This art work is an example of an Art Deco print created through lithoprint / lithograph techniques. As a print it would have been more affordable than an original artwork and hence could be purchased by a wider cliental. Little is known about the artist, but Jean Lasalle is listed as producing another print used by Tuck & Sons in their Oilette postcard series.This item is significant socially as an example of artwork that may have been displayed in homes around the 1910s- 1930s. The Oilette logo carries significance, linking the print to a business that was influential in the early production of postcards.Unframed print on board with some framing tacks still attached to the back of the board. Print area is in fair condition. The print has been stuck to a ‘paper frame' which has been attached to the backing board. The subject of the print is a lake view, with steep mountains in the background and two female figures on a bench in the foreground in the Art Deco style. Colours are muted. The print has the artist's signature 'Jean Lasalle' (looking at the print bottom left) and the words 'Oilette' (looking at the print bottom right) with a small logo composed of an oval and square underneath.flagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum & village, shipwreck coast, great ocean road, lithoprint, lithograph, oilette, golden dawn, art deco, jean lasalle, print, day dream

Oral history interview of Esme Dunnell and Hugh Peter Evans by Alan Nuske. Recorded as part of 'The Years Between: an oral history of the RVIB 1866-1991'. Former students and staff recall their days at RVIB, the impact of what they learned and experienced there, and how the attitudes to blindness and low vision changed over the years. 4 audio recordings of recollections from former RVIB attendees and staffroyal victorian institute for the blind, allan nuske, oral history, esme dunnell, peter evans, rvib burwood school, charles douglas, michael connor, ewan golden, faye davey, dawn weston, michael doran, ailsa frederick

This post drill press has been made by Melbourne business, Dawn Manufacturing Company. It can be operated manually or by a pulley driven flywheel, with the aid of an engine connected to a power supply. In the late 1800s early 1900s a drill press like this would have been driven by steam from a boiler, the main power source for manufacturer’s power at that time. Dawn’s Golden Anniversary 1917-1967 Catalogue describes this model 611 drill as … “Ruggedly constructed with accurately reamed bearings. The coupling between the main spindle and feed screw engages the full circumference of the spindle, and embraces a ball-bearing thrust race. The pillar, as in all “Dawn Drilling Machines” is a solid bright steel bar, in place of the usual light tubing. Adjustable automatic feed.” And “F. & l. Pulleys extra, if required”. DAWN MANUFACTURING CO. The Dawn Manufacturing Co. was founded in Coburg, Melbourne, in 1917 by the four Blake brothers, who were all engineers. After World War I Dawn was supplying drills Australia wide and the company was growing at a healthy rate. During the depression they remained busy, with employees working 60-80 hour weeks. Dawn was contracted to supply vices and clamps to the Australian Defence Department and munitions factory during the World War II. - 1959 the company was taken over by G.N. Raymond Group. - 1967 the Dawn Manufacturing Co. had distributors in Australia and overseas, including USA, Canada, New Zealand, Asia and the Middle East. - 1973 the Siddons Ramset Limited acquired Dawn. - December 1991, Dawn became a unit of the United States owned Stanley Works Pty. Ltd. - November 1998 Dawn became 100 per cent Australian owned. The drill is a typical tool of a blacksmith, cart wright, wheelwright and garage business. It is an example of the tools of the blacksmiths’ trade in Victoria in the early to mid-20th century.Post type drill press machine with gear driven flywheel. Drill press is attached to a post and is fitted with a pulley belt and will run at a speed of maxim 200 r.p.m. The machine can also be manually operated. It has an aperture in the centre, a chuck, for the drill bit and has two metal handles at the centre, on the right hand side. Gear ratio 2:1 main drive, 6" diam, 3:1 reduction gear. Made by Dawn of Melbourne, Australia. Model No. 611, Code No. 9157"DAWN MFG COY”, “MELB. AUSTRALIA", " 611"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, blacksmiths, blacksmith’s drill, blacksmith tools, dawn drill model no. 611, dawn drill code no. 9157, dawn manufacturing coy melbourne, dawn manufacturing coy coburg, dawn post drill, drilling machine, drill with gear driven flywheel, forging tool, metal working tool, post drill, steam powered drill, trade tool, warrnambool district 1900s

This booklet celebrates the 50 years since the founding of Briar Hill Primary School BH4341. Booklet given to Dawn by Principal of Briar Hill School when doing history of the school in 201122 pages printed on one side, text and illus. Photocopy.briar hill primary school

Pink laminated card with three photos. The first is a group of children. The second is half a photo of some children who won awards. Their names are: Peter Crocos, Dawn Lindrea, Fay Mamouney, Denise Sutherland, Pauline Hooper, Joy Pilgrim, Dianne Lee, Phyllis Rowe, Glenys Boland, Susan Forbes and Andrea? Woodman? The third photo is a photo of a decorated float in a procession.It has a small church and a wedding party. The page boy is John Oakes and the flower girl is Nola Boys, Written at the top of the photo is Easter Fair 1957?education, primary, golden square laurel st p.s., golden square primary school 1189 collection - newspaper cuttings, advertiser, peter crocos, rev f v winn, golden square methodist church, major a new dick, salvation army, golden square rural school, dawn lindrea, fay mamouney, denise sutherland, pauline hooper, joy pilgrim, dianne lee, phyllis rowe, glenys boland, susan forbes, andrea? woodman?, john oakes, nola boys

Dawn Smith Collection. Black & White Photograph Mitchell Street Bendigo, C. 1929. The No. 16 Single Bogey Electric Tram sitting beside Matthews Bros.. At the corner of Pall Mall and Mitchell Street Pedestrians in the street and sitting outside by Alexandra Fountain. A café on the corner? Lucas Café where the future Bendigo Bank would stand offers afternoon teas & suppers specialising in ices and soda fountain drinks. The second power pole has a sign on it the right hand side pointing up past the café, with the words Golden Square on it.bendigo, streetscape, pall mall and mitchell street corne

a brief hiostory of the navy for jubilee purposesPaperback front cover in colour Naval vessel at Sea Rear b/w Gun Turret on vessel "stand to, the dawn"Issud by authority of the Departmentof the navy, Canberranavy, history jubilee

Kathleen Elizabeth Henwood|Ray Heinze Brimbank Bicycle Users Group (BRIMBUG)|Claudia Dale Foster Care|Harold Gomez Anglo - India Community|Maureen Fitzpatrick & Luisa D'Agostia Western Art Group|Dawn Cox & robert Vargiu Community Bus|Claudette Daniag, Lita Abril-fandino, Anicia Tindogan, Crispina Llovido, Elsie Spiteri Filipino Australian Seniors Citizens Club|Linda Borg, Flora McKenzie, Mary Valsames, Beverly Smith, Crist Portelli Golden Oldies Walking Group|Margaret Cooke, Shirley Knight, Lyn Kieryczuk Rummikin|Santhana Selvendr Melbourne Murugan Cultural Centre|Ross Sandz, Frank Levens, Katherine Halliwell Chair Aerobics|Marlene Dedman Barbara Anderson Copperfields Walking Group And Volunteering|Apostolos Andreas, Kyriaki Papa, Georgia Christodoulou, Elli Efthimiou, Androula Christou Cyprus Greek Seniors Cluncity of brimbank, resident

This photograph depicts a soldier, credited on the reverse as Fred Foster. The young man is dressed in military attire and is standing tall with a gun beside him. He is located in the Australian bush and the date of the photograph is unknown. Frederick “Fred” Arthur Foster was nephew to famous Bushranger Edward “Ned” Kelly. He was born on the 15th of March 1889 in Forbes, New South Wales. He was the eldest son of Catherine “Kate” Kelly and William Henry “Bricky” Foster. After the death of his mother in October of 1898 from apparent drowning, Foster (then aged 9) was raised by his grandmother Ellen Kelly (née Quinn) at Eleven Mile Creek in Victoria. On the 29th of June 1915, 26 year old Foster travelled to Melbourne, Victoria and enlisted in the Australian Army. He was a Private in the 17th Infantry Battalion (originally C.Company, 47th battalion). He previously was attached to the 55th Battalion but transferred in 1916. Prior to enlisting in the army, Foster worked as a Bee Keeper and served in the 16th Light Horse regiment at Benalla. Foster had blue eyes, brown hair and was of Presbyterian faith. On the 28th of February 1917, Foster travelled to France aboard SS “Golden Eagle”. He was killed in action in Lagnicourt, France on the 15th of April 1917 at 28 years old. The Battle in Lagnicourt France, on the Western Front, occurred from the 1st of March to the 30th of April of 1917 and was the location of fierce fighting between Germany and the British Empire. Germany became aware of a weakness they had along the Hindenburg Line, one of these weaknesses was located in Lagnicourt which is a small village in Northern France. Therefore, the Germans decided to launch a counter-attack in this area on the 15th of April at dawn. During this fight, German forces captured several batteries of the 1st Australian Division’s artillery but the Australians led a strong counter-attack by four of their battalions and recaptured the village and most of the guns from the German forces. German forces were forced into a premature withdrawal. This battle was not undertaken in typical WW1 “trench” style warfare. Instead, the battle was up on the ground in what was described as “old open style warfare”. In this battle, slightly more than 1000 casualties were Australian, with 300 of these prisoners of war. German forces suffered a loss of over 2300 casualties with 360 taken captive. Foster was one of 43 in his regiment who died, 87 were wounded and 51 reported missing. Foster was buried at location in Lagnicourt and whilst the grave was initially marked, it is now unknown. Foster’s service, alongside those who fell at Lagnicourt, is commemorated at the Australian National Memorial in Villers-Bretonneux, France along with other national Australian memorial sites.Photography played an important part in World War 1. Photographs of men in their military uniforms served as propaganda during the Great War to reassure civilians back at home of the military prowess of their nation and the bravery of their men. It did this while hiding the true horrors which faced the men in battle. These photographs, which includes those taken at home prior to embarking overseas like Fred Foster’s, act as censored memory for those who have lost a loved one at war. It enables families to remember their relatives in their youth and standing proudly rather than having to face the actual danger and horror which faced these men at the front line. The battle of Lagnicourt France was a victory for the European Empire and therefore, men who lost their lives protecting their countries became heroes and were awarded posthumous medals for their service. Photos of soldiers in their uniforms, were undertaken by men like Foster, so their families would be able to retain their memories and likeness before they embarked for war. Many men were killed or horribly wounded so these images were important for reminding families about their sons/ husbands/ brothers/ cousins and friends. This photo is a part of the Burke Museum Kelly album which includes numerous photographs relating to the Kelly Gang. As the son of Kate Kelly and William “Bricky” Foster, Fred Foster is an important part of the Kelly story after the execution of Edward “Ned” Kelly which has information it can impart relating to the history of the family after 1880. Whilst an important element of the Kelly Album, Foster’s photograph is also historically important in its own right for its connection to the Great War and the experiences of a soldier at the Western Front.Original sepia rectangular photograph developed on matte photographic paper, unmounted.Reverse: (Top right corner of reverse:) FRED FOSTER/ (Top centre of reverse:) Kate Kelly's son.kelly album, fred foster, kate kelly, photograph, australian soldier, the kelly gang, australian bush, burke museum, sepia photo, gum trees, family of the kelly gang, world war i, langnicourt, france, great war, 1917, ned kelly, frederick foster, william "bricky" foster, ellen kelly, military history, australian military