used as a Siren Black metal siren control made by the public safety company St Louis model no 63114 made in the USA Microphone attached to cable mad e in Korea pN 7311 Silver clip on rear

This camera combines 4 megapixels with 6 x optical and 3.4 digital zoom. It is powered by 4 x AA batteries - is comfortable to hold and easy to use. It also acts as a webcam when connected to a camera via USB. It has a movie feature which allows recording of movies without sound at 10 frames per second. Includes: 1. Lens cap 2. Adaptor Ring 3. 256mb Picture Card (128 photos).Top: Fujifilm digital camera S3500. Lens Cap: FinePix / Digital Camera - 4.0 mega pixels. Lens: Fujinon Zoom Lens - 1:28-3 6x optical zoom - f=6-36mm Side: xD Picture Card Bottom: N705 No. 4DL26522 / Made in Chinadigital camera

Digital Copy of Panoramas of Stawell. 1866 & 1990 donated by Stawell Joint VentureFramed image containing two panoramasstawell

These specifications enable the compilation of digital topographic data for the Australian Defence Force (ADF) to support the production of topographic information across a multiple product range covering Australia and its Area of Direct Military Interest (ADMI)A plastic covered four ring folder containing A4 paper, white, ten chapters, metal clip ringsroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, director of survey-army

The purpose of this document is to provide digital Topographic data compilation specifications for the Australian Defence Force (ADF) which are applicable to all areas of the Area of Direct Military Interest (ADMI) for the collection of features and attributes to populate the ADF topographic database.6234.1 A four ringed Folder containing A4 Paper, White, Metal Bindings, Chapters 1 to 8 6234.2 A four ringed Folder containing A4 Paper, White, Metal Bindings, Chapters 8 to 13 and Annexesroyal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr, director of survey - army

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, photography, digital, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, digital, portrait, photography, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, photography, digital, portrait, australian first nations art, first nations photography

This work was created during a program called Flipping the Script, funded via Wyndham City Council and Creative Victoria, August - September 2018. The project was aimed at young women from the African diaspora, to provide an opportunity to learn methods of digital and visual storytelling.african diaspora, portrait, digital, photography, australian first nations art, first nations photography

.1 White covered booklet with blue writing and briwn coloured squares .2 Booklet with blue cover, white writing and multicoloured picture in the middlenon-fiction.1 is a report done by the Task Force on Archiving of Digital Information as part of the Commission on Preservation and Access .2 is a booklet about Digital Image Collections: Issues and Practice.university of ballarat, preservation, access, digital images, digital collections, practice, issues, report, commission on preservation and access, library

In August 2013, Kiwa Digital, in conjunction with the Victorian Aboriginal Corporation for Languages brought the KIWA SLAM™ to the Ngulu (Language) Class of Healesville High school. Under the guidance of Aunty Joy Murphy, our Wurundjeri elder, nineteen years 7, 8 & 9 students undertook an intensive two days of Dreamtime story telling, culminating in four dreamtime stories told through striking artwork and narrated in the students' own voices. (cover notes)vacl, healesville high school, creation stories, dreamtime, storytelling, education, digital resources, storybook app

Nadrasca Industry employs over 150 people with disability and they have invested in a digital press which could double the number of full-time positions for people with a disability.nadrasca industry, nunawading, printers

Photograph of invitation to third year Graphic Design / Multimedia dinner and portfolio show. The dinner was held at the Ballarat Fine Art Gallery, and show at the university Camp Street Campus. For this student show, Melbourne-based designers were brought to Ballarat via special carriage on a V/Line train to Lydiard Street Station and walked to the new Camp Street Campus.Digital photographs of optical disc (DVD rom) in clear plastic case created by University of Ballarat, Bachelor of Visual Arts (Graphic Design / Multimedia) third year, graduating students, 2002.university of ballarat, federation university, graphic design, multimedia, camp street campus, new north, arts academy

Charles Griffith was born in Kildare, Ireland in 1808. He studied at Trinity College, Dublin acquiring a B.A. in 1829 and an M.A. in 1832 before being admitted to practice as barister. In 1840 he emigrated to Australia arriving in the Port Phillip District in November 1840. Soon after arriving he and his friend James Moore formed a business partnership and acquired land in the Parwan Valley near Bacchus Marsh. This land had been in the possession of a Mr. McKenzie who agreed to sell his land and sheep to Griffith and Moore. The property they acquired came to be known as Glenmore. The partnership with James Moore lasted until 1848. In 1846, whilst in Ireland, Griffith married Miss Jane Catherine Magee, then returned to Glenmore and later took his nephew, Molesworth Richard Greene, into partnership, which arrangement proved to be long and prosperous. In 1857, they bought runs at Mount Hope and Mount Pyramid, which they kept until the days of free selection. Griffith led an active and successful public life. He was a member of the new Victorian Legislative Council in 1851, and was later an elected representative of the Legislative Assembly 1853-1859. He occupied many important public positions, including that of magistrate for Bacchus Marsh. Griffith was a devout Anglican and hosted Bishop Charles Perry at his station near Bacchus Marsh in 1849. He died in 1863 at his home in South Yarra. The diary is a detailed account of Griffith's voyage from Ireland to Australia and of his early months in Melbourne. After this it covers his early months establishing himself on his property, Glenmore, near Bacchus Marsh. The timeline of the diary stretches across 1840 and 1841. Griffith was an educated gentleman who made detailed observations about the environment he found himself in. The diary is particularly notable for Griffith's commentary about his interactions with people from first nations, and reveals some of his thinking about Colonial policies directed at first nations people. The diary also includes some sketches of individual first nations people along with some sketches of flora and fauna. The final part of the diary includes a glossary of Aboriginal words Griffith was familiar with. Digital file. PDF format. Digitised by State Library Victoria from photocopied pages of a hand-written transcription of the original diaries written by Charles J. (James) Griffith in 1840 and 1841.charles james griffith 1808-1863, diaries bacchus marsh, glenmore station, wadawurrung people, aboriginal australians bacchus marsh region history

View looking north along Eltham-Yarra Glen Road towards intersection with Research-Warrandyte Road and Research shops, c.1967. Three cars on the left, two FC Holden sedans (1958-1960) and a Holden HD Station Sedan (1965-1966)In digital metadata "My beautiful picture"cars, eltham-yarra glen road, holden fc, holden hd, main road, research (vic.), research shops, research-warrandyte road

View looking south along Eltham-Yarra Glen Road towards intersection with Reynolds Road and Dodkins Second Hand Dealer store on corner, c.1967.In digital metadata "My beautiful picture"cars, eltham-yarra glen road, main road, research (vic.), reynolds road, dodkins family, second hand dealer store, second hand dealer

Yields information about the buildings and trams in view from Lydiard St looking east along Bridge St.Black and white photograph of SEC No. 31 and two other single truckers in the City Loop at the bottom end of Sturt St. near Grenville St and another single trucker in Bridge St. heading west, just after leaving the junction with Main and Victoria Sts. Has the Grenville St. tramway shelter. Telephoto lens used from about the intersection with Lydiard St. looking east. Has "Dickins" store and other shops in the background. Tram 31 shows the destination of City and has a Twin Lakes sign as well. Photograph by Peter Bruce, 1971. Digital image added 7/7/10. Peter Bruce title "City Loop and Bridge St"trams, tramways, sturt st, city loop, bridge st, dickins, tram 31

From the Title page: "Lost - But Not Forgotten/ 'A Bitter Sweet Victory"/ HMAS SYDNEY/ In Memory of the 645". From Back Cover: "A Memorial Book with over 200 personal photographs based on the/ lives and families of the crew lost on HMAS Sydney II, 19 Nov 1941". Part of the "William (Bill) THOMASON" Collection. Refer Cat. No. 4136P for more items.Soft cover book. Cover - cardboard. Dark red and white colour print on front, spine and book. Cover illustrated in colour. Front montage of a sculpture of a woman with seascape in background. Back - Top - a memorial dome, Lower - Memorial Rose garden. 249 pages - cut, plain, white colour paper. Illustrated black and white photographs and maps. Front end papers - Gold colour adhesive label with black print. Title page - handwritten information. Handwritten information - blue ink pen. "Carnarvon book launch/ Keith Shegog/ 18th Nov '02" Grey lead pencil - "$25". Adhesive label - black ink print. "WINNER of the 2003/ Mavis Hoey Memorial Prize/ Awarded by the Port/ Adelaide Historical Society"publications, books, biographies, hmas sydney ii, william (bill) thomason collection

ANZAC 100 Years On - An intimate insight into the impact war has on Our Family's Journey. A true story based on war diaries, war records, recollections & personal experiences by Betty Brooks.Hard cardboard cover. Black white & gold print on front, spine & back. Beige coloured with faint writing background & front cover illustration of two books & a poppy in colour. 125 pages, cut plain white paper. Illustrated with sepia, black & white & coloured photos. Front fly leaf inscription Biography of a family. Handwritten in black ink on front fly leaf: "Donated by Julie Bennett"books, anzac journey, 100 years

Eight proof sheets accompanying photographic transparencies (29174). Some photographs were taken at WIN Television Studios, Ballarat. Others taken on campus at Camp Street. Possible photographer was Peter Swan.Item photographed by Elise Whetteruniversity of ballarat, federation university, graphic design, multimedia, camp street campus, new north

20 photographic transparencies, 18 individual student images and 2 group photos. The individual student photos were enlarged and mounted as lifesize, card-mounted cut-out display figures with stands. Fuji RHPIII 208 transparencies. Possible photographer was Peter Swan.Item photographed by Elise Whetteruniversity of ballarat, federation university, graphic design, multimedia, camp street campus, new north

USB flash drive containing Victorian Police Gazette records for 1855-1924.USB Flash Drive containing Police Gazette archives in plastic storage boxvictoria police, police gazette

USB flash drive containing miscellaneous digitised Victorian publications including Chronicles of early Melbourne, histories of Bendigo and Ballarat, Victorian Yearbooks 1873-1878, and 4 volumes of Victoria and its metropolis.USB Flash Drive containing miscellaneous [Victorian] publications archives in plastic storage boxvictoria police, melbourne - history, victoria - history

A collection of photographs taken and donated by Carrol Ryan. Trevor Ryan's Mobile Stage which he hires out for events. This was for the Kustom Cars on the 7th January, 2012. The Rally is held at the GP Race Track with entertainment on the Esplanade in Cowes. Nine colour photographs of the preparation for Kustom Cars Rally event held in Cowes on the 7th January 2012. 280-01. Photograph of the crowd inspecting the cars on The Esplanade. 280-02. The Band Stand. 280-03. Mustang - one of the Kustom Cars. 280-04. Trevor Ryan and DJ on stage. 280-05. Crowd in front of stage. 280-06. Stage setting up for concert. 280-07. Band on stage. 280-08. Crowd inspecting cars. 280-09. Andrew in front of Stage On back: 280-01. What better setting than this. 280-02. Trevor's Mobile Stage he hires out for events. Fabulour Band provided by Bass Coast Shire. 280-03. Mustang, one of the Kustom Cars. 280-04. Trevor and DJ Kustom Cars. 280-05. Crowd walking past stage between songs. 280-06. Trevor asking the boys what they need and testing sounds. 280-07. Band Kustom Cars 07/01/2012. Esplanade at bottom Thompson Ave. 280-08. Trevor Ryan (Bugs). He helps organise the events. 280-09. Andrew, one of the team helping to co-ordinate the Kustom Cars Event.kustom cars rally phillip island, trevor ryan, carrol ryan

Printed publication of 20 pages with articles, book reviews and images. Black, white and orange A4 size.lillian-townsend, alison-rehfisch, maxienne-tritton-young, carol-bryan, amanda-snell, 2pir group, pat hillcoat,, sharon-thorne, erica-mcgilchrist, barbara-robertson, paula-furby, gisella bruder, mary doyle, mealisy ilamie,, kerry-johns, marianne-penberthy, meg-beckett, aloma-treista, josie-telfer, lillian-townsend, maureen-mcdermott, toni-bucknell, isabel-davies, pam-wragg, rachel-rovay, wendy-kelly