MEDIUM: Photograph/Print DESCRIPTION: Photographic collage Black outer frame with glass Image and white board inner frame under glassSigned and dated; proper left corner on white board under imagephotograph, de, print, me, roach, catch, if, you, can

AATTV Vietnam, Active Service 31-07-1962. 18-12-1972 Service Medal awarded to Alwyn Charles BaconAATTV Vietnam, Active Service 31-07-1962. 18-12-1972 Service Medal with yellow & green emblem on one side. Aust flag on laurel wreath with sword with inscription around outside. In blue velvet box. Alwyn Charles Baconcommemorative medal aattv, aattv, vietnam, active service medal

Black and white photo of three nurses in dress uniform standing in front of Sydney Harbour Bridge with palm treephotograph / nurses - vietnam

Brown hard covered book of 257 pages published in 1882. Includes a line drawing of William Henderson. If. and What? is twelve lectures on the foundations of Christian Theism. The lectures are: 1. God and World - One or Two 2. Possibility of a Scientific Theism 3. Aetiology, or origin of cause 4. Teleology, or Source of Purpose 5. Theology of the conscience, or Fountain of Morality 6. Ontology, or God as Supreme Being 7. origins of Religion 8. Self- Limitation of the Infinite 9. God as father 10. The Divine Infinite and the Divine Love 11. God in Christ 12 Alpha and Omega The last paragraph of the preface states: "If this little book of mine can only show that theology has nothing to fear from all the science that is going, thal all true theologeans are just as eager as their neighbours to learn all that science has to teach them, in assurance that it will only make the foundations of their faith more stable and secure in the end, then it will not have been given to the world in vain. sic prosit." non-fictionreligion, ballarat, rev. henderson, william henderson, theism, aetiology, telelogu, yheology, conscience, ontology, self-limitation, god as father, divine infinite, divine love, alexander kelly

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council (the GLC or Greater London Council), where he organized many amazing concerts in most of the 150 parks, in and around the London district. He was also responsible for some of London’s major concerts at Kenwood, the Crystal Palace and Holland Park. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Blue pen written on paper - perhaps this is a press release - written about the lengths that Frank Wright, although ill and in hospital earlier in the week, went to, to honour his commitment to be a part of the jury to judge the World Music Contest at Kerkrade.Hand written documentfrank wright, kerkrade, world music contest, adjudicator, bands

Part of a collection obtained by K C Hofmaier 1963 by purchase of a library at gembrrok (Vic) which contained a number of books from the old Ballarat german language library with school text books and theological works formerly the property of the founder of Ballarat College Rev'd Wm Henderson. William Henderson was Minister of St Andrews Kirk at the time of writing. The very strong Presbyterian roots of Ballarat College were a legacy of this man. Socially significant for school community because of its authorship - William Henderson founded ballarat College. Black calf binding with damaged spine; gold lettering on front cover; dark green endpapers; gilt page edges;Handwritten inscription on front endpaper: by Wm Henderson / founder of Ballarat College Handwritten inscription on back of endpaper: Collected by K C Hofmaier 1963 by purchase of a library at gembrrok (Vic) which contained a number of books from the old Ballarat german language library with school text books and theological works formerly the property of the founder of Ballarat College Rev'd Wm Henderson.william-henderson, keith-hofmaier, 1882, ballarat-college, theology.

This book was authored by Rev William Henderson, founder of Ballarat College. It was donated to the College by Keith Hofmaier (PY1944) who had received it from Rev Sid A Goddard, former Ballarat College and Clarendon Presbyterian Ladies College council member and chair. The book affirms the strong theological convictions, training and qualifications of the school's founder. The book is accompanied by two letters. The first from Sid Goddard on the occasion of his presentation of the book to St Andrews Kirk. The second from Keith Hofmaier advising the inclusion of the book among the 'meagre collection of Henderson relics at the college'. Book has social significance for the college community because of its association with both William Henderson and Sid Goddard. Black binding with gold lettering on cover' damaged spine;green endpapers; various letter included; Gummed label fixed inside front cover: Edward Ford MAsid-a-goddard, william-henderson, keith-hofmaier, 1992, theology, ballarat-college,

Ballarat School of Mines and Industries is a predecessor of Federation University.Black and white cartoon drawn by Max Coward published in the School of Mines Ballarat Students Magazine 1940.cartoon, max coward, ballarat school of mines, ballarat school of mines and industries

The story and stories of Noble Park Public Hall.non-fictionThe story and stories of Noble Park Public Hall.noble park, dandenong, public hall

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a green and gold label. Title: I shall have to ask my mother if she'll let me Artist: Billy Williams Publisher: Zonophone Records England Number: X-3-42137 Size: 10 inchflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, 10 inch, zonophone records england, x-3-42137. i shall have to ask my mother if she'll let me, billy williams

Thomas Edison (1847–1931), an American, invented the phonograph in 1877, making it possible to record sound waves vertically and reproduce them on a wax cylinder so they could be heard again. Later, the German American, Emile Berliner (1851-1929), improved on Edison’s principles, greatly increasing the quality of the reproduced sounds with his invention of the gramophone in 1887, which recorded the sound waves laterally onto a flat shellac disc, or ‘record’. Records could be mass-produced in a factory where audio recordings were converted to a physical copy of that recording on a plate-sized disc. A gramophone machine reproduced the sound by spinning the record on a turntable at a specified number of rotations per minute (RPM) and using a stylus or needle to transfer the vibration via a membrane to a speaker, which amplified the sound. Berliner helped set up affiliated businesses overseas. One of his representatives was William Barry Owen (1860–1914), who, on 23 February 1889, partnered with Edmund Trevor Lloyd Williams (1859–1946) in England to register The Gramophone Company. His Master’s Voice (HMV) soon became the company’s major recording label, popular worldwide. The business based the label's logo of a dog looking into a gramophone horn for ‘his master’s voice’ was based on a painting by English artist Francis Barraud, which featured a terrier called Nipper beside a gramophone. Early gramophone records were mostly made from a material referred to as shellac, a natural ingredient combined with slate powder, and a filler of manilla copal, wood resin, carnauba wax, and carbon black. Although Bakelite seemed a useful, synthetic product, it was unsuccessful as a product for records. Around the time of World War II, lightweight, flexible synthetic vinyl records began replacing shellac records. Common diameters of records: 7 inch, 10 inch, 12 inch and 16 inch Revolutions Per Minute include: 33 1/3, 45, 78 Minutes per side of record: 3, 5.5, 7, 8, 9, 12, 15 and 22 Labels, in minutes per side: Single Play 3-5 min, Extended Play (EP) 7-12 min, Long Play (LP) 12-22 min This gramophone represents a step in the evolution of recording sound. In the 19th century, the human voice was first recorded on wax cylinders and replayed. It was the beginning of a new era in sound. Then, in the 1880s, voice could be recorded onto flat discs like this record, reliably reproduced and replayed many times, even on portable devices. Later, in the mid-20th century the following generation of electronic audio recording began, and later that century, digital recording gave even better reproduction. The record represents a popular means of entertainment for personal and social activities, as well as in some businesses. Shellac gramophone record with a black label Title: Oh, If Only I Had You Artist: Jack Lumsdaine (The Radio Rascal) Publisher: Columbia Number: A454 0625 Size: 10-inchRemnants of a paper sticker on the labelflagstaff hill, warrnambool, maritime village, maritime museum, flagstaff hill maritime museum and village, shipwreck coast, great ocean road, gramophone, phonograph, sound waves, record, reproduction, audio record, music, sound, thomas edison, emile berliner, 1887, shellac, rpm, william barry owen, edmund trevor lloyd williams, the gramophone company, his master’s voice, hmv, francis barraud, nipper, 10 inch, columbia, a454 0625, oh, if only i had you, jack lumsdaine (the radio rascal)

Padre Oliver is shaking hands with sailors. On the flyer behind him we can read: The war is over. Funds are hard to get. If you want to "throw in", here's your chance with an arrow pointing to the donation slot in the wall. On the left is a notice about the social events at the mission.Medium size black and white photograph depicting Padre Oliver shacking hands with a sailor near the entrance door of the hall. Three other sailors are waiting to do the same probably. padre frank leslie oliver, ww2, wartime, 717 flinders street, mission to seamen, donations

A view of the intersection of Sherbourne and Para Roads in Montmorency in 1971, just after it was completed. The article points out the number of poles in the photograph.Digital copy of newspaper articlesherbourne road montmorency, para road montmorency, montmorency

This publication is a result of funding made to the Corangamite Arts Council in 1990-91. Its aims were to identify and research the dry stone walls of the region, to raise their profile and through workshops continue the skills of those wanting to learn more about the craft. The book gives the history of the practice in the area and the various different styles with photographs to illustrate the different features. It also has a number of first- hand accounts written by stonewallers.This study has social, historical, artistic and interpretive significance as the walls are an important feature of the district. The account written by former builders of the walls provides an interesting insight into the various styles and reasons for their construction.Light green card cover. Front cover has 4 photographs of dry stone walls with title and other text in black. Back cover is plain. 144 pages. It contains a large number of black and white photographs of stone walls from around the district as well as maps. Report of the Corangamite dry stone walls Conservation project.dry stone walls, corangamite stone walls, warrnambool and district history, constructing dry stone walls

Paperback; xii, 356 p. : ill. ; 27 cm.[written on flyleaf] With very best wishes, Pam Baragwanath. 17-11-2000mechanics' institute, social customs

Worn cover with clear tapenon-fictionA lengthy selection of essays on artists and art movements from a broad selection of historical and contemporary era including Baroque, Renaissance, 19th Century, Pre-Raphaelite, 20th Century, Modernism, Mid-Century, late 20th Century European and American art.lee krasner, louise bourgeois, elizabeth murray, susan rothenberg

It is a medical parody of Rudyard Kipling’s famous poem "If—", rewritten to highlight the patience and resilience required in the nursing professionAn example of nursing humourPrinted card, off-white background. Underneath a black and white illustration of a woman wearing a nurse's veil, title in red ink, main body of poem in black ink with two red 'Ifs'. and a statement in red at the base. Card has been mounted on a piece of wood, and fixed to brown carboard with standnursing, nurses, poems about nurses

A work of passion and protest. One of the few good things to come out of the Vietnam Warvietnam war, 1961-1975 - personal narratives, american

A work of passion and protest. One of the few good things to come out of the Vietnam Warvietnam war, 1961-1975 - personal narratives, american