Ten letters mostly to the Secretary of the St. Paul's Red Cross. Some are apologies for non attendance at meetings, one is a list of members at a meeting. One refers to St Paul's Circle about to disband. One is an expression of sympathy from P R Smith. One mentions a meeting of St Paul's R C C held on 13/9/1939. One mentions inviting the members of the St Paul's Ladies Guild to the Annual Meeting of the Bendigo Branch.essential services, red cross, letter, john jones collection - letters to red cross, mrs jones, e m weeks, geetie wirth, r brooks, mrs chalmer, b marsh, i marsh, nellor, w malloy, c malloy, j malloy, e malloy, f henderson, t jones, w jones, j gall, cambridge, woolterton, a wallis, vains, willman, mrs pickford, anne harris, michell, g alexander, anthony, j rowe, muriel vains, s webster, gladys christie, edna pickford, vera c francis, p r smith, o williams, mrs secombe, e mallory, mrs maddern, mrs f jones

Royal Princess Theatre - A Sequel to Marjorie in Wonderland. Saturday, 1st September 1917. Australian Children's Pantomime. Price of Programme, One Penny. Matinee Performance. In aid of 'Fruit & Vegetables Fund For Our Soldiers In The Trenches.' Produced by Miss Girlie Mackay and Miss Norma Moorhead. Musical Director: Mr. Stanley Upton. Stage Manager: Mr. J Dunphy. Lighting Effects: Mr. W Wenborn. Hon. Sec.: Mr. Norman Howell. Inside cover Synopsis of Pantomime. The First act is Marjorie's Dream of Fairyland. The curtain rises showing Marjorie asleep in cot from which Brownies entice her away. The curtain is. . . . Sale of Sweets supervised by Miss Nita E Weller and Assistants Rose by Mrs. A T Mackay. Dresses designed and made by Mrs. McQuie, Misses Lena Weller, Norma Moorhead, Girlie Mackay, assisted by Mrs. Ralph Ross, Mrs. Robert Mackay, and the Misses May Germann, Carola Iser and Hilda Meurer. Programme. Songs sung throughout Performance. Overture-'Marjorie in Wonderland; Specially arranged by Mr. Upton. Overture Synopsis-This is descriptive of Marjorie's Dream of Fairyland; at first mystic and subdued, tending to convey the impression of the mysterious movements of the Spirits of the Night intermingled with the occasional calls of birds, a vision of Elfland; from that the music develops in an expression of the coming of morn, and the stirring of forest nature into the active life of day, with the distant sounds of the anvil and of bells; and as the day wears on, the chiming of the hours again denote the approach of eventide, the melody throughout being that of the song 'Marjorie Sunbeam.' Instrumental Soloists are Messrs. J Collins & H M Hall. Act 1. 'Moonstruck' Myrtle Glanville. 2 Moonboat, by the Fairies. 3 'Fairy Revel' by the Bunnies. 4 'Bunnies Adventure' by the Bunnies.5 'Catching Birds' by the Goblins. 7 'Fairyland' Ruthie Murphy. Act 2. 1 'Fairy Song'. 2 'Kookaburra Mel Wearne. 3 'Marjorie Sunbeam' the Brownies. 4 'Kangaroo' the brownies. 5 'Autumn Winds' 6 'As I went o'er the Paddocks' Jean Walker. 7 'Sea Serpent' Jim Walker & Jim Long. 8 Swing Song, The Playmates. 9 'Belle Bird' Jean & Jim Walker. 10 'Baby Bear' Stella Coghlan. 11 'Coo-ee' Myrtle Glanville & Marie Hamilton. 12 Butterfly Dance Sheila Shannon.13 'The Mushroom Affair' Ruthie Murphy & Jim Nabbs. 14 'Corroboree' by the Aboriginals. 15 'The Boomerang' Ken McQuie. 16 Chorus-Wattle. 17 'In Two's & Three's' Brownies & Goblins. 18 'Bull Frog & Coon Stella Cook & Sid Whitelaw. 19 In a Fairy Boat' Rose Murphy. 20 Chorus-'Good Night'. _God Bless Our Splendid Men_ Cast of Characters: Jean Walker, Myrtle Glanville, Marie Hamilton, Thelma Thomas, Stella Coghlan, Jim Long, Jim Walker, Enid Webster, Lily Brown, Una Grelis, Biddie Bulley, Ellie Colcough, Dorothy Fullerton, Maud Clark, Una Leggo, Sheila Shannon, Ken Skewes, Jack Long, Bruce Barnier, Roger Horbury, Douglas Pain, Tom Henderson, Ruthie Murphy, Jim Nabbs, Tom Green, Douglas McQuie, Mel Wearne, Laurence Skewes, Sid Whitelaw, Ken Moore, Alma Jorgenson, Geoff Schultz, Doris Reed, Nancy Cahill, Hugh Long, Edna Spencer, Don Walker, Jack Schultz, Ken McQuie, Jack Weddell, Berni and Allan Monaghan, Reg Trevean, Stella Cook, Joyce Ross, Margaret Long, Olive Thomas, Margaret Macqie, Rose Murphy, Molly Robertson, Lorna Weddell, Minnie Harley, Jean Moran, Merle Nagel, Decima Hotorf, Myra Greasley, Vera Arundel, Joyce Long, Elma Jordan, Gwen Morley, Emmie Arthur, Lorna Parker, Ziska Ross, Ena Wright, Mary Rymer, Cecil Gleeson, Thelma Cairns, Dorothy Batchelder, Maudie Ferguson, Marion Henderson, Lorna Cattran, Alice Murphy, Essie Whitelaw, Eileen Coghlin, Thelma Ross, Jean Miller, Mavis Tozer, Monnie Fattorini, Vivian Reed, Lily O'Connor, Alice Evans, Jean Barlow (Names of parts were included). Columbine Ballet: Alma Day, Kathleen Smithwick, Margery Greaves, Wilma Martin, Roma Cook, Dot Cravino, Alma Reardon, Jean Cairns.Cambridge Press, Print.program, theatre, royal princess theatre

This is a photograoh of students at the Higher Elementary School at Orbost. Mary Gilbert has identified those in the photograph. From L-R Back Row - ? Irvine; Madge Macalaster; Rhoda Perry; Daisy Scouller; Dorrie Napier; Lila Perry; Don Cameron_____________________- Rita Murray; Raay Fisher; Grace Morris; Reston Nish; Bill Irvine; Stella Rodwell; Headmaster Mr W. Guy; ?; Annie Stirling; Harold Napier; R Lay; Dora Smith; Doris Shortell; Percy Hambrock Nellie MacPherson; Irene Parker; Gertie Griebenow; Vera Saunders; Mr Jack Blaikie; Bernice Feltis; Dillkys Broome; Vera Spink; Jean Irvine; Lexie Nixon; Eda Ross; Maggie Whillance; Violet Scouller; Jean Stirling; Miss Zoe Hazlett; Lily Daly; Jack Parker; Eric Herbert; ?; Tom Henderson; Frank Richardson; Vance Moysey; Vernon Nevins; Frank Rodwell; Bill Fisher; ? Murray Kerr Molly Dreverman; Emmy Gibbs; Hilda Kerr; Charlie Richards; Mick; Spink; Tom Swan; Ronnie Gluth; Annie Gibbs; Madge Grose; Mary Reynolds During 1910-11 the first approaches were made to the Department for the establishment of a HES in Orbost and this became a reality in 1912. Orbost HES supplied post-primary education in the district until a high school was built in 1948.Orbost High School / Orbost Secondary College has played a significant part in the education of senior students in the Orbost district . It is the sole senior educational institution. This photograph is representative of its history.A black / white photograph of children in front of a timber building with an open door. One female and two adult male teachers are with the children. At the front centre is a drum. Behind the drum is a boy holding a board with H.E.S. Orbost hand-written in what appears to be white chalk on a blackboard. There are three smaller boys holding brass musical instruments. The photograph is mounted on a brown card which is damaged. a card with names written in it has been attached to the photograph, on the front of the card at the bottom - "X Frank Richardson Bill Guy H.T. 1915".education-orbost-higher-elementary

Photographer notations on slide: At the Leather Exhib. at T. Hall Melb 1933 Age Published: Age (Melbourne, Vic.: 1854- ), 1933 THE EXHIBITS. (1933, September 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 16. Retrieved January 25, 2026, from http://nla.gov.au/nla.news-article205109730 Published title: THE EXHIBITS. A COMPREHENSIVE RANGE. Curios, Novelties, Working Displays Published Caption: ONE OF THE NOVELTIES – AN OUTSIZE IN SHOES Research by Project Volunteer, Louise McKenzie: Our photo is dated 20 September 1933, and shows a happy, chubby-faced young girl sitting in a very over-sized girl’s shoe. It is labelled – “Shoe, An Out Size, loaned by Messrs Blackman & Rose”. (1) It is an effective way to capture the attention of the readership and alert them to the Melbourne Leather Show 1933. This show was designed to be a drawcard of extraordinary proportion, and there is no doubt that this leather exhibition was a really big deal for Melbourne. It completely took over the Melbourne Town Hall, and was open from 10.30 am until 10.30 pm. It seemed to contain something for everyone – the military, the man about town, the home handyman, the housewife, the child, the sporting types, the domestic workers, the outdoor enthusiasts, the horseracing fans, car enthusiasts, those wishing to show off the latest fashion – both men and women - and those just intrigued by a lot of fascinating and wide ranging exhibits. One of the most comprehensive descriptions of the Exhibition accompanies the photograph, and is worth quoting in full: “PROMINENT among exhibits which first attract attention in the foyer of the Town Hall is a comprehensive display of leather articles used by the defence forces. A conspicuous legend states that leather plays an important part in national defence, being used for saddlery, tool containers, holdalls, range-finding, surveying and signalling equipment, explosives factories, harness accoutrement, bandsmen's equipment and clothing. Three models of horses and several figures of soldiers wearing leather equipment illustrate the lesson, and a great range of leather goods used in military training and work variegate the display. Nearby are Texas cowboy, buckjumping and breaking-in saddles; whips, a walking stick, made of leather and numerous other curios. The general exhibition occupies the whole floor space of the main Town Hall, and is subdivided by partitions running most of the length of the hall. A bewildering variety, of leather goods presses for close and leisured inspection. Here and there operatives in charge of working machinery give practical demonstrations of factory processes in the production of footwear. Polishing materials are well represented. One attractive exhibit includes two bush huts constructed of leather, with wattle bark for roofing. Opossums, rosellas and a kookaburra add touches of bush realism. Adjacent exhibits include bags, fishing boots, leggings, leather covers in all colours. Factory Processes. One exhibitor has installed an automatic cinema apparatus and screen, which projects various factory processes in making a shoe, the operator being shown at work. Elsewhere an interesting exhibit depicts the five stages in the manufacture of sole leather, and the tanning materials employed. "Very handsome effects are achieved in the interior appointments of motor cars, which are attended by figures of smart chauffeurs in leather coats. Motor-trimming leather is said to be more durable and hygienic than fabric materials, and cheaper. The neat finish of the material, its excellent appearance, certainly make a very favourable impression. It takes the hides of three beasts to cover the cushions, squabs and door panels of a full-sized sedan, while to finish the entire interior, including quarter-panels and head linings would take four or even five. Special Exhibits. Amongst the special sections the display arranged by the handicrafts and home industries- committee of the Country Women's Association of Victoria is a notable one. In all there are about 130 entries which are in four classifications, viz., hand-tooled or embossed leathers, suede, hand-made gloves and undecorated leather. The glove section attracted the most numerous entries, a number being the work of members and craft subscribers of the Country Women's Association. In the leathercraft competition, organised by the Country Women's Association, the judges yesterday awarded the first prize for bookbinding (the only prize given in this division) to Miss M. Alston, of South Yarra. There is also a creditable display of exhibits submitted by boys of the orthopaedic section of the Children's Hospital at Frankston. Amongst the novelties on view in other portions of the exhibition were the following: — Leather coats worn by Sir C. Kingsford Smith on his Atlantic flight. Model Wellington boot, Phar Lap's saddle. Melbourne Cup winner's saddle. Longest whip in world, 108 feet long. (33 metres) [See our photo, to left of Girl in Shoe] Diminutive shoes. Pair of shoes 65 years old. Pair of men's working boots 75 years old. Larwood's, Tate’s and Pataudi’s cricket boots. [Three internationally revered cricketers of the day] (2) Picture frame made of leather bought 63 years ago. [See our photo, to right of Girl in Shoe] Leather frame, powder bowl, &c. Saddle used by world's champion buckjumper in U.S.A. Mexican cowboy outfit. Miniature saddle and bridle. A fireman's helmet made of sole leather. (3) Sample of the leather hat worn by porters at the Billingsgate Fish Market, London. (4) From South Australia there have been obtained sets of harness for donkeys, goats and camels, the equipment being displayed to good advantage on stuffed representations of the animals mentioned. Close to the platform is a glass case containing snow shoes and coats which have been used in Antarctic exploration work. Trade Display. Amongst the trade exhibits may be seen in operation a slipper turn shoe sewing machine, with heeling and channelling facilities, and the various stages in the production of ladies' sandals are shown. There is a wide contrast between sole leather of varying degrees of thickness on view in one stall and the choice samples of ladies' footwear in another — footwear, by the way, which could almost be used as ornaments, so dainty in colour and production are they. Again, there are displays of upholstering leathers of such soft texture that they could he readily mistaken for some of the finest cloth. Those who may be particularly interested in the production of chamois leather may gain an insight into the materials and chemicals used in the "working up” of this variety of leather. Supplies of glace kid (5) are tastefully arranged, and there may also be seen bags of all shapes and sizes, including satchels, suit cases and "sporting" cases, and bags for tennis players and golfers. Further variety is given to the exhibition by the display of antique hides, brightly coloured, with punching balls, boxing gloves and batsman's pads. There are crocodile skins and snake skins so cleverly "Worked up" that one could be almost pardoned for betraying an affection for such unpopular creatures.” “ Another wonderful article on this Exhibition, published the same day in one of the opposition daily newspapers, The Argus, is in the weekly article “Women to Women”, entitled “A Great Victorian Industry: Many Uses for Leather”. This weekly column was penned by Vesta, and she writes, with much purpose: “Yesterday afternoon I paid a hurried visit to the Leather Exhibition now being held in the Melbourne Town Hall and I was disappointed to find that the early visitors to the main exhibition were almost all men. Women, I think, should make a point of seeing every exhibition of our great industries, for women are the buyers of household requisites and goods for their own use and their tastes, and opinion influence also, to a large extent, the purchases of men. So, the welfare of industries is more or less in their hands and it becomes a duty for them to inform themselves fully of the extent and the quality of the manufacturing that is done here. The value of the output of the Australian boot and shoe factories alone was in 1930-31, the latest year for which the figures are given, Stg 3,750,000. Fully two thirds of that amount must have been spent by women on boots and shoes for themselves and their children. In a host of other directions, in the purchase of handbags, travelling bags, belts and straps, cushions, furniture coverings, purses, notebooks, spectacle cases, their annual expenditure must be very high. Their interest, therefore, in this industry is practical, and their support of it should be governed by knowledge of comparable values and qualities of the goods they buy. From the point of view of women, however, the exhibition itself is rather disappointing. There is an amazing collection of good stuff on show, but most of it is not displayed in a fashion that attracts attention. I was surprised, for example, at the range and quality of the leathers displayed, the suppleness of the finer qualities, and the varied range of colours and designs. But they are shown in such a fashion that if one set out deliberately to look for them it would be quite easy to miss most of them.” …It was surprising, too, that no one seemed to have taken advantage of the present fashion of wearing coloured gloves, or the cult of glove making, which the Country Women’s Association has fostered so successfully. Outside the collection of chamois leathers I saw no skins which were suitable to glove making. (6) However, it is perhaps a little unfair to be highly critical of the exhibition, inasmuch as it is the first of its kind. The material is there, undoubtedly, for a splendid show of every phase of this enterprising industry, and I am confident that experience will prove to those concerned that it will be worth while next time to devote a great deal of attention of the method of display.” With further research, it transpires that “Vera” is in fact NZ born Stella May Allen (nee Henderson) (1871-1962), a journalist, the first woman in NZ to begin a law course, in 1890-91). She later worked at a law firm while she completed her degree. Study of the law had always been open to women in NZ, but its practice was still barred to them. Her case “…led to amending legislation in 1896 allowing women to practise as barristers or solicitors. However, on gaining her LL.B. in November 1897 she did not apply for admission to the Bar. Instead, she became the Wellington-based correspondent and leader-writer for the Lyttelton Times. Her appointment, the first for a woman, was not welcomed by the all-male Press Gallery, and special permission had to be obtained from a subcommittee of the House before her presence was accepted. In 1900 she married Edwin Allen, a senior leader-writer for the Wellington Evening Post, and they moved to Australia in 1903 when Edwin Allen took up the post of foreign affairs leader-writer and parliamentary man for the Melbourne Argus. As Patricia Keep notes in her excellent entry of Stella Allan in the Australian Dictionary of Biography: “In 1907 The Argus commissioned her to write a series of articles on the first Australian Women's Work Exhibition held in October. They aroused much interest and next year The Argus invited her to join its full-time staff and begin a weekly section on the particular interests of women. She adopted the nom de plume 'Vesta' and called the column 'Women to Women'. Her work was unique in an Australian daily paper at that time. Her pages extended to cover every aspect of women's affairs, children's interests and community welfare, and 'Vesta' became a household word for authoritative information and advice on such matters. An excellent needlewoman and first-rate cook herself, she thoroughly tutored her staff in the work and needs of women in both country and city, as well as providing the usual training for cadet journalists. She conducted interviews and also visited the country to see at first hand the results of bushfires, mouse plagues, droughts and floods. In 1910 she was one of three women foundation members of the Australian Journalists' Association. “…she found time to become deeply involved in community affairs. She was an original committee-member of the Victorian Association of Crèches and of the Free Kindergarten Union of Victoria, and had much to do with the early days of the Victorian Bush Nursing Association, the Baby Health Centres Association and the Queen Victoria Hospital. She was a member of the National Council of Women, first in New Zealand and then in Melbourne, and of the Country Women's Association from its inception. … in 1924 she was appointed substitute delegate for Australia to the fifth assembly of the League of Nations at Geneva and was a delegate to the second Pan Pacific Women's Conference in Hawaii in 1930. A meeting held in the Melbourne Town Hall in 1938 by representatives of all the main Victorian women's organizations paid special tribute to her work and influence. She retired next year to England where she continued to write for the Argus, contributing articles on the experiences of women and children in wartime.” It is little wonder that “Vesta” was unafraid to take to task both the women of Victoria, and those who created the exhibition! One item which appears to have gone unnoticed, or at least unreported, is a framed article in the background of the photo of the chubby girl in the shoe. The display frame is labelled “Leather from the Human Skin, Tanned and Dressed by French artists.” The exhibition was certainly a cabinet of curiosities! A charming article in The Argus is a nice note on which to end. It gives a quick history and overview of the Australian leather industry and its unprecedented, and possibly unexpected, development and success, and states with pride: “Though Victoria is the largest leather producer in the Commonwealth all tanners in the Commonwealth can look back with pride on the long march of progress.” Footnotes: (1) “Blackman and Rose”. Messrs Blackman and Rose were shoe manufacturers, from 1927 located at 200 Noone Street, Clifton Hill. The Melbourne Circle describes their building as a “fine-looking building in the Federation ‘blood and bandage’ style.” It was built around 1912 for Puttifoot and Bloom, boot manufacturers, and today the building is apartments. (2) These cricketers were household names in the day: Tate: Maurice Tate, “English cricketer of the 1920s and 1930s, and leader of England’s Test bowling attack for a long time during this period. The founder of modern seam bowling. “ Larwood: Harold Larwood, “English right-arm fast bowler and the main exponent of the bowling style known as “bodyline”. Used to considerable effect in the 1932-33 Test series in Australia. Pataudi: Iftikhar A K Pataudi, “an Indian prince who in the 1930s played Test cricket for England, and in the 1940s played Test cricket for India (as Captain) – the only test cricketer to have played for both India and England. (3) “sole” leather “… is the thickest and most resistant material existing in the tanning industry … made from vegetable tanned leathers, usually bovine butts, processed in a special way to make them the hardest type of leather in existence.” (4) The hats worn by porters at Billingsgate Fish Market were also known as a “Bobbin” and look quite squat and rather unsophisticated. They were made of wood and tarred leather, with a “flat, hardened top designed to support large rectangular boxes of fish. The upturned brim protected the porter’s head against fish juice draining from the boxes of fish which would be carried on top of the hat. Some hats featured a small drain hole at the rear to allow this collected juice to drain down the back of the carrier. The hats were made using the ‘cuir bouilli’ technique. The leather was immersed in water which was heated until the leather began to shrink. It was then removed and put on a wooden former. The leather was stitched together to make the hat while still wet, and then held in place until dry.” (See article and photo on the London Museum website) (5) Glace kid – described on the Boston Museum of Fine Arts’ Cameo database as “A smooth glossy leather originally prepared from goat or sheepskin. Early glace kid had a shiny surface that was originally prepared by tawing the skin in a mixture of alum, table salt, flour, and egg yolk. Today, glace kid is prepared from many types of vegetable or chrome tanned leathers. The smooth polished surface is obtained mechanically by shaving, glazing, ironing, and/or rolling the dry leather.” (6) In the 1930s, Melbourne’s glovemaking industry was characterised by local manufacturing, with key producers like Simpson’s Gloves Pty Ltd in Richmond and the Stagg Glove Company in Clifton Hill leading the market. These factories produced high-quality leather gloves, handbags, and specialty gear, often employing a clear gendered division of labour and training young, local women. Museum Victoria holds the Simpson’s Gloves Collection, comprising over 1200 items, and the University of Melbourne Archives holds the company’s business records. References: THE EXHIBITS. (1933, September 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 16. Retrieved January 25, 2026, from http://nla.gov.au/nla.news-article205109730 EXPORT LEATHER. (1929, September 17). The Argus (Melbourne, Vic. : 1848 - 1957), p. 17. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article4037647 LEATHER EXHIBITION (1933, September 18). The Argus (Melbourne, Vic. : 1848 - 1957), p. 10. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article11693362 (1933, September 23). The Argus (Melbourne, Vic. : 1848 - 1957), p. 21. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-page522766 WOMEN TO WOMEN (1933, September 20). The Argus (Melbourne, Vic. : 1848 - 1957), p. 13. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article11694034 Australian Dictionary of Biography, Stella May Allan (1871–1962) https://adb.anu.edu.au/biography/allan-stella-may-4998 WOMEN TO WOMEN (1930, January 22). The Argus (Melbourne, Vic. : 1848 - 1957), p. 13. Retrieved January 19, 2026, from http://nla.gov.au/nla.news-article4063888 Museums Victoria, Simpson’s Gloves, 486-496 Victoria Street, North Richmond, VIC, Australia https://collections.museumsvictoria.com.au/articles/2702 The Argus. (1927, October 31). The Argus (Melbourne, Vic. : 1848 - 1957), p. 20. Retrieved February 7, 2026, from http://nla.gov.au/nla.news-article3888451 Melbourne Circle: stories from the suburbs: “Boots and all in Clifton Hill” https://melbournecircle.net/2015/11/20/bootmakers-of-clifton-hill/ Wikipedia, Maurice Tate, https://en.wikipedia.org/wiki/Maurice_Tate Wikipedia, Harold Larwood, https://en.wikipedia.org/wiki/Harold_Larwood Wikipedia, Iftikhar Ali Khan Pataudi, https://en.wikipedia.org/wiki/Iftikhar_Ali_Khan_Pataudi Buy Leather Online Italy, Sole leather: https://buyleatheronline.com/en/blog/outsole-and-insole-leather-n7 London Museum, Porters hats, https://www.londonmuseum.org.uk/collections/v/object-731122/hat-porters-hat/ Cameo Database, Museum of Fine Arts, Boston, Glace Kid, https://cameo.mfa.org/wiki/Glac%C3%A9_kid VICTORIAN LEATHER HAS WON RENOWN (1937, September 22). The Argus (Melbourne, Vic. : 1848 - 1957), p. 31 (March of Progress Supplement). Retrieved February 7, 2026, from http://nla.gov.au/nla.news-article1108704 Photographer notations on slide: "At the Leather Exhib. at T. Hall Melb 1933 Age B5".displays, melbourne town hall, leather, children, shoes, 1930-1939, industry, hats, gloves

The St. Albans High School opened in 1956 and changed its name to St. Albans Secondary College in 19905531.01 - St. Albans Secondary College 1992 Year 7-1.jpg Row 3: Andrew Sciberras, Kirsten Mazis, Depina Sarandoglou, Stella Bervanakis, Julia Stan, Frank Azzopardi, Dafina Kojdovska Row 2: Ante Bospic, Thai Tao, Andrew McKellar, Hatice Mulla, Enina Bec, Bevetlana Micevski, Maria Denetriou Row 1: Alicia Cassar, Danny Vella, Leigh Borg, Michael Toppin, Jasmin Winzar, Vanessa Catania, Sevgi Fajzulovska Teacher: Mr. Tarr 5531.02 - St. Albans Secondary College 1992 Year 7-2.jpg Row 3: Nick Gligorovski, Julie Velevski, Vural Ranadan, Simone Naan, Scott Mansfield, Angie Barun, Violeta Bogojov, Jasmin Nikolovska Row 2: Rebecca Campbell, Thao Phuong, Razvan Moldovan, Lena Meulenbrock, Ben Buyuknisan, Malcolm Dijs, Menka Cvetanovska, Luke Perria Row 1: Maria Vella, Josip Krpan, Snezena Latamanska, Zlatko Hovancek, Tanja Zdravkovska Teacher: Vicki Francis 5531.03 - St. Albans Secondary College 1992 Year 7-3.jpg Row 4: Rafael Momo, Tracey Singh, Alison Gauci, Avnije Bala, David Care Row 3: Peter Demetriou, Sally Petreski, Jane West, Paul Beska, Sam Loutas Row 2: Karolina Jovanski, Percival Jose, Darren Zammit-Vella, Angelo Barbara, Taliya Cikoja, Phi Tran Row 1: Robert Nehvatal, Ozmen Gunceler, Joanne Mac, Zihnije Hassan, Phuong Lu, Minushe Deniri, Katrina Gatt Teacher: Mr. Joe Degabrielle 5531.04 - St. Albans Secondary College 1992 Year 7-4.jpg Row 3: Michael Taslanan, Helen Sailba, Bradley Jakavicius, Louise Vella, svetlana Andric, Sandra De Sousa, Robert Fernandes Row 2: Okesene Sepusione, Alvaro Romero, Vu Truong, Kimberley Hindmarsh, Angela Atanasovska, Biljana Markovska, Karina Locke, Ricky Pisani Row 1: Julie Kiriacoudis, Alen Mallia, Kristina Popovacki, Anthony Pirotta, Lae Phong Thai, Annaliese Comelab, Ronna Ranos 5531.05 - St. Albans Secondary College 1992 Year 7-5.jpg Row 4: Maryana Tomasic, John Pavlicic, Daniel Sanarzija, Robert Sarna, Nicole Said Row 3: Phuong Le, Robert Gazovski, Mariusz Sierpinski, Daniel Love, Mustafa Mustafa, Ranses Diana Row 2: Sneza Nikolovski, Aide Lam, Anda Barisic, Natali Musulin, Skye Williams, Thanh tran Row 1: Yung Tran, Veeraj Lal, Hang Nguyen, Linh Luu, Lily Rustenovski, Joanne Darvell, Sean Sutton Teacher: Mrs. Veronica Sorace 5531.06 - St. Albans Secondary College 1992 Year 7-6.jpg Row 3: Sonia Dimitrievska, Laura Obeid, Bratislav Stamenkovic, Vladinir Ristevski, Jodie Galea, Chris Palewandrem, Huong Nguyen, Nada Mitrovic Row 2: Michelle Mercieca, Marie lachut, Ngugen Nguyen, Suzi Agenovski, Shafa Bahriyeli, Trang Huyng, Nahida Garibovic, Liza Bamford Row 1: Van Bui, Phu Quang, Bao Nguyen, Michelle Gatt, Duoc Nguyen, Thanh Nguyem, Eric Santo Teacher: A. Theodorou 5531.07 - St. Albans Secondary College 1992 Year 11.jpg Row 7: Pablo Matus, John Freisinger, Vlado Kotulae, Peter Cepiviroski, Henry Cenandez, Elia Kotsuglou, Jimmy Jacow, Michael Wallis, Jason Mifsud, Goran Domazetnvska, Szlko Cavkic, Darryn Blum, Justin Chrystie, Michael Zdravkovski, Errol Yourdenm Bensca Mali, Ricky Li, Ben tran Row 6: Jason Love, Mark Kusznir, Radaslaw Dimtitrov, Thomas Strinavic, Laurent Sawan, Daslumir Emina, Vesna Dimecvska, Laura Vasjuiz, Susie Petakovic, Diana Szmarzija, Tijana Milankovic, Ateca Hawea, Nichole Koliba, Marina Musulin, Trien Dang, Craig Casvalho, Peter Tasevski, Tan Bo, Hao Tran Row 5: Thoi Le, Van Tran, Toan Tran, Diana Raleska, Vesna ?, Jimmy Danni Giekas, Tinx ?, Danni?, Vesna Mitrevska, Kylie Axiak, Rachel Nicholson, Vesna Ketevska, Luli ?, Vesna Georgievski, Carol Davis, Early Henderson, Yoon Foo, Lisa ?, Julie ?, Jeff Beck, Jim Acevski Row 4: Hoa Tran, Nam Dean, Paul ?, John Gzcovski, Nicky ?, Vera Kimovska, Rosemary ?, Maria Bervanakis, ? Adikli, ? Gindze, Vera Markovska, Bilge Adem, Duska Gajinov, Manh Tran, William Thai, Josie Mellia, Sash Petreski, Ersin Belik Row 3: Betty Balla, Anila ?, Mamuel Nepromusceno, Robert Turos, Angela Walker, Rick Ballaglia, Thuong Le, Kartini Da cruz, derya Kemal, Ergy Guncelar, bernard Farrugia, Ivan Mu, Danny ?, ? Phunng, Jerey Lni Part of Row 3 and all of Rows 1 & 2 have been cropped out 5531.08 - St. Albans Secondary College 1992 Year 12.jpg Row 7: Menda Najdovski, Tony Koeankovski, Paul Brodej, John ?, David Emini, Charles Mercieca, Steve Danicevski, Tony ?, Sam Lymmidis, Peter Pliaskin, Michael McKenzie, Tony Markovski, Kaxim Eminovski Row 6: Anh Vu Dang, Vu Nguyen, Sait Demiri, Jins Polydoros, John Melifronixles, Ricardo Lay, Robert Causovski, Rita Bruoxis, Amanda Love, Georgina Kirkopoulois, George Burg, Atilla Suylurk, Sashz Acevski, Doug ?, Danny Ovuka Row 5: Huy Tran, Rachpal Saini, Connie Kha, Georgina Brand, Dal Dinh, Simone Debevo, Joanne Kruk, Penny Kartalis, Josipa Mickovn, Viera Kotulac, Suzie Petkovska, Adrinna Skek, ? Galea, Candice Thomas, Natzlie Spis, Skez Sejdijaj Row 4: Thanh Lang, Teddy Baluyot, Peanh Tran, Dawn ?, Irene Ng. Anna Smolen, Kathy Simevska, Tina Ognenovska, Duy Any Hoang, Marilena Andrendakis, Ewa Ostrowski, Vanesaa Vo, Anh Ngo, Vong Nguyen, Phi Huynh, Sonja Cansovski, Bilyana Kuxmznoska, Vicky Saranlavas Row 3: Anh Nguy, Hong Vo, John Attard, Melissa Hamer, Leanne Perry, Naretta Laraton, Georgorie Olivem Dimcevska, Steve ?, Sau Tran, Tuan Lu, Dianne Sawzn, Daniella Kupina, Rosemary Jerhie, Maryann Stellini, Jasna ?, Sara Pinevski, Paula Gordon, Mandy Webb, Mary Psaila Row 2: Charisima Magallanes, Annie Vo, Skenika Smgunam, Snezana Andrie, Susan ?, Blaga Cyelansoka, Manduy Walmsley, Mark ?, Paul Nehvaral, Adrian Scheber, Trudie Williams, Karen Borg, Eva Cyno, Frances Frappa, Necta ?, Uyen Nguyen, Chau Thai, Samantha Grech Row 1 has been cropped out st. albans high school, main road east, st. albans, st. albans secondary college