This book gives the history of the Harrison Family of Waubra - celebrating 160 years in Australia from 1852-2012.The Harrison family came originaly from Catterick and later Langthorne,North Yorkshire.England.Recording the Family Tree of the Harrison Family of Waubra,Victoria.Cover of book is Beige in colour,with the title and authors name in maroon.On the right under the title is a photo of James Harrison with his two sons William and Christopher .The bottom of the cover shows the title plan of Ercildoun,sheet 2,courtsey State of Victoria.The back cover photograph is of Waubra township.A History of the Harrison Family,Waubra.by Tania.L.King.harrison family 1852 - 2012, waubra victoria, tania l king, catterick north yorkshire england,

warrnambool art gallery, exhibition, makers and shapers, innovation, invention, cultural heritage, heritage festival, text panel, opening

The photo shows the Harrison family out the front of their home in Waubra, Victoria, called "Willow Vale".Photo of "Willow Vale" farm at Waubra, Victoria"Willow Vale", home of Christopher & Selina (nee Smith) Harrison family from Waubra, Victoria. This is a sepia photo with cardboard backing showing the Harrison family in front of the house. 21 & 1/2 cms wide x 16 & 1/2 cms high."Willow Vale" Waubra. Home of Christopher & Selina Harrison.

A digital copy of a black and white photograph of a Doctor Harrison and his family taken at Kerami guest house in Marysville.A digital copy of a black and white photograph of a Doctor Harrison and his family taken at Kerami guest house in Marysville.marysville, victoria, australia, kerami guesthouse, sister elizabeth glover, wood's point road, kerami house, pack road, murchison street, marysville & district tourist & progress association, sister helena brayshay, marion bethia curdie, sister margaret vincent thomas, sister elsie rose beatrice bolam mbe, lesley archibald elinor macgowan, photograph, mary lodge

non-fictionA history of George and Susan Harrison, complete with family trees and copy of diary kept by familyharrison family, swan family

Harrison Family lived in Great Western next to HallPortrait of Soldier from WW1 in uniform. Believed to be Ern Harris of Great Western.uniform, ww1

Harrison Family lived in Great Western next to HallPortrait of a man in suit seated with lady standing beside him in front of Hedge. Jim Harris and possibly his sister.Jim Harris

Harrison Family lived in Great Western next to HallTwo men or boys standing beside a fence post. Taken at Joel Joel Related to Harris family Great Western George and Hector Williamson Joel

406p.; includes Book the First, Book the Second, Book the Third; red cover with black decorated borderfictionThe life of Mervyn Clitheroe, a boy who is orphaned at a young age and is taken in by his uncle. As Mervyn grows older, he becomes more curious about his uncle's past and begins to investigate. He uncovers a web of deceit and corruption that threatens to destroy everything he holds dear.fiction, william harrison ainsworth, family saga

It show the farm "Willow Vale" Waubra that was once owned by the Christopher and Selina (nee Smith) Harrison family who once lived on this farm and whoes descendants continue to live in the same area today.A very pale sepia photo of the "Willow Vale" farm at Waubra, Victoria that was owned by Christopher and Selina (nee Smith) Harrison. It shows a horse and buggy, along with the main house/houses and out buildings with what look like it could be a slightly dry dam at the bottom of the photo.Nil

"Green Valley" series articles about people and artists in Greensborough and surrounds. Front page article about Vin Harris, a Greensborough farmer. Page 2 article about the Harrison family of Lower Plenty and page 3 covers local artists Alan Sartori, George De Nemes and Wayne Viney.Three pages of text and black and white imagesgreensborough, artists - greensborough, vin harris, farming

Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ken German David Read Motors Graeme Healy Family Ann French Doug Cross Family Vikki & John Holcombe Family Kaye Ellen Family Jenkins Hand Heather Slorach & Rod Reading Pencker Family Pigeons Ian Bryant Linda Clarke & Hank Woldhuis Philip West Aerial Photos Mrs L Fielding 80th Show 1980 Lindsay Flowers Harrisons Wedding Cake Debbie Martin & Bob McGregor Rene Hall 80th Pool Game 1980 Mrs Coates 100th Ann Watson & Mike Farrell Glenda Smith & Geoff Lewin Nell Stewart & Liam Pickering SAAC 1980 Dadswells Stawell Brass Band Shuttleworth Dogs Helen Grace Cat Tina Walters Queens Scout Peel Family Trudy Harrison Grange Golf Slaughter House Suzanne Gercovitch & Gary Isbel Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography

Folder containing a table of contents and a selection of articles on Gippsland History by John Wells in the West Gippsland Trader Volume 2. The date the articles were published, and title of articles are listed below. 19 Jul 2012 Gembrook - an Attractive Little Town 7 Jun 2012 Getting Rid of the Wood 21 Mar 2013 Getting Into Orbost 13 Dec ? Metung - A BEnd in the River 20 Sep 2012 The Royal Victorian Navy 6 Dec 2012 Tree Ferns to Blackberries 22 Nov 2012 Nowa Nowa Arm and Boggy Creek 18 Oct 2012 Home of the Baw Baw Frog 1 Nov 2012 Clearing the Hills 11 Oct 2012 The Loss of the Monumental City 4 Oct 2012 The Waterloo Township 13 Sep 2012 Birth of the Shire of Morwell 27 Sep 2012 George Black and Tarwin Meadows 9 Aug 2012 The Forgotten Corner of Gippsland 27 Mar 2008 Thomas William Harrison’s Family 3 Jul ? Railway was Enormous Value to Swamp Country 19 Jun 2008 The Narre Warren Reserve Gates 12 Jun 2008 Heavy Harry is a Pretty Crook Giant 2 May ? Small Settlements on a Long Gippsland Track 5 Jun 2008 Land of Bullumwaal ot “Two Spears” 29 May 2008 Bigger Stops on a Long Road 15 May 2008 Crossing the Beautiful Snowy River 17 Apr 2008 I Remember Uncle Jack aqs an Old Man with Something Wrong 25 Jun 2009 The Murder of Cornelius Green 2 Jul 2009 Captain James Cook was too Late 5 Sep 2013 Oil and the Gippsland Lakes 18 Jun 2009 The Suburbs Around Sale 13 May 2010 The Boag Generations go on and on in Gippsland 27 May 2010 Underwater Coal at Yallourn Open Cut 4 Nov 2010 Narracan - the Aboriginal Name for Crow 23 Apr 2009 Driving Along the Omeo Track 2 Dec 2010 Remembering Those Old Wives’ Tales that we all Grew up with 16 Apr 2009 Myrtlebank, the Lost Suburb 16 Dec 2010 The Tragedy of the Loch Ard 9 Dec 2010 The Latrobe River Wharf on the East Bank 2 Jun 2011 Stony Creek Township’s Quiet Past 17 Mar 2011 William Barak Saw the Whites Take Over 5 May 2011 The Squatters’ Names Still Here 12 May 2011 The Diary of C.A.Ramsden (part one) 26 May 2011 South Coast Towns, 1891 19 May 2011 The Second Part of C.A.Ramsden’s Diary 28 Apr 2011 Squatter Names Still Remain on our Maps 13 Oct 2011 The Resting Place of 1131 Australians 29 Sep 2011 The Mitchell Valley Hopfields Oct 6 Lest We Forget - Lijssenthoek 10 Nov 2011 The Kurnai Men UNKNOWN The Returning of Captain Joe McLaughlin 6 Jun 2013 The Marlo Plains 16 May 2013 Bain’s Border Hotel 23 May ? The Mystery Map 30 May 2013 Finding a Road to the Jordan 4 Apr 2013 Rick Solves Mystery of American Captain 2 May ? The Haunted Hills - Tall Story or Truth? 18 Apr ? Interesting Times 15 Aug 2013 Remembering the Good Times 11 Dec 2014 The Old Sale Road - an Important Link 26 Mar 2015 Difficult to Know the Real Story 27 Nov 2014 The State’s Real Birthday 12 Sep 2013 The Herald 1925 2 Oct 2014 Beacons of Hope 9 Oct 2014 The Joys of Parenthood 6 Nov 2014 Aboriginal Life in Gippsland 30 Oct 2014 Growing up in Gippsland - Harriett Quigley 26 Sep 2013 The McHaffie Diary 19 Sep 2013 Outtrim - Once a Boom Town 10 Oct 2013 Happy Hundredth Birthday 4 Sep 2014 Many Towns Simply Disappeared 17 Jul 2014 Long Distance Farmer 25 Sep 2014 Sam Anderson - Gippsland’s First Farmer 28 Aug 2014 Local Oil 90 Years Ago 6 Mar 2014 A Fiery Summer - 1898 20 Feb 2014 The Corduroy Roads 8 May 2014 The Darkness Within 13 Mar ? Draining the Moe Swamp 1 May 2014 Any Ideas on Old Cannon? 3 Jul 2014 The Magnificent Snowy 14 Aug 2014 Two Gems in the Hills 19 Jun 2014 The Towns Down the Line 27 Feb 2014 State School 2502, Longwarry 18 Sep 2014 Lakes a Natural Fishing Ground 15 May 2014 Police Down the Ages 22May 2014 Iron Horse Came at a Walk 29 May 2014 Prom’s Early Attraction 12 Jun 2014 A Brief History of Meeniyan 5 Jun 2014 Ride on the Old Great Southern 26 Jun 2014 When Victoria Police Went on Strike 23 Apr 2015 Grandma’s Family Lost Heavily 11 Jun 2015 A Rail Journey Almost to Orbost 28 May 2015 Second Battle of Hastings 4 Jun 2015 Dandenong to Trafalgar by Train 18 Jun 2015 The Travelling Picture Man 19 Feb 2015 Water was a Problem 5 Feb 2015 Sandy Point Return Invokes Memories 24 Oct 2013 Lyrebirds Nesting in Trees? 12 Mar 2015 Supplying Melbourne’s Water 9 Aug 2015 They Shall Not Grow Old as we That Are Left 9 Jul 2015 National Parks a Valuable Resource 11 Sep 2014 Living Through the Best and the Worst 12 Feb 2015 Fishing is Part of Port’s History 26 Feb 2015 Chance Lost to Eliminate Rabbits 5 Mar 2015 Bloomfield - End of the Line, in a Way 11 Jul ? Emerald Primary School 22 Aug 2013 The Heartbreak Hills 17 Oct 2013 Port Albert, Land of Elephants 14 Nov 2013 Bullumwaal Land of Two Spears 28 Nov 2013 Coalville - the Forgotten Mine 5 Dec 2013 Early Travel with the Bishop 12 Dec 2013 Bishop Perry in Gippsland 19 Dec 2013 The Great Sale Goldfields Hoax 20 Mar 2014 A Chance to Dazzle the Kids 27 Mar 2014 More of Those Creeks and Rivers 3 Apr 2014 The Arctocephalus is With us Still 10 Apr 2014 Upper Yarra Dam had an Early Start UNKNOWN Harkaway’s Colorful History Contains Some Doubtful Tales UNKNOWN Berwick and the Peninsula in 1886non-fictiongippsland lakes, emerald primary school, meeniyan, upper yarra dam

Folder containing a table of contents and a selection of articles on Gippsland History by John Wells in the West Gippsland Trader Volume 1. The date the articles were published, and title of articles are listed below. 30 Oct 1997 Noojee Railway Line is an Engineering Classic 06 Nov 1997 Railways were a kiss of life for small settlements 13 Nov 1997 Erica was a timber and railway town 20 Nov 1997 People fought for railway line through to Stratford 27 Nov 1997 Tiny towns on the Wonthaggi line Vol 16 No 50 Cobungra station has some wild and beautiful country Vol 16 No 51 The explorers we have forgotten Vol 17 No 30 Hallam store became a place for men to gather 14 Feb 2002 Charlie Styles and his dull grey bedford bus Vol 26 No 10 Southern Community names 03 Aug 2006 A bit more Cloverlea 28 Sep 2006 Many airlines were keen to link wide brown land 26 Oct 2006 The ‘run’ at Top Plain 02 Nov 2006 Briagolong and the Garden of Eden 09 Nov 2006 I found a treasure in a milk bar 16 Nov 2006 Got five bob in your pocket, or should I say fifty cents? 23 Nov 2006 Trains were important in developing Gippsland 30 Nov 2006 The main line into Gippsland 07 Dec 2006 Alfred Howitt was a great man who deserves recognition Dec 2006? Christmas again? Already? 15 Feb 2007 The Great Southern Railway 08 Mar 2007 Expectations about water quality have changed since the old days 29 Mar 2007 Navigating by tree tops 12 Apr 2007 The Gippsland railway branch lines were very important in many ways 26 Apr 2007 Some community names from our northern hills 10 May 2007 Community names at the eastern end 24 May 2007 A shorter railway with big tonnages 31 May 2007 Cerberus was the guard dog 07 Jun 2007 Suburban stations in Gippsland 14 Jun 2007 How many Longwarry schools were there? 21 Jun 2007 Traralgon run was Hobson’s choice 28 Jun 2007 Maiden and Mormon and Happy Go Lucky 05 Jul 2007 Consider the humble rabbit trap 12 Jul 2007 Five acre blocks are everywhere 26 Jul 2007 Fencing, but not the Olympic variety 02 Aug 2007 Hanging the barbed wire fences 09 Aug 2007 Collecting and keeping the tucker we gathered 23 Aug 2007 The Longwarry Primary School itself 30 Aug 2007 Surveyors did it hard down Poowong way 06 Sep 2007 Back to the Poowong story 13 Sep 2007 A “think piece” or an indulgence? 20 Sep 2007 Longwarry “extra late final” 04 Oct 2007 Platina’s gone but not forgotten 11 Oct 2007 Robert Nield – Murray is back at it 18 Oct 2007 Spetts’ cottage at Walhalla 25 Oct 2007 Across the Alps to Omeo 08 Nov 2007 Where the gold lies deep in settlements that died 15 Nov 2007 Mines aplenty in the Walhalla area 22 Nov 2007 The other Violet Town – Jolly’s 29 Nov 2007 Mallacoota archaeology 06 Dec 2007 The Cassilis township or call it a settlement 13 Dec 2007 George Bass missed French Island 08 Feb 2008 David Mickle relates many stories of railway accidents 11Sep 2008 Lord Howe has a long history 18 Sep 2008 Quarry Hills important link for Berwick 25 Sep 2008 Tall ships, short ships, schooners and sloops 26 Jun 2008 We find Yanakie Jack again 03 Jul 2008 The well known Baw Baw Track 10 Jul 2008 Land of the moon? 07 Aug 2008 I loved eeling in the Tarago River 14 Aug 2008 Don’t let the red steer loose 28 Aug 2008 Yes, there is a place called Jumbuk 04 Sep 2008 The land of the big trees 23 Oct 2008 Still looking for Gippsland’s first town 13 Nov 2008 Journey to the bowels of the earth 30 Oct 2008 For King and Country – J.M. Laidlaw 06 Nov 2008 Jesse Huggett lived an adventurous life 22 Nov 2008 Churchill Island, yet again 04 Dec 2008 Bowman’s Track – if we can find it 11 Dec 2008 Draining of the great Koo Wee Rup Swamp 18 Dec 2008 The swampies had a go 02 Apr 2009 Looking for natural gas not offshore oil 21 Aug 2008 The Dreaded Summer Wildfire 17 Jul 2008 The Tangel (or Tanjil) hills District 7 Feb 2012 The Tanjil Area Goldrush 29 Aug 2013 Saddled and Spurred 9 Feb 2012 Many Racecourses Have Disappeared 16 Feb 2012 Fraser’s Hotel in Glenmaggie 23 Feb 2012 “Nothing Today, Jack!” on the Berwick Hill 1 Mar 2012 The Schnapper Point Line 8 Mar 2012 The Imaginary Town of Tambo 22 Mar 2012 The Tanjil Story Part One 15 Mar 2012 Inverloch Served Mosquito Fleet of Mis-Matched Boats 21 Jun 2012 The Last Bits of the Line 29 Mar 2012 “Gold Rush” to the Tanjil Area led to Reef Mining Companies 16 Aug 2012 New Life for Old Port Welshpool? 30 Aug 2012 The Capital of South Gippsland 28 Jun 2012 The Last Bits of the Line 5 Jul 2012 Ferdinand Von Mueller - a Man of Knowledge 12 Jul 2012 Stones in the Creek 19 Jul 2012 Gembrook - an Attractive Little Town 7 Jun 2012 Getting Rid of the Wood 21 Mar 2013 Getting Into Orbost 13 Dec ? Metung - A BEnd in the River 20 Sep 2012 The Royal Victorian Navy 6 Dec 2012 Tree Ferns to Blackberries 22 Nov 2012 Nowa Nowa Arm and Boggy Creek 18 Oct 2012 Home of the Baw Baw Frog 1 Nov 2012 Clearing the Hills 11 Oct 2012 The Loss of the Monumental City 4 Oct 2012 The Waterloo Township 13 Sep 2012 Birth of the Shire of Morwell 27 Sep 2012 George Black and Tarwin Meadows 9 Aug 2012 The Forgotten Corner of Gippsland 27 Mar 2008 Thomas William Harrison’s Family 3 Jul ? Railway was Enormous Value to Swamp Country 19 Jun 2008 The Narre Warren Reserve Gates 12 Jun 2008 Heavy Harry is a Pretty Crook Giant 2 May ? Small Settlements on a Long Gippsland Track 5 Jun 2008 Land of Bullumwaal ot “Two Spears” 29 May 2008 Bigger Stops on a Long Road 15 May 2008 Crossing the Beautiful Snowy River 17 Apr 2008 I Remember Uncle Jack aqs an Old Man with Something Wrong 25 Jun 2009 The Murder of Cornelius Green 2 Jul 2009 Captain James Cook was too Late 5 Sep 2013 Oil and the Gippsland Lakes 18 Jun 2009 The Suburbs Around Sale 13 May 2010 The Boag Generations go on and on in Gippsland 27 May 2010 Underwater Coal at Yallourn Open Cut 4 Nov 2010 Narracan - the Aboriginal Name for Crow 23 Apr 2009 Driving Along the Omeo Track 2 Dec 2010 Remembering Those Old Wives’ Tales that we all Grew up with 16 Apr 2009 Myrtlebank, the Lost Suburb 16 Dec 2010 The Tragedy of the Loch Ard 9 Dec 2010 The Latrobe River Wharf on the East Bank 2 Jun 2011 Stony Creek Township’s Quiet Past 17 Mar 2011 William Barak Saw the Whites Take Over 5 May 2011 The Squatters’ Names Still Here 12 May 2011 The Diary of C.A.Ramsden (part one) 26 May 2011 South Coast Towns, 1891 19 May 2011 The Second Part of C.A.Ramsden’s Diary 28 Apr 2011 Squatter Names Still Remain on our Maps 13 Oct 2011 The Resting Place of 1131 Australians 29 Sep 2011 The Mitchell Valley Hopfields Oct 6 Lest We Forget - Lijssenthoek 10 Nov 2011 The Kurnai Men UNKNOWN The Returning of Captain Joe McLaughlin 6 Jun 2013 The Marlo Plains 16 May 2013 Bain’s Border Hotel 23 May ? The Mystery Map 30 May 2013 Finding a Road to the Jordan 4 Apr 2013 Rick Solves Mystery of American Captain 2 May ? The Haunted Hills - Tall Story or Truth? 18 Apr ? Interesting Times 15 Aug 2013 Remembering the Good Times 11 Dec 2014 The Old Sale Road - an Important Link 26 Mar 2015 Difficult to Know the Real Story 27 Nov 2014 The State’s Real Birthday 12 Sep 2013 The Herald 1925 2 Oct 2014 Beacons of Hope 9 Oct 2014 The Joys of Parenthood 6 Nov 2014 Aboriginal Life in Gippsland 30 Oct 2014 Growing up in Gippsland - Harriett Quigley 26 Sep 2013 The McHaffie Diary 19 Sep 2013 Outtrim - Once a Boom Town 10 Oct 2013 Happy Hundredth Birthday 4 Sep 2014 Many Towns Simply Disappeared 17 Jul 2014 Long Distance Farmer 25 Sep 2014 Sam Anderson - Gippsland’s First Farmer 28 Aug 2014 Local Oil 90 Years Ago 6 Mar 2014 A Fiery Summer - 1898 20 Feb 2014 The Corduroy Roads 8 May 2014 The Darkness Within 13 Mar ? Draining the Moe Swamp 1 May 2014 Any Ideas on Old Cannon? 3 Jul 2014 The Magnificent Snowy 14 Aug 2014 Two Gems in the Hills 19 Jun 2014 The Towns Down the Line 27 Feb 2014 State School 2502, Longwarry 18 Sep 2014 Lakes a Natural Fishing Ground 15 May 2014 Police Down the Ages 22May 2014 Iron Horse Came at a Walk 29 May 2014 Prom’s Early Attraction 12 Jun 2014 A Brief History of Meeniyan 5 Jun 2014 Ride on the Old Great Southern 26 Jun 2014 When Victoria Police Went on Strike 23 Apr 2015 Grandma’s Family Lost Heavily 11 Jun 2015 A Rail Journey Almost to Orbost 28 May 2015 Second Battle of Hastings 4 Jun 2015 Dandenong to Trafalgar by Train 18 Jun 2015 The Travelling Picture Man 19 Feb 2015 Water was a Problem 5 Feb 2015 Sandy Point Return Invokes Memories 24 Oct 2013 Lyrebirds Nesting in Trees? 12 Mar 2015 Supplying Melbourne’s Water 9 Aug 2015 They Shall Not Grow Old as we That Are Left 9 Jul 2015 National Parks a Valuable Resource 11 Sep 2014 Living Through the Best and the Worst 12 Feb 2015 Fishing is Part of Port’s History 26 Feb 2015 Chance Lost to Eliminate Rabbits 5 Mar 2015 Bloomfield - End of the Line, in a Way 11 Jul ? Emerald Primary School 22 Aug 2013 The Heartbreak Hills 17 Oct 2013 Port Albert, Land of Elephants 14 Nov 2013 Bullumwaal Land of Two Spears 28 Nov 2013 Coalville - the Forgotten Mine 5 Dec 2013 Early Travel with the Bishop 12 Dec 2013 Bishop Perry in Gippsland 19 Dec 2013 The Great Sale Goldfields Hoax 20 Mar 2014 A Chance to Dazzle the Kids 27 Mar 2014 More of Those Creeks and Rivers 3 Apr 2014 The Arctocephalus is With us Still 10 Apr 2014 Upper Yarra Dam had an Early Start UNKNOWN Harkaway’s Colorful History Contains Some Doubtful Tales UNKNOWN Berwick and the Peninsula in 1886non-fictionwonthaggi railway line towns, great southern railway, baw baw track

Madagascar was a large British merchant ship built for the trade to India and China in 1837 that disappeared on a voyage from Melbourne to London in 1853. The disappearance of Madagascar was one of the great maritime mysteries of the 19th century and has probably been the subject of more speculation than any other 19th-century maritime puzzle, except for the Mary Celeste. Madagascar, the second Blackwall Frigate, was built for George and Henry Green at the Blackwall Yard, London, a shipyard that they co-owned with the Wigram family. A one-eighth share in the vessel was held throughout her 16-year career by her first master Captain William Harrison Walker Walker. Madagascar carried freight, passengers, and troops between England and India until the end of 1852. In addition to her normal crew, she also carried many boys being trained as officers for the merchant marine. Known as midshipmen from naval practice, their parents or guardians paid for their training, and they only received a nominal wage of usually a shilling a month. Due to the Victorian Gold Rush, Madagascar, under the command of Captain Fortescue William Harris, was sent to Melbourne with emigrants. She left Plymouth on 11 March 1853 and, after an uneventful passage of 87 days, reached Melbourne on 10 June. Fourteen of her 60 crew jumped ship for the diggings, and it is believed only about three replacements were signed on. She then loaded a cargo that included wool, rice, and about two tonnes of gold valued at £240,000, and took on board about 110 passengers for London. On Wednesday 10 August, just as she was preparing to sail, police went on board and arrested a bushranger John Francis, who was later found to have been one of those responsible for robbing on 20th July the Melbourne Private Escort between the McIvor goldfield at Heathcote, Victoria and Kyneton. On the following day, the police arrested two others, one on board the ship and the other as he was preparing to board. As a result of these arrests, Madagascar did not leave Melbourne until Friday 12 August 1853. After she left Port Phillip Heads Madagascar was never seen again. When the ship became overdue many theories were floated, including spontaneous combustion of the wool cargo, hitting an iceberg and, most controversially, being seized by criminal elements of the passengers and/or crew and scuttled, with the gold being stolen and the remaining passengers and crew murdered. There have been many rumors as to what happened to Madagascar over the years but what really happened is still a mystery. The lithograph was made around 1950 from an original painting of Madagascar a Vessel with a notorious past and is interesting and a significant item for the ships part in early Victorian history. The picture is it’s self not valuable or can be associated with a significant person in history. The interest lies in the events that are linked to the ship in the mid 19th century.Lithograph of the ship Madagascar, in a wooden frameThe Madagascar East Indiaman 1000 tonsflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, lithograph, the madagascar, east indiaman

This woodworking lathe, connected to both a pulley and a flywheel, demonstrates its historical operation with a steam engine. Such a configuration reflects manufacturing practices from the late 1800s and early 1900s, when steam power was the predominant source for driving workshop and factory machinery. Large machine shops often utilised a single power source, distributing power via roof-mounted belts and pulleys to operate several machines simultaneously. Over time, petrol-driven motors were introduced, and eventually, electricity became the standard power source. Conversion kits were made available in the late 19th and early 20th centuries to adapt older lathes to these newer, cleaner fuels. Manufacturer's History: W.F. & J. Barnes was a renowned maker of hand- and foot-powered treadle woodworking and metalworking machinery, established in 1869. The partnership between William F. Barnes and John Barnes was formalised in 1872, and the firm was incorporated in 1884. Their machines were used for both ‘farm’ applications and professional engineering. By 1881, the company began producing electrically powered machinery. By 1937, W.F. & J. Barnes expanded into manufacturing machinery for automotive assembly. The business closed in 1983, and in 1998, LeBlond Ltd. of Ohio acquired the firm. The lathe was donated by Briggs Marine, Melbourne: In Flagstaff Hill’s formative years, 1972-1975, Briggs Marine, Melbourne (Briggs Brass Foundry), donated equipment and objects used or made at their premises. The foundry was established in 1912 by Herbert Harrison Briggs. In 1965, the firm was owned by partners Cyril Briggs and Frank Lee: Cyril died in 1967, and Frank died in 1971, so the foundry was then run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine’s Warrnambool Branch closed in 1972 after the death of Frank Lee in 1971. Flagstaff Hill’s founding director, John Lindsay, recalled that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building, around the time the Maritime Museum opened in 1975. Briggs Marine still exists today, but the Briggs family is no longer involved. This early 1900s lathe marks a significant stage in the evolution of machinery, positioned between the era of hand-operated machines and the advent of electrically powered equipment. Its presence exemplifies the progression of industrial technology and craftsmanship during this period. The lathe is particularly notable for its association with the Briggs Brass Foundry. The foundry was known for developing a specialised brass alloy composed of non-ferrous metals, a formulation that resulted in durable products built to withstand the demanding conditions of marine environments. This focus on resilience and longevity made Briggs Brass Foundry’s goods highly sought after within the maritime sector. Briggs Maine, a long-established business, utilised the foundry’s capabilities to create cast goods tailored to the needs of the marine industry. The facility was equipped to deliver both custom-designed and mass-produced items, ensuring versatility in meeting various requirements. Many of Briggs Foundry’s products found their place on sailing and steam vessels throughout Victoria’s coastline, including in the port town of Warrnambool, where there was once a brancy of Briggs Marine. In addition to general marine fittings, Briggs Marine earned recognition for its expertise in bell-founding. The foundry’s reputation is closely linked to the restoration of the Schomberg Bell at Flagstaff Hill, a small but historically significant bell from a luxury migrant vessel dating back to the mid-19th century. The successful restoration of the Schomberg Bell demonstrates Briggs Brass Foundry’s commitment to preserving craftsmanship and maritime heritage.The lathe is a green, bench-type, steam-powered woodworking machine. Its bench is supported by decorative posts at each end, with each post dividing into arched legs. The lathe is mechanically connected to both a pulley and a flywheel, designed to be operated in conjunction with a steam engine. Included with the lathe is a range of accessories. Across the front of the machine, an inscription is cast, and a stamped, metal lathe pulley guide is attached to the drive mechanism. The lathe was manufactured by W. F. and J. Barnes, Rockford, Illinois, USA, during the 1900s.“W F and J Barnes, Rockford, USA” "1820" "1887"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, lathe, steam-operated lathe, steam-operated pulley, steam power, steam engine, machine, steam operated machine, metal work, foundry work, metal working trade, tool, pulley driven, metalworking, woodworking, barnes lathe, briggs marine, belt driven, wordworking lathe, free standing lathe, bench lathe, steam powered, vintage lathe, woodturning lathe, w. f. and j. barnes, illanois, early 20th century, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, herbert harrison briggs, george edward briggs, cyril falkiner mckinnon briggs, collingwood, moorabbin, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, sand cast, marine equipment, marine fittings, foundry, brass foundry, founders

The wooden pattern forms part of a larger collection, securely stored within a durable wooden crate. This pattern was an essential tool at Briggs’ Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process results in the production of brass and copper alloy items, which are particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper-based, composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. In the early years of Flagstaff Hill, the Briggs family generously donated the crate of patterns along with other related items such as brassware, tools and machinery. These items were prominently displayed in a simulated Brass Foundry within the Village, alongside other working crafts, trades and services typical of a maritime town. From the completion of the building in 1986 until its repurposing in 1994, visitors could view these items and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. The Brass Foundry display featured a historic Cornish chimney, constructed as a working model to illustrate the process of smelting metal in furnaces and pouring it into sand moulds. The chimney, crafted from specially curved bricks, currently stands at approximately two-thirds of its original height, having previously been located at the Grassmere Cheese factory. The craft of sand-casting, which utilises intricately carved wooden patterns to create metal objects, stands as a testament to the enduring value of traditional skills. This age-old technique remains relevant today, linking past craftsmanship to ongoing industrial practices. The foundry pattern set holds particular significance due to its strong associations with brass foundries, both locally and in coastal regions across Victoria. In these areas, marine industries such as ship and boat building have long depended on high-quality metal castings for the machinery, equipment, and fittings essential to their operations. The alloys formulated by Briggs Brass Foundry, crafted from non-ferrous metals, were specifically designed to provide superior longevity and durability in maritime environments. These patterns are closely tied to the history of the Briggs Brass Foundry, a respected and long-running company that specialised in producing cast goods for the marine sector. The foundry was equipped to supply both unique, one-off items and mass-produced components, ensuring that its products found their way onto a variety of sail and steam vessels along the Victorian coast, including in Warrnambool. In addition to its broader marine applications, Briggs Brass Foundry established itself as a bell-founder specialist. The company’s expertise is notably linked to the historic Schomberg Bell at Flagstaff Hill, which they restored to its original splendour as a fine example of a bell from a luxury migrant ship of the mid-19th century. The significance of the pattern set is further heightened by its association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its proficiency in producing, repairing, and restoring ship bells and other marine equipment. Renowned for their non-ferrous metal casting, Briggs Brass Founders consistently supplied high-quality fittings and equipment vital to maritime pursuits. Moreover, the company expanded its influence by opening a branch in Warrnambool. Through this local presence, Briggs Brass Founders supported the regional marine industry and forged strong connections with fishermen and businesses. This not only reinforced their reputation as skilled manufacturers but also highlighted their commitment to community engagement and support. Pattern; hexagonal wooden shape painted orange. The thick carved wooden shape is in halves forming a hole when locked together with the dowel pegs and opposing drilled holes. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, traditional send casting

At Briggs’ Brass Foundry, traditional sand-casting techniques have been practised for generations. Sand casting, a craft that spans over two thousand years, involves creating intricate moulds into which molten metal is poured. This handcrafted process produces durable brass and copper alloy goods, which are particularly suited to marine environments. Items such as bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers have all been made using this technique. The bronze mixture used by Briggs is a copper-based alloy, carefully formulated from locally sourced ingots of copper, tin, zinc and lead in precise quantities. This results in a non-ferrous finished product, renowned for its longevity and resilience, often lasting indefinitely even in harsh conditions. Donation to Flagstaff Hill: In Flagstaff Hill's formative years, 1972-1975, the Briggs family generously donated a range of related items, including casting patterns, brassware, tools, machinery and a cupboard. These patterns illustrate the historic trades of foundering and metalwork, both of which have been essential in supporting marine industries such as shipwrights and boatbuilders. Furthermore, local industries like farming and manufacturing have relied on foundries for the casting of essential equipment. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. Exhibition and Legacy: The donated items were displayed in a simulated Brass Foundry within the Village. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory.The small cupboard holds particular significance due to its association with brass foundries operating across Victoria. Marine industries, including ship and boat building, depend heavily on high-quality castings for their machinery, equipment and fittings. Briggs Brass Foundry developed a specialised brass alloy using non-ferrous metals, ensuring the durability and longevity of its products in demanding marine environments. The cupboard is linked to Briggs Maine, a longstanding business dedicated to producing cast goods tailored for the marine sector. The foundry was equipped to meet requirements for both custom and mass-produced items. Briggs Foundry’s products were commonly installed on sailing and steam vessels operating along Victoria’s coastline, including in Warrnambool. In addition to general marine fittings, Briggs Marine was recognised for its expertise in bell-founding. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry.Cupboard; wooden, painted red with two green doors, round wood door knobs a wood catch. Doors are made from tongue-and-groove wood. Inside are two shelves. Stored on the shelves are an assortment of brass hinges, pipes, handles, ventilators, collars, and so on from the Briggs Foundry, Melbourne.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs, briggs marine, briggs foundry, cupboard, storage, brass objects, briggs family, marine products, village display, briggs brass foundry, briggs marine foundry, briggs marine products, herbert harrison briggs, george edward briggs, cyril falkiner mckinnon briggs, collingwood, moorabbin, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, sand cast, marine equipment, marine fittings, foundry, brass foundry, founders

From Collection of miscellaneous papers and memorabilia belonging to Mr Arthur Oswald Dixon, a seafarer who eventually retired to Australia running a smallholding growing fruit and grapes.The A.O. Dixon collection is well provenanced and provides not only some insights into the working life of a seafarer of the merchant service but also includes photographs through ID papers. He served on the "Hororata" which is featured in a crew group photograph and which also links to a story in verse by a de mobbed soldier held by the National Library of Australia which narrates the experience of soldiers and families on the voyage of this ship from England to Australia. merchant navy, sailors, officers, seamen, seamanship, liverpool, england, 1914, wwi, first world war, great war, arthur oswald dixon

Grey soft covered book with a photographic image of E.J. (Jack) Barker on the front. The contents include family history, teaching at the Ballarat School of Mines, Principal of the Ballarat School of Mines, inaugural Director of Ballarat Institute of Advanced Education, Committees hobbies and travel.e.j. barker, jack barker, winsome barker, ballarat school of mines, ballarat institute of advanced education, ballarat college of advanced education, higher education council, williamstown, edward john barker, footscrat technical school, engineering, joe barberis, baseball, tennis, john barker, queenscliff, david gordon, emine karakan, robby main, dick richards, r.w. richards, laboratory, thermodynamics laboratory, fluid mechanics laboratory, harry arblaster, warren perry, ballarat school of mines museum, derek wooley, ed phillips, ballarat gaol, gaol tunnels, mount helen campus, geoff harrison, lindsay pryor, tree planting at mt helen campus, ballarat technology park, 1870 founders hall, john beaumont, initiations, goon's gift, raft races, bath tub push, centenary appeal, prince charles visit, philip law, fourth university committee, ballarat teachers' college, ballarat school of mines motto, caro conference centre, creswick school of forestry, ballarat hospital nurse education, aquinas catholic teachers' college, family history, genealogy

Ssoft covered book on Ballarat Orphanage children who fought for Australia during World War One. arthur kenny avenue of honour, ballarat orphanage, ernest john cravino, arthur kenny, world war one, ivo bibby, eric david boyce, martin leslie kinane, james wallace, george stephano zilles, charles henry zilles, leonard harrison, frank golding, greg jakob

This spoon, made by Henry Barnascone of Sheffield, was recovered from an unknown shipwreck in the coastal waters of Victoria in the late 1960s to early 1970s. The spoon is one-o-a-kind in our Flagstaff Hill Maritime Village Collection of shipwreck artefacts. It is possibly from a passenger’s luggage on one of the shipwrecks. The shipwrecks in the area range from around the 1840s to the early 1930s. It is part of the John Chance Collection. HENRY BARNASCONE & SONS, Sheffield, UK- Henry Barnascone (1827-1894) was born in Switzerland. He and his brother Lewis settled in Sheffield in 1851. Henry operated as Henry Barnascone from 1868 to 1883, trading in Angel Street as a cutler, manufacturer and general merchant, moving to York Street in 1874. His work included electroplating metalware. Products ranged from cutlery and serving trays to straight razors, measuring tapes and pocket knives. In 1884 his firm became H. Barnascone & Son and from 1901 to 1934 be firm was renamed H. Barnascone & Sons, with his son (or nephew) Charles Henry ‘Harry’ Barnascone brought in to join the business. The firm employed eight men and four women in 1881. Around 1892 the firm moved to Empire Works in Eyre Street. Charles (Harry) inherited the business when Henry died in 1894. In 1909 the company became ‘Ltd.’, with Charles continuing until his death in 1917. The firms trademarks were EMPIRE (with ‘trefoil’ or ‘clover’ symbol), THE HUNGRY WOLF BRAND and PROLIFIC. The firm was liquidated in 1934 and acquired by Harrison Fisher & Co. Ltd., which specialised in plated goods and silverware, and retained Barnascone’s trademarks. In the early 1990s Harrison Fisher, which employed about 200, was arguably the only surviving example of the type of firm that had flourished in nineteenth century Sheffield – one which marketed a full range of cutlery. It remained family-owned. In 2007 Harrison Fisher & Co. Ltd. was renamed Taylor’s Eye Witness Ltd, which, in 2016, ‘swapped’ the nineteenth century historic factory for a new industrial unit in Sheffield. Although the spoon is not linked to a particular shipwreck, it is recognised as being historically significant as an example of hardware either as part of the ship’s flatware service or imported for use in Colonial Victoria in the 19th to early 20th century. The spoon is significant for being Flagstaff Hill’s only shipwreck artefact amongst many hundreds of objects, including cutlery, to be branded with ‘Empire Silver’ and the only piece in our collection by Sheffield manufacturer Henry Barnascone. The spoon is also significant as it was recovered by John Chance, a diver in Victoria’s coastal waters in the late 1960s to early 1970s. Items that come from several wrecks have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Spoon; teaspoon, electroplate nickel-silver, silver discoloured to brown. Fiddle design. Five embossed Hallmarks. Five embossed Maker’s Marks on back of handle, arranged in a column from tip towards bowl. Made by William Page and Co., Birmingham. The spoon no longer has its silver plating. Bowl has a cut in the side, and is nicked and dented. Embossed “EMPIRE“ (trefoil or clover logo) “SILVER” flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, john chance, henry barnascone, sheffield, cutlery, eating utensils, electroplate, silver plate, silverware, flatware, empire works, prolific, hungry wolf brand, antique flatware, old english flatware pattern, spoon, teaspoon

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Wooden rectangular crate with removable wooden lid. Inside is a set of wooden patterns of various shapes and sizes for making sand moulds in a metal foundry. The crate is made from thick wooden planks nailed together. The extended wooden struts on the long sides form a frame to hold the wooden lid. A pair of metal handles is at each short end of the crate, fixed with strong metal bolts. Between each pair of handles is an inscription stamped into the wood. The underside of the crate has red paint splashes. There are insect holes in the wood, but no active infestation. The patterns were made and used at Briggs Brass Foundry in Melbourne.Stamped: "H.33 / II" (H may be N or a square B)flagstaff hill maritime museum and village, great ocean road, shipwreck coast, pattern, mould, foundry, brass foundry, metal foundry, crate, box, wooden container, briggs, traditional method, trade, sand cast, cast, brass alloy, copper alloy, marine equipment, marine tools, marine fittings, briggs' bronze, copper tin zinc lead, non-corrosive, briggs family, brassware, metalware, foundering, metalwork, maritime, casting, cornish chimney, curved bricks, grassmere cheese factory, 1912, herbert harrison briggs, h h briggs, george edward briggs, briggs & son foundry, collingwood, cyril falkiner mckinnon briggs, cyril briggs, h h briggs & sons foundry, bell founders, schomberg bell, alliance casting & engineering solutions, collingwood foundry, ship chandlers, marine products, flagstaff hill, warrnambool, maritime museum, maritime village, briggs & son brass foundry, briggs marine, moorabbin, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; round wooden shape with a wide concave centre and a round flat handle in the middle, painted dark brown. The underside has a large wooden disc added to the centre. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; rectangular wooden block made from laminated sections of wood painted black. A half-cylinder shape was carved into the long side, and a dowel shape was placed at the lower side. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry Pattern: pair of U-shaped carved blocks, unpainted. The blocks have opposing metal pins and holes to hold them together. One block has a disc shape carved into the base. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern

The wooden pattern forms part of a larger collection; some of them were secured within a durable wooden crate. The cast pattern was an essential tool at Briggs Brass Foundry, specifically designed for creating sand casts. Sand casting is a time-honoured technique, with a history exceeding 2,000 years. The handcrafted nature of this process produces brass and copper alloy items particularly suitable for maritime applications. Typical products include bells, boat hooks, cowls, propellers, handles, lids, rowlocks, hooks, letters, bolts, rail holders, brackets, deck plates, flanges, rudder guides, portholes and covers. The distinctive bronze mixture used at Briggs’ Foundry is copper based. It is composed of local ingots of copper, tin, zinc and lead, blended in precisely measured quantities. The resulting alloy is non-ferrous, known for its exceptional durability and longevity. HISTORY OF BRIGGS MARINE: The Briggs Brass Foundry, trading as Briggs & Son Foundry, was established in 1912 by Herbert Harrison Briggs (1863-1931) with his son George Edward Briggs. In 1922, the youngest son, Cyril Falkiner McKinnon Briggs, joined the foundry. After Herbert died in 1931, his sons George and Cyril ran the foundry. The business became known as Briggs Marine Foundry, the “non-ferrous founders” and “bell specialists”. The foundry products were made using the traditional sand-casting method, which is now over two thousand years old and is becoming a dying art. The foundry operated at 70 Wellington St, Collingwood, and specialised in casting ship bells and other marine equipment and fittings. It also made decorative items such as miniature ship propellers. The great-granddaughter of Herbert Briggs inherited a Briggs brass bell, similar to one at Flagstaff Hill Maritime Village. In 1965, Cyril was the only remaining family member involved in Briggs Marine Products. The firm relocated to Chesterville Rd, Moorabbin and Cyril went into partnership with Frank Lee. In the same year, the firm exhibited its products at the 1965 Boat Show. When Cyril passed away in 1967, Frank took over the business with two new partners. After Frank Lee died in 1971, the foundry was run by his son and daughter-in-law, Les and Eva Lee. Briggs Marine still exists today, but the Briggs family is no longer involved. Briggs Foundry had a community-minded retail branch in Warrnambool, selling cast boat fittings and equipment to fishermen and others in the regional marine industry. The branch closed in 1972. In Flagstaff Hill’s formative years, 1972-1975, many Briggs Marine brassware products were generously donated from its Melbourne foundry, along with casting patterns, tools, machinery and a cupboard. EXHIBITION and LEGACY: The donated items were displayed in a simulated Brass Foundry within the Village, where visitors could view them and gain insight into the foundering and metalwork trades that supported maritime industries, including shipwrights and boatbuilders. The castings produced at the foundry were also vital for farmers, manufacturers and other local industries. This exhibit was part of a broader showcase of working crafts, trades and services typical of a Maritime town. The display was available to the public from the completion of the building in 1986 until 1994, when the space was repurposed. It is believed that Briggs Marine’s family members gave personal assistance in setting up the displays in the original village shops, particularly the ‘Brass Foundry’ building. A notable feature of the Village Brass Foundry was the historic Cornish chimney, presented as a working model. This chimney visually demonstrated the process of smelting metal in furnaces and pouring it into sand moulds. Constructed from specially curved bricks, the chimney now stands at about two-thirds of its original height, having been relocated from the Grassmere Cheese factory. The hand-cast sand patterns hold considerable significance due to their association with Briggs Brass Founders, a firm established in the early 20th century and widely recognised for its expertise in producing, repairing, and restoring ship bells and marine equipment. Known for their specialisation in non-ferrous metal casting, Briggs Brass Founders supplied high-quality fittings and equipment for maritime use. The company extended its operations by opening a branch in Warrnambool, where it actively supported the local community. The foundry’s ability to cast essential products was important to local and regional industries, like fishing, farming, manufacturing and commercial businesses. Through its presence, its reputation was reinforced as both a skilled manufacturer and a community-minded enterprise. The foundry is notably associated with the Schomberg Bell at Flagstaff Hill, having restored this small, historic bell to its original condition. The Schomberg Bell is a fine example from a luxury migrant vessel dating back to the mid-19th century, reflecting the craftsmanship and heritage preserved by Briggs Brass Foundry. Pattern; an unpainted, rectangular wooden frame with a top and sides, similar to a small rectangular stool. A solid half-cylinder shape was added under the horizontal 'seat' with another smaller half-cylinder attached to it, end-to-end. A string is tied between two metal loops attached to the back. There are two X marks stamped into the back. The pattern is part of a set of foundry patterns from Briggs Brass Foundry.Stamped: "X" "X"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, briggs' bronze, traditional method, trade, sand cast, cast, brass alloy, copper alloy, pattern, mould, foundry, brass foundry, metal foundry, casting, sand mould, sand casting, marine equipment, marine tools, marine fittings, copper tin zinc lead, non-ferrous, non-corrosive, brassware, metalware, foundering, metalwork, maritime, bell founders, ship chandlers, marine products, biggs, briggs family, herbert harrison briggs, h h briggs, george edward briggs, cyril falkiner mckinnon briggs, cyril briggs, briggs & son brass foundry, h h briggs & sons foundry, briggs marine, alliance casting & engineering solutions, grassmere cheese factory, cornish chimney, curved bricks, collingwood, moorabbin, collingwood foundry, moorabbin foundry, 1912, briggs, briggs brass foundry, briggs marine foundry, briggs marine products, frank lee, les lee, eva lee, briggs marine warrnambool, non-ferrous founders, bell specialists, ship bell specialists, founders, metalworking, traditional sand casting, casting pattern, foundry pattern