This book was compiled and published in 2017. The contents are based on a scrapbook and photographs compiled by Margaret Kleinitz who was Secretary of the Orbost Garden Club during the time when Grevillea Grove was proposed and developed from1979-1989. The development of this garden in a disused quarry in Orbost involved a substantial community campaign and on-going effort, particularly from members of the Garden Club. The demise of Grevillea Grove came when the Vic. Govt. decided to develop this parcel of crown land for a Rainforest Garden and Information Centre. Local resident, Audrey Van Den Berg has compiled this book. Shows the effort and dedication involved in this community project.A 40 page book with cardboard cover. Front cover has 6 colour photos of Grevillea plants overlaid onto a plan of the Grevillea Grove garden. This book contains b/w photographs and a written history of the creation of the Grevillea Grove garden in Orbost. It also has site plans and newspaper articles.GREVILLEA GROVE grevillea grove, orbost

More details to come. TBAPrintout x 1 page announcing the release of a grevillea plant named after Legacy in 2023.hobart legacy, 100th anniversary, grevillea, centenary

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Illustration of a plant with prickly pointed leaves (holy-like) and pink flowers with thin tubular petals and yellow stamens (toothbrush-like in appearance). New leaves are at top with brown-red colouring. To mid-right of plant are two seed pods with a pink petal tube emerging from end. Mounted in double matt (faun on orange), framed under glass in gold, blue and brown wooden frame.Front: CE Woolcock (lower left) (green pencil) Back: Grevillea aquifolium (Variable Prickly Grevillea) (Sticky label, blue pen) CE Woolcock (signature)collin woolcock, botanical, woolcock collection, cema

Roll of 35mm colour negative film, 7 stripsKodak Gold 200-6grevillea, peter street

Roll of 35mm colour negative film, 6 of 7 stripsFuji 100local history centre, grevillea

Roll of 35mm colour negative film, 6 of 7 stripsFuji 100local history centre, grevillea

(1) Site Analyis. (2) Plant Survey by Jennifer Young, March 2006. (3) Plant Plan.jennifer young, grevillea

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, houses, 1982

Digital copy of colour photographfred mitchell collection, bible street, plants, 1983, houses

Digital copy of colour photographfred mitchell collection, bible street, plants, 1983, houses

Digital copy of colour photographfred mitchell collection, bible street, plants, 1983, houses

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

Settling in Moyston in 1984, Nanette Bourke is a prominent figure in the Ararat and Grampians arts community, perhaps best known as a member of the ‘Grampians Four’ group of artists. Bourke has been a printmaker since the late 1960s, having studied at the Julian Ashton Art School in Sydney, and at art societies and the CAE in Melbourne before relocating to Western Victoria. Inspired by the woodcuts and linocuts by Melbourne artists of the 1920s and 1930s - Napier Waller, Murray Griffin, and especially Eric Thake - Bourke embraces the sophisticated results that can be achieved in this medium. Bourke holds a deep affinity with the natural environment, which is integral in her artistic life. Many of the works in this exhibition are inspired by the natural environment of the Grampians. In contrast to the often joyous depictions of Australian native flora, Bourke’s imagery also presents a poignant reminder of humankind’s negative impact on the environment.

A postcard which has been embellished with painted colouring (done by hand). The native flowers are Grevillea Dimorpha.A postcard of red native flowers & green foliage in a gilt vase. The colour of the postcard has been painted onto this original."Grevillea Dimorpha" and "NJS" written in blue pen on back. "Post Card; Correspondence; Address Only; Kodak; Ausralia" printed on back.natural history, flora

Painted about 1896 by Dawson, Miss.This painting has aesthetic significance and shows the skills and craftmanship of women of early settler families.Painting of wildflowers on alabaster with plain wooden frame with nails. Flowers include orchids and grevilleas.Orbost Wildflowers - painted by Miss Dawson about 1896 - donated by Mrs Alice Slatterpainting -handcraft wildflowers

More details to come. TBABooklet about Hobart Legacy's 100th anniversary.hobart legacy, 100th anniversary, grevillea, centenary

Nine songs in the Butchulla language sung by students. Joyce Bonner Co-ordinator, Kassie Bonner Music Director, Travis Page Song man and Tutor, Malcolm Burns Traditional dancer and Tutor, Nikki Michail freelance filmmaker and photographer (CD design and layout), Grevillea Studios, ALbion, Brisbane CD recording and mixing.CDbutchulla, korrawinga aboriginal corporation

This edition includes a report on the Progress Association's June 1970 meeting, Councillors report, Fighting pollution and ugliness, How about a community hotel? Some grevilleas for local planting, Further acacias, School and Kinder news, Scout and Guide news, Letters to the editor. A digital copy of this Newsletter is available from Greensborough Historical Society.Newsletter, 18 p., illus. greenhills and north greensborough progress association, greenhills

21 envelopes marked Department of Agriculture (Vic), 1 empty. Photographs and most negatives. All labelled, mainly flowers and plants. (1) Neg. only, 'Lupinus'.' (2) 'Iris fulva B/G 23/10/61.' (3) 'Iris pseudacorus.' (4) 'Muscari plumosum B/G 23/10/61.' (5) 2 copies 'Erythrinum.' (6) 'Iris sibirica B.G. 23/10/61.' (7) 3 Neg. and 4 photographs 'Green, Variegated Agave.' 'Ref to Mr. Littlejohn.' (8) 'Pebble Mulch,' 'Rock Mulching Rock from Apollo Bay Mentone 23/10/61 ₤22.' (9) 'Gazania B.G. 23/10/61.' (10) Neg. only 'Grevillea hookeriana.' (11) Photograph only 'Hibiscus.' (12) 'Euphorbia Crown of Thorns BG 23/10/61.' 'Euphorbia splendens.' (13) 2 copies 'Greyia sutherlandii 23/10/61.' (14) 3 copies 'Aeonium Grouped with other succulents including Bryophyllum, Dickia, Echevera' 'Jan Jul '62 Photo E.G. Littlejohn.' (15) 'Agave Agave-variegated in tub.' (16) 'Lathyrus odoratus' '(Sweet Pea) on support B.G. 23/10/61.' (17) 'Pelargonium' B/G 23.10.61.' (18) 'Pelargonium.' (19) 'Callistemon coccineus.' 'Return to Mr. Littlejohn Burnley Gardens.' (20) 3 copies 'Aloe.' 'Return to Mr. Littlejohn Aloe.'flowers, plants, lupins, iris, agave, pebble mulch, rock mulch, grevillea, hibiscu, euphorbia, succulents, bryophyllum, dickia, echevera, e.g. littlejohn, pelargonium, burnley gardens, aloe

Contributor: T.H. KneenBox of 47 slides, some labelled. (1) "Marjorie Hall 1st Year Student June '56 No. 1872." Working with fruit tree stock. (2) "Orchard June 1956 No. 1710." 2 men and a tractor.(3) "Camp 1957." Wilson's Promontory. (4) View of Drive No. 1677." C. 1958 (5) "GenView No. 1771." (6) "Burnley Gardens Entrance 4.4.58 N0. 1672." (7) "Wilson's Promontory Lilly Pilly Gully Nov 1960." (8) Dec '62." (9) "Dec '62." Kneen child. (10) Luffmann Ponds "Aut. 1962." (11) Grevillea Sep 1963. (12) Sep 1963.Reflection of Crack Willow in Luffmann Ponds. (13) Sep 1963. Orchard blossom. (14) View of Administration Building at sunset Aug 1964. (15) Rose 'Heat Wave.' May 1965. (16) Kneen child sitting under a tree May 1966. (17) 'Department of Agriculture Burnley Gardens' sign May 1966. (18) Administration Building May 1966. (19) Plant Science Block May 1966. ((20) Wintersweet August 1966.(Actually appears to be Witch Hazel Hamamelis mollis.) (21) Student on tractor in the Orchard October 1966. (22) Garden view, view of Principal's Residence through blossom trees October 1966. (23) Students walking through the Gardens October 1966. (24) "Leaf Cuttings Rex begonia 2 October 1966. (25) Emily Gibson beds October 1966. (26) Principal's Residence in a garden view October 1966. (27) Garden view looking towards the Principal's Residence and the Shady Garden October 1966. (28) Drive looking towards the Administration Building from the Plant Research Institute. (29) Kneen child (not Burnley?) (30) Unveiling of Burnley Horticultural College plaque commemorating 75 years, 1891-1966 - Eric Littlejohn, ?, T.H. Kneen. Includes key to Pavilion 1969. (31) "Rose Pruning Demo - Canteen." July 1969. (32, 33) "Rose Pruning Demo 1969." July 1969. (34) "Plant Science Block & College." July 1969. (35) Plant Science Block 6/69." July 1969. (36) "Burnley Gardens 6/69." looking towards Dairy and Yarra Boulevard (37) "Pond No. 1717." (38) "Pond 1748." Kneen children playing by the Luffmann Ponds, Oak tree behind.. (39) Ginkgo leaves June 1967. (42) ? (43) Erithyna caffra in flower (removed 2016) December 1966. ((44) Administration Building and Nursery from PRI." (45) Pelargoniums. (46) Azalea mollis (47) Pelargonium foreground, geranium background.marjorie hall, students, fruit trees, orchard, tractor, wilson's promontory, burnley gardens, entrance, drive, garden view, luffmann ponds, grevillea, rose, kneen family, sign, wintersweet, plant science block, administration building, students working outside, principals residence, plaque, rose pruning demonstrations, ginkgo, pelargoniums, erythryna

22 slides, 14 of the same plant and the remainder of other flowering plants. 4. Kniphophia uvaria. 5. Camellia white cv. 6. Camellia pink cv. 7. Fuchsia cultivar 'Charm Rose Purple.' 8-10 Acacia podalyriifolia. plants, flowering plants, kniphofia uvaria, camellia, fuchsia, acacia podalyriifolia, native garden, rhododendron, azalea indica, acanthus mollis, bear's breaches, grevillea, banksia spinulosa, hairpin banksia

Fern gullies around Jehosaphat Gully Covered under National Estate. Published: Nillumbik Now and Then /​ Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p125 The magnificent Kinglake National Park, fringing Nillumbik’s north, is the largest national park close to Melbourne. Thanks to the vision and hard work of a band of local people, the park was created from what was rapidly becoming degraded land. Seeing a threat to Kinglake’s indigenous flora and fauna, several prominent local people campaigned for a national park, which was established in 1928.1 Since then, the park has grown through donations and acquisitions of land, from around 13,800 acres of land (5585ha) to 22,360 hectares. The Sugarloaf and Everard Blocks – of almost 8000 hectares – stand in Nillumbik and the park extends into Mitchell and Murrundindi Shires and the City of Whittlesea. Mt Everard commemorates William Hugh Everard, State member for Evelyn when the park was established. Before 1928, European settlers had degraded the Kinglake area, which was named after the celebrated English author and lawyer, Alexander William Kinglake. Remains of gold shafts and diggings in the park are reminders of Kinglake’s first settlers, who hoped to strike it rich at the gold diggings. But like other gold fields in this shire, they proved not very lucrative and soon timber cutting replaced mining in importance. However, before long, the accessible timber supply ran out, so in the 1920s agriculture took over – particularly potatoes and berry fruits – which involved large-scale clearing.2 The park’s instigator was retired Melbourne University Professor of Music, William Laver.3 As chair of the Kinglake Progress Association he began negotiations to have crown lands on the southern scarp of the Great Dividing Range reserved as a national park. Even before the park was proclaimed, from 1927, KPA members cut tracks to the major scenic points. Professor Laver was one of several people who gave land for the park, donating around 50 acres (20ha), including the Jehosaphat Gully.4 Laver chaired the park’s first Committee of Management, which raised money to employ a ranger and provide facilities, including tracks and roads for fire protection vehicles, toilets and shelters. The committee charged fees for firewood collection, some grazing of livestock, and visitor entrance, and obtained small State Government and Eltham Shire grants. In 1957 the State Government provided revenue for national parks. Then, in 1975, the State Government took over the management and the Committee of Management became an advisory committee, which disbanded in 1978. Originally, the park covered crown land in the Shires of Eltham and Whittlesea; then Wombelano Falls in Yea and other areas were added. In 1970 the park extended into the Shires of Eltham, Healesville, Whittlesea and Yea.5 Bush fires have been an ongoing problem. In 1939 hundreds of eucalypts and acacias had to be sown around the Jehosaphat Gully to rejuvenate the forest. To manage bushfires, the Committee of Management, then the State Government, worked closely with the Forestry Commission, shire councils and local fire brigades. Early national parks focussed on recreation. But by the 1980s, conservation, education and scientific research became more important, playing a vital role in preserving representative samples of the natural environment. Each year many thousands of people use the park’s extensive network of walking tracks amongst the protected plant and animal life as well as camping, cycling and horse riding. The park, along the slopes of the Great Dividing Range, has lookouts revealing magnificent views of the Melbourne skyline, Port Phillip Bay, the Yarra Valley and the You Yangs. Vegetation in the Masons Falls area includes messmate forest, Austral grass-trees, ferns and Hazel Pomaderris. In spring, orchids, lilies, everlasting daisies, correas, grevillea and heath appear. Around Jehosaphat Gully are wet and dry forest, fern gullies and banksia. Animal life includes wallabies, kangaroos, koalas, echidnas, possums, gliders and bandicoots. Male lyrebirds can be heard mimicking in the Jehosaphat Gully, particularly in the Everard Block in winter.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, kinglake national park, jehosaphat gully