Part-Time Teachers In Technical and Further Education, Volume Two - Detailed Report on Findings and Recommendations by Gillian Shadwick (Institute of Technical and Adult Teacher Education within the Sydney College of Advanced Education). Published by the Sydney College of Advanced Education and funded by the TAFE Council of the Commonwealth Tertiary Education Commission, June 1986. The steering committee included Greg Woodburne, Dr Rod McDonald, Gary Hilton, Ian Hamilton, Warwick Goodsir, Ray Jolliffe, Sue Hatherley, and Rex Hewitt. The aims of the study were: "1. To provide profile(s) of the part-time TAFE teachers; 2. To determine the extent of the part-time teacher contribution to TAFE's educational provision. 3. To determine the nature of the part-time teacher contribution to TAFE's provision. 4. To identify initial and on-going staff development and teacher-training needs. 5. To describe the superviser: part-time teacher relationship. 6. To identify sources of part-time teacher job satisfaction and job dissatisfaction. 7. To recommend future directions for the contribution of part-time teachers to educational provision within TAFE." These are discussed throughout the report. ISBN 0-86398-035-XBook concerning Part-Time Teachers in Technical and Further Education, a Detailed Report on Findings and Recommendations. 249 Pages. Includes two questionnaires for teachers. Bound with plastic spine, covers made of thicker, textured paper. Sections and appendixes marked with yellow paper.part-time teachers in technical and further education, volume 2, detailed report, gillian shadwick, institute of technical and adult teacher education, 1986, greg woodburne, dr rod mcdonald, gary hilton, ian hamilton, warwick goodsir, ray jolliffe, sue hatherley, rex hewitt, questionnaire, tafe, part-time teachers, teaching

Denis Cordner was born at Diamond Creek in 1924. He described himself as 'an industrial chemist and spare-time footballer'. The Cordner family were Greensborough locals, several being local doctors.Copy of article made 04/04/2017, 1 page.Originally published in Australian Dictionary of Biography, vol. 17, Melbourne University Press, 2007denis cordner

non-fictionFor some, home is not simply a matter of place. Gillian Bouras comes and goes between London, where she spends long periods, and the village in the Peloponnese to which she migrated nearly twenty years ago. Unable to settle in either England or Greece, her life is one of perpetual journey, of constant goodbyes and starting again. Even in Australia, where she was born and raised, she feels like an outsider. This journal deals with the complexity of finding your place in the world. Insightful and always engaging, Bouras explores the divide that exists between cultures, between the past and the present, between those who shut the world out and those who too readily let it in.bouras gillian - 1945 - diaries, australian - diaries, women immigrants, social life and customs, cultural assimilation, greek australians, biography & autobiography, psychology, social science, customs & traditions, emigration & immigration, personal memoirs

A Paul Hamlyn Learning Bookpaul hamlyn, pet, guinea pigs

BookStudy commissioned by Arts Queensland and the Australia Council in 1994 to address the lack of published information on women's involvement in the arts.regionalism, cultural industraies, equity, professional recognition, indigenous women, multiculturalism

My work has always involved textiles. I began my art practice in the darkrooms of photography, but I often came back to textiles to expose my images on, with either cyanotype or daguerreotype processes. I love way textiles can be manipulated so quickly and how each piece of fabric can have a different feel and weight. I prefer to use old materials with an inherent history that I can repurpose and reinterpret, usually linen, cotton, silk and other natural fibers. My work has increasingly become about texture, an overload of visual complexity and the introduction of hard materials into the soft sculpture medium. Almost anything can be stitched into a piece and so far the inclusion of brass, bronze and copper as small components of the finished work has opened the boundaries of where my practice can go. I use stitches and beads and other things to ‘draw’ and make patterns on each work; I love the detail and the investment in each slow stitch it takes to reveal the final piece.Wangaratta Art Gallery CollectionA black, golden, white, and silver handsewn protection totem encased in a glass dome case.gillian bencke, textile

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Collograph Printart, artwork, gillian hehir

There are notes taken by Sue Barnett about the family from discussions with Gill Bell. 122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.122p, illustrations, index, contains recipes, personal memories and photographs of the Craig family, many of whom were residents of Surrey Hills and connected with the Surrey Hills Methodist Church.craig family, cooking, cook books, (ms) gillian bell

Front of the book shows a photographic image of two children posing for the camera in a garden. The title is printed in red across the top, the author's name is printed in white across the bottom of the image and bellow that the subtitle is printed in black in a handwritten style. The spine of the book is white with the title printed in red and the author in black print.non-fictionThis is a story about the occupation of Rabaul, New Guinea, by the Japanese in World War II, written by the daughter of an Australian who died there. This is a moving and intriguing account of a time and place that still resonates for many Australians, and of tragic wartime events whose effects still reverberate in many families. - Trovespensley family, montevideo maru (ship), papua new guinea, war crimes, missing in action, world war ii, ww2, rabaul

Axemen who took part in the Big Chop Graeme Wright Gary Kennedy Lawrence O'Toole and Joe Gillian at the Football Ground Bruthen VictoriaBlack and white photograph showing Axemen who took part in the Big Chop Graeme Wright Gary Kennedy Lawrence O'Toole and Joe Gillian at the Football Ground Bruthen Victoriasports, events, woodchops

Article from the Age 'Green Guide' 18 June 1998 exploring Gillian Armstrong's views on the Howard Government's attitude to the A.B.C. where the budget had been slashed to the point where new and emerging writers and directors are being given no encouragement. Ms Armstrong also discussed her fourth documentary 'Not Fourteen Again', featuring a trio of Adelaide girls which she commenced filming in 1975 when they were 14. Coloured illustration. Gillian Armstrong is the granddaughter of Norman Armstrong, a former Mayor of Nunawading.armstrong, gillian, australian broadcasting commission, norman

On Saturday the 28th of May 2005, the Arthritis Foundation of Victoria (AFV), incorporating Osteoporosis Victoria (OV), held a Fibromyalgia Seminar and Expo at the Melbourne Town Hall. The event was attended by more than 350 people. Presenters included rheumatologist, Dr Daniel Lewis, and Dr Craig Hassed from Monash University, who specialises in mind-body and integrative medicine. Also available on the day were 30 minute break-out sessions covering topics such as Feldenkrais, Food for Life (nutrition), Pain Management, Psychosocial Aspects, Relaxation, and Yoga. This photo depicts Natalie Savin & Gillian van der Drift on the stage during the seminar.COL photo of two women standing on a stage. One of the women is behind a lectern. Behind them, on either side of the lectern, are two free-standing vertical banners, titled 'Osteopororis Victoria' and 'Osteoporosis Awareness'. There is a large screen to one side (partially obscured), onto which a slide containing textual information is being projected. In the background, there are several sections of wood panelling and a clock above an organ.[On a white label, printed in black ink] Fibromyalgia Seminar May 28 2005 Natalie Savin & Gillian van der Driftarthritis foundation of victoria, afv, osteoporosis victoria, ov, fibromyalgia syndrome, fms, seminar, expo, information, education, pain management, feldenkrais, food for life, nutrition, healthy food, healthy diet, psychosocial, relaxation, yoga, natalie savin, gillian van der drift, melbourne town hall, 2005

yellow sash w individual name & year: Gillian Mondel 1977

Black and brown soft cover. Front cover has three small photos of war time activities with a background of a photo of six men walking away from the camera along a snow covered terrace. Author - BEN EVANS. 94 pages.Written on first page " Donated by Gillian Dearon". books-military-history, korea

Set of 2 Black and White photographs of the replica Horse Tram 253 at the TMSV Bylands site. .1 - cleaning the tram - missing the end canopies .2 - Interior of the tram Notes on the rear of the tram note the work of the builder - Newton & Gillian Williams of Mildura and Alan Sutcliffe. Dated 2/12/1979. Photo Numbers 180-32 and 180-33Has the Keith Kings photo stamp on the rear, with extensive details of the photograph.trams, tramways, replica, cross bench tram, horse tram, tmsv, bylands, tram 253

“This old farmhouse on the east of Ridge Road, has now disappeared. A particularly fine spell of clear frosty June days, prompted a number of early morning "frost" paintings in Mernda and districts. The painting owes something to tonal impressionism. At the time I had been elected a member of the "20 Melbourne Painters", (a rather conservative body of tonal artists) from which I later resigned. However, the importance of tonal values and the decisive balance of light and dark tones cannot be dismissed in painting. By painting into the light, the tonal qualities of a picture can often be more decisively understood and expressed. In this instance the sparkle of white paper and the deeper tones of the massed foliage contribute to the light effect. Such paintings are made for one's own enjoyment and are a spontaneous reaction to an effect that moves one to do something about it.” John BorrackPart of the John and Gillian Borrack Federation Bequest, donated to the City of Whittlesea in December 2001 by Gillian and John BorrackJohn Borrack '79. Winter. Yan Yean.yan yean