James Venn Morgan was one the most important landowners and pioneers in Kew. He founded the Model Dairies. This work forms part of the collection assembled by the historian Dorothy Rogers, that was donated to the Kew Historical Society by her son John Rogers in 2015. The manuscripts, photographs, maps, and documents were sourced by her from both family and local collections or produced as references for her print publications. Many were directly used by Rogers in writing ‘Lovely Old Homes of Kew’ (1961) and 'A History of Kew' (1973), or the numerous articles on local history that she produced for suburban newspapers. Most of the photographs in the collection include detailed annotations in her hand. The Rogers Collection provides a comprehensive insight into the working habits of a historian in the 1960s and 1970s. Together it forms the largest privately-donated collection within the archives of the Kew Historical Society.Mr and Mrs James Venn Morgan of Charles Street, Kew with one of their daughters and their granddaughter.Four generations of Morgan Familyjames venn morgan, kew

2 Coloured photos of 3 Generations - Jean Pavey, her daughter Beverley Belot and grandson, Michael.pavey, jean, belot, bev, michael

This DVD gives information about the Pye family. Thomas Pye came to Sydney as convict in 1837 and was assigned to work for Captain Sylvester Brown and came to the Port Philip district with his master. Sylvester's son, Thomas, travelled to the Western District in 1844 and took Thomas and his wife. Mary with him. Thomas Browne later wrote novels under the name of Rolf Boldrewood . In his book " Old Melbourne Memories " Thomas Pye is given the name Joe Burge. Thomas Browne established the property "Squattlesea Mere" and Thomas Pye and his family settled in Port Fairy and then in Bessiebelle. Today this little settlement has many Pye descendants. The other matter of interest is that Thomas Pye's son,Charles Pye, gained the Victoria Cross in India and is buried at Tower Hill. his DVD is of historical interest because it records the story of the Pye family in the Western District.This is a DVD with blue hand writing on the front and an accompanying sheet of paper showing an English country scene. It is enclosed in a plastic mesh envelope.TAPESTRY Our Pye Family history through all generations by Elizabeth Pye.pye family, warrnambool, captain sylvester brown, thomas browne, rolf boldrewood

'Hall links generations', by Larissa Ham. Article on 20th anniversary of the Wal Wicking Hall located at Forest Hill Secondary College, Blackburn South Campus. Whitehorse Gazette, 25 November 1998.wal wicking hall, forest hill secondary college, blackburn south campus, taylor, jane, marnie, alexia, richardson, john, wicking, nancy, schools

Cartoons by Dunera internee at Camp 1 TaturaFramed pen & ink sketched of two men walking and 2 older men standing alongside barbed wire fence. Title "Two Generations". In black and gold wooden frame with a white mat.illustrations, pen, ink, dunera internee, camp 1 artwork

The 5th Battalion, Victorian Scottish Regiment was amalgamated into the Royal Victoria Regiment in 1960. The heritage of this Australian Infantry unit is maintained today by the Pipes and Drums of the 5th/6th Battalion, the Royal Victoria RegimentThe only known photograph of these Pipe Majors together. PD5/6-00102-1 Original framed photograph with damage PD5/6-00102-2 Digitally restored framed photograph Both show three generations of Pipe Majors from the 5th Battalion (the Victorian Scottish Regiment) and 5th/6th Battalion (the Royal Victoria Regiment) Pipes and Drums. Pictured: WO2 David Bail (Pipe Major 1972-1987), WO1 Don MacPhie (Pipe Major 1964-1972) and LT Duncan MacLennan MBE (Rtd) (Pipe Major 1952-1964). 5th battalion, victorian scottish regiment, australian army, pipes and drums, 5/6 rvr pipes and drums, pipe major, vsr, shine of remembrance, 5th/6th battalion, royal victoria regiment

This photograph was printed from a glass negative held in the Society's picture collection. The original glass negative is part of a set donated to the Society by Ian McKenzie, a professional photographer in Kew. Three generations, ca. 1910-ca. 1920. A portrait of four women, four young girls and an infant are posed for what may be a family portrait on the verandah of a house. The matriarch of the family sits at the centre of the group. The photo was printed from a glass negative in the collection. The original glass negative is part of a set donated to the Society by Ian McKenzie.family portraits, glass negatives

4 Generations 1941stawell

Deep Lead – Portrait Cray Family (4 Generations)stawell portrait

Four Generations of Bibby's at Navarre. Thomas Bibby sitting.Names on back of Photo

Four generations of the Partington Fort family: Alan Partington, Faye Fort, Melinda and infant Rian.Four generations of a Greensborough pioneer family.Digital copy of black and white photograph.partington family, faye fort (nee partington)

Five generations of Smith family. Baby is Gloria, her mother Irene is on the left. Gloria's father is Len SmithBlack and white photo taken from a newspaper, The Weekly Times families

Four generations of the Partington family: Alan Partington, David Medhurst, Annie May Medhurst Partington and infant Elinor PartingtonFour generations of a Greensborough pioneer family.Digital copy of black and white photograph. partington family, david medhurst

Compact Diskette - CD - plastic contained with in part clear, part black plastic case, titled "Generations Why Trams?" showing the preparation of two television commercials August 2007 and the final production. Has the Love Your Trams logo. Features a number of school children and Football and media celebrates. Film by Fletcher Films, Flash Advertising the Producers. See item 8791 for an associated pamphlet with a mini disc. Mini CD/DVD copied onto the AV file database.On rear in ink "East front / west is back"trams, tramways, yarra trams, compact disc cd, television celebrity, advertising

Local dentist John Boucher has provided dental care to generations of locals. He and his wife have also provided volunteer dental treatment in Vietnam.This is an advertising feature.Advertising feature. Text and colour illustration.john boucher, dentists, diamond valley dental group

Four generations of the Partington Leed family: Wyn Leed Partington, Anne Emma Leed, Faye Fort and infant Melinda Fort born 25/6/1960.Four generations of a Greensborough pioneer family.Digital copy of black and white photograph.partington family, wyn leed

Photograph of four generations of the Medhurst - Partington family (l-r) Alan Partington, Elinor Partington (infant), seated David Medhurst and Annie May Partington (nee Medhurst).Continuing generations of Greensborough pioneer families.Digital copy of black and white photograph.alan partington, elinor partington, david medhurst, annie may partington, annie may medhurst

Four generations of the Partington family: Faye Fort (Son's daughter), Alan Partington (Son), Annie May Medhurst (Grandma) and Great Granddaughter Melinda Fort born 25/6/1960.Four generations of a Greensborough pioneer family.Digital copy of black and white photograph.partington family, fort family

Notice or newsletter titled "Employee News - Upgrading W-Class trams for future generations" published on an A4 sheet in colour, 27/9/2018 by Yarra Trams with the Keolis Downer logo. Advises that 6 more W class trams will be upgrade to W8's, removal of older W class trams from the city circle commencing 15 Oct., use of A class trams temporally and the refurbishment of trams used by the Tramcar Restaurant. Quotes Carla Purcell, Director Lines. Has a photo of an un-numbered W8 at the Bendigo Tram depot.trams, tramways, yarra trams, city circle, w class, w8 class, restaurant tram

Kamilaroi artist Reko Rennie’s vision is an inclusive environment where people can sit and peacefully reflect on, mourn and acknowledge the deep trauma of the past, as well as connect with the ongoing strength and resilience of the Aboriginal community and support the process of healing. 'Remember Me' symbolises community resilience, identity and family. Positioned in a ceremonial ring, the seating and spears create a circle of gathering and remembrance within the park. In a contemporary and historical sense, the spear is an emblematic statement about struggle and adversity, and it is also an expression of identity and connection to land and culture.The 'Stolen Generations Marker, Remember Me', reflects the community’s wish to create a permanent tribute to the Stolen Generations and their families; a place of reflection and respectful commemoration. Integral to this is the surrounding garden with plants local to the area that have been re-introduced into the setting. Sited at the historically important Meeting Place in the heart of Aboriginal Fitzroy, the artwork honours not only the story of this place, but of all Aboriginal people who were taken away. This project was guided by the Stolen Generations Marker Steering Group and realised by Yarra City Council in partnership with the Victorian Government. Most importantly, it has received widespread grassroots community support. It was officially launched on the 20th anniversary of National Sorry Day (26 May 2018), which acknowledges the impact of the policies spanning more than 150 years of forcible removal of Aboriginal and Torres Strait Islander children from their families. On 26 May 1997 the landmark 'Bringing Them Home' report was tabled in Federal Parliament. The report was the result of a national inquiry that investigated the forced removal of Indigenous children from their families. This was a pivotal moment for many Stolen Generations. It was the first time the stories of forced removal were formally acknowledged by the Government and a recognition that these actions were inhumane. The impacts have been lifelong and intergenerational. A collection of bronze spears and a coolamon with accompanying seating, lighting and landscaping positioned in a ceremonial ring.stolen generations, fitzroy

Photo of four generations of women. L.R. Aileen Olga Louise (nee Rowe) Alice Elizabeth Rowe (nee Ord). In front, Louisa Ord (nee Marstin born in Stawell 17th Sept 1857) and baby Judith Margaret was Jones then Sharpe. Estimated 1930's to 1940's.

The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This photograph is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.A220 Four generations of the Faragher family -great grandmother Jane Trigg (seated right), grandmother Sarah Wright (seated left), mother Elsie Faragher (standing at back) and baby Stan Faragher (seated centre front). Elsie Wright is Myrtle Uebergang's sister. There are two copies of the photograph -one a loose mounted copy (pictured), the other was framed. The wooden frame cost 3/9. A duplicate copy in the frame is on display. Black and white photograph of three women and a child. The old lady seated on the right is wearing a long sleeved dress/jacket with beaded bodice and a brooch at the neck. She has a white lace cap and net mittens. The woman on the right is wearing a tailored suit. The jacket has four buttons closure and two buttons on the turned back cuffs. A white blouse with wide pointed collar completes the outfit. The young woman at the back has her hair parted in the centre with plaited buns over the ears. Her frock has a self-fabric sash at the waist, six covered buttons down the front and decorative panels at each shoulder edged with beads. The wide white pointed collar sits on the shoulders. A white insert at the neck has a brooch attached. the child has long hair and wears a one piece outfit with short legs and buttons at the shoulder. His long sleeved shirt has a wide collar. He wears dark socks and button-up shoes.allansford, koroit, four generations, photographs, jane trigg, elsie faragher, stan faragher, sarah wright, myrtle uebergang

This historical family photograph spans three generations of the Cooper Family, a pioneer family, still residing in the Kiewa Valley. The large axe held by Pat was a handy tool for pioneer families to chop down trees for land clearing, building sheds and fences, outhouses and fire wood. This photograph was taken during a time where both male and females did some heavy lifting and processing. The rural sector at this point in time was physically a hard location for both sexes. The segregation of the sexes into specific job categories was some times non existent although household "chores" was in the main a woman's domain. The rural sector was in this point of time one which women were highly respected and the unwritten law of providing "assistance" and "reverence" by men in such actions as, socially opening doors, tipping the cap, offering a sturdy arm for support and refraining from doing or saying anything "uncouth" in a woman's presence. It was in a time when women's liberation was just starting to grow strength. Rural areas, on the hole, took longer to interfuse "city" hatched norms of behaviour. This photograph of a pioneer family still residing in the Kiewa Valley demonstrates not only the close protective environment that the valley has on all its inhabitants but also the close bonding that neighbors have towards each other. The term "God's gifted country" fits warmly with all the settlements in the valley. The relatively isolated (physically, visually and communications wise) has since post World War II been whittled away by faster and vastly improved communications with "the outside" world. The strength of commitment to the rural life can be seen in the faces of the family members in this photograph. The proud heritage is displayed without any external pressure. This large black and white family photograph is a reproduction on Fujicolor Crystal Archive Paper manufactured by Fujifilm. It is 200gsm matt finished paper with no borders. On the reverse side, written in pencil "Ted Cooper sitting aged 24-25, Pat Amery (Ted's youngest sister) holding Ted's eldest son Doug and Ted's father John Franklin Cooper(22-8-1892)"john cooper, ted cooper, pat amery, doug cooper, pioneer family kiewa valley

L-R: 1. Tait (Red Rattler) a wooden body train first introduced in 1910 to be hauled by steam locomotives and converted to electric from 1919. They were manufactured from 1909 to 1952. 2. Comeng stainless steel body trains were first introduced in 1981 to replace the last of the Tait trains and underwent refurbishment between 2000-2003. Some examples remain currently in service 3. Hitachi stainless steel body trains were operated on the Melbourne network between 1972-2014. 4. Harris (Blue) steel body train introduced 1956 and operated until 1988. (Source: Wikipedia various)Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencycomeng electric train (1981), eltham railway station, harris (blue) train, hitachi electric train, red rattler, tait train

A collection of poems written about Australian soldiersSlouch Hat Soldiers is about the everyday experiences of war - not least, it's about families and mateship and all sorts of sacrifice.australians - vietnam - poetry, world war, 1914-1918 -- poetry, world war, 1939-1945 -- poetry

CD-ROM