Showing 61 items
matching international visitors
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Federation University Historical Collection
Photograph, Corporate Gifts from International Visitors and Visits, 2020
... Corporate Gifts from International Visitors and Visits...international visitors... Photograph Corporate Gifts from International Visitors and Visits ...Photographs of corporate gifts that were removed from a large showcase in the Mt Helen Council room, and were surplus to requirements. They have been photographed for documentation purposes. Most were collected whole David Battersby was Vice-Chancellor and Chancellor Paul Hemming.Glass horses - "To Dr Paul Hemming Chancellor of Federation University Australia from Dr Tie Zhao Novemnber 2015" Celadon medallion, by Hanxin ZHOU, 2011, 17 cm diameter, paper label on reverse "Guandong Celadon." Wheel thrown disk with chattering decoration and celadon glaze made from local mineral source (China). Hand carved inscription on front face in Chinese characters (no interpretation available), disk shape denotes luckiness and achievement, made for the School's 20th anniversary (2011).international visitors, international visits, souvenirs, gifts, swan, liu-li, guanglong school, guanlong celadon, zhou hanxin, halcyone days, elephant tray, jade dragon ship, glass horses, tie zhao -
Federation University Historical Collection
Souvenir - Object, Royal Salangor Pewter, Boxed Pewter Batik Plate, 07/11/2016
... international visitors... visitors international visits souvenirs gifts valet tray plate ...Royal Selangor high quality cast pewter consists of 92% to 97% tin, with a small proportion of copper and antimony added to strengthen the alloy – the highest international standard for pewter. It is heavier and stronger than spun pewter. When struck gently, it produces a resonant sound.Boxed Pewter plate with a wide border around a central disc, alternating with bands of ceplok grid, dotted line work, diagonal parang and meandering Peranakan flowers. Federation University Australlia Asia and Africa Support Cente and SaMsung as Display Technoogy Partner 7th November 2016.international visitors, international visits, souvenirs, gifts, valet tray, plate, samsung -
Federation University Historical Collection
Souvenir - Object, Royal Salangor Pewter, Pewter Tankard
... international visitors..., it produces a resonant sound. international visitors international ...Royal Selangor high quality cast pewter consists of 92% to 97% tin, with a small proportion of copper and antimony added to strengthen the alloy – the highest international standard for pewter. It is heavier and stronger than spun pewter. When struck gently, it produces a resonant sound.Pewter Isthmus Tankard decorated with an exuberant foliate motif, this tankard carries design that symbolises the fusion of different cultures where decorative elements from the East and West meet. 0.5 pint. Best compliments from NUTP Malaysia.international visitors, international visits, souvenirs, gifts, tankard, nutp malaysia -
Federation University Historical Collection
Object, Tamasek Pewter, Pewter Tankard
... international visitors... represents prowess, nobility and fortune. international visitors ...This mug features dragon design, with a handle in the shape of bamboo. Chinese believe the dragon represents prowess, nobility and fortune.Dragon Mug decorated with a dragon. With Best compliments Stamford College Malaysiainternational visitors, international visits, souvenirs, gifts, tankard, malaysia, dragon, bamboo -
Federation University Historical Collection
Object, Eastern Pewter, Pewter Plate
... international visitors... Southermn College Malaysia March 2009 international visitors ...Pewter plate with Malaysian scenes. University of Ballarat Striving for Excellent Education and Lifelong Partnership Southermn College Malaysia March 2009international visitors, international visits, souvenirs, gifts, malaysia, southern college malaysia -
Federation University Historical Collection
Object, Decorative Cinnabar Lacquerware Plate, c2014
... international visitors... (front). Black (reverse). international visitors international ...Decorative cinnabar (molded resin?) face, with elephant motif and lotus flower boarder (front). Black (reverse). international visitors, international visits, souvenirs, gifts, elephant plate, decorative plate, cinnabar, resin, lacquerware -
Federation University Historical Collection
Object, Boxed Pewter Keris Letter Opener
... international visitors... of the history and culture of the Malay world. international visitors ...The keris is a dagger unique to the Malay cultures of Southeast Asia, with renderings depicting the weapon dating to 825 CE. Asymmetry is this ancient weapon’s distinguishing feature and, although different styles exist, it is the wavy blade that is instantly recognisable. Today, the keris is a potent symbol of the history and culture of the Malay world.A boxed pewter letter opener, in the form of a wavy-bladed keris, in satin finish pewter. Thank you Professor Kerry O. Cox Vice-Chancellor University of Ballarat for gracing the graduation ceremony hosted by Regions College 10th October 2005international visitors, international visits, souvenirs, gifts, malaysia, keris, blade, knife -
Federation University Historical Collection
Object, Eastern Pewter, Framed Tepak Sireh and Rebana Ubi in Pewter
... international visitors.... international visitors international visits souvenirs gifts malaysia ...Tepak Sireh is Malay traditional metal container for storing betel leaves used for chewing. Rebana Ubi is Malay traditional musical instrument classified as a drum.Gold framed Tepak Sireh and Rebana Ubi in Pewter With Best Compliments Ministry of Youth and Sports Malaysiainternational visitors, international visits, souvenirs, gifts, malaysia, tepak sireh, rebana ubi -
Bendigo Historical Society Inc.
Book - SOROPTIMIST COLLECTION VISTORS BOOK, 1978 - 2005
... Red covered Guests Soroptimist International Bendigo... BENDIGO Clubs Red covered Guests Soroptimist International Bendigo ...Red covered Guests Soroptimist International Bendigo Visitors Book with entries from 1978 -2005, mostly recording names and addresses of guests.bendigo, clubs -
Robin Boyd Foundation
Magazine - Clipping, David Saunders, Two more witnesses to a great talent, 27-Nov-71
... by international visitors invited by Boyd. The two reviewed here... 'Melbourne Architectural Papers', of lectures given by international ...This is a review of the first two in the Robin Boyd inspired series 'Melbourne Architectural Papers', of lectures given by international visitors invited by Boyd. The two reviewed here are 'A Critic's View' by Englishman J.M.Richards and 'The new Forces' by American Peter Blake.p 47-48Arrows and underline on Robins Boyd's namemelbourne architectural papers, walsh st library -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Shanty Town at Tullamarine, 1971
... , and critiques the image of Australia first presented to international..., and critiques the image of Australia first presented to international ...Discusses the reasons for Sydney's and Melbourne's new airports. Discusses the transformation from picturesque landscape to a growth of unordered supplementary structures surrounding airports (motels, sheds, storage rooms, petrol stations, shopping mall). Boyd predicts this "shanty town" image will only get worse, and critiques the image of Australia first presented to international visitors.Original manuscript of an article published in "The Sunday Australian", 27.06.1971Typewritten (c copy), quarto, 8 pagesNumbered in 13 paragraphstullamarine airport, international airport, melbourne's shanty town, robin boyd, manuscript -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Photograph, 1904 Opening of the Tennis Season at Cheltenham tennis Club, 1904
Opening of Tennis Club Season at Cheltenham 1904. Among the members and visitors it is noted that Annette Kellerman a famous international film star is present. Photograph is black and white. There are two tennis courts in the foreground. Its is a large group photograph. It is a mix of men, woman and children. Some of the people in the photograph are holding tennis rackets, hats or tea cups. There is one known female is this photograph, in the front row, second from the left, as she is an international swimming film star -Annette Kellerman.Back of photo "Mr Fairlie Taylor (Addie Fairlair) 3 Sanley Av. . Chelt. if no one at back flat, please leave under Mr Stouts side door (Same address). attachment : Cheltenham Tennis Club / Opening Day 1904 / Members and Visitors / Annette Kellerman - Swimming Film Star - Front Row 2nd from left ( not opening of Club, but opening of tennis season)tennis club, opening day, cheltenham, season, kellerman annette, film stars, movies, swimming champions, musicals, theatres, california, hollywood, america, -
Federation University Historical Collection
Invitation, Invitation to Attend a Luncheon with HRH Prince Edward at Federation University Mt Helen Campus, 2018
Federation University Australia showcased its students and research at a luncheon for His Royal Highness The Prince Edward, Earl of Wessex KG GCVO, at the Mt Helen Campus on Sunday, 8 April. The University’s student leaders and academics joined other dignitaries and business representatives for the special event. “The University is deeply honoured to host HRH The Earl of Wessex and share his passion for volunteerism and The Duke of Edinburgh’s International Award,” Professor Helen Bartlett, Vice-Chancellor, said. Prior to the luncheon HRH The Earl of Wessex experienced a Welcome to Country and Smoking Ceremony at the University. The program included showing HRH The Earl of Wessex concept plans for a refurbished Sports Science facility at the Mt Helen Campus. Guests were treated to a performance by the Arts Academy’s renowned vocal ensemble Word of Mouth. At the conclusion of the luncheon, HRH The Earl of Wessex planted a tree at the Student Commons Courtyard. The visit to the University by HRH The Earl of Wessex was the first by a member of the Royal Family since Prince Charles visited in 1974. HRH The Earl of Wessex was in Australia to attend the Commonwealth Games and undertake additional engagements to recognise and promote The Duke of Edinburgh’s International Award in Australia. HRH The Earl of Wessex, who is the Chair of The Board of Trustees of The Duke of Edinburgh’s International Award Foundation, attended 32 engagements across Melbourne, Ballarat, Hobart, Brisbane, and Adelaide, from formal receptions, Award presentations, meetings with government officials and the community sector, to meeting Award Participants and their families at community centres. The events enabled HRH The Earl of Wessex to engage with over 1,000 young people undertaking the Award, and over 3,400 Award volunteers and supporters who will have the opportunity to discuss their activities and showcase the work being done to help young Australians dream big, challenge themselves and find their purpose, passion and place in the world. HRH The Earl of Wessex’s visit celebrates significant milestones and growth in the diversity of The Duke of Edinburgh’s International Award program in Australia. “The Award’s relevance to all young Australians is as important today as it was when it started over 60 years ago,” Mr Peter Kaye AM, Chief Executive Officer of The Duke of Edinburgh’s International Award – Australia, said. “Employers in particular are recognising the ‘soft skills’ that are so necessary for a well prepared future employee.”Invitation and dress code in a gold envelope. Addressed "Ms Clare Gervasoni Curator, Art & Historical Colelctions Federation University Australia Mt Helen Campus"prince edward, earl of wessex, helen bartlett, visitors, royal visit -
Federation University Historical Collection
Poster, Federation University Australia Welcome to HRH Prince Edward, 2018, 09/04/2018
Federation University Australia showcased its students and research at a luncheon for His Royal Highness The Prince Edward, Earl of Wessex KG GCVO, at the Mt Helen Campus on Sunday, 8 April. The University’s student leaders and academics joined other dignitaries and business representatives for the special event. “The University is deeply honoured to host HRH The Earl of Wessex and share his passion for volunteerism and The Duke of Edinburgh’s International Award,” Professor Helen Bartlett, Vice-Chancellor, said. Prior to the luncheon HRH The Earl of Wessex experienced a Welcome to Country and Smoking Ceremony at the University. The program included showing HRH The Earl of Wessex concept plans for a refurbished Sports Science facility at the Mt Helen Campus. Guests were treated to a performance by the Arts Academy’s renowned vocal ensemble Word of Mouth. At the conclusion of the luncheon, HRH The Earl of Wessex planted a tree at the Student Commons Courtyard. The visit to the University by HRH The Earl of Wessex was the first by a member of the Royal Family since Prince Charles visited in 1974. HRH The Earl of Wessex was in Australia to attend the Commonwealth Games and undertake additional engagements to recognise and promote The Duke of Edinburgh’s International Award in Australia. HRH The Earl of Wessex, who is the Chair of The Board of Trustees of The Duke of Edinburgh’s International Award Foundation, attended 32 engagements across Melbourne, Ballarat, Hobart, Brisbane, and Adelaide, from formal receptions, Award presentations, meetings with government officials and the community sector, to meeting Award Participants and their families at community centres. The events enabled HRH The Earl of Wessex to engage with over 1,000 young people undertaking the Award, and over 3,400 Award volunteers and supporters who will have the opportunity to discuss their activities and showcase the work being done to help young Australians dream big, challenge themselves and find their purpose, passion and place in the world. HRH The Earl of Wessex’s visit celebrates significant milestones and growth in the diversity of The Duke of Edinburgh’s International Award program in Australia. “The Award’s relevance to all young Australians is as important today as it was when it started over 60 years ago,” Mr Peter Kaye AM, Chief Executive Officer of The Duke of Edinburgh’s International Award – Australia, said. “Employers in particular are recognising the ‘soft skills’ that are so necessary for a well prepared future employee.”Blue Federation University poster created to welcome HRH Prince Edward to the Mount Helen Campus poster, banner, prince edward, royal visitor -
Federation University Historical Collection
Photograph - Colour, Clare Gervasoni, Federation University Seating Arrangement for lunch with HRH Prince Edward, 2018, 09/04/2018
Federation University Australia showcased its students and research at a luncheon for His Royal Highness The Prince Edward, Earl of Wessex KG GCVO, at the Mt Helen Campus on Sunday, 8 April. The University’s student leaders and academics joined other dignitaries and business representatives for the special event. “The University is deeply honoured to host HRH The Earl of Wessex and share his passion for volunteerism and The Duke of Edinburgh’s International Award,” Professor Helen Bartlett, Vice-Chancellor, said. Prior to the luncheon HRH The Earl of Wessex experienced a Welcome to Country and Smoking Ceremony at the University. The program included showing HRH The Earl of Wessex concept plans for a refurbished Sports Science facility at the Mt Helen Campus. Guests were treated to a performance by the Arts Academy’s renowned vocal ensemble Word of Mouth. At the conclusion of the luncheon, HRH The Earl of Wessex planted a tree at the Student Commons Courtyard. The visit to the University by HRH The Earl of Wessex was the first by a member of the Royal Family since Prince Charles visited in 1974. HRH The Earl of Wessex was in Australia to attend the Commonwealth Games and undertake additional engagements to recognise and promote The Duke of Edinburgh’s International Award in Australia. HRH The Earl of Wessex, who is the Chair of The Board of Trustees of The Duke of Edinburgh’s International Award Foundation, attended 32 engagements across Melbourne, Ballarat, Hobart, Brisbane, and Adelaide, from formal receptions, Award presentations, meetings with government officials and the community sector, to meeting Award Participants and their families at community centres. The events enabled HRH The Earl of Wessex to engage with over 1,000 young people undertaking the Award, and over 3,400 Award volunteers and supporters who will have the opportunity to discuss their activities and showcase the work being done to help young Australians dream big, challenge themselves and find their purpose, passion and place in the world. HRH The Earl of Wessex’s visit celebrates significant milestones and growth in the diversity of The Duke of Edinburgh’s International Award program in Australia. “The Award’s relevance to all young Australians is as important today as it was when it started over 60 years ago,” Mr Peter Kaye AM, Chief Executive Officer of The Duke of Edinburgh’s International Award – Australia, said. “Employers in particular are recognising the ‘soft skills’ that are so necessary for a well prepared future employee.”Photograph of the seating arrangements for the dinner with HRH Prince Edward at Federation University Mount Helen Campus poster, prince edward, royal visitor, seating arrangement -
Federation University Historical Collection
Document, Clare Gervasoni, Material relating to the Visit of HRH The Prince Edward to Federation University Mt Helen Campus, 2018, 08/04/2018
Visit of HRH The Prince Edward, Earl of Wessex KG GCVO to Federation University Mt Helen Campus. Prince Edward is Chair of the Trustees of the Duke of Edinburgh's International Award Foundation. .1) Order of Proceedings .2) Table settings 3.) Overview (Vice Chancellor Helen Bartlett, Chancellor Paul Hemming, Tammy Gilson Wadawurrung, Dara Twomey, Caleb Myers, Mt Helen Campus, Sports science Centre, Arts Academy, Tree of knowledge) .4) Table name cards .5) Invitations .6) Menuprince edward, earl of wessex, royal visitor, federation university, wudawurrung, helen bartlett, paul hemming, tammy gilson, dara twomey, caleb myers, mt helen campus, sports science centre, arts academy, tree of knowledge, clare gervasoni, steve davies -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Visitors Book, Not later than 1991
... 2000 to 12 Aug 2006 visitors book messes Guardian International ...Used by Kyneton depot of the Regiment: from 30 Nov 1991 to 24 April 1995 and Alex Wilson Club, Simpson Barracks, 24 June 2000 to 12 Aug 2006Hard covered visitors book with plastic bound cover. A stock stationery line rather then special printing for user. On cover - "Visitors"visitors book, messes -
Victorian Aboriginal Corporation for Languages
Periodical, Australian Institute of Aboriginal and Torres Strait Islander Studies, Australian Aboriginal studies : journal of the Australian Institute of Aboriginal and Torres Strait Islander Studies, 2013
We don?t leave our identities at the city limits: Aboriginal and Torres Strait Islander people living in urban localities Bronwyn Fredericks Aboriginal and Torres Strait Islander people who live in cities and towns are often thought of as ?less Indigenous? than those who live ?in the bush?, as though they are ?fake? Aboriginal people ? while ?real? Aboriginal people live ?on communities? and ?real? Torres Strait Islander people live ?on islands?. Yet more than 70 percent of Australia?s Indigenous peoples live in urban locations (ABS 2007), and urban living is just as much part of a reality for Aboriginal and Torres Strait Islander people as living in remote discrete communities. This paper examines the contradictions and struggles that Aboriginal and Torres Strait Islander people experience when living in urban environments. It looks at the symbols of place and space on display in the Australian cities of Melbourne and Brisbane to demonstrate how prevailing social, political and economic values are displayed. Symbols of place and space are never neutral, and this paper argues that they can either marginalise and oppress urban Aboriginal and Torres Strait Islander people, or demonstrate that they are included and engaged. Juggling with pronouns: Racist discourse in spoken interaction on the radio Di Roy While the discourse of deficit with regard to Australian Indigenous health and wellbeing has been well documented in print media and through images on film and on television, radio talk concerning this discourse remains underresearched. This paper interrogates the power of an interactive news interview, aired on the Radio National Breakfast program on ABC Radio in 2011, to maintain and reproduce the discourse of deficit, despite the best intentions of the interview participants. Using a conversation-analytical approach, and membership categorisation analysis in particular, this paper interrogates the spoken interaction between a well-known radio interviewer and a respected medical researcher into Indigenous eye health. It demonstrates the recreation of a discourse emanating from longstanding hegemonies between mainstream and Indigenous Australians. Analysis of firstperson pronoun use shows the ongoing negotiation of social category boundaries and construction of moral identities through ascriptions to category members, upon which the intelligibility of the interview for the listening audience depended. The findings from analysis support claims in a considerable body of whiteness studies literature, the main themes of which include the pervasiveness of a racist discourse in Australian media and society, the power of invisible assumptions, and the importance of naming and exposing them. Changes in Pitjantjatjara mourning and burial practices Bill Edwards, University of South Australia This paper is based on observations over a period of more than five decades of changes in Pitjantjatjara burial practices from traditional practices to the introduction of Christian services and cemeteries. Missions have been criticised for enforcing such changes. However, in this instance, the changes were implemented by the Aboriginal people themselves. Following brief outlines of Pitjantjatjara traditional life, including burial practices, and of the establishment of Ernabella Mission in 1937 and its policy of respect for Pitjantjatjara cultural practices and language, the history of these changes which commenced in 1973 are recorded. Previously, deceased bodies were interred according to traditional rites. However, as these practices were increasingly at odds with some of the features of contemporary social, economic and political life, two men who had lost close family members initiated church funeral services and established a cemetery. These practices soon spread to most Pitjantjatjara communities in a manner which illustrates the model of change outlined by Everett Rogers (1962) in Diffusion of Innovations. Reference is made to four more recent funerals to show how these events have been elaborated and have become major social occasions. The world from Malarrak: Depictions of South-east Asian and European subjects in rock art from the Wellington Range, Australia Sally K May, Paul SC Ta�on, Alistair Paterson, Meg Travers This paper investigates contact histories in northern Australia through an analysis of recent rock paintings. Around Australia Aboriginal artists have produced a unique record of their experiences of contact since the earliest encounters with South-east Asian and, later, European visitors and settlers. This rock art archive provides irreplaceable contemporary accounts of Aboriginal attitudes towards, and engagement with, foreigners on their shores. Since 2008 our team has been working to document contact period rock art in north-western and western Arnhem Land. This paper focuses on findings from a site complex known as Malarrak. It includes the most thorough analysis of contact rock art yet undertaken in this area and questions previous interpretations of subject matter and the relationship of particular paintings to historic events. Contact period rock art from Malarrak presents us with an illustrated history of international relationships in this isolated part of the world. It not only reflects the material changes brought about by outside cultural groups but also highlights the active role Aboriginal communities took in responding to these circumstances. Addressing the Arrernte: FJ Gillen?s 1896 Engwura speech Jason Gibson, Australian National University This paper analyses a speech delivered by Francis James Gillen during the opening stages of what is now regarded as one of the most significant ethnographic recording events in Australian history. Gillen?s ?speech? at the 1896 Engwura festival provides a unique insight into the complex personal relationships that early anthropologists had with Aboriginal people. This recently unearthed text, recorded by Walter Baldwin Spencer in his field notebook, demonstrates how Gillen and Spencer sought to establish the parameters of their anthropological enquiry in ways that involved both Arrernte agency and kinship while at the same time invoking the hierarchies of colonial anthropology in Australia. By examining the content of the speech, as it was written down by Spencer, we are also able to reassesses the importance of Gillen to the ethnographic ambitions of the Spencer/Gillen collaboration. The incorporation of fundamental Arrernte concepts and the use of Arrernte words to convey the purpose of their 1896 fieldwork suggest a degree of Arrernte involvement and consent not revealed before. The paper concludes with a discussion of the outcomes of the Engwura festival and the subsequent publication of The Native Tribes of Central Australia within the context of a broader set of relationships that helped to define the emergent field of Australian anthropology at the close of the nineteenth century. One size doesn?t fit all: Experiences of family members of Indigenous gamblers Louise Holdsworth, Helen Breen, Nerilee Hing and Ashley Gordon Centre for Gambling Education and Research, Southern Cross University This study explores help-seeking and help-provision by family members of Indigenous people experiencing gambling problems, a topic that previously has been ignored. Data are analysed from face-to-face interviews with 11 family members of Indigenous Australians who gamble regularly. The results confirm that substantial barriers are faced by Indigenous Australians in accessing formal help services and programs, whether for themselves or a loved one. Informal help from family and friends appears more common. In this study, this informal help includes emotional care, practical support and various forms of ?tough love?. However, these measures are mostly in vain. Participants emphasise that ?one size doesn?t fit all? when it comes to avenues of gambling help for Indigenous peoples. Efforts are needed to identify how Indigenous families and extended families can best provide social and practical support to assist their loved ones to acknowledge and address gambling problems. Western Australia?s Aboriginal heritage regime: Critiques of culture, ethnography, procedure and political economy Nicholas Herriman, La Trobe University Western Australia?s Aboriginal Heritage Act 1972 (WA) and the de facto arrangements that have arisen from it constitute a large part of the Aboriginal ?heritage regime? in that state. Although designed ostensibly to protect Aboriginal heritage, the heritage regime has been subjected to various scholarly critiques. Indeed, there is a widespread perception of a need to reform the Act. But on what basis could this proceed? Here I offer an analysis of these critiques, grouped according to their focus on political economy, procedure, ethnography and culture. I outline problems surrounding the first three criticisms and then discuss two versions of the cultural critique. I argue that an extreme version of this criticism is weak and inconsistent with the other three critiques. I conclude that there is room for optimism by pointing to ways in which the heritage regime could provide more beneficial outcomes for Aboriginal people. Read With Me Everyday: Community engagement and English literacy outcomes at Erambie Mission (research report) Lawrence Bamblett Since 2009 Lawrie Bamblett has been working with his community at Erambie Mission on a literacy project called Read With Me. The programs - three have been carried out over the past four years - encourage parents to actively engage with their children?s learning through reading workshops, social media, and the writing and publication of their own stories. Lawrie attributes much of the project?s extraordinary success to the intrinsic character of the Erambie community, not least of which is their communal approach to living and sense of shared responsibility. The forgotten Yuendumu Men?s Museum murals: Shedding new light on the progenitors of the Western Desert Art Movement (research report) Bethune Carmichael and Apolline Kohen In the history of the Western Desert Art Movement, the Papunya School murals are widely acclaimed as the movement?s progenitors. However, in another community, Yuendumu, some 150 kilometres from Papunya, a seminal museum project took place prior to the completion of the Papunya School murals and the production of the first Papunya boards. The Warlpiri men at Yuendumu undertook a ground-breaking project between 1969 and 1971 to build a men?s museum that would not only house ceremonial and traditional artefacts but would also be adorned with murals depicting the Dreamings of each of the Warlpiri groups that had recently settled at Yuendumu. While the murals at Papunya are lost, those at Yuendumu have, against all odds, survived. Having been all but forgotten, this unprecedented cultural and artistic endeavour is only now being fully appreciated. Through the story of the genesis and construction of the Yuendumu Men?s Museum and its extensive murals, this paper demonstrates that the Yuendumu murals significantly contributed to the early development of the Western Desert Art Movement. It is time to acknowledge the role of Warlpiri artists in the history of the movement.b&w photographs, colour photographsracism, media, radio, pitjantjatjara, malarrak, wellington range, rock art, arrernte, fj gillen, engwura, indigenous gambling, ethnography, literacy, erambie mission, yuendumu mens museum, western desert art movement -
Kew Historical Society Inc
Photograph - Grace Tabulo at 'Fairyland', c.1960
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence.The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction.Large, original black and white print positive of the owner of 'Fairyland' Grace Tabulo, with two visiting children who watch a pet myna bird take food from Mrs Tabulo's mouth. The room, like the rest of the house (and garden) includes numerous mementos and decorative items. While there is no marking to the reverse, it may be that this photo was professionally taken by a press photographer.Nilgrace tabulo, fairyland, 57 malmsbury street -
Warrnambool and District Historical Society Inc.
Book, John Gerard Craven, The 'Warrnambool' A fascinating and colourful insight into one of the world's greatest and oldest bike races, 2015
History of the Melbourne to Warrnambool Cycling ClassicThis is a hard cover book of 406 pages. The cover has a blue and red background with two colour photographs of cyclists, some printed material and a marketing code with the ISBN number. The printed material includes a Contents page, an Honour Roll of winners of the Melbourne to Warrnambool/Warrnambool to Melbourne Cycle Race and photographs, both in black and white and colour and illustrations.non-fictionHistory of the Melbourne to Warrnambool Cycling Classiccycling, melbourne to warrnambool -
Ballarat Tramway Museum
Newspaper, The Courier Ballarat, "From US to ride trams", 27/05/1972 12:00:00 AM
Newspaper clipping from The Courier, Ballarat, 27/5/1972 about the visit of tram enthusiast Ken Springforth visiting the BTPS. Photographed with Traffic Manager, Richard Gilbert the previous day. Quotes Mr Springforth about his interest in trams, international trends, his book on "North American Trolleys". Mr Springforth was a quality control engineer with a locomotive manufacturer, in Erie Pennsylvania. Second copy added 25/10/2005.In pencil in central top of the item - '27/5/72'trams, tramways, visitors, btps, ken springforth -
Ballarat Tramway Museum
Document - Guide Book/notes, Tramway Museum Society of Victoria (TMSV), "Guide for Delegates interested in trams", 1970
... to visitors to the International Convention of Railway Modellers, Melb... duplicated notes to act as a guide to visitors to the International ...Demonstrates notes prepared by the TMSV for tours of the Ballarat and Melbourne systems and the nature of the notes.Five page spirit duplicated notes to act as a guide to visitors to the International Convention of Railway Modellers, Melb. 1970. Index, history of TMSV, map of Malvern depot, model trams, exhibition notes, place of Melb. Tram interest, notes and map on Ballaarat. Missing is pages 6, 7, and 8 - noted in index on page 1. Pdf image of document added 31/10/2013.trams, tramways, melbourne, ballarat, tmsv, model tramways -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower abd Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show.melbourne international flower and garden show, carlton gardens, melbourne exhibition building -
Ballarat Heritage Services
Photograph -Colour, Clare Gervasoni, Interior of the Melbourne Exhibition Building, 2019, 31/03/2019
A competition was announced to design a suitable building for the proposed Melbourne International Exhibition in December 1877. Eighteen entries were received. The winner of 300 pounds was Joseph Reed of the architectual firm Reed and Barnes. The foundation stone was laid by Governor Sir George Bowen on 19 February 1879. Prominent Melbounre builder David Mitchell, father of Dame Nellie Melba, won the tender to construct the main building. Exhibitors were able to move in by May 1880. On 01 October 1880 the Melbourne International Exhibition opened, when over 6000 people entered the main hall to see the Governor, the Marquess of Normanby open the show. Thirty three nations participated and ofver 32,000 exhibits were displayed. At the close of the exhibition on 30 April 1881 over 1.3 million people had visited the exhibition. In 1881 Victoria's population was just over 250,000. The management of the Exhibition Building and eight hectares of the Carlton Gardens was handed to the Exhibition Trustees by the Melbourne International Exhibition Commissioners on 01 OCtober 1881. The Trustees maintained the building for 'future public exhibitions and ... general public instruction and recreation' until 1996 when management of the building was transferred to Museum Victoria. In 1901 when the Australian colonies federated there was no capital and no federal parliament building. The Federal Parliament moved into the Victorian State Parliament building, and the State Parliament moved into the Western Annexe of the Exhibition Building for 26 years. After World War One, on 04 February 1919, the exhibition Building was turned into a hospital to treat Melbournians struck down with the Spanis 'Flu'. Initially housing 500 beds, the hospital grew to accomodate 2000 patients. Femals were located between the concert platform in the western nave and the done; male patients occupied the spaces beyond. The basement was used a a morgue. With the departure of the State Parliament in 1927 the western annexe became home to the Country Roads Board. In 1932 it was joined by the MOtor Registration Branch, and the Transport Regulation Board in 1934. They co-existedin cramped offices until the 1960s. In 1949 the oval at the rear of the ExhibitionBuilding was leased to the Commonealth Government for the establishment of the Migrant Reception Centre. When it closed in 1961-62, the centre comrised 29 bungalows over 1.4 hectare. The centre provided temporary accomodation for thousands of new arrivals from Britain. On 01 July 2004 the Royal Exhibition Building and Carlton Gardens were inscribed on the World Heritage List. It is the only 19th century Great Hall to survive largely intact, still in its original landscape setting, and still used as a palace of industry. The Melbourne International Flower and Garden Show is a flower show held annually since 1995 in early April each year, in Melbourne, Australia. It is located in the World Heritage Site of Carlton Gardens and the Royal Exhibition Building.[1] It is the largest horticultural event in the southern hemisphere, attracting over 100,000 visitors. It is rated among the top five flower and garden shows in the world. (Wikipedia)Colour photograph of the interior of the Melbourne Exhibition Buildings during the 2019 Melbourne Flower and Garden Show. Four mottoes are painted under teh windows of the dome: Dei Grecia (By the grace of God), Carpe diem (Make the most of the day), Aude sapere (Dare to be wise) and Benigno numine (With benighn power)melbourne international flower and garden show, carlton gardens, melbourne exhibition building, royal exhibition buildings -
Kew Historical Society Inc
Photograph - 'Fairyland', 57 Malmsbury Street, 1960-65
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small black and white photographic positive, of Mrs Grace Tabulo standing in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo -
Kew Historical Society Inc
Photograph - 'Fairyland', 57 Malmsbury Street, 1960-65
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo -
Kew Historical Society Inc
Photograph - 'Fairyland', 57 Malmsbury Street, 1960-65
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo -
Kew Historical Society Inc
Photograph - 'Fairyland', 57 Malmsbury Street, 1960-65
'Fairyland' at 57 Malmsbury Street, Kew - the home and garden of Jim and Grace Tabulo - was a major local, state and international tourist attraction from the 1940s to the mid 1960s. The Kew Historical Society's collection contains original photographs, visitor books and items that were once displayed in the house by the Tabulos. Grace Tabulo died in 1973 and is buried with her husband Jim in the Boroondara General Cemetery (PRES B 1973). Following her death at the age of 88, the house was sold and its contents distributed. The cottage is now a private residence. The 'Fairyland' collection is of local and statewide significance, as a varied and comprehensive record of this major Melbourne tourist attraction. Original, small, black and white photographic positive, of Grace Tabulo and two girls in the rear garden of 'Fairyland', at 57 Malmsbury Street, Kew.fairyland, 57 malmsbury street -- kew (vic.), grace tabulo, jim tabulo