One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip IslandPhotograph of "Glen Isla", the Anderson Homestead. An historic landmark.local history, photography, photographs, glen isla - homestead, glen isla, homesteads, historic landmarks, anderson's, john jenner, bryant west

A 12 pages pictorial liftout published in 1989 by the Bendigo Advertiser as part of Bendigo: a capital city. the liftout as pictures from the early days, the changes in Charing Cross, an article on Pall Mall, Bendigo's beautiful historic landmarks, pictures worth a thousand words and an article on Miss Madge Welsh first lady of the Capital.newspaper, bendigo advertiser, pictorial liftout

BHS CollectionTwelve pages pictorial lift out from Bendigo Advertiser. Turning back the clock, 1989 pictorial lift out. Sections are: Early days, Maidens watch as the years pass by, Pall Mall our historic Centre, Bendigo's beautiful historic landmarks, Pictures worth a thousand words, first lady of the Capital recalls the good times. bendigo advertiser, pictorial

4897.01 - S&DHS Overnewton Castle Visit Report including possible district tours and the history of Overnewton Castle 4897.02 - Newspaper Article Herald Sun 17th October 2025 Page 9 - Historic home hits market 4897.03 - Overnewton Castle - Historic Landmark Set To Close Its Doors To Events 4897.04 - Overnewton Castle - Castle Goes To Marketovernewton castle, keilor

Transcript: Athenaeum building celebrates 170 years Australian Broadcasting Corporation Broadcast: 11/11/2009 Reporter: Lisa Whitehead Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth. Transcript KERRY O’BRIEN, PRESENTER: Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne's Athenaeum building has, in one form or another, provided education and entertainment. For the Victorian colonies it became a city and along the way documented its growth. The building's original library and theatre still draw devotees and as Lisa Whitehead reports, a loyal band of volunteers. KEVIN QUIGLEY, ATHENAEUM PRESIDENT: There's nothing like us that has been here from day one, four years after the boat pushed ashore, here we are. It's a thread that runs through the life of Melbourne. LISA WHITEHEAD, REPORTER: In the heart of Melbourne's CBD, the Athenaeum is a celebrity in disguise, the oldest cultural icon in the city, but barely noticed. MARJORIE DALVEAN, VOLUNTEER HISTORIAN: People of Melbourne walk past this area and they have no idea what it is. RAY LAWLER, PLAYWRIGHT: It seemed to me to be a place that absolutely, or breathes Melbourne, I suppose, culture. LISA WHITEHEAD: Just four years after Melbourne was founded, the colony built a Mechanic's Institution, one of the first in the world, a place where the working class could meet and learn. KEVIN QUIGLEY: People think of it as Wild West sort of place where these hearty types drank and rushed about, but Melbourne was freely settled. It was a city of people who wanted to better themselves - entrepreneurs. And the Mechanic's Institution was that innovative idea that had grown up in Edinburgh and London about providing an opportunity for education for the working people. LISA WHITEHEAD: Mark Twain lectured there. Later, other buildings were added and a theatre to host classic plays. And it adopted its more bourgeois friendly title of the Athenaeum. Crucially from the start there was the library, the first to offer affordable lending to the working man. And it still attracts devotees. Former University lecturer Margaret Bowman, 89, comes in every Wednesday, along with her dog to join an enthusiastic band of volunteers sorting through the archives. MARGARET BOWMAN, FORMER UNIVERSITY LECTURER: Doing research is something that I find actually I enjoy more than anything. Every old lady needs to have a project and now I've got a project. MARJORIE DALVEAN: Margaret, Christine has just found out that Alfred Deakin was a member here from 1874 to 1877. This place is not flashy, we've never been flashy. But book lovers walk in here and they know this is the place for them. ARCHIVAL FOOTAGE: Old times and old names. The Athenaeum theatre in Melbourne for more than 40 years has been one of the city's best known cinemas. LISA WHITEHEAD: In the 20th century, the theatre surrendered to the new craze of talking pictures, and one particular fan was famous Australian playwright Ray Lawler. At 13, he dropped out of school to work in a Footscray factory and two years later his first trip to the glamorous Athenaeum cinema hinted at the education he was missing. RAY LAWLER: It just had a style about it which I responded to, I think. I was looking for something and this seemed to be part of it. Ray Lawler went on to write "Summer of the Seventeenth Doll" and found literary fame overseas. About a century after it had started as an educational place for the working man, Ray Lawler had, in effect, become an Athenaeum graduate. RAL LAWLER: If they had been looking for the sort of person that they were hoping to encourage along the way, I suppose I would have been somebody that might have fitted the mould, you know. LISA WHITEHEAD: In time, the cinema was returned to its theatrical roots. FRANK THRING, 1977: It has a great resemblance to the Theatre Royal in Hobart which Larry Olivier has called the best theatre he's ever worked in. And it's almost identical. It is the true Victorian playhouse. The horseshoe shaped thing: stalls, dress circle and gallery. And you're close to the audience and they're close to you. Marvellous feeling. LISA WHITEHEAD: Today, it's still a theatre. But time has brought compromises. The once vaunted art gallery has now covered its windows and become a comedy club and performance space. TV and suburban life have eaten away at the library membership. It offers an online service now, and a recent federal government grant will pay for the upkeep of its gracious interior, including the 1930s elevator Ray Lawler used to ride. For him, it's money well spent on history quietly made and discreetly observed. RAY LAWLER: It's the lack of awareness, I think, that people don't know what they've got here. They've really got the whole history of Melbourne almost. KEVIN QUIGLEY: It was a similar organisation in Sydney but we are the only one that's got a continual lineage on the same spot. We started here and we're still here and we'll be here for another 100 years. KERRY O'BRIEN: Lisa Whitehead on a great Melbourne landmark. © 2010 ABC | Privacy Policy Beginning as the Melbourne Mechanics' Institution in 1839, the Melbourne Athenaeum has a long history that reflects the cultural and social development of Melbourne. It continues to be managed as a not-for-profit organisation by a volunteer board, with a subscription library (maintained since 1839) and a leased theatre.Video broadcast ABC 7:30 Report for 11/11/2009. "Tomorrow marks the 170th birthday of one of the nation's historic cultural landmarks. Melbourne’s Athenaeum building has, in one form or other, provided education and entertainment for the Victorian colony as it became a city; and along the way, documented its growth."athenaeum, australian broadcasting corporation, kerry o’brien, kevin quigley, lisa whitehead, marjorie dalvean, ray lawler, margaret bowman, frank thring.

Two articles on one page: 1.Bendigo Advertiser article, undated possibly1995, titled 'Rainfall discloses historic landmark'. Heavy rainfall caused a mine shaft in Wells Street, Ironbark, to subside to a depth of 3 metres. The mine was believed to be at least 50 metres deep. Black and white photo shoed Lynn Amos and Roseanna, inspecting the hole in their front lawn. 2. 'Bendigo Mining plans to double exploration funds'. Mr. Peter Phillips, Bendigo Mining, stated that the company would double its exploration budget to about $330,000 in the next month.gold mining, bendigo, mine shaft, subsidence, ironbark, capping

Typed copy of notes on Victoria Hill, Ironbark and New Chum Hill - An Historic Landmark. Notes include locality, some of the early mines, their depth, gold produced, dividends paid, vertical winding engine and crushing battery. Mines mentioned are: Rae's, Wittscheibe and Company 'Jeweler's Shop', the Advance, Cinderella Mine, Lansell's 180, North Old Chum, Victoria Quartz, Burrowes and Sterry's, Lazarus' Claim, Gibbs and Lazarus, Bonatti's, Menzies, Hildebrandt and Kock's, Ellesmere, Old Chum, New Chum and Victoria, New Chum United, New Chum Consolidated and the Garibaldi.document, gold, victoria hill, victoria hill ironbark, rae's, wittscheibe and company 'jeweller's shop', hopetoun band room, advance, cinderella mine, geo lansell, lansell's 180, new chum hill, fortuna mansion, new chum drainage association, north old chum, b c v 8 television studio, royal survey regiment, burrowes and sterry, lazarus claim, gibbs and lazarus, bonatti's, menzies, hildebrandt and kock's, ellesmere, old chum, p m g repeater station, ballerstedt, mr geo lansell, new chum and victoria, phoenix, mt alvernia hospital, new chum united, new chum consolidated, garibaldi, mr clarke magee

The chapters include: Justus Jorgensen &​ Montsalvat; the metamorphosis of the middle-class; the pise-de-terre connection; early building experiences; historic landmarks; the mud-brick revival; the Tarnagulla Dunolly Moliagul triangle; the Socio-Aesthetic Society; the renaissance of the Australian film industry; the Eltham inhabitants &​ their environment; the rediscovery of the Indigenous landscape; the Dunmoochin episode; the Dunmoochin potters; Clifton Pugh's success; the coming of the corporate state.Paperback; xiii, 143 p. : ill. ISBN: 0949909009justus jorgensen, clifton pugh, social customs

This whale tooth was etched out and finished by Gary Tonkin for Michael Taffe at a demonstration by the artist in 1980. It represents a whaling ship, the Charles. W. Morgan from Mystic Seaport in the USA. The Charles W. Morgan has been at the historic port since1941, and was declared a USA National Historic Landmark and listed on the National Register of Historic Places in 1966. Tonkin is today internationally recognised as the greatest living scrimshander.Scrimshaw is associated with mariners in the whaling trade especially in the 19th century. This work is also Nationally significant for being created by world-renowned Scrimshander, Gary Tonkin, from Albany, Western Australia.Charles. W. Morgan etched beneath the etched image of ship with artist's signature below.scrimshaw, whale, tonkin, albany

Hinged pendant or locket features a small accordion-style strip of miniature photographs capturing the devastation of Ypres' historic landmarks. It was most likely purchased as a souvenir by Gunner Frederick LUCKIE 10622 born 22/7/1896 at Eldorado. He was a railway employee prior to enlisting on 4/8/1915 and assigned to 2 Field Artillery Brigade. He was hospitalised on 21/8/1917 suffering from Trench Fever, returned to Australia and discharged on 1/2/1918. He is buried at Eldorado and listed on the Shire of Wangaratta Roll of Honour on display at Eldorado Memorial Hall.Many of these were purchased by Allied servicemen stationed in the Ypres Salient as sentimental mementos to send back home to sweethearts or families.Small rectangular hinged pendant or locket with loop attached fashioned as a book with decorative floral cover containing fold out strip of photographs.Locket cover -Souvenir Inside - Le Bombardment d’Ypres (1914–1916)f luckie, ww1, eldorado, 2 fab, souvenir, locket, ypres, 1914-16

This souvenir represents the Hovell Tree, a local historic landmark in Albury, NSW. This item is from a collection donated by descendants of John Francis Turner of Wodonga. The Hovell Tree commemorates the exploration and naming of the Hume River (now the Murray) by Hume and Hovell`s expedition of 1824. In 1824, Governor Brisbane asked Hume to join forces with an English sea captain, William Hovell, to go from Lake George to the Spencer Gulf in South Australia. The Hovell Tree, marked by William Hovell on November 17, 1824 was flanked by another tree marked by Hamilton Hume which was destroyed by fire in the 1840's. The river gum was marked by William Hovell when discovering river. Hume and Hovell travelled from the Yass area and after crossing the Murray River where Lake Hume now is, they crossed the Mitta Mitta River and proceeded to Corio Bay, Westernport.This item is representative of souvenirs produced to represent key buildings and historic landmarks in the Albury-Wodonga district.A white cup with gilt trim around the lip. It bears an image of the Hovell Tree in Albury, NSWBeneath image: "HOVELL'S TREE, ALBURY."albury souvenirs, hovell tree, hume and hovell, australian exploration

The 'Shamrock Hotel', Bendigo has long been a landmark in Bendigo. The Shamrock Hotel, established in 1854, is a historic Bendigo landmark with a rich goldrush-era heritage and distinctive Victorian architecture. Early Origins. The Shamrock Hotel began as The Exchange Hotel in 1854, serving miners during the Victorian gold rush and including a Cobb & Co office and a concert hall known as the Theatre Royal. In 1855, it was renamed The Shamrock, quickly becoming a popular venue for miners and hosting performances, including a notable appearance by Lola Montez, where gold nuggets were thrown at her feet as tips. The Bendigo Shakespeare and Literary Society also performed at the theatre from 1861. This newspaper extract gives history of the 'Shamrock', including some famous guests that have stayed there - including John King (sole survivor of the Bourke and Wills expedition), and Dame Nellie Melba. Mentions staff and their roles, and the origins of the hotel, including how it got it's name. accomodation, shamrock hotel, gambling

Gold mines, miner's huts, heritage gardens, wineries, wildlife parks, museums, art galleries and markets all show the charm of the goldfields areas of Central Victoria. A large section of Central Victoria's architecture, natural resources and attractions are covered in this book. Victoria became one of the largest producers of gold in the world, with Bendigo producing 700 tonnes, Ballarat 400 tonnes, and the Castlemaine-Chewton area, 130 tonnes of gold. The elaborate, grand buildings of Ballarat and Bendigo are testament to the affluence of the gold boom. This book touches on much of this heritage from the goldmining period and its legacy. "Goldfields of Victoria. From Macedon to Ballarat, Bendigo and Beyond" written by Kornelia Freeman and Ulo Pukk. Contains contents of regional towns with sub-indexes of smaller localities in that area. Published in Australia by Melbourne Books in 2017. Hard cover. Front cover has photograph/image of Australian bush scene, possibly from a hill/mountain at sunrise/sunset - hues of orange, green and ochre. Back cover is image of several men dressed colonial soldiers with historic buildings in the background - likely taken at 'Sovereign Hill', Ballarat. Book title in gold. Book includes color photos - mostly of historic buildings or natural landmarks within the designated local area. Spine in gold. Some maps in book. ISBN 9781925556223. 296 pp. macedon, bendigo, ballarat, goldfields

This postcard is part of an album of postcards which date from late 19th century to mid 20th century. Bear's Castle is a unique and historical building constructed in the 1840s and classified by the National Trust for its design and construction techniques. The purpose of the 'castle' is contested but one theory is that it was built as a defensive citadel against attacks by bushrangers which had occurred prior to the owner, John Bear, ordering its construction.This postcard is in an album of postcards dating from the late 19th century to mid 20th century. It reflects the popularity of collecting postcards in Australia which reached a height in the early 1900s until around 1920. Postcard of historic Bear's Castle in Yan Yean.On front: Inscribed 'Bear's Castle on Old Landmark Yan Yean Whittlesea' On back, handwritten long message which does not mention places. It begins with: 'This is one I got on Wednesday. / Travelled with a friend of Lou and Will....'postcard, photography, 1900s, bear's castle, buildings, yan yean, "green postcard album"

This photograph is part of the Caulfield Historical Album 1972 but first photo on page has been mis-labelled as this house is 323 Alma Road. It follows that third photo label should be 325-323 Alma Road (reading left to right). This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. Church of Christ, 514 Dandenong Rd, Caulfield https://vhd.heritagecouncil.vic.gov.au/places/43594 The Dandenong Road Church of Christ has regional importance as a landmark building along the Dandenong Road. It successfully addresses its triangular site by placing the belltower at the apex, deploying Romanesque and Gothic elements freely and to dramatic effect, heightened by the symbolism of the Cross (compare Robert Haddon's St Stephens in Balaclava Road of 1926).Page 4 of Photograph Album including three black and white photographs of properties on Alma Road. Two photographs are in the top half of the page and the third is in the bottom left hand side.Handwritten in black pen: Alma Road [top right of page] / 325 Alma Road [above top left photograph] / Church of Christ Caulfield North 14 Dec 1972 [above top right photograph] / 323-325 Alma Road [above bottom left photograph] / 4 [bottom right]caulfield north, trevor hart, alma road, houses, churches, church of christ caulfield north, dandenong road, bell towers, romanesque architectural style, gothic architectural style, bi-chromatic brickwork, cast iron work, verandahs, victorian architectural style

A short history of 19th century Coburg, Victoria covering points of interest. Includes a map of the landmarks covered in the text. One page, printed on both sides in black and white text, drawings and photographs. Folded into 5. coburg (victoria), pentridge

Looking east along the unsealed main road heading into Eltham across the concrete bridge over the Diamond Creek circa 1939. The original wooden bridge was destroyed by flood waters in 1924. This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 14 cmApproach to Eltham, Valentine Series No. 3197, Copyrightbuildings, electricity lines, eltham, postcard, travel, rose stereograph company, valentine series postcard, main road bridge, glass plate negative, main road, peter and elizabeth pidgeon collection, diamond creek (creek), eltham south, rose stereograph

Looking west across the Main Road Bridge over the Diamond Creek at Eltham, c.1939. The car in the foreground, possibly the photographer's, is a Ford Model C Ten built by Ford UK between 1934 and 1937. The Model C was released in Australia in 1935. The Ford Model C Ten is a car that was built by Ford UK between 1934 and 1937. The Model C was released in Australia in 1935 https://en.wikipedia.org/wiki/Ford_Model_C_Ten This glass plate negative was used to manufacture postcards (1:1 printing) for commercial sale by the Rose Sterograph Company and its subsidiaries. George Rose founded the Rose Stereograph Company in 1880 and was joined by Herbert (Bert) Cutts in the early 20th Century. The pair formed a lifetime working partnership and strong personal friendship. Assisted by George’s two sons, Herbert George and Walter, and later by Neil Cutts, the Rose Stereograph Company continued its operations for more than 140 years. The company was initially built on stereographs, but as cinema took over and stereographs fell out of fashion, the Rose Stereograph Company developed Australia’s first commercially viable photographic postcard business. Specialising in postcards of iconic historical moments and significant landmarks, The Rose Stereograph Company became a staple of the Australian travel industry.This remarkable collection of glass plate negatives, transparencies, and postcards – arguably Australia’s most significant photography collection outside of public hands – has been passed down through the generations, surviving war, relocation, and the harsh Victorian climate. The historic Rose Stereograph collection is the culmination of George Rose’s dream of capturing and preserving precious moments in time and remains the legacy of the Rose and Cutts families. It is with great sadness that the Cutts family says goodbye to a collection that spans five generations and 140 years. The Cutts family understands that for these historically important pieces to rest with one family is to deny others the pleasure of their custodianship.Glass Plate Negative Size: 9 x 13.9 cmThe Bridge, Eltham, Valentine Series No. 3196, Copyrightpeter and elizabeth pidgeon collection, bridge, cars, diamond creek (creek), eltham, eltham south, ford model c ten, glass plate negative, main road, main road bridge, motor vehicles, postcard, rose stereograph, rose stereograph company, valentine series postcard