Showing 37 items matching "helen potter"
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Federation University Historical CollectionPhotograph - Laminated Photograph - Colour, VIOSH: Certificate IV in Occupational Health and Safety; Intake 23, July 2002
... ...helen potter...Photograph of students in Certificate IV in Occupational Health and Safety, Intake 23, July 2002 viosh victorian institute of occupational safety and health occupational health and safety certificate iv intake 23 2002 paul booker ross bury suzanne bussell stacey clampit ricky collins shane crawford chris credaro graham devereux martin fuller chris gallagher david hawks michael kelly maarten krygsman john mcivor stephen mcnair michael mariadas claudio marino peter mazey jeremy minahan jeff palmer jason parr andrew plunkett helen potter neilson raas shane ralph john reppin lee robinson stephen robson paul scofield andrew sullivan justin tarczon dianna williamson Laminated colour photograph. ...Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photograph of students in Certificate IV in Occupational Health and Safety, Intake 23, July 2002Laminated colour photograph. Students names printed under photographviosh, victorian institute of occupational safety and health, occupational health and safety, certificate iv, intake 23, 2002, paul booker, ross bury, suzanne bussell, stacey clampit, ricky collins, shane crawford, chris credaro, graham devereux, martin fuller, chris gallagher, david hawks, michael kelly, maarten krygsman, john mcivor, stephen mcnair, michael mariadas, claudio marino, peter mazey, jeremy minahan, jeff palmer, jason parr, andrew plunkett, helen potter, neilson raas, shane ralph, john reppin, lee robinson, stephen robson, paul scofield, andrew sullivan, justin tarczon, dianna williamson -
Stawell Historical Society IncPhotograph, Mick Walsh, Mick Walsh Stawell Studio Colour Negatives, 1975 to 1986
... Only those of a non personal nature scanned. Ray Potter Farwell Helen Byron & Colin Raitt Gayle Stewart & Phillip Streeter Chris Marshall & Helen Presser Christine McClure & Andrew Merchant Julie Hutchins & Tony Kosch Debbie Grigg Angela Hayes & Brian Collins Belinda Ferguson & Beardmore Sue Jones & Ray Newton Morgan Bridge 10/11/85 ...Only those of a non personal nature scanned. Ray Potter Farwell Helen Byron & Colin Raitt Gayle Stewart & Phillip Streeter Chris Marshall & Helen Presser Christine McClure & Andrew Merchant Julie Hutchins & Tony Kosch Debbie Grigg Angela Hayes & Brian Collins Belinda Ferguson & Beardmore Sue Jones & Ray Newton Morgan Bridge 10/11/85 Photography Mick Walsh 52 Patrick Street Stawell Colour negatives of families, weddings and other. ...Negatives from Stawell Photographer. Discarded from Penna Print Ararat. Son contacted and gave approval for Stawell Historical Society to keep them. Only those of a non personal nature scanned. Ray Potter Farwell Helen Byron & Colin Raitt Gayle Stewart & Phillip Streeter Chris Marshall & Helen Presser Christine McClure & Andrew Merchant Julie Hutchins & Tony Kosch Debbie Grigg Angela Hayes & Brian Collins Belinda Ferguson & Beardmore Sue Jones & Ray Newton Morgan Bridge 10/11/85 Colour negatives of families, weddings and other. Nineteen Lever Arch Folders Mick Walsh 52 Patrick Street Stawellphotography -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, 1856-1910
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle is part of the John Chance Collection of shipwreck artefacts. The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. A significant item of salt-glazed ceramic stoneware made by the Dundas potteries in Scotland who were renowned for making quality ironstone pottery. The bottle that was in common use throughout the British colonies and America for the containment of ale The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime museum collection by his family Illustrating the level of historical value the subject item has.Beige salt glazed stoneware, bottle with discolorations above base. Manufacturer's oval Inscription lozenge stamped near base. Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, stoneware bottle, pottery, port dundas pottery, william johnstone, bottles, shipwreck artefact, stoneware, ironstone, bottle, glasgow, antique bottle -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value. Bottle, salt glazed stoneware, beige, sealed with wax, discolouration above base. Inscriptions stamped near base. Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line] flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, john chance, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with wax, some discolouration above base. Inscription stamped near base..Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, part sealed with wax and cork, very little discolouration. Inscriptions stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with cork, no discolouration . Inscriptions stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, large chip on lip of bottle. Inscription stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone, pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageCeramic - Stoneware Bottle, Dundas Pottery, Late 1800s to early 1900s
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made in Scotland and recovered decades later from a shipwreck along the coast of Victoria. It may have been amongst the ship's cargo, its provisions or amongst a passenger's personal luggage. It is now part of the John Chance collection. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837 when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a speciality of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide.This stoneware bottle is historically significant for its manufacture and use in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The bottle is also significant as it was recovered by John Chance, a diver, from a wreck on the coast of Victoria in the 1960s-70s. Items that come from several wrecks along Victoria's coast have since been donated to the Flagstaff Hill Maritime Village’s museum collection by his family, illustrating this item’s level of historical value.Bottle, salt glazed stoneware, beige, sealed with cork and wax, discolouration on upper part. Inscription stamped near base.Stamp: [symbol of concentric ovals], text within the symbol "PORT DUNDAS POTTERY COY." and "GLASGOW". Stamp:[Symbol - square with short vertical line in centre of base line]flagstaff hill, warrnambool, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, john chance, shipwreck artefact, stoneware, ironstone pottery, bottle, port dundas pottery, glasgow, antique bottle, william johnstone -
Flagstaff Hill Maritime Museum and VillageContainer - Stone Ware Bottle, Port Dundas Pottery, Circa early 1870's
... George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. ...This bottle was made at the Dundas Pottery Works, in Glasgow, Scotland and recovered from the shipwreck of the Loch Ard. Stoneware bottles similar to this one were in common use during the mid-to-late 19th century. They were used to store and transport beverages like ginger beer, porter or stout. The bottles were handmade using either a potter's wheel or in moulds such as a plaster mould, which gave the bottles uniformity in size and shape. The bottle would then be fired and glazed in a hot kiln. Makers often identified their bottles with the impression of a small symbol or adding a colour to the mouth. The manufacturer usually stamped their bottles with their name and logo, and sometimes a message that the bottle remained their property and should be returned to them. The bottles could then be cleaned and refilled. DUNDAS POTTERY WORKS - The Dundas Pottery works were established in 1828 by William Johnstone in partnership with John Forsyth and John Mc Coll. Located where the Forth and Clyde Canal joined the Monkland Canal, North of Glasgow. Johnstone sold the pottery in 1835 to Robert Cochran and James Couper. Mc Coll was retained as manager until 1837when in 1839 Cochran & Couper sold the pottery and purchased the St Rollex Glass Works. George Duncan took over briefly but died in 1841, with the pottery possibly being run by his widow Helen and a potter named Alexander Paul. James Miller was the manager at the time and he bought the pottery in 1856, in partnership with John Moody. Miller's long and careful stewardship of the pottery saw success from the export market which allowed him to purchase the North British pottery in 1867 until 1874 when it was sold. In 1875, Miller, in partnership with John Young, leased part of Caledonian Pottery, naming it Crown Pottery, however, it burned down in 1879. In the early 1880s, Young extended the pottery and named it Milton Pottery. Miller’s son, James W., became a partner in Milton pottery in 1905. James Miller Snr died in 1905 and the company continued as a limited liability company, being sold to the Borax Consolidation Ltd in 1929, but it was unsuccessful and Possil pottery purchased some of the company's equipment before it finally closed in 1932. From 1828 until the James Miller period of circa 1856, the pottery produced salt-glazed stoneware for the local industrial trade; mainly bottles and drain pipes. James Miller produced various bottles, whisky and acid jars, casks, butter crocks, jam jars and domestic wares in Bristol glaze. He streamlined the water filter manufacturing, which had become a specialty of the pottery, and a dedicated section of the pottery was created solely for their production, which was exported worldwide. It was salvaged from the Loch Ard. The ship Loch Ard was built on the River Clyde in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. It sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. This ink bottle was given to George Shields - a member of the Shields family who have had a long association with the wreck of the Loch Ard. In 1878, following the wreck of the Loch Ard and the subsequent rescue of Eva Carmichael, Eva was taken to Glenample station (near Princetown) to recuperate. It was during this period that Eva became great friends with Jane Shields (an Aunt of George Shields) - a friendship that continued throughout their lives. At that time, Jane was a young woman living in Princetown with her parents and siblings. Many of the Shields family continued to have a great interest in the Loch Ard and several generations of the family are buried in the Loch Ard cemetery.This stoneware bottle is historically significant for its manufacture and use in trade and transport in the late 19th to the early 20th century. This bottle is historically significant for its connection with the well-known stoneware manufacturers, Dundas Pottery of Glasgow, Scotland. The shipwreck of the Loch Ard is of significance for Victoria and is registered on the Victorian Heritage Register ( S 417). Flagstaff Hill has a varied collection of artefact's from Loch Ard and its collection is significant for being one of the largest accumulation of artefact's from this notable Victorian shipwreck of which the subject items are a small part. The collection's objects give us a snapshot of how we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's social and historical themes of the time. Through is associated with the worst and best-known shipwreck in Victoria's history.A beige coloured,salt glazed stoneware bottle with gently tapered sides and a speckled finish. It has two narrow channels around the neck and is missing a stopper. Two 8.5 centimetre pieces of tape, with very faded writing, are stuck horizontally on the side of the bottle. The bottom of the bottle has brown discolouration. It has an oval shaped stamp with a makers' name and location on bottom side of bottle.On tape - "STONE BOTTLE SALVAGED / FROM WRECK OF LOCH ARD/ SUNK NEAR PORT CAMPBELL/ ? 1878" "1624 TNS SAILING SHIP / ONLY 2 SURVIVORS OUT OF / 54 PEOPLE ON BOARD/ NOW KNOWN AS LOCH ARD GORGE" Stamp - "PORT DUNDAS POTTERY / GLASGOW" Symbol - Stamp square with "D"flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, loch ard, stoneware bottle, port dundas pottery, shields family, ginger beer bottle, loch ard salvage, loch ard artefact -
Bendigo Historical Society Inc.Document - LA TROBE UNIVERSITY BENDIGO COLLECTION: BENDIGO TEACHERS' COLLEGE GRADUATION CEREMONY 1961
... The following page contains a list of "Students of 1959-1961 Trained Infant Teacher's Certificate" - Bronwyn Mary Anthony, Helen Rose Argall, Betty Gay Ashby, Edna Rose Attewell, Barbara Christine Bailey, Barbara Isabelle Banfield, Cathleen Mary Banko, Kathleen Margaret Beard, Barbara Anne Beck, Mavis Lynette Brock, Cecily Joan Callister, Kathleen Mary Comer, Alison Jane Currie, Nola Curtis, Margaret Ellen Dowd, Jenifer Lorraine Every, Margaret Jane Ewing, Marie Therese Farrell, Linsey Jean Ferguson, Margaret Esther Fisher, Jean Margaret Fraser, Margaret Ruth Hallett, Elsie Frances Hamilton, Janice Ann Hutchinson, Judith Anne Knopp, Jennifer Mary Ruth Layton, Evelyn Jeanette McKean, Pamela Margaret McMahon, Astrid Norma Magnusson, Jennifer Ann Major, Elaine Joy Maple, Margaret Mary Morrow, Maureen Agnes O'Brien, Geraldine Anne O'Connor, Wendy Nanette O'Neill, Pamela Elsie Parker, Margaret Parslow, Lynette Margaret Pearce, Diane Olive Pell, Gladys Pope, Denise Helen Margaret Potter, Yvonne Joy Puckey, Georgina Mary Rodda, Margaret Agnes Schmidt, Barbara Marion Dorothy Stanton, Rosemary-ann Tipple, Penelope Ann Wallace and Nola Vivienne Williamson. ...The following page contains a list of "Students of 1959-1961 Trained Infant Teacher's Certificate" - Bronwyn Mary Anthony, Helen Rose Argall, Betty Gay Ashby, Edna Rose Attewell, Barbara Christine Bailey, Barbara Isabelle Banfield, Cathleen Mary Banko, Kathleen Margaret Beard, Barbara Anne Beck, Mavis Lynette Brock, Cecily Joan Callister, Kathleen Mary Comer, Alison Jane Currie, Nola Curtis, Margaret Ellen Dowd, Jenifer Lorraine Every, Margaret Jane Ewing, Marie Therese Farrell, Linsey Jean Ferguson, Margaret Esther Fisher, Jean Margaret Fraser, Margaret Ruth Hallett, Elsie Frances Hamilton, Janice Ann Hutchinson, Judith Anne Knopp, Jennifer Mary Ruth Layton, Evelyn Jeanette McKean, Pamela Margaret McMahon, Astrid Norma Magnusson, Jennifer Ann Major, Elaine Joy Maple, Margaret Mary Morrow, Maureen Agnes O'Brien, Geraldine Anne O'Connor, Wendy Nanette O'Neill, Pamela Elsie Parker, Margaret Parslow, Lynette Margaret Pearce, Diane Olive Pell, Gladys Pope, Denise Helen Margaret Potter, Yvonne Joy Puckey, Georgina Mary Rodda, Margaret Agnes Schmidt, Barbara Marion Dorothy Stanton, Rosemary-ann Tipple, Penelope Ann Wallace and Nola Vivienne Williamson. ...A light green document titled "Bendigo Teachers' College Graduation Ceremony 1961". The front page also contains a list of the staff working at the college. They are Mr. S. H. Walters (Principal), Miss J. C. Burnett, Mrs. N. F. Fawdry, Mrs. F. M. Petri, Miss R. E. Manlein, Mrs. D.J. Andrew, Mrs. B. F. Hughes, Miss K. Alexander, Mrs. D. M. Philpott, Miss B. H. Cowling, Mrs. A. J. Coleman, Mr. W. D. Kolle, Mr. F. M. Courtis, Mr. D. A. Newbury, Mr. J. H. Masterton, Mr. C. L. Barker, Mr. T. J. McCabe, Mr. F. G. East, Mr. P. F. Fitzpatrick, Mr. D. O'Brien, Mr. W. J. F. Bernoth, Mr. R. L. Strauch, Mr. M. A. James, Mr. R. E. Wittman, Mr. C. F. Houston, Mr. J. R. R. McLeod, Mr. G. G. Woodfield and Mr. K. C. Coles. The inside cover contains the "Significance of the Ceremony" and "Order of the Ceremony". Mr. F. M. Courtis welcomed the visitors and the Principal read the College Charge. The 'Graduation Book' was presented to Mr. A. L. Harris, Inspector of Schools, by Miss J. C. Burnett. Mr. C. L. Barker presented the 1960-1961 T.P.T.C. graduates to the Principal and Mrs. N. F. Fawdry presented the 1959-1961 T.I.T.C. graduates. Congratulations were offered by the Mayor of Bendigo Cr. F. W. Clayton, J.P. the President of Strathfieldsaye Shire, Cr. G.T. Gleeson and Mr. C. Campbell Head Teacher and Golden Square State School. The Occasional address was presented by Mr. E.C. Kreiger the Assistant Chief Inspector of Primary Schools. The following page contains a list of "Students of 1959-1961 Trained Infant Teacher's Certificate" - Bronwyn Mary Anthony, Helen Rose Argall, Betty Gay Ashby, Edna Rose Attewell, Barbara Christine Bailey, Barbara Isabelle Banfield, Cathleen Mary Banko, Kathleen Margaret Beard, Barbara Anne Beck, Mavis Lynette Brock, Cecily Joan Callister, Kathleen Mary Comer, Alison Jane Currie, Nola Curtis, Margaret Ellen Dowd, Jenifer Lorraine Every, Margaret Jane Ewing, Marie Therese Farrell, Linsey Jean Ferguson, Margaret Esther Fisher, Jean Margaret Fraser, Margaret Ruth Hallett, Elsie Frances Hamilton, Janice Ann Hutchinson, Judith Anne Knopp, Jennifer Mary Ruth Layton, Evelyn Jeanette McKean, Pamela Margaret McMahon, Astrid Norma Magnusson, Jennifer Ann Major, Elaine Joy Maple, Margaret Mary Morrow, Maureen Agnes O'Brien, Geraldine Anne O'Connor, Wendy Nanette O'Neill, Pamela Elsie Parker, Margaret Parslow, Lynette Margaret Pearce, Diane Olive Pell, Gladys Pope, Denise Helen Margaret Potter, Yvonne Joy Puckey, Georgina Mary Rodda, Margaret Agnes Schmidt, Barbara Marion Dorothy Stanton, Rosemary-ann Tipple, Penelope Ann Wallace and Nola Vivienne Williamson. A copy of "Goethe's Nine Essentials for Contented Living" followed this list of students. The back page has a list of the "Students of 1960-1961 Trained Primary Teacher's Certificate" - Ian Roy Aitken, Laurence James Aitken, Daryl Lewis Allemand, Raymond Thomas Arthur, Allan John Attwood, Peter Donald Bavinton, Graham John Bayles, Barry John Cameron, Margaret Suesan Chapman, Elizabeth Rae Clark, Kenneth Clarence Collins, Gavin Ernest Collinson, Terrance Richard Cook, Alan James Daniel, Peter Charles Derrick, Retford John Reuben Dettmann, John William Dicker, Judith Margaret Edwards, Donald Bertram Elshaug, David Forrester, Rodney Robert Foy, Clare Denise Frigerio, Colin David Gaylard, Barry Alexander Gemmell, Anne Isobel Godward, Peter Rodney Goode, John Jefferson Goold, John James Goonan, Ann Merilyn Hamilton, Thelma Grace Hartland, Jennifer Iris Hartvigsen, Bernice Joy Holland, Christopher John Hunt, Marjorie Catherine Iddles, Colin James Jenkins, Darryl Allan Jobling, Marcia Lillette Johnson, Albert Jordon, Janet Laurel Kennedy, John Joseph Kennedy, Malcolm James Kennedy, Frances Marjorie Leach, John Edward Lewis, Ivan James McCarrey, Kerry Francis McCartney, Graeme John McKean, Ian Hamilton McLean, David George Martin, John Russell Meers, Elizabeth Carolyn Miller, Ian Malcolm Morley, Campbell Frederick Muller, Noni Clare Murphy, Patricia Marie Murphy, Anne Mustey, Pauline Elizabeth Norman, Janice Anne North, Joan Margaret O'Callaghan, Margaret Mary O'Connor, William James Ovenden, Gordon Richard Patterson, Lawrence George Pattinson, Marcia Nancy Penrose, Judith Elaine Plant, Peter Alwyn Neville Aloysius Pritchard, Janice Yvonne Reid, David Barry Richards, William Clifford Richards, Geoffrey Roy Rodwell, Glenese Theresa Shanahan, Elizabeth Mary Shaw, Ian Russell Stapleton, Beverley Adeline Stevenson, Ronald John Stone, Nicholas Henry Sulinski, Daryl John Tatt, Brendan Joseph Tinkler, Roy Hamilton Trimble, Kenneth Graham Utber, Beverley June Vickers, Melva Elaine Vinnicombe, John Cornforth Waldron, Bruce Henry Walker, Frederick Robert Weight, Norman James West, Geoffrey Arthur Wigg, Lynette Patricia Wilkinson, Valiant Roy Wojtkiw, Janice Rae Woodcock, Peter Joseph Woods, Aleathea Nola Wootton and Susanne Katherine Yeamanbendigo, education, bendigo teachers' college graduatio, la trobe university bendigo collection, collection, bendigo teachers' college, bendigo, education, teaching, teachers, students, bendigo teachers' college students, bendigo teachers' college staff, tertiary education, history, graduates, graduands, book, teacher training, graduation ceremony -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat College of Advanced Education: Newspaper Cuttings, April to December 1987
... Helen goldfields Newspaper cuttings collected from various sources. - Ballarat Courier, The Australian, Warrnambool Standard, The Age, The Standard, The News, Ballarat News, East Gippsland News. The items are from 4 April to 17 December 1987. . ballarat college of advanced education bcae nursing janine pilven potter changes in education White A4 four ring folder. ...Newspaper cuttings collected from various sources. - Ballarat Courier, The Australian, Warrnambool Standard, The Age, The Standard, The News, Ballarat News, East Gippsland News. The items are from 4 April to 17 December 1987. .White A4 four ring folder. Divided into months by coloured dividers. ballarat college of advanced education, bcae, nursing, janine pilven, potter, changes in education -
Federation University Historical CollectionMagazine - Booklet, G.W. Barton, The Australian Literary and Investors Review, Vol IV, 1908, 28/10/1908
... Barker Library (top floor) Mount Helen goldfields investors g.w. barton bank of australasia royal bank of australia castlemaine brewery castle salt city of newcastle gas and coke co denton hat mills ltf national bank of new zealand potter's sulphide ore treatment ltd royal exchange of sydney north shore gas company perpetual trustee co. ltd launceston cas co footscray gas and coke co. ltd kauri timber co. new zealand 36 page magazine The Australian Literary and Investors Review, Vol IV, 1908 Magazine Booklet G.W. ...36 page magazine investors, g.w. barton, bank of australasia, royal bank of australia, castlemaine brewery, castle salt, city of newcastle gas and coke co, denton hat mills ltf, national bank of new zealand, potter's sulphide ore treatment ltd, royal exchange of sydney, north shore gas company, perpetual trustee co. ltd, launceston cas co, footscray gas and coke co. ltd, kauri timber co. new zealand -
Federation University Historical CollectionPhotograph, Jeannie King and Steve Potter, 12/2001
... Barker Library (top floor) Mount Helen goldfields jeannie king steve potter award Jeannie King and Steve Potter Photograph ...jeannie king, steve potter, award -
Federation University Historical CollectionPhotograph - Colour Photograph, Neville French at the Potter's Wheel, 14/08/2001
... Barker Library (top floor) Mount Helen goldfields Neville french pottery ceramics Neville French at the Potter's Wheel Neville French at the Potter's Wheel Photograph Colour Photograph ...Neville French at the Potter's Wheelneville french, pottery, ceramics -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 47, March 1991 to May 1991
... potter...wayne strong new inskill manager...smb music program for children...jean read and helen...Helen goldfields Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 2 March 1991 to 24 May 1991. teaching positions advertised pre-employment courses courses available enrolment for smb courses education under threat in country apprenticeship system threatened students work for community and industry jason williams - roger keen - jamie walker metalworks finals tools to help disabled neville french local potter wayne strong new inskill manager smb music program for children jean read and helen fairhall students plant an elm austin mccallum special development school heather horrocks and bruce stalley adult literacy resource centre motivation is the key catherine mccann autumn music in the gardens bradley slater and lana zylan adam fleming plumbing and gas fitting award meg and rosalie barry native garden honors former apprentice ballarat library use increased adam lindsay gordon cottage extensions to child care centre jack barker smb director praises staff damian smith top apprentice trimathon planned christopher sanders potter jill simmons and john o'laughlin ceramics students alfred mica smith Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 2 March 1991 to 24 May 1991.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, education under threat in country, apprenticeship system threatened, students work for community and industry, jason williams - roger keen - jamie walker, metalworks finals, tools to help disabled, neville french local potter, wayne strong new inskill manager, smb music program for children, jean read and helen fairhall, students plant an elm, austin mccallum special development school, heather horrocks and bruce stalley, adult literacy resource centre, motivation is the key, catherine mccann, autumn music in the gardens, bradley slater and lana zylan, adam fleming plumbing and gas fitting award, meg and rosalie barry, native garden honors former apprentice, ballarat library use increased, adam lindsay gordon cottage, extensions to child care centre, jack barker, smb director praises staff, damian smith top apprentice, trimathon planned, christopher sanders potter, jill simmons and john o'laughlin ceramics students, alfred mica smith -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat School of MInes: Scrapbook of Newspaper Cuttings, Book 60, February 1994 to April 1994
... Helen goldfields Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 15 February 1994 to 13 April 1994. teaching positions advertised pre-employment courses courses available enrolment for smb courses ararat tafe left out of guide open learning program smb helps disabled people gwyn hanssen-pigott potter rob gravestocks paul parker theatre teachers computers put smb at the top kelvin jarvis history in education adult literacy tutors poetry in pottery wayne braybrook wins vce award walk against want michael bracher compic menus at city hotels smb community college plan Book with yellow cover, front, spiral bound. ...Collection of newspaper articles related to Ballarat School Of Mines.They cover activities and advertisements for staff. The papers concerned are The Courier, Ballarat, The Australian, The Age over the period of 15 February 1994 to 13 April 1994.Book with yellow cover, front, spiral bound. teaching positions advertised, pre-employment courses, courses available, enrolment for smb courses, ararat tafe left out of guide, open learning program, smb helps disabled people, gwyn hanssen-pigott potter, rob gravestocks, paul parker, theatre teachers, computers put smb at the top, kelvin jarvis, history in education, adult literacy tutors, poetry in pottery, wayne braybrook wins vce award, walk against want, michael bracher, compic menus at city hotels, smb community college plan -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat Institute of Advanced Education: Scrapbook of newspaper cutting, Book 3, July 1970 to December 1970
... helen campus opening...centenary of great achievement...governments give $100000 to institute...student from last century...mrs o ratray...biae asked to train librarians...buninyong seek talks...problems of "background" in education...exhibition by jon crawley - potter...technical principals' association miss n findley of emily mcpherson college visiting heads admire facilities at biae advisory council sets guidelines smb plaque unveiled $25000 to centenary appeal national service exemption granted technical schools disrupted by teachers' strike bid for fourth university librarian course advocated smb appeal at $221000 centenary of technical education in australia mt helen campus opening centenary of great achievement governments give $100000 to institute student from last century mrs o ratray biae asked to train librarians buninyong seek talks problems of "background" in education exhibition by jon crawley - potter mr thompson's comment art sake at school 90 engineers at biae Ray Woollard Book with yellow cover, front. ...Newspaper cuttings relating to Ballarat Institute of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 7 July 1970 to 12 December 1970. Book with yellow cover, front. Spiral bound.ballarat institute of advanced education, biae, employment advertisements, early school records found, council records from 1870 - 1893, john lynch wins stock exchange award, b r hames to deliver lecture at smb, death of a w steane, biae motor cycle club visit factory, mount helen campus of the future, visit from mt isa officer, centenary celebrations, peter hensley outstanding academic record 1969, rosslynne guymer, hill climb, repco gives $5000 to smb fund, ray woolard artist, mineral discoveries in australia, centenary prediction, centenary medallion, betty archdale to deliver fourth lecture, looking back on school history, e j tippett, threshold of the second century, e j barker, stanley white awarded csiro doctoral scholarship, tertiary colleges should be community centre, post-diploma course in malting and brewing, young geologists from broken hill, technical conference for ballarat, banks' gift, exhibition by students, rare rocks for biae, teachers' college at mt helen?, technical principals' association, miss n findley of emily mcpherson college, visiting heads admire facilities at biae, advisory council sets guidelines, smb plaque unveiled, $25000 to centenary appeal, national service exemption granted, technical schools disrupted by teachers' strike, bid for fourth university, librarian course advocated, smb appeal at $221000, centenary of technical education in australia, mt helen campus opening, centenary of great achievement, governments give $100000 to institute, student from last century, mrs o ratray, biae asked to train librarians, buninyong seek talks, problems of "background" in education, exhibition by jon crawley - potter, mr thompson's comment, art sake at school, 90 engineers at biae, ray woollard -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 9; March 1981 to September 1981
... helen hately...50 years on...college enrolments climb...ronald potter...Many items are dedicated to the opening of Founder's Hall. . employment advertisements application for enrolment outline of courses wind power at bcae cash outlook gloomy concert to celebrate hall opening grim look for teachers opening of founder's hall conferring of degrees at founder's hall bhp chief at degree conferring way to economic growth education mission from china library award to bcae student helen hately 50 years on college enrolments climb ronald potter winner of a e stohr medal of the institution of engineers stop college cuts political bias denied protest at education cuts graduate tom honeyman at bcae college water supply bcae field trip to western australia lectures for industry bill rofe zig plavina careers in sciences seminar fitness for volunteers study of walnuts a hit siddons plan solar heating thrust william charters inventor jobs that go begging shortage of engineers careers seminar at bcae morgan john retires prints by students on show pam dethridge hard work pays off labor pledge on education unemployment in ballarat bcae student dinner advanced learning program for secondary students first exhibition for eric collins 30 escape bus crash mining cadetship awarded to tom devries bcae open day technology week getting the facts at bcae memorial lecture prof weston bate tertiary education disadvantaged goldrush miners relied on luck more tafe funding 'not enough' equus ready for stage mineral exports vital Book with grey cover, front. ...Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 12 March 1981 to 1 September 1981. Many items are dedicated to the opening of Founder's Hall. . Book with grey cover, front. Image of draught horses. Spiral bound.employment advertisements, application for enrolment, outline of courses, wind power at bcae, cash outlook gloomy, concert to celebrate hall opening, grim look for teachers, opening of founder's hall, conferring of degrees at founder's hall, bhp chief at degree conferring, way to economic growth, education mission from china, library award to bcae student, helen hately, 50 years on, college enrolments climb, ronald potter winner of a e stohr medal of the institution of engineers, stop college cuts, political bias denied, protest at education cuts, graduate tom honeyman at bcae, college water supply, bcae field trip to western australia, lectures for industry, bill rofe, zig plavina, careers in sciences seminar, fitness for volunteers, study of walnuts a hit, siddons plan solar heating thrust, william charters inventor, jobs that go begging, shortage of engineers, careers seminar at bcae, morgan john retires, prints by students on show, pam dethridge, hard work pays off, labor pledge on education, unemployment in ballarat, bcae student dinner, advanced learning program for secondary students, first exhibition for eric collins, 30 escape bus crash, mining cadetship awarded to tom devries, bcae open day, technology week, getting the facts at bcae, memorial lecture, prof weston bate, tertiary education disadvantaged, goldrush miners relied on luck, more tafe funding 'not enough', equus ready for stage, mineral exports vital -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 11; May 1982 to November 1982
... Helen goldfields Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 8 May 1982 to 30 November 1982. . employment advertisements application for enrolment outline of courses dr dennis else warning on hearing hazards sculptures to suit the home repairs to bcae building environment the key to good health potter milton moon harnessing of wind power chemistry contest winners companies help students mildura shire buys sculpture peter blizzard wind power unit steve palmer turn on the tap national safety council award andrew barnard work value recognised stan sweatman reorganisation for colleges seminar for tertiary education hopes come true bcae new creche unis out to earn a dollar open day at bcae victorian industrial safety convention dennis else from england ralph vernon from texas canoeing display cinema's great sin film expert jerzy toeplitz tim palmer to study in united states educationalist daryl siedentop from america life on groote eylandt wendy berglin will longstaff ballarat artist not represented at art gallery winning with sports psychology recognition for peter fryar exercise can save $274m course in human behaviour hostel take-over serious threat beaufort house hostel sandy blythe full recognition for bcae librarianship course Book with grey cover, front. ...Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 8 May 1982 to 30 November 1982. . Book with grey cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, dr dennis else, warning on hearing hazards, sculptures to suit the home, repairs to bcae building, environment the key to good health, potter milton moon, harnessing of wind power, chemistry contest winners, companies help students, mildura shire buys sculpture, peter blizzard, wind power unit, steve palmer, turn on the tap, national safety council award, andrew barnard, work value recognised, stan sweatman, reorganisation for colleges, seminar for tertiary education, hopes come true, bcae new creche, unis out to earn a dollar, open day at bcae, victorian industrial safety convention, dennis else from england, ralph vernon from texas, canoeing display, cinema's great sin, film expert jerzy toeplitz, tim palmer to study in united states, educationalist daryl siedentop from america, life on groote eylandt, wendy berglin, will longstaff ballarat artist, not represented at art gallery, winning with sports psychology, recognition for peter fryar, exercise can save $274m, course in human behaviour, hostel take-over serious threat, beaufort house hostel, sandy blythe, full recognition for bcae librarianship course -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 12; November 1982 to May 1983
... Helen goldfields Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 30 November 1982 to 19 May 1983. . employment advertisements application for enrolment outline of courses new technology special concerts in founders hall spiros rantos exhibition by students new computer course electrical engineeringto the fore beaufort house to remain open bogus surveys warning young potters show wares adolescent drinking sheryl upton research ballarat leads in industrial safety marooned in antarctica dick richards student accommodation second priority victor edward greenhalgh ballarat sculptor myths about pocket money rosemary selkirk women turn to tertiary study health safety factors in new technology screen based equipment breaking the sound barrier euan pescott achievements despite deafness mars factory to use wind power foundry way ceramics display data bank in ballarat trading hours truths exposed fashion and fabric design greg mannix formerly of ballarat science courses could be tougher farmer-turned-teacher barrymacklin teachers urged to encourage students drawn into war geoff mainwarring when people need help anz bank gives new computer deans meet in ballarat mining education returns 'home' bcae centre of mining engineering high technology not a solution printmaker buys rare old press Book with beige cover, front. ...Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 30 November 1982 to 19 May 1983. . Book with beige cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, new technology, special concerts in founders hall, spiros rantos, exhibition by students, new computer course, electrical engineeringto the fore, beaufort house to remain open, bogus surveys warning, young potters show wares, adolescent drinking, sheryl upton research, ballarat leads in industrial safety, marooned in antarctica, dick richards, student accommodation second priority, victor edward greenhalgh ballarat sculptor, myths about pocket money, rosemary selkirk, women turn to tertiary study, health safety factors in new technology, screen based equipment, breaking the sound barrier, euan pescott achievements despite deafness, mars factory to use wind power, foundry way ceramics display, data bank in ballarat, trading hours truths exposed, fashion and fabric design, greg mannix formerly of ballarat, science courses could be tougher, farmer-turned-teacher, barrymacklin, teachers urged to encourage students, drawn into war, geoff mainwarring, when people need help, anz bank gives new computer, deans meet in ballarat, mining education returns 'home', bcae centre of mining engineering, high technology not a solution, printmaker buys rare old press, -
Federation University Historical CollectionBook - Book - Scrapbook, Ballarat College of Advanced Education: Scrapbook of newspaper cutting, Book 14; November 1983 to June 1984
... Helen goldfields Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 1 November 1983 to 20 June 1984. . employment advertisements application for enrolment outline of courses peter pilven - potter h r hughan award how to get organised organising personal files 400 million years old plants fossils at bcae new pottery kiln fund for grand piano bcae phys ed aims neville bunning at 81 living on a limited income visiting engineers from india and fiji industrial safety course dennis else student accommodation closure of hostels anne kilminster - northern territory mining education group visits ballarat lecturer's book out soon garry kinnane sandy blythe - paraplegic phys ed teacher ballarat's mature-age mafia lyn bowers heather howard pam bignell sue nichols death of tom turner principal of teachers' college 1950-1970 lynette snibson medal winner new bcae graduates kiran mazumdar visits from india neil trezise at bcae tertiary staff changes to save millions wayne herbertson toni shephard western mining award to chris elliot roped in for triple egg beater heated pool debate nurses will go to college from base to bcae paul rainbow awarded associateship exhibited at the lighthouse sculptor ken palmer chifley bust graduates finding good jobs sir george paton steve moneghetti hopes to run again Book with beige cover, front. ...Newspaper cuttings relating to Ballarat College of Advanced Education. These are from various newspapers and include The Age, Ballarat Courier, The Australian, The Herald. The cuttings cover the period from 1 November 1983 to 20 June 1984. . Book with beige cover, front. Spiral bound.employment advertisements, application for enrolment, outline of courses, peter pilven - potter, h r hughan award, how to get organised, organising personal files, 400 million years old, plants fossils at bcae, new pottery kiln, fund for grand piano, bcae phys ed aims, neville bunning at 81, living on a limited income, visiting engineers from india and fiji, industrial safety course, dennis else, student accommodation, closure of hostels, anne kilminster - northern territory, mining education group visits ballarat, lecturer's book out soon, garry kinnane, sandy blythe - paraplegic, phys ed teacher, ballarat's mature-age mafia, lyn bowers, heather howard, pam bignell, sue nichols, death of tom turner, principal of teachers' college 1950-1970, lynette snibson medal winner, new bcae graduates, kiran mazumdar visits from india, neil trezise at bcae, tertiary staff changes to save millions, wayne herbertson, toni shephard, western mining award to chris elliot, roped in for triple egg beater, heated pool debate, nurses will go to college, from base to bcae, paul rainbow awarded associateship, exhibited at the lighthouse, sculptor ken palmer, chifley bust, graduates finding good jobs, sir george paton, steve moneghetti hopes to run again -
Eltham District Historical Society IncPhotograph - Digital Photograph, Marguerite Marshall, Art Gallery at Clifton Pugh's Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
... A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. ...A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. ...Art Gallery with mural painted by Clifton Pugh (1924-1990) at his Artists' Colony, Dunmoochin, Barreenong Road, Cottles Bridge. Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p153 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Eltham District Historical Society IncPhotograph - Digital Photograph, Marguerite Marshall, Doorway of Clifton Pugh's former house at Dunmoochin, Barreenong Road, Cottles Bridge, 5 February 2008
... A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. ...A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. ...Following military service in the second world war, Clifton Pugh studied under artist Sir William Dargie at the National Gallery School in Melbourne as well as Justus Jorgensen, founder of Montsalvat. For a while he lived on the dole but also worked packing eggs for the Belot family saving sufficient to purchase six acres (2.4 ha) of land at Barreenong Road, Cottles Bridge. He accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in a property of approximately 200 acres, stablishing it as one of the first artistic communes in Australia alongside Montsalvat in Eltham. It was around 1951 that Pugh felt he had '"done moochin' around" and so the name of the property evolved. He bought timber from Alistair Knox to build his house on the crest of a hill. Inspired by local goldminer's huts, it was a one room wattle-and-daub structure with dirt floor. Over the years it expanded with thick adobe walls made from local clay, high ceilings and stone floors. All materials other than the local earth were sourced from second hand materials, most found at wreckers' yards. Artists from across the nation were drawn to Dunmoochin, with several setting up houses and shacks on the property, maintaining their independence but sharing their artistic zeal. Artists who worked or resided at Dunmoochin included Mirka Mora, John Perceval, Albert Tucker, Fred Williams, Charles Blackman, Arthur Boyd and John Olsen. In 2002, Pugh's house along with its treasure trove of art and a library of some 20,000 books was destroyed by fire. Traces of Pugh's home remain with the presence of the Victorian doorframe archway with leadlight of intricate design, procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. In place of Pugh's house rose two double-storey mud-brick artists' studios topped with corrugated iron rooves curved like the wings of a bird with accommodation for seven. The original studios, gallery and other buildings survived the fire. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p155 It’s not surprising that artist Clifton Pugh was drawn to Cottles Bridge to establish his artists’ colony Dunmoochin. Undisturbed by the clamour of modern life at Barreenong Road, Pugh was surrounded by the Australian bush he loved, and where his ashes were later scattered. The 200 acres (81ha) of bushland, broken by glimpses of rolling hills, has more than 50 species of orchids and Pugh shared his property with native animals including kangaroos, emus, phascogales, wombats, and diverse bird life. Pugh encouraged these creatures to join him in the bush by creating, with Monash University, a holding station where the animals were raised. Dunmoochin inspired Pugh for such paintings as in a book on orchids and the Death of a Wombat series.1 But his love for the bush was accompanied by the fear that Europeans were destroying it and much of his painting illustrated this fear and his plea for its conservation.2 However it was his house rather than the surrounding bush that was to be destroyed. Tragically in 2002 Pugh’s house, with its treasure of art and library of 20,000 art books, was destroyed by fire. Traces of the beauty of Pugh’s home still remain, however, in the magnificent Victorian doorframe archway with leadlight of intricate design procured from a demolished Melbourne mansion; and two bronze life-sized female statues created by Pugh and cast by Matcham Skipper. Now in place of Pugh’s house, are two double-storey mud-brick artists’ studios topped with corrugated roofs curved like birds’ wings, with accommodation for seven. The original studios, gallery and other buildings remain.3 Pugh grew up on his parents’ hobby farm at Briar Hill and attended the Briar Hill Primary School, then Eltham High School and later Ivanhoe Grammar. At 15 he became a copy boy for the Radio Times newspaper, then worked as a junior in a drafting office. Pugh was to have three wives and two sons. After serving in World War Two in New Guinea and Japan, Pugh studied under artist Sir William Dargie, at the National Gallery School in Melbourne.4 Another of his teachers was Justus Jörgensen, founder of Montsalvat the Eltham Artists’ Colony. Pugh lived on the dole for a while and paid for his first six acres (2.4ha) at Barreenong Road by working as an egg packer for the Belot family. Pugh accumulated more land and persuaded several other artists and friends to buy land nearby, resulting in the 200 acre property. They, too, purchased their land from the Belot family by working with their chickens. Around 1951 Pugh felt he had ‘Done moochin’ around’ and so the name of his property was born. Pugh bought some used timber from architect Alistair Knox to build his house on the crest of a hill. Inspired by local goldminers’ huts it was a one-room wattle-and-daub structure with a dirt floor. It was so small that the only room he could find for his telephone was on the fork of a tree nearby.5 Over the years the mud-brick house grew to 120 squares in the style now synonymous with Eltham. It had thick adobe walls (sun-dried bricks) made from local clay, high ceilings and stone floors with the entire structure made of second-hand materials – most found at wreckers’ yards. Pugh’s first major show in Melbourne in 1957, established him as a distinctive new painter, breaking away from the European tradition ‘yet not closely allied to any particular school of Australian painting’.6 Pugh became internationally known and was awarded the Order of Australia. He won the Archibald Prize for portraiture three times, although he preferred painting the bush and native animals. In 1990 not long before he died, Pugh was named the Australian War Memorial’s official artist at the 75th anniversary of the landing at Gallipoli. Today one of Pugh’s legacies is the Dunmoochin Foundation, which gives seven individual artists or couples and environmental researchers the chance to work in beautiful and peaceful surroundings, usually for a year. By November 2007, more than 80 people had taken part, and the first disabled artist had been chosen to reside in a new studio with disabled access.1 In 1989, not long before Pugh died in 1990 of a heart attack at age 65, he established the Foundation with La Trobe University and the Victorian Conservation Trust now the Trust for Nature. Pugh’s gift to the Australian people – of around 14 hectares of bushland and buildings and about 550 art works – is run by a voluntary board of directors, headed by one of his sons, Shane Pugh. La Trobe University in Victoria stores and curates the art collection and organises its exhibition around Australia.2 The Foundation aims to protect and foster the natural environment and to provide residences, studios and community art facilities at a minimal cost for artists and environmental researchers. They reside at the non-profit organisation for a year at minimal cost. The buildings, some decorated with murals painted by Pugh and including a gallery, were constructed by Pugh, family and friends, with recycled as well as new materials and mud-bricks. The Foundation is inspired by the tradition begun by the Dunmoochin Artists’ Cooperative which formed in the late 1950s as one of the first artistic communes in Australia. Members bought the land collaboratively and built the seven dwellings so that none could overlook another. But, in the late 1960s, the land was split into private land holdings, which ended the cooperative. Dunmoochin attracted visits from the famous artists of the day including guitarists John Williams and Segovia; singer and comedian Rolf Harris; comedian Barry Humphries; and artists Charles Blackman, Arthur Boyd and Mirka Mora. A potters’ community, started by Peter and Helen Laycock with Alma Shanahan, held monthly exhibitions in the 1960s, attracting local, interstate and international visitors – with up to 500 attending at a time.3 Most artists sold their properties and moved away. But two of the original artists remained into the new millennium as did relative newcomer Heja Chong who built on Pugh’s property (now owned by the Dunmoochin Foundation). In 1984 Chong brought the 1000-year-old Japanese Bizan pottery method to Dunmoochin. She helped build (with potters from all over Australia) the distinctive Bizan-style kiln, which fires pottery from eight to 14 days in pine timber, to produce the Bizan unglazed and simple subdued style. The kiln, which is rare in Australia, is very large with adjoining interconnected ovens of different sizes, providing different temperatures and firing conditions. Frank Werther, who befriended Pugh as a fellow student at the National Gallery Art School in Melbourne, built his house off Barreenong Road in 1954. Werther is a painter of the abstract and colourist style and taught art for about 30 years. Like so many in the post-war years in Eltham Shire, as it was called then, Werther built his home in stages using mud-brick and second-hand materials. The L-shaped house is single-storey but two-storey in parts with a corrugated-iron pitched roof. The waterhole used by the Werthers for their water supply is thought to be a former goldmining shaft.4 Alma Shanahan at Barreenong Road was the first to join Pugh around 1953. They also met at the National Gallery Art School and Shanahan at first visited each weekend to work, mainly making mud-bricks. She shared Pugh’s love for the bush, but when their love affair ended, she designed and built her own house a few hundred yards (metres) away. The mud-brick and timber residence, made in stages with local materials, is rectangular, single-storey with a corrugated-iron roof. As a potter, Shanahan did not originally qualify as an official Cooperative member.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, art gallery, clifton pugh, dunmoochin, cottlesbridge, cottles bridge, barreenong road -
Federation University Historical CollectionBook, Ballarat Junior Technical School Council Report Book, 1923-1949, 1923-1949
... Helen goldfields The Ballarat Junior Technical School opened in 1913 under the jurisdiction of the Ballarat School of Mines. The first Principal was Albert W. Steane. ballarat junior technical school bjts junior technical school middleton steane white flat white flat improvement committee wireless club ripper calder. whitla jeffrey ballarat school of mines albert steane w. middleton r.v. maddison w. trendle c. whitla william h. clarke george dimsey lancelot g. chegurni w. hill student statistics a.e. potter ana a.j. reid a.c. miller charles jeffery library scholarships victor cole alan snell raymond gleeson william cooper kenneth smith kenneth williams c. jeffery r. cutter Blue, hardcovered book with blue lined pages that have been written on in ink. ...The Ballarat Junior Technical School opened in 1913 under the jurisdiction of the Ballarat School of Mines. The first Principal was Albert W. Steane. Blue, hardcovered book with blue lined pages that have been written on in ink. The reports from 1923 are written by Ballarat Junior Technical School Principal Albert Stean, and have been countersigned by William Henry Middleton. From 1944 the reports were signed by C. Jeffery. and the one from 1949 they was signed by Mr Cutter. Contents include enrolment numbers, White Flat Improvement Committee, School Fair, Wireless Club, garden improvements, swimming, sports, Mothers' Club, Battery Paddock, football, orphanage boys, choir, scholarships, Empire Youth Day, ballarat junior technical school, bjts, junior technical school, middleton, steane, white flat, white flat improvement committee, wireless club, ripper, calder. whitla, jeffrey, ballarat school of mines, albert steane, w. middleton, r.v. maddison, w. trendle, c. whitla, william h. clarke, george dimsey, lancelot g. chegurni, w. hill, student statistics, a.e. potter, ana, a.j. reid, a.c. miller, charles jeffery, library, scholarships, victor cole, alan snell, raymond gleeson, william cooper, kenneth smith, kenneth williams, c. jeffery, r. cutter -
Federation University Historical CollectionBook, Ballarat School of Mines Students' Magazine, 1902-1906, 1902-1906
... Barker Library (top floor) Mount Helen goldfields The Ballarat School of Mines is a predecessor institution of Federation University Ausgtralia. ballarat school of mines magazines sports committee thomas williams mount lyell w. pearce t. williams s. hepburn seward w. figgis j.r. reid p. elliott p.a. pratt n. buley john sutherland h.r murphy j. inglis r. nevett herbert l. krause broken hill artistic printing process hints on portraiture arizona cornish mining ausimm at the central mine, broken hill iron knob brown boveri turbo generator at block 10 junction mine plant or potter process broken hill propriety mill carlyon's hotel sam jamieson electrical labortory ballarat school of mines rowing eight sports committee, rowing on lake wendouree boat shed h. valentine l. seward c. macgennis d. don m. gaunt h. owne l. nott s. leathes j.a. reid h.r. murphy alfred mica smith r. hosking zeehan moonta wallaroo smelting silver south africa south australia excursion sunnyside woollen mills tasmanian excursion swedish iron mt jukes excurson western australian gold ore wynne-grant furnace bhp sintering slimes leggo furnace mine ventilation mount morgan mine mount pani ltd new zealand coal adelaide school of mines students' association at iron knob ausimm excursions visits South Australian Excursion Five copies of the Ballarat School of Mines Students' Magazine bound in a blue hard cover and quart bound in calf. 1902 - Retirement of Herbert L. ...The Ballarat School of Mines is a predecessor institution of Federation University Ausgtralia.Five copies of the Ballarat School of Mines Students' Magazine bound in a blue hard cover and quart bound in calf. 1902 - Retirement of Herbert L. Krause 1905 - Mt Lyall Ore Deposits Images: Ballarat School of Mines Sports Association Committee and Officers, 1905 Standing left to right: W. Pearce, T. Williams, S. Hepburn, Seward, W. Figgis, J.R. Reid, P. Elliott Sitting left to right: P.A. Pratt, N. Buley, John Sutherland, H.R Murphy, J. Inglis, R. Nevett 1906 Excursion to Broken Hill, The Artistic Printing Process, Hints on Portraiture, Arizona, Cornish Mining Images Ballarat School of Mines and AusImm at the Central Mine, Broken Hill; At Iron Knob, Brown Boveri Turbo Generator at Block 10, Junction Mine plant or Potter Process, Broken Hill Propriety Mill, Carlyon's Hotel, Sam Jamieson, Electrical Labortory, Ballarat School of Mines Rowing Eight, Sports Committee,ballarat school of mines, magazines, sports committee, thomas williams, mount lyell, w. pearce, t. williams, s. hepburn, seward, w. figgis, j.r. reid, p. elliott, p.a. pratt, n. buley, john sutherland, h.r murphy, j. inglis, r. nevett, herbert l. krause, broken hill, artistic printing process, hints on portraiture, arizona, cornish mining, ausimm at the central mine, broken hill, iron knob, brown boveri turbo generator at block 10, junction mine plant or potter process, broken hill propriety mill, carlyon's hotel, sam jamieson, electrical labortory, ballarat school of mines rowing eight, sports committee,, rowing on lake wendouree, boat shed, h. valentine, l. seward, c. macgennis, d. don, m. gaunt, h. owne, l. nott, s. leathes, j.a. reid, h.r. murphy, alfred mica smith, r. hosking, zeehan, moonta, wallaroo, smelting silver, south africa, south australia excursion, sunnyside woollen mills, tasmanian excursion, swedish iron, mt jukes excurson, western australian gold ore, wynne-grant furnace, bhp sintering slimes, leggo furnace, mine ventilation, mount morgan mine, mount pani ltd, new zealand coal, adelaide school of mines, students' association, at iron knob, ausimm, excursions, visits, south australian excursion -
Federation University Historical CollectionBooklet, Brian McLennan et al, Ballarat School of Mines proposal for Certificate of Applied Art: Ceramics, 1983, 06/1983
... Barker Library (top floor) Mount Helen goldfields Ballarat School of Mines is a predecessor institution of Federation University Australia. ballarat school of mines ceramics applied ceramics brian mclennan r. mcfarlane population statistics old ballarat pottery john gilbert old ballarat village ewan jones neville french Black and white soft covered book with plastic ring type binding, and features an image of a plate being turned on the wheel. The book was prepared for the proposed Certificate of Applied Art: Ceramics at the Ballarat School of Mines. Population statistics for the Central Highlands region in 1981 is given. The book includes a list of Ballarat and District potters ...Ballarat School of Mines is a predecessor institution of Federation University Australia.Black and white soft covered book with plastic ring type binding, and features an image of a plate being turned on the wheel. The book was prepared for the proposed Certificate of Applied Art: Ceramics at the Ballarat School of Mines. Population statistics for the Central Highlands region in 1981 is given. The book includes a list of Ballarat and District potters, and galleries. Two articles on John Gilbert's Old Ballarat Pottery are attached. The book is planning Document 7.83 ballarat school of mines, ceramics, applied ceramics, brian mclennan, r. mcfarlane, population statistics, old ballarat pottery, john gilbert, old ballarat village, ewan jones, neville french -
Federation University Historical CollectionEngineering drawings, Set of nine student's technical drawings 'Boom gate' and 'Potters wheel', 1975
... Barker Library (top floor) Mount Helen goldfields mechanical engineering technical drawing peter ian kilpatrick set of 9 pencil on paper student's technical drawings .1 - .2) Boom gate .3 - .9) Potters wheel Set of nine student's technical drawings 'Boom gate' and 'Potters wheel' Engineering drawings ...set of 9 pencil on paper student's technical drawings .1 - .2) Boom gate .3 - .9) Potters wheelmechanical engineering, technical drawing, peter ian kilpatrick -
Federation University Historical CollectionStudent's Technical Drawing, Technical Drawing, 1929
... Barker Library (top floor) Mount Helen goldfields technical drawing engineering drawings a potter n. edwards truss Ink on paper student's technical drawing: Top member of truss Technical Drawing Student's Technical Drawing ...Ink on paper student's technical drawing: Top member of trusstechnical drawing, engineering drawings, a potter, n. edwards, truss -
Sunshine and District Historical Society IncorporatedNewspaper - Herald Sun Australians Of The Century Special Edition 11th March 1998, Herald Sun, Herald Sun Australians Of The Century Thursday March 11 1998, 11th March 1999
... Potter B. A. Santamaria Fred Schepisi Simpson and his Donkey Ross and Keith Smith Catherine Helen Spence Struan Sutherland Fred Williams James Wolfensohn Judith Wright...Potter B. A. Santamaria Fred Schepisi Simpson and his Donkey Ross and Keith Smith Catherine Helen Spence Struan Sutherland Fred Williams James Wolfensohn Judith Wright Newspaper, part only featuring Australians of the Century Herald Sun Australians Of The Century Thursday March 11 1998 Newspaper Herald Sun Australians Of The Century Special Edition 11th March 1998 Herald Sun ...A distinguished Herald Sun panel judges 100 years of remarkable achievement by Australians.Newspaper, part only featuring Australians of the Centurynon-fictionA distinguished Herald Sun panel judges 100 years of remarkable achievement by Australians.
