Brass microscope consisting of 3 partsF.F. Bailliere Melbourne engraved on the microscope stand at the basemicroscope, glass eye piece

The stereoscope was an interpretation device used to interpret aerial photography and the landscape. It was used by National Parks Victoria located at Mt Beauty to look at aerial photos so that they showed up the relief of the topography and therefore looked 3D.Used by National Parks Victoria staff located at the Mt Beauty office during the 1970's and early 1980's.Dark green wooden box with padded protection around the perimeter and on lid where 2 rectangular pieces of wood touch the stereoscope. The box is fitted with wooden dividers that fit around the stereoscope. The stereoscope is green metal with folding legs and sides attached to allow the stereoscope to sit on a surface. The instrument has 2 round glass ('mirrored viewing lens') cylinders eye distance apart, that allow light in from the side swinging doors. The amount of light is constricted by a rectangular piece of metal at the top of each leg. The box has swing clips used to close it and a metal swing handle all on the front side.The hinges are reinforced (and offer protection) by additional rubber pieces at each end. Inside the box is a brush made of bristle with a wooden handle - used for cleaning.Outside and top of box: written in black: No. 1026. On blue tape beneath: Mirror stereoscope 1026. written in black centre top of box: W10/WKA.0233. On front edge of box written in black: W10/WKA 0233. Inside box lid on silver plaque: Stereoscope Universal/ Made in / Australia / Die Casters Ltd. Victorianational parks victoria. stereoscope. aerial photographs. scientific instrument. mt beauty. 3d

Item belonged to Maxwell Lennox MATHESON 418447 RAAF. Refer Cat No1959 for his service history. The two items were put together to make a home made Theodolite.Metal, glass construction consisting of an eye piece from a bomb sight eye piece with several adjustments fitted to an ASTRO Compass MKII and rotates on a base"AM ASTRO Compass MKII Ref 6A/1174 3.C"surveying-terrestrial, compass

These binoculars appear to have been made for use by service personnel, carrying a broad arrow symbol on the barrel. The inscriptions "MG" may indicate the manufacturer or initials of the owner. The service number 48582 may indicate that the pair was owned by Lionel James O'Dempsey, a Victorian who served as a Lance Sergeant with the 3 Light Anti Aircraft Regiment during the Second World War.Brass binoculars with cotton cord acting as strap, fastened via a knot on one side of a small loop cast into the side of the barrel. Two cone shaped barrels with circular convex glass disc on each wide end. Each barrel joined together via a joint platform approximately halfway and 9/10ths of the way up the binoculars. Binoculars can change shape by barrels swivelling on a central pin. Binoculars also zoom in and out (i.e. barrel reduces and expands) due to grooved dial in centre of pin. One eye piece missing on left side, right side intact but able to be unscrewed. Barrels are tinted green from copper corrosion and retractable barrel sections have black colouring in parts.Inscribed on centre platform between eye pieces "M G", in the direction of the wearer. On top of adjustable barrels: "[broad arrow] (right side)", "Mk VSP-/48582"second world war, worl war two, world war ii, binoculars, looking glass, surveillance

MEDIUM: Acrylic on paper. DESCRIPTION: Image ranges from dark brown to pale brown with white. Light colored timber, outer frame with glass covering, white board and an inner frame. A very busy piece full of activity, starting from the bottom left we have an areoplane which is perhaps how this vacation begins, the sun sits above it and a bikini clad woman who has arrived to her destination is placed above the sun. There is cruise ship, a martini glass and a whale embracing the outer scene. Waves, a surfer, a marlin and a small guitar sit at the lower right. A large car takes the viewer to the centre of the picture where we come across a giant guitar. The music is what matters, this piece dances about the canvas in mushroom pinks and chocolates. Little outlines of fish fill the gaps. A very beachy scene. The image lyes quite flat to the eye, rough stick outlines of the images above. Signed proper left hand corner of image.bowers holiday, yardage, mambo acrylic

Stereoscopy (also called stereoscopic or 3-D imaging) refers to a technique for creating or enhancing the illusion of depth in an image by presenting two offset images separately to the left and right eye of the viewer. Both of these 2-D offset images are then combined in the brain to give the perception of 3-D depth. Three strategies have been used to accomplish this: have the viewer wear eyeglasses to combine separate images from two offset sources, have the viewer wear eyeglasses to filter offset images from a single source separated to each eye, or have the lightsource split the images directionally into the viewer's eyes (no glasses required). Stereographic cards and the stereoscope. Two separate images are printed side-by-side. When viewed without a stereoscopic viewer the user is required to force his eyes either to cross, or to diverge, so that the two images appear to be three. Then as each eye sees a different image, the effect of depth is achieved in the central image of the three. Stereograms cards are frequently used by orthoptists and vision therapists in the treatment of many binocular vision and accommodative disorders. Source: www.wikipedia.org Wooden viewer with two glass "windows", separating divider between them. Sliding cross-piece which holds the photocard between wire holders. Turned handle.home, stereoscope, photography, 3d, postcards, entertainment, viewers

This item was in a cabin trunk that belonged to Henry Frencham which also included his Petition to Parliament and the findings from the Parliamentary enquiry into his and other claims to be the first to find gold at Bendigo. A stereoscope is a device for viewing a stereoscopic pair of separate images, depicting left-eye and right-eye views of the same scene, as a single three-dimensional image.A dark brown wooden half centimetre thick base with curved edges varying in width from eight centimetres, twelve centimetre, seven centimetres and ten centimetres. A half centimetre by half centimetre piece of wood with a grove in it is glued to one end. On the other end an oval shaped half centimetre thick, twelve centimetres long and five centimetres wide, has two three centimetre diametre glass lenses in it and is attached by a small single hinge so it can be folded against the other piece for storage or raised to right angles to look through the lenses at an image in the groove at the end of the base piece.steroscope, henry frencham

Glasses, also known as eyeglasses or spectacles, are frames bearing lenses worn in front of the eyes. They are normally used for vision correction or eye protection. Pince-nez is a French style of spectacles, popular in the 19th century, that are supported without earpieces, by pinching the bridge of the nose. The name comes from French pincer, "to pinch", and nez, "nose". Although pince-nez were used in Europe in the 15th, 16th, and 17th centuries, modern ones appeared in the 1840s and reached their peak popularity around 1880 to 1900 A solid bridge piece is moulded to fit the curvature of the bridge of the nose. They are anchored onto the bridge of the nose via two small spring-loaded clips terminating in special nose-pads made from bone or tortoise shell on metal called plaquettes, which are tweezered apart for placement on the face through applying pressure to two small lever-like finger-pieces located on the front of the bridge. Plaquettes could be either hinged and flexible, permitting a better fit, or static as in the older examples of this type.. They were popular from the 1890s through to the 1950s, One half of a pair of lady’s Pince-nez eyeglasses with 1 gold rimmed glass lens , a gold style bridge and a fine gold chain that is attached to the side of the lens frame and to a shaped over- ear metal piece. eyes, spectacles, eye glasses, optometry, moorabbin, bentleigh, cheltenham, market gardeners, pioneers, early settlers, pince-nez

The Wodonga Historical Society Haeusler Collection provides invaluable insight into life in late nineteenth and early twentieth century north east Victoria. The collection comprises manuscripts, personal artefacts used by the Haeusler family on their farm in Wodonga, and a set of glass negatives which offer a unique visual snapshot of the domestic and social lives of the Haeusler family and local Wodonga community. The Haeusler family migrated from Prussia (Germany) to South Australia in the 1840s and 1850s, before purchasing 100 acres of Crown Land made available under the Victorian Lands Act 1862 (also known as ‘Duffy’s Land Act’) in 1866 in what is now Wodonga West. The Haeusler family were one of several German families to migrate from South Australia to Wodonga in the 1860s. This item has well documented provenance and a known owner. It forms part of a significant and representative historical collection which reflects the local history of Wodonga. It contributes to our understanding of domestic and family life in early twentieth century Wodonga, as well as providing interpretative capacity for themes including local history and social history.A box shaped silver and black plastic magnifier with eye piece. On black sticker above eyepiece: "VISUAL ®/RESEARCH/20X60X80". visual research, magnifier, magnifying glass, haeusler collection, haeusler

WW2 General Service Respirator (GSR) Gas Mask WWII made in 1939 and the Canister was made 1941. Mask made of black rubber with glass eye slots with metal rims. Metal nost piece. Covered in khaki fabric. Elasticized straps to hold mask in place, with a tan circular cloth covered rubber tube that connects to the canister. Tin canister is oval shaped reinforced with ridges, red/brown in colour.Back of mask: N-4II / ML M MAY 39gas mask, equipment, gas warfare, second world war, world war two, world war ii, mustard gas, chemical warfare

Donated by the daughter of Edith and Ron Palmer. Bride Edith Lidgerwood married Alexander Palmer on 11 January 1936 at the Box Hill Methodist Church with the reception at the Box Hill Town Hall.The Best Man was the brother of the Groom, Murray Palmer. The bridesmaids were twins, Daphne and Violet Lidgerwood. The Groomsman was Russell Evans. The twin flowergirls were Rona and Margaret Kerr. For full family history and photos of Edith's wedding and sister, Ellen's wedding see Supplementary File NA3818. The dress was worn by Edith at her wedding and Veil worn by both sisters Edith and Ellen Lidgerwood at their wedding ceremonies, Edith in 1936 and Ellen in 1937.Prominent Box Hill families1936 cream textured crepe dress featuring a cowl neck and long sleeve, slit at shoulder to create cowl effect. Slim at lower arm to a point over the hand and fastened at seam with press stud. Bodice cut on the cross under the bust. Cut on the cross figure fitting skirt to the floor, complete with long train. On the back is a slit opening fastened with hook and eye and glass clear buttons. Below the slit are eight glass buttons with false rouleau button loops. The train is made of an added detachable piece. The veil was also worn by her sister at her wedding but with different headdresses. Headdress has small circle of flowers and berries. See veil and headdress NA3817.costume, female ceremonial