Hardcoverwalsh st library

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Bottle green corduroy velvet hat, close fitting at the front and tapering to a bow of the same fabric at the rear.Nilwomen's hats, headwear, clothing

Hat Utility, Jungle Green known by Australian soldiers colloquially as a Giggle Hat.(Patch inside) A.G.C.F. 1978 SIZE 54 8405 66 021 3023 NO. NAME (Separate patch sewn on) AMY BROWN

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.A teal green felt woman’s hat in three layers of felt surmounted by a felt bow. Green sequins set in inverted triangular shapes surround the top of the second layer.Nilwomen's clothing -- hats, headwear

The firm of Harbig was a Melbourne millinery company owned by Mr and Mrs Richard Ernest Harbig. In 1949, an article in the West Australian newspaper reported their return from the United States. It records that: 'FEATHERS SYDNEY, Sept. 14: Mr. and Mr. Richard Harbig, Melbourne milliners who reached Sydney by air tonight from America, gave these details of hat trends for next winter. Shapes: Head-hugging cloches to suit short hair, cut away at the back to clear high collars, and built up and out at the front to give height. Materals: Felts, velours, velvets, and a new long-haired fur fabric called flamond. Colours: Muted pastels, few jewel shades, and no vivid colours. Trimmings: Little veiling, "but feathers and feathers and feathers".'The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green woman’s hat created by Harbig of Melbourne with a large border of flowers and leaves in shades of green. The crown of the hat is swathed with pale green silk gauze.Label: Harbig. Melbourne, New York, Parismilliners -- harbig, women's clothing -- hats, floral hats

Hat, worn circa 1960 by aunt of donor.Hat, green velour, matching green ribbon trim;. In square cardboard box inscribed, 'Myers for friendly service' . Also Myers receipt for 5 pounds, 13 shillings & 5 pence, dated 10 November, 1964Italfeltro|Made in Italy|Myers for friendly servicecostume, female headwear, costume accessories, hat accessories, green hat

Marion 'Annie' (Cooper) Harrison, a milliner by trade, designed and made women’s hats, initially in the 1940s in High Street, and later in the 1950s and 60s at 5 Princess Street. The hats were constructed upstairs in her shop in Princes Street while the ground floor was reserved for sales and display. She employed other milliners to assist but always ran the showroom herself. Hectic periods were in the weeks before the big racing carnivals when the many wealthy race-goers of Kew kept her busy. She typically walked to her business as she and her husband, Fred Harrison, lived locally. Annie died in April 2016, at the great age of 107 years. Her hats are held in local and national collections.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Pale green silk woman’s hat in a soft unstructured style retailed by Anne Harrison of Kew. The hat is banded with braid in contrasting colours. It has a soft bow at the rear.Label: Anne Harrison of Kew. WM 9906anne harrison, milliners - kew (vic), women's clothing -- hats

The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. While most of the hats in the collection were created by milliners for women, there are a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Circular woman’s hat, the crown and the rim separated by a band of green chiffon that is held in place by a green beaded clasp.Nilwomen's clothing -- hats, pillbox hats, headwear

The smoker's hat was made for the grandfather of the historian Dorothy Rogers (nee Richardson) by her grandmother. Dorothy Rogers' grandparents lived in Malmsbury Street, Kew. The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Smoker’s [lounging] hat made of dark green velvet, and hand embroidered with yellow and green silk thread and topped with a lime green tassle. Nilsmokers hat, lounging hat, men's clothing, dorothy rogers

Lucelle Hats advertised itself from the late 1940s to the 1960s as a high-class millinery business situated at 80 Castlereigh Street, Sydney. The style of the hat conforms to the generally smaller and flatter styles promoted as fashionable in 1950s periodicals. Interestingly velvet and felt hats were by the mid-1950s being advertised as suited to mature women. As the wearing of hats became more infrequent in the post-war period, this was the demographic that remained committed to wearing hats.The Kew Historical Society’s fashion and design collection is comprised of costumes, hats, shoes and personal accessories. Many of these items were purchased or handmade in Victoria; some locally in Kew. The extensive hat collection comprises items dating from the 1860s to the 1970s. Most of the hats in the collection were created by milliners for women. There are however a number of early and important men’s hats in the collection. The headwear collection is particularly significant in that it includes the work of notable Australian and international milliners.Woman’s half hat constructed of bands of olive green and darker green felt ending with a loose bow at the rear.Label: Lucelle Hats. 80 Castlereagh St. Sydney. Phone: BW 7555lucelle hats, milliners - sydney (nsw), hats, women's clothing accessories, australian fashion - 1950s

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Undated portrait photograph of Alma Figuerola."KO91/7 / Alma Figuerola / coat sea green, hat *** cerise with pink feathers"alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Soft green hat.

Olive green hat with RAR badgehat, slouch hat

Worn with going away outfit -Estelle Bannister 1963.Pale green velvet hat

Olive Green Officers Hat with RAR badge.hat, peaked

Historical information unknownGreen slouch hat with brown leather strap and bandMADE BY / "Fayrefield" / melbourne / 56 / 1981army, hat, slouch hat, fayrefield

WW2 Tin Hat Appeal badgeEmerald green tin hat with small safety pin attachedRSL War Service Fund Tin Hat Appeal My Tribute to the Fighting Forces

Light faded green Women's hat with dark green peak and sides."Keep shape Headwear. Made in Sydney. 1978 Size 56".passchendaele barracks trust, women's dress hat, army

Khaki green mens hat with 'Khaki' ribbon hatband and satin liningRoyal Stetsonhats

A Green giggle hat with a yellow-brown pig on top and an insignia with a crwon and star at the frontmilitary uniforms, soldier's hat, giggle hat, clothing

Green bush hat floppy without unit or corps identifiers. Hat is worn in the field.Label: “AGCF 1981 (arrow up) size 52 8045.66.021.3021”bush hat military, army uniform, passchendaele barracks trust

Placed in care of June Broadstock and passed on to Alison Sudholz, the donor.Cream calico apron depicting a lady in a long pink dress with a green belt and neck tie and green hat. Behind her hills, a house and trees. Lady is holding flowers. 2 pockets and apron edged is crocheted in pink and cream.apron, lady, pink

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5. The bear is one of the Legacy symbols. It is in the collection to show the modern equivalent of the older style badges. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge of a bear's face with a dark green hat and red around the words 'Melbourne Legacy'. It is made of gold coloured metal with coloured enamel. It is on a white card with blue printing showing it's value. Badge has two posts and two separate butterfly clutches.legacy appeal, fundraising, badge week, bear

An example of badges issued by Legacy for fundraising during the Legacy Appeal and Badge Week. The donation value is $5. The bear is one of the Legacy symbols. It is in the collection to show the modern equivalent of the older style badges. The card makes a tax deductible receipt.Example of Legacy badges that were sold up to raise money for Legacy's work. Legacy Appeal badge of a bear's face with a dark green hat and blue around the words 'Melbourne Legacy'. It is made of gold coloured metal with coloured enamel. It is on a white card with blue printing showing it's value. Badge has two posts and two separate butterfly clutches.legacy appeal, fundraising, badge week, bear

From the Betty McPhee Writing equipment collection.Asmall thin red lead pencil with a china decoration on the top of a woman's head wearing a green cloche hat.domestic items, writing equipment

Donor Estate of George Jacobs.Round green feather hat with multi-coloured feathers in crown, and cream satin lining. In Hat Box # 3040.hat

The puppets were made by German POW's in camp 13 and sent to internment camp 3 as gifts for the children at Christmas time.Hand painted brown paper mache head with red lips, blue eyes and black eyebrows. Has white judge wig with small round green hat. He has a white frilled neck ruff and wearing a black cape with high stand up collar. There are no body parts. pow puppets, pow handcrafts, hand puppets, sharon lohe, ww2 camp puppet theatre, puppetry