Showing 747 items matching "gowns"
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Kew Historical Society Inc
Clothing - Shot Silk Dance Frock & Wrap, Park Avenue Gowns, c.1960
... Park Avenue Gowns...Park Avenue Gowns ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.This 'dance frock' by Park Avenue Gowns is one of a number of garments in the collection by this designer.Metallic thread silk cocktail dress and wrap by Park Avenue Gowns, 1960. Virtually identical dresses by the designer were featured in the Australian Women's Weekly in 1960, described as 'dance frocks', to which the wide flairing skirt would be well suited.Label : "Park Avenue Gowns"women's clothing, cocktail dresses, dance frocks, australian fashion - 1960s, fashion designers - melbourne (vic) - park avenue gowns -
National Wool Museum
Book, Knitting, The New Idea Knitting Book featuring bed jackets and dressing gowns
... dressing gowns ...This knitting pattern book was published by The New Idea magazine and contains knitting patterns for womens bed jackets and dressing gowns.The / NEW IDEA / N.S.8 / KNITTING BOOK / Featuring / BED JACKETS / and DRESSING GOWNS / 6Dknitting handicrafts - history, the new idea, knitting, handicrafts - history -
Kew Historical Society Inc
Clothing - Cream Crepe Beaded Evening Dress, Park Avenue Gowns, 1960s
... Park Avenue Gowns ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Cream crepe empire line evening dress. The bodice has a halter beck and is heavily beaded. The dress was purchased from Park Avenue Gowns of MelbourneLabel: Park Avenue Gowns, Melbourneevening dresses, fashion - melbourne -1960s, park avenue gowns, desley reid, fashion design, fashion -- 1960s -
Kew Historical Society Inc
Clothing - Pink Silk, Glass & Pearl Evening Dress, Park Avenue Gowns, 1960s
... Park Avenue Gowns ...The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories. This evening dress, by a Melbourne designer, is one of a number of items donated to the Fashion Collection by Rosemary-Vaughan Smith.Short sleeved and high waisted dusty pink silk dress with silk organza lining. The bodice is encrusted with pearls and beads.Label: Park Avenue Gowns, Melbournepark avenue gowns, costumes, women's clothing, evening dresses, rosemary vaughan-smith -
International House, The University of Melbourne
Print, Group of people including Samuel Wadham, Sam Dimmick and Dorothy Wadham [?] eating dinner; includes some students in academic gowns, c.1962
... academic gowns ...Black and white photograph of Group of people including Samuel Wadham, Sam Dimmick and Dorothy Wadham [?] eating dinner; includes some students in academic gowns -
International House, The University of Melbourne
Photograph (Item) - Group of male students wearing academic gowns with Rajaratnam Sundarason (far left) and Warden of International House Sam Dimmick and an unidentified man wearing a double-breasted suit (foreground)
... Group of male students wearing academic gowns with ... -
National Wool Museum
Clothing - Dress, Park Avenue Gowns, c. 1940s
... Park Avenue Gowns ...The dress was worn by Dorothy Hirst (nee Cust) who was married to Cedric Hirst of the Godfrey Hirst Woollen Mills. Dorothy was born in 1908 and passed away in 2010 aged 102. Sleeveless teal and blue gown with sash at the waist and tie at back. Clear, silver and blue beaded detail is featured on the front and bodice. There are pleats when centre lower back of skirt is parted, the back also features a zip and two hook and eyes.dorothy hirst, godfrey hirst & co. pty. ltd., gown, dress, melbourne, design, fashion, park avenue, style -
Ballarat Clarendon College
Academic gown and mortarboard
A woollen academic gown and mortarboard worn by John Stayt, school teacher 1964-1993. Academic gown and mortarboard belonging to Mr John Stayt, teacher at Ballarat College, 1964-1993. Woollen academic gown; three quarter length, full sleeves. No hood or scarf. No embellishments.Silk label inside crown of hat: Made in England/Christy's London/Ryder & Amies/Cambridge Printed in ink on label: JMS (twice) Silk label sewn into backneckline of gown: University Robe Makers/Ryder & Amies/Cambridge Printed in ink on gown label: STAYTuniform, costume, mr john stayt, academic gown, mortarboard, master s gown -
Ringwood and District Historical Society
Photograph, 1956 Ringwood Pre-School Queen Carnival Ball. Miss Dawn Schubert (Miss Holeproof Ltd.), Miss Ann Hardy (Miss Alan Coffey Motors Pty. Ltd.) and Miss Effie Kelly (Miss Acorn Gowns Ltd.)
... Motors Pty. Ltd.) and Miss Effie Kelly (Miss Acorn Gowns Ltd.) ...Typed below photograph, "1956 - Queen Carnival Ball with queens. Written on back of photograph, "'Mail', 24/5/1956. Pre-school Queen Carnival, Ringwood". -
Nhill and District Historical Society Inc.
Clothing - 1980 of Wedding dress of Debbie Jarred, Cassandra Gowns, 8 March 1980
... Cassandra Gowns ...Debra Jarred only daughter of Rex and Joan Jarred, of Broughton, married John Barber second son of Basil and Val Barber of Nhill, on 8 March 1980, at the Uniting Church, Broughton.Nhill family wedding; representing style of wedding dresses in 1980Wedding dress made by Cassandra Gowns; shoe string strap daisy lace bodice, with stand up collar of daisy lace and pleated skirt, elegantly covered with a cuffed long sleeve blouse, over skirt & belt of chiffon, flowing graceful soft train, finishing with a head-dress decorated in daisies attached to a long fine silk net veil.(2007.01.1) - Bouquet of white silk roses & ribbon(2007.01.2); white high heal lattice toe shoes with delicate ankle strap (2007.01.3), Blue lace garter & assorted crocheted bells, horse-shoe, and slippers, of satin ribbon (2007.01.4)daisy lace trim on cuffs and necklinewedding dress, 1980, broughton, debra jarred, debbie jarred, john barber, uniting church, rex & joan jarred, basil & val barber], nhill -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Ceremonial object - Academic gown
This gown and hood was owned and worn by Marjorie Scott, Assistant Dean, College of NursingBlack College of Nursing academic gown with 9.5 cm red satin central frontal strips at open front and cream lined red hood. There are 6 centimetre pleats each side and below the back yoke and sleeves are voluminous.There is a cream label inside top rear back with embroidered details in red ' Raymond W. Bredin & Son, 17 Glenola Road, Chelsea Vic. Robe Makers stitched to gown in black cotton.academic gown, nursing -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Prototype College gown designed for RNZCOG, c1980
Prototype design of college gown, RNZCOG. This gown was donated by Dr Ron Jones, who was part of a committee including Mercia Barnes and the wives of two of the foundation Council members Liam Wright and Ron Jones.College gown, RNZCOG, The "prototype" gown designed for the New Zealand College.college history -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
Doctor's theatre gown worn by Dr Mitchell Henry O'Sullivan, c. 1930s
The wearing of gown became mandatory in all operating theatres from the 1900s and in 1914-1918 during the Spanish flu epidemic. During the 1930s gowns were worn when attending polio patients. From 1945 onwards, midwifery hospitals required all staff working in labour wards, premature nurseries, and special care (observation nurseries) to wear gowns when in contact with mothers or babies. During the 1950s the gown regime helped to combat the spread of golden stph in midwifery hospitals. Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Cotton gown with high round collar and long sleeves. Gown is made in two sections with a centre doubled seam. The collar is made to button at the neck, but the button on this gown is missing. Wrists of gown are fastened with flat mother of pearl buttons. Open at back with six ties. Laundry tag taped to right side of gown.surgery -
Whitehorse Historical Society Inc.
Article, Walking Down the Aisle, 2003
A display of wedding gowns.A display of wedding gowns and presentation of 18th and 19th century gowns and accessories by Ann Dixon.A display of wedding gowns.whitehorse historical society inc., simmenauer, peter, dixon, ann, gardiner, barbara, wedding dresses, christ church anglican church, mitcham -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown is identical to 2025.26.Nilchildren's wear -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown includes a tie at the waist and a ruffled band forming the hem.Nilchildren's wear -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown includes a triangular panel of lace at the front of the bodice and a band of ruffled fabric at the hem..Nilchildren's wear -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown includes a triangular panel of lace at the front of the bodice and a band of ruffled fabric at the hem.Nilchildren's wear -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. The gown includes a triangular panel of lace at the front of the bodice and a band of ruffled fabric at the hem.Nilchildren's wear -
Kew Historical Society Inc
Clothing - Infants Gown, 1899-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This gown was worn by one or more of the Weir children.This is one of nine items of clothing, worn by infants in the Weir family of Broken Hill between 1899 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 11-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, white cotton infant's gown. This high-necked gown with elbow length sleeves is less ornate than the three christening gowns in the Weir Family Collection, indicating that it was used for daily wear by one of the Weir children in the first six months of their life. The looser ruching at the waist would indicate a later date in the period 1899-1910. Nilchildren's wear -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Clothing - Clothing, baby's gown, c1900
This long white cotton baby's gown is an example of the dressmaking skills of the women of the early settler familiesEarly settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A long, white cotton, baby's gownclothing, brighton, moorabbin, s, pioneers, market gardener, dressmakers, early settlers -
Grey Street Primary School, Traralgon
Photoboard
Sir Mac Burnet and unknown woman, both in academic gowns. Possible university graduation ceremony?Sir Mac Burnet in academic gown. -
National Wool Museum
Dress
Aqua coloured, wool lace, long evening gown.Aqua coloured, wool lace, long evening gownHaffenden / LONDONfashion, textile mills, lace -
Kew Historical Society Inc
Clothing - Christening Gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white muslin christening gown. The gown features lace on the front of the bodice, neck, and on the short, puffed sleeves. The skirt at the front has pleating separated with inserts of lace and horizontal hanging scalloped bands of lace christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Kew Historical Society Inc
Clothing - Christening Gown, 1891-1910
In the early 19th century, infant gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over twenty-five gowns dating from the 19th and 20th centuries. This christening gown was worn by one or more of the Weir children.This is one of ten items of clothing, worn by infants in the Weir family of Broken Hill between 1891 and 1910. They are part of the larger Weir Family collection of clothing, documents and photographs gifted to the Kew Historical Society by their descendants. Due to their known provenence, the gowns are historically and aesthetically significant in that they can be accurately dated to an 19-year-period, allowing other comparable items of infant's and children's clothing to be dated to an earlier, silmilar or later period. They also exemplify the styles and decorative techniques used for christening gowns, infant's and children's clothing of the period.Long, fine white cotton christening gown. The high-necked, short-sleeved bodice has a number of decorative elements. These include an extesive use of white work on the sleeves, bodice and gown. Tight ruching at the waist allows a central panel of white work to be framed by the larger panel which acts as a polonnaise. This contains the finest workmanship of the christening gowns and infants clothing in the Weir Collection and may date to 1891.Nilceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life, christening gown -
Kew Historical Society Inc
Clothing - Christening Gown, 1931
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.The christening gown of Dione McIntyre, local architect and life member of the Kew Historical Society. The colour and fabrics used in the gown were recycled from Ilma Diamond's [her mother's sister] wedding dress, when she was christened in 1931. As the smallest of the christening gowns in the collection, this would indicate that she was baptised at a very early age. The fragile baptismal gown is made from a silk slip, above which is an outer layer of embroidered net separated by bands of chiffon. The lace at the hem is also scalloped.christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life, mcintyre collection, dione mcintyre -
Kew Historical Society Inc
Clothing - Christening gown
In the early 19th century, infant baptismal gowns were modelled on dresses worn by adult women. Gowns were typically made of fine white linen or cotton, and often trimmed with tucks, lace, whitework embroidery, and other handwork. The Kew Historical Society's collection includes over fifteen christening gowns dating from the 19th and 20th centuries.Long, white cotton christening gown featuring an elaborate hand-worked bodice. The bodice has diagonal bands of lace as well as sections of fabric that imitate the effect of a bolero. These, as well as the sleeves are also hand embroidered and bordered with tatted lace. The fabric is finely gathered below the waist. The lower part of the gown includes inserted bands of different kinds of lace. The longer sleeves might indicate that the gown was made for an older infant. christening gowns, ceremonial clothing, children's wear, baptismal clothing, victorian historical themes — 8.6 marking the phases of life -
Myrtleford and District Historical Society
Wedding Gown
This gown was worn by Ellen Harvey Cundy (1857--1939) on her marriage to Thomas Davenport Wood on January 23, 1878. It was the first marriage at St. Paul's Church of England, Clyde Street, Myrtleford. The gown was made by the bride's mother, Marrianne CundyThis is the first bridal gown to grace the former timber church building. Both the Cundy and Wood families were prominent locally, having settled at Waterloo/Barwidgee Creek/Myrtleford area in the 1860s. Marianne Cundy was a teacher at Myrtleford State School 955 from 1870-76, where the gown is now housed.Hand-made cream patterned wedding gown, circa1878, long-sleeved and complete with bustle.wedding gown, cundy, wood, -
Royal Australian and New Zealand College of Obstetricians & Gynaecologists (RANZCOG)
President's gown worn by Dr Mercia Barnes, RNZCOG President, c.1990
RNZCOG Presidents gown, belonging to the late Dr. Mercia Barnes, President of RNZCOG 1990-1994. Donated by Dr John Doig.President's College gown, RNZCOG. Manufacturers' label, marked "103".college history -
National Wool Museum
Dress
Long coffee coloured wool lace evening gown with long sleeves and short train. According to the donor (see correspondence in supp. file), this gown was made from Australian wool woven in Bradford and made up in Paris. It was given to the Melbourne Legacy Wives Association by Mr Ken Clarke (former head of the Wool Board and a Legatee) for use in a parade of garments by the Legacy Wives Association.Long coffee coloured wool lace evening gown with long sleeves and short train. Bodice of long coffee coloured wool lace evening gown with long sleeves and short train.fashion, lace