Showing 8 items
matching german drama
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Mrs Aeneas Gunn Memorial Library
Book, JM Dent and sons, Goethe's Faust : Parts I and II, 1908
... German drama... literature German drama Faust is the protagonist of a classic German ...Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifep.424.non-fictionFaust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, so he makes a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. Faust and the adjective Faustian imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books - as well as the ballads, dramas, movies, and puppet-plays which grew out of them - is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus. In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his lifegerman literature, german drama -
Bendigo Historical Society Inc.
Book - LYDIA CHANCELLOR COLLECTION: THE LIFE OF FRIEDRICH VON SCHILLER
A yellow book titled 'The Life of Friedrich von Schiller Poet and Dramatist. One of the greatest ornaments of the golden age of German literature; poet, dramatist and historian of the highest rank.' London : Ward, Lock & Co., Salisbury Square, E.C. 49 - 64 pgs. This booklet is one of a series of 53 ' Ward & Lock's Penny Books for the People.' 'Biographical Series.' Price one penny. Advertisements are of note.books, biography, friedrich von schiller, lydia chancellor, collection, friedrich von schiller, poetry, poet, drama, dramatist, entertainment, famous people, individual, person, male, german literature, literature, ward & lock's penny biographies, biographies, ward & lock's penny books for the people, book, biographical series, advertisements, penny books -
Monbulk RSL Sub Branch
Book, Penguin Books, The coming of the Third Reich, 2004
n 1900, Germany was one of modernity's great success stories: The most progressive and dynamic nation in Europe, it was the only country whose rapid economic growth and innovation rivaled that of the United States. Its political culture was far less authoritarian than Russia's and less anti-Semitic than France's. Representative institutions thrived, and competing political parties and elections were a central part of life. How, then, could it be that in little more than a generation this stable modern country would fall into the hands of Adolf Hitler and the violent, racist, extremist political movement he led, a movement that would lead Germany and then all of Europe into utter moral, physical, and cultural ruin?" "There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. Its citizens were angry and embittered by military defeat and economic ruin, and its young democracy undermined by a civil service, an army, and a law enforcement system deeply alienated from the new order. The electorate was beset by growing extremism and panic about communism; and the small but successful Jewish community was subject to wide-spread suspicion and resentment. In the end, though nothing about what happened was preordained, Germany proved to be fertile ground for Nazism's ideology of hatred.Index, bibliography, ill, maps, p.335.non-fictionn 1900, Germany was one of modernity's great success stories: The most progressive and dynamic nation in Europe, it was the only country whose rapid economic growth and innovation rivaled that of the United States. Its political culture was far less authoritarian than Russia's and less anti-Semitic than France's. Representative institutions thrived, and competing political parties and elections were a central part of life. How, then, could it be that in little more than a generation this stable modern country would fall into the hands of Adolf Hitler and the violent, racist, extremist political movement he led, a movement that would lead Germany and then all of Europe into utter moral, physical, and cultural ruin?" "There is no story in twentieth-century history more important to understand, and Richard Evans has written the definitive account for our time. A masterful synthesis of a vast body of scholarly work integrated with important new research and interpretations, Evans's history restores drama and contingency to the rise to power of Hitler and the Nazis, even as he shows how ready Germany was by the early 1930s for such a takeover to occur. Its citizens were angry and embittered by military defeat and economic ruin, and its young democracy undermined by a civil service, an army, and a law enforcement system deeply alienated from the new order. The electorate was beset by growing extremism and panic about communism; and the small but successful Jewish community was subject to wide-spread suspicion and resentment. In the end, though nothing about what happened was preordained, Germany proved to be fertile ground for Nazism's ideology of hatred.germany - politics and government 1933-1939, germany - nazi party -
Monbulk RSL Sub Branch
Book, Naval Institute Press, A pictorial history of the sea war, 1939-1945, 1995
More than 450 photographs present a superb visual record of World War Two - the great convoy battles fought between aircraft, U-boats and escorts; the battles with the German raiders; desperate struggles in the icy seas of the Arctic; great naval-air battles in the Pacific; the vast amphibious operations that brought the Allies to grips with the enemy on land; and much more. For the six years between 1939 and 1945, naval action was seen on every ocean of the world. This sea war was on a unique scale - it had never been seen before, has not been experienced since and surely will never be witnessed again. This pictorial history brings together images from international archives and personal collections to demonstrate the diversity and drama of these years, to portray the atmosphere experienced by the mariners in this most unforgiving battlefield of all, and to provide an unprecedented visual record of this most event filled period of naval history.Ill, p.190.non-fictionMore than 450 photographs present a superb visual record of World War Two - the great convoy battles fought between aircraft, U-boats and escorts; the battles with the German raiders; desperate struggles in the icy seas of the Arctic; great naval-air battles in the Pacific; the vast amphibious operations that brought the Allies to grips with the enemy on land; and much more. For the six years between 1939 and 1945, naval action was seen on every ocean of the world. This sea war was on a unique scale - it had never been seen before, has not been experienced since and surely will never be witnessed again. This pictorial history brings together images from international archives and personal collections to demonstrate the diversity and drama of these years, to portray the atmosphere experienced by the mariners in this most unforgiving battlefield of all, and to provide an unprecedented visual record of this most event filled period of naval history.world war 1939 – 1945 –naval operations, world war 1939-1945 - naval operations - pictorial works -
Tatura Irrigation & Wartime Camps Museum
Document, "Die Klosterbruder oder Die Gestorte Liebesfrunde", Mar-40
Made in Camp 1, Tatura containing list of cast and roles in a theatre production written by Dr. Neumann in Camp 1. Dr. Neumann came from Germany to take a position as lecturer at Sydney University c.1937, until interned in 1939. This item remained in the possession of his daughter Ingrid until she brought it and presented to the Museum.Light cardboard covers with pages secured by blue tape, containing paper pages typed in German which was made and illustrated in Camp 1.Lustspiel in Acht Szenen von Gerhard. Neumann, Gesschrieben Im Internierungslager Tatura Marz 1940.camp 1, tatura, theatre production, camp 1 tatura, dr gerhard neumann, documents, drama -
Clayton RSL Sub Branch
soft cover non-fiction book, Arcturus Publishing, Normandy to Berlin, 2005
60th Anniversary Special Edition from Normandy to BerlinBook introduces men and women from both sides - British, American and german soldiers and civilians - whose bravery and endurance made the final push through Europe, the defining drama of WW2.soft cover book with 144 pages -
Clayton RSL Sub Branch
soft cover non-fiction book, Ice Water Press, Victory In Europe, 2010
The final crossing of the Rhine and the advance into Germany changed the course of European history forever. Introduces men and women from bith sides - British, American and German soldiers and civilians - whose bravery and endurance made the final push through Europe the defining drama of WW2.Soft cover book with 144 pagessticker on inside page P Cooper (personal contact details included on sticker) -
Bendigo Symphony Orchestra Inc.
Programme (Item), Beever, Kristen, Resurrection, November 2024
This program was given to attendees at the Bendigo Symphony Orchestra and Gisborne Singers performance on 24th November 2024 In a thrilling conclusion to their 2024 concert season, Bendigo Symphony Orchestra present Mahler’s Symphony No. 2 ‘The Resurrection’ – a transcendent journey from darkness to light. Witness the symphony on a colossal scale: ten trumpets, ten horns, two sets of timpani and an organ are just the beginning of Mahler’s mighty orchestration. And after the success of 2022’s inaugural Symphonia Choralis festival, BSO are once again partnering with the Gisbourne Singers to bring this glorious work to life. “Why have you lived? Why have you suffered? Is it all some huge, awful joke? We have to answer these questions somehow if we are to go on living – indeed, even if we are only to go on dying!” Written in a letter to a friend, these are the questions Mahler hoped to answer with this symphony. While epitomising the emotion and drama of the Romantic era, the work also anticipates the radical advances of the 20th century. Beginning with a steely funeral march, Mahler spins German folk-song and klezmer-inspired flourishes through four stunning movements, culminating in a sublime hymn of resurrection. This symphony explores life and death on a cosmic scale, and showcases Mahler’s rich technicolour writing and flair for dramatic narrative. “The whole thing sounds as though it came to us from some other world. I think there is no one who can resist it. One is battered to the ground and then raised on angel’s wings to the highest heights.” Be swept away by an eternal masterpiece.MAHLER SYMPHONY NO. 2 RESURRECTION Sunday 24th November 2024, 2.30pm Ulumbarra Theatre, Bendigo Luke Severn Chief Conductor Nicole Marshall Guest Conductor Merlyn Quaife AM Soprano Liane Keegan Contralto Gustav MAHLER Symphony No. 2 in C minor, ‘Resurrection’ I. Totenfeier: Allegro maestoso (25’) II. Andante moderato (12’) III. In ruhig fließender Bewegung (12’) IV. Urlicht (6’) V. Finale: Im Tempo des Scherzos (37’)bendigo symphony orchestra, luke severn, regional victorian orchestra, performance, gisborne singers