Showing 241 items matching geometric
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Kew Historical Society Inc
Leisure object - Jigasw Puzzle, Geometric Jigsaw Puzzle
Multicoloured two-dimensional geometric jigsaw puzzle in its original box. The exterior of the box shows the complete puzzle with a range of optional alternative puzzles. games and puzzles, jigsaw puzzles -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish and a blue geometric design. blue geometric designpottery, ceramic, archaeology -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is a machine made copy of a geometric bobbin lace. It is quite narrow and was most likely made on the Barmen machine which was developed in the 1890s in Germany from a braiding machine Its bobbins imitate the movements of the bobbins of a hand-made lace maker and it makes perfect copies of torchon and the simpler hand-made laces. It can only make one width at a time and does not have the pattern potential of the Leavers machine. This lace was meant to be used as an edging and would not have been gathered.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine made length of geometric bobbin lacejanet amess lace collection, lace, churchill island, trim, machine -
Churchill Island Heritage Farm
Textile - Lace Trim
This fine lace trim at 1.6cm width is quite narrow, the pattern is geometric in style with one side a selvedge and the other a gracefully scalloped picot edging. It appears to be made of cotton although it could be silk, and ostensibly looks to be a Cluny lace style of bobbin lace which is heavily plaited and worked in one continuous piece. Cluny lace is geometric in pattern often with thin radiating wheat ears. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces such as Cluny. The machine developed from a braiding machine and uses bobbins which imitate the hand movement of hand-made lace makers. This fine lace trim may adorn a child’s collar and cuffs or trim a finely pleated blouse. It may also trim a mob cap or a shawl.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.machine made lace trim with selvage edge on one side and scalloped edge with picots, geometric interior churchill island, lace, janet amess lace collection, trim, amess, cluny -
Islamic Museum of Australia
Surfboards with digital decals, Inshallah Series 2008, 2008
Phillip George was inspired by his trip to the Middle East and the Cronulla riots in 2005 when Lebanese Australians where targeted on a beach in Sydney. The full series consists of 30 surfboards which are all adorned with intricate Islamic vegetal and geometric designs. The range was called Inshallah, or God willing and was made by George in the hope of bridging the cultural divides between Australian Muslims and other Australians.Fibreglass and carbon fire surfboards with digital decals x 3. The Inshallah surfboard series employ designs from famous mosques, showcasing the vegetal and geometric patterns of traditional Islamic design.phillip george, islamic design, australian culture, australian art, surfboard -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Embossed geometric designpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with white glazed finish Embossed geometric designpottery, ceramic, archaeology -
Working Heritage Crown Land Collection
Ceramic - Ceramic shard, Mint ceramic shard
Ceramic shard with glazed finish with a decorative design in pink, yellow and blue.Hellenistic geometric designpottery, ceramic, archaeology -
Tatura Irrigation & Wartime Camps Museum
Book - Science, The Oric Science Book, 1943
Eberhard Schuster was a German woolbuyer interned in Camp 1, TaturaVery faded pale blue "The Oric" exercise science book. E Schuster. 16a Anal geometric. Nov. 43. Graph pages and lined pages. 2 loose piece of paper insidescience, geometric, schuster e, camp 1, tatura, ww2 camp 1, books, education -
Moorabbin Air Museum
Book (item) - CAC Collection - Engineering Drawing Practice BS308:Part 3 :1990
Paert:3 Recommendations For Geometrical Tolerancing -
Working Heritage Crown Land Collection
Decorative object - Wallpaper, Horticultural Hall wallpaper
Sample of wallpaper from the "west wall" of Horticultural Hall.Sample section of wallpaper from Horticultural Hall. Cross section of squares interlaced with geometric shapes. wallpaper, horticultural hall -
Churchill Island Heritage Farm
Textile - Lace Trim
This is a machine made length of lace which has been executed in the Cluny style. Cluny lace is a bobbin style lace which is worked in a continuous piece and is heavily plaited in geometric designs. It is believed to have originated from copies of designs in the Musee de Cluny in Paris. There is a company in Ilkeston in the United Kingdom called The Cluny Lace Company which is still making both Cluny and Valenciennes lace using Leavers machines. The Mason family started making lace in the 1760s at the start of the Industrial Revolution. For two centuries the five generations of the family have paid close attention to detail and have brought the company to the forefront of new technology. Many of the lace patterns still used today were designed and draughted by Frank Maltby Mason and Francis Bowler Mason, the sixth and seventh generations of the family. They have developed a data bank of designs over this time and by combining the best of old traditions with new technology the firm is able to produce a wide range of exquisite designs of Leavers Cluny style lace allovers, edgings and insertions. This lovely insertion would be well suited to decorate a mob cap or on bed linen and nightwear.Churchill Island has a large lace collection, which was added to by three successive generations of the Amess family - Jane, Janet, and Unity. The Amess family owned Churchill Island from 1872 to 1929. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island. The examples of lace are notable for their variety, and provide respresentative examples of techniques from the late nineteenth to the early twentieth centuries. Length of machine made Cluny-style lace trim with repeating diamond pattern on the border, and a central geometric/floral motifchurchill island, lace, janet amess lace collection, machine, amess, cluny -
Churchill Island Heritage Farm
Textile - Lace Trim
This is another machine lace made using a thicker crochet-like thread, quite possibly cotton judging by the texture. The geometric pattern has been made in the style of Torchon lace and it gives the appearance of softness and comfort. This lace is quite narrow (1.1cm) and was not made as an insertion lace but as a trim. It was most likely used as a trim on children’s underclothing and bed linen. It may have been used as a trim on a mob cap for a maid or a less senior member of the household. This machine made lace would have been made on a Barmen machine which was developed in Germany in the 1890s and was capable of making perfect copies of Torchon and other simple bobbin laces.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.Torchon machine lace, coarse crochet like thread. One fairly straight edge with picots. Other edge has clusters of elongated picots at even intervals. Geometric pattern insidechurchill island, lace, janet amess, lace collection, torchon -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed the restrictions lessened gradually and in the late Georgian and Victorian eras ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularize it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria.(1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was added to and refined over the course of three successive generations of women.Machine made Torchon lace in Cluny style, with geometric patterns and wheat design, probably on a Barman (Swiss) machine. janet amess lace collection, churchill island, lace, trim, amess, barman, machine -
Federation University Historical Collection
Artwork, other - Metalwork, Turned copper bowl with pierced design
Thought to be made at the Ballarat Technical Art SchoolPlanished plate with pieced geometric designs.coppercopper, metalwork, ballarat technical art school -
Lara RSL Sub Branch
R.A.A.F. Dakota, Caribou Hercules Transport Flying in formation., Frames Picture, Framed picutre R.A.A.F. Transport flying in formation
R.A.A.F. Dakota, Caribou Hercules Transport Aircraft Flying in formation.Aluminium frame, glass, chip-board rear photo of R.A.A.F. Dakota, Caribou Hercules Transport Flying in formation.small sign/sticker "GEOMETRICS" stuck on the back of the picture framer.a.a.f., dakota, cariboo -
RMIT Design Archives
Textile pieces
Michael O’Connell (1898-1976) arrived in Melbourne in 1920 with no professional training apart from that of a soldier on the Western Front. During the 1920s however he discovered a talent for design and, returning from a visit home to England via France and Italy in 1929, focussed on textile design with his wife Ella. This fragment of a wall hanging shows clear indebtedness to the School of Paris, Matisse in particular, and other designs from the early 1930s indicate that O’Connell was familiar with the work of Raoul Dufy who had created some successful and popular fabric designs for Paul Poiret.Textile piece featuring women and geometric patterntextile design, rmit design archives, mid-century modern -
National Wool Museum
Clothing - Vest, 1950s
Grey sleeveless vest with coloured geometric designs.knitwear, fashion, vest, 1950s -
Federation University Art Collection
Painting - Gouache, Ian Page, 'Bronze' by Ian Page, 1978 c
Ian PAGE Ian Page was an Art Lecturer at the Ballarat Teachers' College, and the Ballarat College of Advanced Education. Both are predecessor institutions of Federation University Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed geometric design painting by Ian Page. art, artwork, ian page, page, ballarat teachers' college, ballarat college of advanced education -
Churchill Island Heritage Farm
Textile - Lace Trim
This sample of lace trim is Torchon lace in the Cluny style with the geometric pattern and the classic wheat ears/leaves appearing between the filled ‘v’ shapes. At 5cm in width, it would be a beautiful trim or insert piece on bed linen and undergarments. It would certainly have been made on a Barmen machine. The Barmen lace machine was developed in Germany on the 1890s. Its bobbins imitated the movement of the bobbins of a handmade lace maker and it made perfect copies of Torchon and other similar bobbin laces. This style of bobbin lace was the simplest to make and therefore the cheapest lace to buy. In the Elizabethan era, the wearing of lace was reserved for the nobility and anyone of lesser standing than a knight who dared to wear lace would be publicly whipped. As the years passed, the restrictions lessened gradually and in the late Georgian and Victorian eras, ladies of the nobility sought to perform good deeds by teaching women and girls of the poorer classes to make lace and thus it became known as beggars lace. Bobbins were expensive and use was made of animal bones and even fish bones to perform as bobbins therefore another common name was bone lace. Many noble women entered a religious order and these nuns would also teach to skill to willing participants as well as making lace for clerical garments. Although the monarchy restricted the wearing of lace for some time, many royal figures in history did a great deal to popularise it. Two noteworthy examples were Queen Adelaide (1792-1849) and Queen Victoria (1819-1901).The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by three generations of Amess women - Jane, Janet and Unity. Jane was wife of Samuel Amess, who was the first Samuel Amess to own Churchill Island.machine made Torchon and Cluny lace trim with both edges similar, v shape design and 8 braid geometric design in centrechurchill island, lace, janet amess lace collection, amess, trim, torchon, cluny -
The Cyril Kett Optometry Museum
Book, Isaac Barrow, Author; Robert Scott, Publisher, Lectiones opticae & geometricae: In quibus phaenomenon opticorum: genuinae rationes investigantur, ac exponuntur: et generalia curvarum linearum symptomata declarantur, 1674 (exact)
This book of lectures on optics & geometry by Isaac Barrow, from 1674, was published in London in Latin to make it available to scholars across Europe. Isaac Barrow (1630-1677) was a graduate of Cambridge (BA 1649, MA 1652) and a mathematician. He became Lucasian Professor of Mathematics at Cambridge in 1663 and was tutor to Newton. This book includes Barrow's studies in geometric optics and the nature of light; material that would have encouraged Newton's better known research.This book has historical significance as it details the contemporary development of the knowledge of optics in the late 17th century. It is quite rare as no other copies are listed on WorldCat for Australia.Book, bound in full calf leather of the period, about optics and geometry by Isaac Barrow, in Latin. It has a title page, 12 introductory pages and 151 pages of text divided into 13 "lectures". There are 13 fold-out figures illustrating geometric constructs. It is in good condition except that the front cover is at present detached.optics, geometry, isaac barrow -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359Green glazed border tile with yellow geometric pattern'563' '5' (on back)ceramics, earthenware -
Whitehorse Historical Society Inc.
Ceramic - Border Tile
See 359White glazed border tile with blue geometric pattern'676A' '436' '33'ceramics, earthenware -
Churchill Island Heritage Farm
Textile - Lace Trim, Section
This is an interesting insertion piece with machine made copies of bobbin made ‘spiders’ which could be highlighted by ribbon insertion. The eyelets are placed so that the inserted ribbon covers the plain areas and is highlighting the decorative spiders and the fagoted edging would be revealed. This would be another lovely embellishment for baby’s clothes and accessories such as cradle trim, pillows and pram coverings. It would also be highly suitable for the clothing, undergarments and bed linen of children.The Amess family owned Churchill Island from 1872 to 1929. This lace collection was owned and contributed to by four generations of Amess women.Machine embroidered section of lace trim with recurrent geometric motifsjanet amess lace collection, lace, churchill island, amess, machine, embroidery -
Whitehorse Historical Society Inc.
Clothing - Stole, c1914
Black net woven with silver metallic ribbon with a geometric pattern.costume, female -
Wangaratta High School
WHS Trophy- Sport, 2007
Glass geometric diamond trophy and base with white text reading:CycleSport VICTORIA 2007 VICTORIAN SCHOOLS CYCLING CHAMPIONSHIPS BORDER ZONE WINNER -
Federation University Historical Collection
Award, Worksafe Victoria Award for Excellence and innovation in Workplace Health and Safety awarded to Professor Dennis Else
Geometric shaped glass and metal Worksafe Victoria award 2003 outstanding Leadership and Contribution to Health and Safety -
Wangaratta High School
WHS trophy, 2010
Glass geometric diamond trophy with a glass base and white text reading: The Microsoft Innovative Schools Program 2010 Pilot School Wangaratta High School Victoria Microsoft Your potential. Our passion -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Wylie, I. A. R. (Ida Alexa Ross Wylie), Towards morning, 1918
317 p.: pale grey/blue cover with embossed geometric design.fictionida alexa ross wylie, fiction -
Flagstaff Hill Maritime Museum and Village
Tray cloth, late 19th century
This item is one of many 19th century items donated to Flagstaff Hill Maritime Village by the Giles Family, and known as the “Giles Family Collection”. Henry Giles was born at Tower Hill, Victoria in 1858 and worked as a labourer on the Warrnambool Breakwater. His wife, Mary Jane, was born in 1860 at Cooramook and worked as a student teacher at Mailor’s Flat Secondary School. The Giles family lived at The Maam, Wangoom in the late 19th century, before moving to New South Wales in 1895, where Henry built bridges. Henry died in 1933 and Mary Jane died seven years later. Flagstaff Hill holds a number of objects associated with the Giles family, which were donated by Flagstaff Hill volunteers Vera and Aurelin Giles (Henry and Mary Jane’s daughter and granddaughter respectively). These are predominantly located in the Lighthouse Keeper’s Cottage and include: Living room • Cloths (made by Vera Giles) • Portraits of Mary and Henry Giles • 1 x dresser • Covers on dresser • 1 x bellows Baby’s room • 1 x blessing (in the baby’s room) • 1 x picture of boy and girl • 1 x rocking chair • 1 x cushion (made by V Giles) • 1 x chest (belonging to Mary Jane Giles’s mother, Jane Fleming who migrated to Australia from Ireland in 1843) • 1 x chest cover • Bed materials Bedroom • 1 x knitted bedspread and cushion cover (knitted by V Giles) • Pillow shams and covers (Mrs Catherine King) • Pillow cases (Mary Giles) • 1 x wash stand (Mary Giles) • Towels (lace knitted by Aurelin Giles) • 1 x washstand cover • 1 x white ceramic dog • Shaving items • 1 x dressing table mirror • 1 x dressing table cover (made by Aurelin Giles) • 1 x framed motto • 2 x texts • 1 x settee (sofa) • 1x wardrobe (Vera Giles donated the wardrobe in the Lighthouse Keeper’s Cottage to Flagstaff Hill. According to Aurelin Giles, it was originally owned by William Swinton junior and was later given to a friend of the Giles family.) Kitchen • Settee covers (made by V Giles) • 1 x sideboard • 1 x butter churner • 2 x pictures • 1 x white cheese dome • 1 x wash-up tray • 2 x jugs • 1 x vegetable bowl and dish • 1 x willow pattern dinner set • Glass butter and jam dishes. The Giles family collection has social significance at a local level, because it illustrates the level of material support the Warrnambool community gave to Flagstaff Hill when the Museum was established.Tray cloth, white linen, geometric pulled thread design. (Giles Collection) Tag attached "LHK n6" flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, giles family, tower hill, cooramook, warrnambool breakwater, mailor’s flat, wangoom, 19th century linen, 19th century handcraft