An Abbreviated Family history of the Gilbert and Sparrow families.Blue Card front and rear cover, Plastic Spine, Cutout on front cover showing title on page behind.Gilbert Sparrow Alliances Fron page: Donated to Stawell Historical Society by the author Mr R C Gilbert August 2005stawell

256 page book by Rod Gilbert. On page 25 there is reference to Schwerkolt Cottage and a Blackburn subdivision in 1913non-fictionWW1 record of Private Leslie Raymond Talbot Gilbertgilbert rod, gilbert leslie raymond talbot, world war 1914 - 1918, walsham road blackburn

Recollections of Matron Moore of Camp 1 Hospital.2 clear plastic sleeves with 3 pages of printed material. Tatura POW and Internment Camps Camp 1 Hospital by Beatrice Moore ex AANScamp 1 hospital, matron beatrice moore

ENIMATIC LAND OF BIRDS THAT SING FLOWERS FROMS SEEDS THAT SPRING OF REPTILES AND FISHES CREATURES FROM THE BEGINNING SUN AND MAN AND SCIENCE THE SYMBOLS THAT SILENTLY BUILD AND CHANGE IN COOL AND WARM YOU ARE THERE AND HERE OF YESTERDAY NOW THE SPLITTING EARTH MURAL BY JOHN GILBERT 1973John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.A large ceramic mural by John Gilbert commissioned for the wall of the E.J. Barker Library. The mural features brown and green glaze with features of indigo. The work has no particular pictorial representation. It is an arrangement of colour and form, designed for enjoyment rather than to analyse. The theme relates to the development of the Universe through basic symbols such as plant forms, fish, birds and to mans development through symbols of science and engineering. The outer edge is symbolic of earths crust being peeled away to reveal science and nature. The mural depicts the changing of seasons from Winter to Summer (left to right). The mural was completed at John Gilbert's Slate Gallery studio, Mount Helen, and took eight months to make.gilbert, artwork, john gilbert, art, ballarat school of mines, mural, ballarat institute of advanced education, ballarat pottery, ceramics, old ballarat pottery, edinburgh pottery

Henry MOORE (30 July 1898 - 31 August 1986) Born Castleford, Yorkshire, England Known primarily as an English sculptor of reclining nudes. Acquired by the Ballarat Teachers' College in 1962. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed lithograph by Henry Moore showing two seated people. The person in yellow top is doing the blond hair of a woman in red dress.art, artwork, henry moore, lithograph, colour lithograph, printmaking

Ian Gilbert recounts his life in Greensborough from 1950.Five p., typescriptgreensborough, ian gilbert

Malcolm Moore No. 1015 One of a Batch of 92 such rail tractors built. Builders Number 1015. Built for the Australian Army in 1943 Built for the Australian army - delivered to Army on the 3 March 1944 and was sold to the State Rivers and Water Supply Commission at Red Cliffs, Victoria. - used at the Red Cliffs Power station to haul briquettes from the rail siding Red Cliffs to the Red Cliffs Power Station and also used for shunting and some haulage from the Red Cliffs siding.. This rail tractor was originally powered by a Ford side valve V8 petrol engine. It arrived at the Museum from Red Cliffs in 1977 and is operational. Originally equipped with a Ford side valve V8 Later replaced by a Fordson Major diesel tractor engine.Historic - Narrow Gauge Industrial Railway - used by the Australian Army, and the State Rivers and Water Supply Commission at Redcliffs, Victoria, AustraliaMalcolm Moore No.1015 - Malcolm Moore Rail Tractor 0-4-0 Malcolm Moore Rail Tractor - Steel (Painted)Malcolm Moore Rail Tractor 0-4-0 Malcolm Moore 2' Gauge 1015puffing billy, malcolm moore, ford v8, rail tractor, fordson, australian army, state rivers and water supply commission, 2' gauge, industrial narrow gauge railway

John GILBERT (1935- ) Born Albury, New South Wales John Gilbert worked as a teacher while completing a Certificate of Art at the Technical College in Marlborough, before moving to Ballarat in 1958. He studied at the Ballarat Technical Art School, a division of the Ballarat School of Mines (1960-1961) receiving a Diploma of Art; and Croydon College of Art, London. Gilbert was a Senior Lecturer at the Ballarat Institute of Advanced Education (now Federation University) Art Department until his retirement in the late 1970s. In John Gilbert's Mount Helen studio he produced work marked with an incised 'Gilbert'. He had acquired a concern for form and an interest in sculpture from his teacher Neville Bunning, and from the British potter Hans Coper, whom he visited in 1968. He established two potteries in Ballarat , the Edinburgh Pottery (1972-2005) located within the Sovereign Hill precinct, and the Old Ballarat Pottery (1973-1994) located in the Old Ballarat Village opposite Sovereign Hill. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Large stoneware pot with brown swirling glaze design. art, artwork, john gilbert, gilbert, ceramics, stoneware, alumni, edinburgh pottery, old ballarat pottery

Photograph of Ian Gilbert, Shirley Evans and Max Gilbert, Greensborough localsCopy of coloured photo of Ian Gilbert, Shirley Evans and Max Gilberian gilbert, evans family, shirley evans, max gilbert, gilbert family

Pamphlet, 32 pages, stapled and glued into a green cover slightly larger than the sheets. Titled "The Woods Gilbert Rail Planer Co. Ltd. - Rail Planning Machines" detailing the machines that the company provided with photographs, the type of work done, eg removal of corrugations, list of users including the Melbourne Cable Tramways, MTCo, extract of articles, reports and journals.Has a "CJ Corrugations" in orange pencil on the top front cover.trams, tramways, rails, trackwork, maintenance, rail planning, cable trams

Used by the company on the tramcar bodies it built for the MMTB in the 1920's. Second copy marked on rear "Ex W2 268"Yields information about the construction of W class trams.Builders Plate, sign - pressed brass sheet with burnished background around the raised letters - "Built by JAMES MOORE & SONS Ppty Ltd. City Rd. South Melbourne". Has screws holes in each corner. Two copies held.Has on the rear in black text pen "265"trams, tramways, signs, tramcars, tramcar bodies, james moore, new trams, w2 class, tram 268, tram 265

C. Web Gilbert, sculptor, pictured leaning against 'The Rock' at Sunnyside in South Sassafras, country home of John and Roberta Roberts. C. Web Gilbert G.G.M. Photosunnyside, c. web gilbert, south sassafras, the rock

Gilbert Family Group in Patrick Street Stawell at the old Tom and Sarah Berry home circa 1912. Three gentlemen two ladies two children dog and duck standing in back yard of old weatherboard home. Tom and Sarah Berry moved to Longwood in horse and dray. Berry's buried at Longwood Cemetery. Left to right Richard -William Parents William & Eliza Gilbert & Susan Gilbert, Richards wife. 2 Children, Henry and Doug Gilbert are son's of William & wife left of him. William and Eliza are buried at Navarre Cemetery. Matilda Booth nee Berry's Great Grandparents. (this information from note with photo. The note ends with words "Dear Joyce This is the photo I promised you Love Mat xx" Group photo of family out the front of a timber building with large chimney.Gilbert circa 1912stawell building

A small presentation box for Potter & Moore Old English Spice soap, that was probably given as a gift to a resident of City of Moorabbin c1950 . Women often kept these boxes, after the soap had been used, for storing small jewellery and trinkets. Throughout the 20thC Potter & Moore cosmetics were popular with the families in the City of Moorabbin. An empty cardboard box with lift off lid and decorated with 18thCentury figures that held 'Potter & Moore' Soap c1950On lid ; Old English / Spice / 2 figures / POTTER & MOORE / OF LONDONcosmetics, personal effects, potter & moore pty ltd london, early settlers, market gardeners, post world war 2 estates, moorabbin, bentleigh, cheltenham, clothing, perfumes,

The brand Potter & Moore was established in 1749 one of the oldest toiletry and fragrance houses in England. Mitcham lavender was historically grown in the Mitcham area of south London. Smelling salts were a standard remedy kept in purses and first aid kits to revive people from fainting spells or dizziness. Traditional smelling salts rely on ammonia to trigger an inhalation reflex. Infusing the crystals with lavender oil masked the harsh chemical stingHistoric first aid treatmentGrenade shaped glass bottle with white plastic lid, containing the original solid salt crystals. Oblong label, purple and gilt on white background on which is printed manufacturer and content detailsfirst aid, smelling salts, lavender

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Double-fronted weatherboard Edwardian residence; named 'Goodwood'. Pen and ink architectural drawing on drafting film of 16 Kent Street, Kew by Margaret Picken. 16 KENT ST., KEW / MARGARET PICKEN '93 / WOODARDS ~ KEWartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 16 kent street -- kew (vic.)

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

artist, architectural drawings, margaret picken, camberwell, housesartist, architectural drawings, margaret picken, camberwell, houses

B&W photograph showing schoolgirls Alexandra Kent and Michelle Poke seated with certificates."Top prize award winners in the eighth form segment of the 1986 Mathematics Competition of the Westpac Awards are (from left) Alexandra Kent and Michelle Poke"poke, michelle, kent, alexandra, methodist ladies college, mathematics competition

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Double-fronted Edwardian weatherboard villa. Pen and ink architectural drawing on drafting film of 31 Kent Street by Margaret Picken in 2000. Subsequent alterations and additions made in 2006. 31 KENT ST., KEW / MARGARET PICKEN 2000 / FLETCHER & PARKERartist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 31 kent street -- kew (vic.)

After training as a Cartographic Draftsman within the mining industry, I worked as a property illustrator for real estate firms in the eastern suburbs of Melbourne for 23 years from 1983. I initially photographed houses with a Polaroid camera and made a 'thumbnail' sketch while there. The photos were used to scale off a sketch in pencil and then that sketch was overlaid with drafting film and the 'pen and ink' completed. The pens I used were the Rotring ‘Rapidigraph’ drafting pens. The ink was also made by Rotring (German).The film was ‘Rapidraw’, polyester drafting film, double matte. It takes a very fine line and doesn’t bleed. As well as house sketches, there were often floor plans and site plans ordered. Aerial sketches were ordered when the property needed an overall view. (Margaret Picken, 2020)This drawing is one of a series created by Margaret Picken for a number of real estate agents in Melbourne between 1983 and 2005. Each work is signed and dated by the artist.Gift of Margaret Picken, 2020Originally a single-storey Edwardian weatherboard villa with a later two storey addition. Pen and ink architectural drawing on drafting film of 56 Kent Street, Kew by Margaret Picken in 1998.56 KENT ST., KEW / MARGARET PICKEN '98 / WOODARDS ~ HAW.artist -- margaret picken 1950-, architectural drawings -- houses -- kew (vic.), 56 kent street -- kew (vic.)

Oval shape, blue and silver metal signplate for Moore Pty LtdMoorebuilt environment - industrial, malcolm moore pty ltd, engineering, norm robinson, industry - manufacturing

"Grace Blake’s conversations with older members of the Club have elicited the following information during July 2014: • Don Christie recalls the machine being acquired by (or donated to) SMRC in the 1960s. SMRC later donated it to APRC. • Bob Duncan remembers it being at APRC. • Max Shaw joined the club in 1946 but doesn’t recall it at all. • Peter Watson recalls collecting the rowing machine from the old APRC club house before its demolition (c. 1995). The AP-SMRC machine carries a ‘maker’s plate’ with the name Moore... Moore Crane and Engineering Company Pty Ltd was a subsidiary of Malcolm Moore Industries Ltd whose manufacturing engineering works were located on Williamstown Road, Port Melbourne from 1927. The founder established the main business in 1921 and retired in 1953.21 The business was delisted from the Australian Stock Exchange in 1976. Grace Blake advises that some of the earlier SMRC members were plumbers and therefore worked in trades connected with engineering. She reports that Peter Watson recalls some of his contemporaries completing their engineering apprenticeships at Malcolm Moore Industries Ltd in the 1970s. There are still many unanswered questions concerning the history and provenance of the rowing machine at the time of writing this report, but the connection with a local engineering works is certainly fascinating. Questions to explore in the future include: Did Moore manufacture the machine, or import it (and perhaps assemble it) under licence? Was this machine a ‘one-off’ or did Moore make / distribute others within Australia? When, why and how did SMRC acquire the machine? Why did SMRC decide not to retain it, but to pass it over to APRC? And how did APRC use it?" 2014 Significance Assessment, pp38-40. "The ‘Moore’ Rowing Machine at the Albert Park – South Melbourne Rowing Club (AP- SMRC) is a rare example in Australia of the Kerns patent design from 1900. This machine may not, however, be that old in construction or use. The AP-SMRC machine is almost intact, appearing to lack only the leather straps for fastening the rower’s feet to the foot-rests. Spalding manufactured the design in the USA in the early decades of the 20th century, but the metal elements in its models are traditionally black. The bright red paint on the AP-SMRC machine suggests something different. The AP-SMRC machine carries a maker’s plate that associates it directly with a local engineering business, Malcolm Moore Industries Ltd of Williamstown Road, Port Melbourne. Club members recall the machine being at the South Melbourne Rowing Club in the 1960s, and being transferred at a later date to the Albert Park Rowing Club. The machine has not been used since the founding of the amalgamated AP-SMRC and requires careful conservation. The ‘Moore’ rowing machine is of national research significance as a rare survivor, in Australia, of the well-regarded Kerns patent design that was popularised by Spalding in the northern hemisphere. The English River and Rowing Museum website quotes a testimonial from an AG Spalding & Bros’ Mail Order Catalogue: ‘This machine was described by ‘an experienced oarsman’ ... “to be the most perfect rowing machine ever produced”. A feature was the adjustment of the resistance so “the weaker sex can use the machine”’. Its historic significance lies in its rarity (and perhaps uniqueness) as an aid to the training of rowers at two successful clubs on Albert Park Lake. Additional historic significance lies in the connection that the rowing machine represents between local rowing clubs and a major local manufacturing engineer. The ‘Moore’ rowing machine bridges the realms of innovation and application, of industry and recreation, of land-based and aquatic sports, and of two neighbouring rowing clubs on the Albert Park Lake." 2014 Significance Assessment, p43"A rowing machine that appears to be built to the Kerns patent design from 1900 but may not be that old in construction or use. The machine is heavy and includes parts made from cast iron. The cast iron components are painted in a distinctive bright red. The wooden seat moves on timber slides. Resistance is created by spring mechanisms at the ends of two frame elements that connect with two wooden ‘oars’, and by the central chain-driven system that co-ordinates with the rower’s movements. The machine carries a maker’s plate with the single word ‘Moore’ in an oval design, using white letters against a navy background, fastened to the base board and close to the foot-rests." 2014 Significance Assessment, p38Moorerowing, apsm rowing club, significance assessment, malcolm moore industries ltd, kerns, 1900, sculling machine, albert park rowing club, south melbourne rowing club, albert park lake, rowing machine, ergo

'Rangitera' - 4 Kent Road - this house has been demolished. It was the address of Campbell Craven Dobbie c1909. He is variously listed as a commercial traveller / printer in electoral rolls. In 1906 he lived in Barton Street and from 1921-1914 is listed at 'Rangatea', Union Road, Balwyn. He served in WW1 in the 8th battalion as a captain; enlisted 4 September 1914 and returned 9 September 1916. Had a son Pat (REF: Trove Obituary, Argus, 27 March 1945)A black and white photograph of a Edwardian style / Federation style house with a cyclone fence and gate at the front of the property.kent road, surrey hills, campbell dobbie (capt), campbell craven dobbie (capt), world war 1, house names, 'rangitera', 'rangatea'