes and ocean in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, barwon heads

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Joan Lindros - Geelong Environment Council Joan Lindros has been a mentor to community environmentalists across the Geelong region and beyond for many years. In 1972 she was a foundation member of the Geelong Environment Council. She was also instrumental in the Save the Otways campaign that resulted in the Great Otway National Park. Joan is an inspirational leader, tenacious advocate and a gentle person. In 2001 she was inducted into the Victorian Honour Role of Women. She continues to be involved in the Friends of Buckley Falls who have been working and advocating for the protection and restoration of the Barwon and Moorabool River Reserves for nearly forty years. Photo at Buckley Falls lookout by Nicole Marie.Image showing an environmental portrait of a woman leaning against wooden railing with trees, a river and a waterfall in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, buckley falls

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Rhonda Kelly - Friends of Waurn Ponds Creek Conservation volunteer projects not only have great biodiversity outcomes but are also collegial community groups that bring people together. Rhonda Kelly has worked tirelessly for over a decade for Waurn Ponds Creek. The Friends group is recognised throughout Geelong as a well-run, well organised and successful community group. This is due to the hard work of people like Rhonda. Rhonda is involved with all aspects of the Friends Group as Convener of the group, seed collector and propagator of plants at the community nursery. She is welcoming, passionate and hardworking. Not only does she organise the planting days and monthly clean-up days, but she also works with the community and schools engaging people with the value and beauty of the creek. Photo at Waurn Ponds Creek by Nicole Marie.Image showing an environmental portrait of a woman holding two potted seedlings with trees and grass in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Jarrah Wadsworth - Friends of Bats and Bushcare Geelong Grey-headed flying foxes are listed as nationally threatened. They play a critical role in hardwood forest pollination and seed dispersal. They are often not well liked and can be seen as more of a nuisance than an asset to an area. Their numbers are rapidly declining. As the world warms and we experience more days of extreme heat they are increasingly threatened. Jarrah is a registered vet nurse and in her spare time heads up the Friends of Bats and Bushcare Geelong volunteer group. She is the coordinator of the FBBG and plays a key role in supporting the Geelong grey-headed flying fox population in Eastern Park and ensuring they survive extreme heat events. Photo at Eastern Park flying fox camp by Nicole Marie.Image showing an environmental portrait of a woman crouched on grass below trees where fruit bats are roosting.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, eastern park

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Julie Riley and Jennie Turner - Friends of the Hooded Plover Breamlea The hooded plover is one of Australia’s most threatened birds. Although they spend their whole life on the beach, they have one of the lowest breeding success rates of all birds. Although severely threatened, in the last decade their numbers have slowly stabilised as volunteer groups and conservationists have stepped in to protect their breeding grounds. Julie and Jennie run the hooded plover volunteer program in Breamlea. To those who work with them they are, “a powerhouse of strength, resilience and determination to help these birds survive”. They put in hundreds of hours of works over a season for it to often eventuate to nothing. If a person crushes a nest or a chick is lost the day before it’s due to fledge, all their efforts are gone. But after each failure they continue to show up and slowly things are changing. Photo at Breamlea by Nicole Marie.Image showing an environmental portrait of a two women standing with sand dunes in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Dr John Newman - Geelong Field Naturalists Club Over almost twenty years John Newman has organised large groups of volunteers to conduct surveys across Geelong and the Bellarine for shorebirds and waterbirds. Understanding and collecting important environmental data helps in the effort to preserve important sites, much of this data is collected by volunteers. The information collected in Geelong and the Bellarine also forms part of national and international datasets that helps in understanding global patterns of migratory birds, such as sharp-tailed sandpiper, red-necked stint and the critically endangered curlew sandpiper. The data collected at the Moolap Saltworks (since 1981) and co-ordinated by John since 2003 highlighted the importance of this site for these three species and played a crucial role in protecting the area as a conservation site. Photo at Taits Point, Lake Connewarre Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man holding binoculars with a water landscape in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, lake connewarre

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. Trevor Prescott - Geelong Field Naturalists Club From his earliest years, Trevor Pescott has been fascinated by nature. In 1961, he was part of an active group that re-established the Geelong Field Naturalists Club. And in the 1970s he was also one of the founding members of the Geelong Environment Council. For more than half a century he has been a passionate advocate, observer and chronicler of Geelong’s changing environment. Since 1960, he wrote the weekly column “By Field and Lane” in the Geelong Advertiser. He has written several books on nature in the Geelong region, including Birds and Botanists: A Field Naturalists History of Geelong. He remains passionate about the flora and fauna of the Geelong region organising fauna surveys every month as member of the Geelong Field Naturalists Club amongst many other activities. Photo at Trevor’s Belmont home by Nicole Marie.Image showing an environmental portrait of a man holding a book with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers

Thousands of volunteers work tirelessly to conserve and protect the environment of Geelong and the Bellarine. Their work often goes unnoticed. In 'The Work of Nature' the National Wool Museum and the Environment Department at the City of Greater Geelong worked with photographer Nicole Marie to showcase the significant contribution of environment volunteers in our region. Each of the eight people showcased in these portraits were nominated by their peers and members of the community for their significant contribution to conserving and protecting the environment. John Fyfe - Friends of Edwards Point, the Bellarine Catchment Network and many more For over twenty years John Fyfe has been actively involved in all areas of restoring native vegetation on numerous locations throughout the Bellarine. John’s passion for caring for the environment and sharing his vast knowledge has earnt him wide respect from the community. John is not only approachable but a great communicator. His vast knowledge has made the go to person for help on support on all matters regarding revegetation. John introduced direct seeding to the Friends of Edwards Point team, which has been successful on numerous sites within Edwards Points Reserve. The approach has been adopted throughout the reserve. Reflecting on John’s impact to the local community, local residents widely refer to him as a “living legend,” while others simply say, “there should be more John Fyfe’s in the world.” Photo at Edwards Point Wildlife Reserve by Nicole Marie.Image showing an environmental portrait of a man standing in grasslands with trees in the background.environment, conservation, portraits, geelong, nature, exhibition, work of nature, geelong nature forum, volunteers, edwards point

George Rose was well known Australian photographer and postcard maker in the first half of the 20th century. This sterograph shows recruits training at Geelong during the First World War. Soldiers were trained to attack in short rushes rather than advancing in line due to the lethal power of the machine gun. The stereograph was an early technology that used double images to achieve a three dimensional image. Rectangular piece of cardboard with a stereograph image attached to the front. The image is a double reproduction of a black and white photograph. the photograph depicts a line of soldiers lying on the ground. AUSTRALIAN EXPERDITIONARY FORCE, GEELONG. Training Recruits in the Art of Attacking in Short Rushes. Copyright by Geo. Rose.wwi, rose series, postcard, lara, geelong, rsl, training, stereograph

The photograph was created by Geelong artist Julian Aird and framed by a business in Geelong. The window in the photograph is of the 1928 stained glass window and the baptism fold in the St Nicholas' Seamen's Chapel at Flagstaff Hill Maritime Village, which were installed at Flagstaff Hill's for the Chapel's opening in 1981. About the Window - The window in this photograph, once known as the Dr Connell Memorial Window, was a feature of an external wall adjacent to the Women’s and Children’s Wards of Warrnambool Hospital. Honorary Doctors had played a significant role in the operation of the hospital between the years 1900 to 1939. One of these doctors was Dr. Connell, who passed away in 1928. The green glass memorial nameplate has an inscription that dedicates the window to Dr. Connell. The inscription reads: "A tribute to Egbert John Connell M.B.B.S. who for 30 years rendered devoted and valuable service to this institution. Obiit April 4th 1928, A.D." The photograph's significance lies in the subject of the stained glass window, and its connection with the history of the local Warrnambool Base Hospital, dating to Dr Connell's work there in the early 20th century.This photograph captures the light shining through an arched, stained glass window behind a baptismal font. Rectangular framed photograph, portrait view, behind glass, with black frame and matt. A cord for hanging it is attached at the black, and there is a black, round felt pad on each lower rear corner. The photograph by Julian Aird is titled 'Illumination' and was framed in Geelong. Details of title, and photographer are handwritten on the back and and printed label gives the contact details of the framer. Written by hand in black pen " 'ILLUMINATION' / MARITIME MUSEUM WARRNAMBOOL", "JULIAN AIRD / TEL/FAX. 03 52890457" " Printed on adhesive label "EASTERN VIEW / PICTURE FRAMERS" "Proprietors Steven & Annemarie Hocking / 162 Malop Street, Geelong, Vic, 3220 / Ph. (03) 5229 5935" Logo on label in centre of oval with text [2 tall water birds facing each other with a water fountain between them]flagstaff hill maritime museum & village, maritime museum, maritime village, great ocean road, shipwreck coast, ulian aird, illumination, photograph, dr. connell, stained glass window, baptism font, gbert john connell, st nicholas seamen's church, warrnambool hospital, dr connell memorial window, eastern view picture framers, steven & annemarie hocking

The photograph was taken by George Silk on Christmas Day 1942 near Buna, Papua New Guinea. George Silk was a War Photographer for Australian Government, his appointment began in 1939. He was in New Guinea with the AIF when this photograph was taken.The photograph shows the work and assistance of the Fuzzy Wuzzy Angels to Australian Servicemen who were Serving in Papua New Guinea during WW2.Photograph - black and white copy of the original in a wooden frame. Statue - free standing bronze statue on a wooden block.Photograph has a information on the bottom of the frame describing the picture and who is the photographer - George Silk. The men in the photograph are Pte G C Whittington 2/10th Battalion AIF and Papuan Raphael Oimbari. The photograph was taken on Christmas Day 1942 near Buna, Papua New Guinea.ww2 fuzzy wuzzy angel, qx23902 pte g c whittington, raphael oimbari, george silk

Residence of Albert Paul THOMPSON and family, (see photo VEMUP684 older photograph of house) This photo is later with more substantial fence, established garden and changed front door with new leadlight. from Emma NIGHTINGALE'S collectionPhotograph on board of house 'Rosebank' at 28 High Street (now 28 Lawton Ave) Geelong WestMakers Mark:on back: Marshall, photographer, O'Connell Street, Geelongthompson, nightingale, bedgood

'Rosebank' house name, couple with 4 children standing in front of double fronted weatherboard home. Parents' name: Albert Paul THOMPSON (b.1865 d.1944) and Elizabeth Anna THOMPSON (nee FLEMING) (b.1874, m. 1899, d. 1954) Four daughters: Francis Ruby THOMPSON (b.1900 d. 1967) Violet May THOMPSON (b.1901 d.1966) Olive Doreen THOMPSON (b. 1902) Doris Grace THOMPSON (b. 1904)THOMPSON B/W Photograph mounted on card; Albert Paul and Elizabeth Anna THOMPSON with their 4 children at 'Rosebank' Geelong WestMarkers Mark: C Marshall Photographers on front of mount. On back: Marshall Photographers, O'Connell Street, Geelongthompson. nightingale, fleming, bedgood

Typed below photograph, "Ringwood's first Post Office showing first Postmistress, Miss M. Thompson and her mother. 1890". (South side of Main Street (Maroondah Highway), approximately 300 meters west of Ringwood Railway Station). Writing on back of original photograph reads, "Grandma and Auntie Martha Thomson 1890". Stamps on back of photograph read, "Wall Bros. Photographers ... St. Kilda". Other stamp reads, "R.J.T. Futcher, Geelong, Victoria, Australia".

Buninyong had no railway station so residents would travel to Yendon to catch the train. The Yendon Railway Station building was demolished soon after this photograph was taken. The bluestone was purchased by John Vernon, and was used to construct retaining walls in a garden enclosure between the first two buildings at the new Ballarat Institute of Advanced Education campus at Mt Helen. This is now known as the courtyard between building 'F' and building 'G' at the University of Ballarat mt Helen Campus. The following article was published in the Ballarat Courier on 06 December 1968. 'Yendon Station to be demolished - The old bluestone railway station at Yendon is to be demolished. C.A.D. Fisken told Buninyong Shire Council of the proposal at its meeting yesterday. Fortunately, he said, the beautiful stonework would not be lost. It would be used and incorporated in the new School of Mines building at Mt Helen. the retention of the century-old building was the subject of representations by Council to the Railways following the closure of the station for goods traffic 'some time ago'. The building had also been noted by the National Trust as one of special interest. The Railways Department advised the meeting that an inspection had been made at the Yendon level crossing, but no recommendation could be made at present for installation of flashing light signals.'Bluestone building with dressed bluestone door and window jambs and chimney. The roof is corrugated iron. The platform edge is also of bluestone construction. The building is the former Yendon Railway Station (now demolished) on the Ballarat -Geelong main line (the original Melbourne to Ballarat mainline). When the line was opened, this station may have been originally called Buninyong as it was built a number of years before the Ballarat to Buninyong branch line was built. This this has subsequently caused some confusion. The station was later renamed Yendon. Verso in blue ballpoint pen 'No 47 Yendon Railway Stn' Stamped in purple ink 'N.L. Harvey & Son, Photographers, 131 Sturt Streeet Ballarat, Phone 25766, After hours 23397, Will photograph anywhere anytime any place. (in pen 3/12/68),university of ballarat, ballarat institute of advanced education, yendon, railway, bluestone, john vernon

Frederick J.C. Martell was born in 1912 in Geelong. He was Principal of between in 1895 and 1912, and registrar of the School from 1895 to 1914. He was an avid amateur photographer, and was involved with pioneering X-Ray demonstrations at the Ballarat School of Mines. Head and shoulder of a man with beard.He is Frederick Martell of the Ballarat School of Mines.ballarat school of mines, frederick martell, martell, x-ray, xray

This is a photographic image of the three-masted iron clipper Loch Vennachar created by photographer Fred Kruger of Geelong. Fred Kruger was born in Germany in 1831 and migrated to Victoria before his wife, who arrived in 1863. He began working in photography in the 1850s. He was internationally recognised for his work, which covered a variety of subjects. He settled in Geelong in later years, registering his studio in Skene St, Newtown. He passed away in February 1888. The National Gallery of Victoria now holds much of his work. Loch Vennachar: - Loch Vennachar made many journeys from Britain to Australia and was well-known in Australian ports. On one of its homeward-bound journeys from Australia, the ship sank in the River Thames. Its cargo included 850 tonnes of preserved canned rabbits from Warrnambool's Western Meat Preserving Company. The ship was raised and continued trading for another four years. On 14th June 1905, Loch Vennachar departed Glasgow for Adelaide and Melbourne. The last known sighting of it was on 6th September 1875 when overtaken by the SS Yongala; the captains exchanged the “all well” signals. After that, the ship disappeared with loss of all 27 lives, according to a list that was received by Fremantle through the English mail. The list indicated that there were no passengers on that voyage. Sadly, other Loch Line ships med with similar disasters. The list of lost crew on the Loch Vennachar included Thomas. W. Pearce, apprentice, Southampton. His father was Tom Pearce, one of the two survivors of the Loch Ard, wrecked in 1878. Also, Thomas’ grandfather, James Pearce, was the captain of SS Gothenburg at the time of her wrecking in 1875. Consequently, the wrecking of the Loch Vennachar and the Loc Sloy near the southwest point of Kangaroo Island, a lighthouse was erected, officially opening in June 1907. The northern headland of West Bay was named Vennachar Point in memory of the ship in 1908. The wreck was discovered in 1976 by divers from the Society for Underwater Historical Research, over seventy years after being lost off Kangaroo Island.The Loch Vennachar performed a significant role in Australia’s colonial trade, taking goods between Great Britain and Australia. These goods included locally preserved tinned rabbits processed at a factory in Warrnambool for overseas trade.Black and white photograph of the Loch Vennachar at the dock, without sails. (aka Loch Vennacher). Printed below photo "Loch Vennachar of Glasgow, 1485 Tons Reg. AA1 100. T.S. Ozanne, Comander" and "Fred Kruger Photo / Skene Street, Geelong" Printed below photo "Loch Vennachar of Glasgow, 1485 Tons Reg. AA1 100. T.S. Ozanne, Comander" and "Fred Kruger Photo / Skene Street, Geelong" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, loch vennachar, loch vennacher, loch line ship, glasgow shipping co, 1875 clipper ship, loch vennachar image., kangaroo island shipwreck, 1905 shipwreck, fred kruger photographer, photograph loch vennachar, preserved rabbits, canned rabbits, meat preserving company, western meat preserving company, 1901, 1905

Frank Box was descendant of the Box family who migrated from Sussex England c 1850 and established market gardens in the area of Henry Dendy's Special Survey 1841 Brighton', Parish of Moorabbin, County of Bourke. Frank married Adelaide Bleazby in 1873 and they are shown here with their daughter, Daisy , at Kilgour Street Geelong Victoria c1900The Box family were pioneer settlers in the Parish of Moorabbin, County of Bourke c 1850 in the area of Henry Dendy's 'Special Survey Brighton 1841'. They established market gardens and raised their children.Faded Black & White photograph of Adelaide Bleazby, Frank Box and daughter Daisy at Geelong c1900Back handwritten information unsignedbox george, box william, box elizabeth, box francis, box cottage museum ormond, city of moorabbin historical society, bleazby adelaide 1873, box frank smith j l; smith mary ann, stanley helen, smith vic, chaff cutter, horse drawn carts, toll gates brighton, motor cars 1900, steam engines, early settlers, bentleigh, mckinnon, parish of moorabbin, city of moorabbin, county of bourke, moorabbin roads board, shire of moorabbin, henry dendy's special survey 1841, were j.b.; bent thomas, o'shannassy john, king richard, charman stephen, highett william, ormond francis, maynard dennis, market gardeners, vineyards, orchards

The photograph is a group of men of the Cheltenham cycling club. The photograph was taken on the 6th of October, 1918. Some of the cyclists are known, such as Arthur (Joe) Chandler, Eric Whitehead, C Whitehead and W Rose.The photograph is a group of men of the Cheltenham Cycling Club. The photograph was taken on the 6th of October, 1918. Some of the cyclists are known, such as Arthur (Joe) Chandler, Eric Whitehead, and W Rose.On the back there is a stamp written: Ernest Reynolds, Hairdresser & Tobacconist, Fancy goods & Sports Depot, Werribee Written : 6/10/18 J.CCA Century to Geelong / Local riders Arthur (joe) Chandler / W. Rose , Eric Whitehead Stamp : City of Moorabbin / Historical Society Written : C. Whiteheadbicycles, cycling clubs, cheltenham, moorabbin, victoria, geelong, werribee, whitehead clarice, whitehead eric, world war 1914-1918,

Mounted sepia coloured photograph of soldier Alfred T. Ozanne standing at ease with riding crop in right hand and left hand behind his back.Printed on front: J. Lockwood - Geelong Typewritten on white paper: Alfred T. Ozanne Handwritten on back: With complements and best wishes - Alfred T. Ozanne.lockwood, j., geelong, ozanne, alfred t., photographers, soldiers, armed forces, george evans collection

National Wool Museum exhibition in form of a series of portraits and a slideshow showcasing the women of Australia’s wool industry. Exhibition was launched on International Women’s Day 2019, featuring images by photographer ­Nicole Marie. Women In Wool The Australian wool industry would not be what it is today without the significant contribution of women. Often their role has been forgotten or underrepresented. Since colonial times, women have left their mark on the industry, such names as Eliza Forlonge, Elizabeth Macarthur and Anne Drysdale are examples of pioneering Australian women of wool. Traditionally woolsheds were claimed as the domain of men. In the past men would utter the phrase “ducks on the pond” as a cryptic warning to other male shearers that there were women in the sheds and they should watch their language and clean themselves up. But this segregation has changed. In recent years the role of women has increased dramatically across all aspects of the wool industry, but most significantly in woolsheds. Over the last decade the number of women in shearing sheds has almost doubled and it is set to increase further in the coming years. Today, in many sheds across Australia, sometimes women outnumber men when it comes around to shearing time. Women are active and important contributors to the prosperity of the industry. The portraits on show here are a celebration of the significant role of women in the industry. They are a diverse selection, including both young female shearers and experienced workers, ranging in age from 19 to 96. Many of the up-and-coming shearers started as rouseabouts and have stepped up to becoming shearers - one sitter for the project had just returned to the sheds after having a child only three-months before. Also on show are women who devoted decades of their lives to the industry and are only now becoming recognised for their vital role in Australian wool. Foreward by National Wool Museum Senior Curator - Dr. Luke Keoghvirtual imageswool, women in wool, nicole marie

Photograph, of two people looking at the flood levels 1880 and 1951, marked on a wall. The photograph is possibly of the Godfrey Hirst and Co Pty Ltd mill c1951Photograph, of two people looking at the flood levels 1880 and 1951, marked on a wall. The photograph is possibly of the Godfrey Hirst and Co Pty Ltd mill c1951.W C Meyer Photographer/ 233 Myers Street/ East Geelong. Phone 3289textile mills - history textile mills - staff, godfrey hirst and co. pty ltd excelsior woollen and worsted mills, textile mills - history, textile mills - staff

Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Geelong R S & S Woollen & Worsted Co-operative Manufacturing Coy lLimited Robert Pockley Studios/ photographers... Copy by/woollen mills - history textile mills - staff textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - staff, textile mills

Sladen House was built by Sir Charles Sladen in 1850 and it served as the amenities section of the R S & R Mill after World War 2.Sladens in residence Robert Pockley Studios/ photographers... Copy by/woollen mills - history textile mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., sladen house, geelong, woollen mills - history, textile mills - history, textile mills

G Kidman ROBERT POCKLEY/ PHOTOGRAPHERwoollen mills - history textile mills, returned soldiers and sailors mill, kidman, mr g. l., woollen mills - history, textile mills