The original sketch drawn by Ivan Dinsdale, won first prize in the "little treasures" exhibition. Captain Grossard was accidentally shot in 1868. The date of 1798 on the sketch may be from Bass's Whaleboat journey in 1797?. Mr Dinsdale possibly called this - "The Bass Tree" relating to Bass's Voyage.Black & White sketch of trees near Captain Grossard's Grave at Grossard Point, Ventnor.On sketch: The BassTree marking the grave of Captain Grossard Ventnor 1798. I Dinsdale.the bass tree, black & white sketch, captain grossard, captain grossard's grave, ivan dinsdale

A tragedy occurred at the McHaffie home in 1868. Capt. William Grossard was accidentally shot on 17 December 1868 when a friend of John McHaffie was on the verandah of the homestead and mishandled a gun. His grave is situated at Grossard Point, Ventnor, Phillip Island.Historical8 A3 pages of a legal document including handwritten depositions of witnesses.Proceedings before Coroners. Inquisitioncaptain grossard, inquest, john mchaffie, shooting, fredrick grimwade

A collection of photographs donated by Meg Davis (nee McHaffie) relating to the Lonely Grave site in Ventnor and the McHaffie family.A collection of 8 coloured photographs relating to Capt. Grossard's Grave Site and the McHaffie family. 272-01. Photograph of Fiona McCarthy and Julie Box planting a Norfolk Pine at the Lonely Grave, Grossard Point, Ventnor, Phillip Island 272-02. Photograph of Fiona McCarthy and Meg Davis planting a Norfolk Pine at the Lonely Grave, Grossard Point, Ventnor, Phillip Island 272-03. Photograph of the Lonely Grave Memorial Plaque re Capt Grossard's accidental death. 272-04. Photograph of a Memoral Plaque commemorating the first settlement on Phillip Island by the McHaffie family 272-05. Photograph closeup of the above Memoral Plaque. 272-06. Photograph of the Memorial Plaque of the Gravesite of Capt. W. P. Grossard who died 17th December 1868. 272-07. Photograph closeup of the above. 272-08. Photograph of a brown glazed pot supposed to be from the McHaffie homestead site in Ventnor, Phillip Island.capt grossard, the lonely grave at grossard point, mchaffie family, meg davis, julie box, fiona mccarthy

Eric Juckert He worked as a potter and painter from around 1949 to 1992 in Victoria. His pottery was also sold by the department stores Myer and David Jones under the trade name “Jacqueline”.He then set up a studio at Point Road, Grossard Point, Ventnor on Phillip Island, in 1959 where he continued working there until 1992. Henning Alfred Rathjen (1903–1968) was one of the Australian-born artists who established a new pottery studio to cater for local demand and post-war innovations in art pottery. Rathjen established his pottery studio in Melbourne in 1948, producing quality slip-cast wares over the next 20 years. HistoricalCream, rough surfaced vase with oval pinched top and daisies in relief around top by Eric Juckert. Small, cream rough surfaced vase with top that flares outward with leaves and cutout sections by Henning Rathjen.Eric Juckert, Rathjen, pottery, vases, eric juckert, henning rathjen

This article was written by an English visitor named Elsa Christian who was touring Australia and New Zealand with her husband Frank in their own small van. The article was published in the Australian Women’s Weekly, magazine, March 1966. Elsa writes she wanted to visit four Australian locations before she died: Ayers Rock (actually Uluru), the Snowy River project, dolphins at Coolangatta and the Penguin Parade at Phillip Island. These destinations were all very popular in the 1960s for both Australian residents and overseas visitors. Because the roads were becoming better too many locations, self guided tours in small vans for cars towing bond would caravans were becoming more popular means of seeing AustraliaThe article is significant in many ways. 1. Indicates the places English visitors commonly wish to see in Australia. 2. Describes the growing trend to self- drive van/camping holidays. 3. Gives the route taken from Melbourne to Phillip Island during the 1960s. 4. Describes the appearance of the roadsides and locations visited. 5. It is written in a descriptive and lyrical style designed to appeal to Women’s Weekly magazine readers, who were probably wondering how they could visit Phillip Island with their husbands or families themselves, and what there was to see there. 6. Gives the visitors’ view of how the Penguin Parade operated at the time. 7. Includes a description of potter and artist Eric Juckert’s renowned garden at Grossard Point, Ventnor. 8. Indicates how introduced plants such as Hawthorn pushes and Kate weed were common in the area. 9. Describes Phillip Island as “a place to fall in love” because of its natural beauty, fauna and coastal seascapes. 10. As a visitor Elsa describes the housing estates as a blot on the landscape, but also sees the value as a way of their owners escaping from the hustle and bustle of Melbourne. 11. Gives the visitors’ interpretation of the behaviour of wildlife the RC in the wild, as well as Elsa’s knowledge about some of the species she encounters.Photocopy of full page article with 5 columns of text, a map and 2 photographs. Black ink on white paper. Photographs blackened in photocopying processphillip island, cape woolamai, penguin parade, seal rocks, nobbies, township of rhyll phillip island, princes highway, dandenong, pakenham, kooweerup, carinya creek, officer, san remo, gippsland highway, holiday homes, fort dumaresq, kitty miller's beach, wreck of the speke, hereford cattle, fleetwood manor, koalas, ventnor, eric juckert, little penguin behaviour