Index, notes, p.250.An informed critical assessment of historical and contemporary events in Vietnam and their implications particularly for Australian foreign policy. vietnam war 1961-1975 – history, vietnam war 1961-1975 – australian involvement

The question of how the United States became enmeshed in the Vietnam War has troubled three generations of Americans. Now, in this incisive and very well documented history of American intervention in Vietnam from the end of World War 2 to the first months of John F. Kennedy's presidency, historian James R. Arnold present the dramatic unfolding of the events by which Washington led us into Vietnam. At no point along this way did any policymaker consider the ultimate result of this course as seriously heed those who counseled caution.united states - foreign relations - vietnam, vietnam - foreign relations - united states

More than a decade after the end of direct military involvement, the ambiguous lessons of the Viet Nam War have continued to haunt American foreign policy.vietnamese conflict , 1961-1975., viet nam war, american foreign policy

....an enthralling story which is one more proof that history can be far, far stranger than fiction...a very readable and important contribution to our knowledge of China.vietnam - history, vietnam - foreign relations - china

vietnam war, 1961-1975 - moral and ethical aspects, united states

Documentation of site-specific intervention (Wyndham, Victoria) Edition 1/5 + 2AP

Signals [AT HOME] Development Drawing was conceived as a conceptual illustration during the early stages of the AT HOME project in early 2023. Collaborating with Common Collective and the [AT HOME] team, this drawing served as a practical instructional tool, aiding in conveying the installation's intention to the broader team, technicians, and homeowners. As such, it functions both as an artwork and a practical artifact stemming from this site-based project.Documentation of site-specific intervention (Wyndham, Victoria)

Digital photographic print. Not signed. Not dated.signage, text, intervention, city

Update on Kalparrin Early Childhood Intervention Centre which had received funds from the Victorian Government to redevelop amenities at the centre.Text with small colour photokalparrin, colin brooks

The article is about the Kalparrin Early Childhood Intervention program which provides therapy sessions, support and carer information for children and families in Nillumbik, Whittlesea and Banyule.Kalparrin is a major provider of care for disabled children in the local district.A 2 page newspaper clipping with 3 coloured photographs showing a mother swimming with her child. Nilkalparrin, disabled childrens care, hydrotherapy

Kalparrin Early Childhood Intervention Program received $10,000 from the Commonwealth Bank Community Grants Program to develop a program for children at risk of developing behaviour problems.News clipping, black text.kalparrin

Vision: Sunshine 2032 Eco-Acupuncture Developing Site of Intervention 2011 by students of the University of Melbourne Paul Mak, Sonya Parton, Mohammad Hafiz, Mohamad Khairil Bin Khalid, Catherine Parkinson, Pargol Marashi, Siqing Li, Yang Shu, Jen Savagesunshine

Digital photograph. Printed in 2018Not Signed. Not dated.signage, direction, poet, text, street, intervention

Digital photograph. Printed 2018Not signed. Not dated.text, signage, freeway, intervention, melbourne freeway, documentative

Ash KEATING Among fifteen finalists this artwork won the 2012 Guirguis New Art Prize, a prestigious national acquisitive biennial art prize administered by Federation University Australia. The Guirguis New Art Prize (GNAP) is a national acquisitive $20,000 contemporary art prize which presents a selection of Australia's most exciting contemporary artists with works that explore and embrace new ways of artistic expression, utilising existing mediums and new technologies in innovative ways. Initiated and generously supported by local Ballarat surgeon Mr Mark Guirguis, this prestigious art prize is administered by the Federation University Australia (FedUni). As a local philanthropist and art collector, in developing the Prize, Mark Guirguis' aims were to celebrate the significance of the arts to communities and to Ballarat, emphasising contemporary art and 'living' culture, and to highlight FedUni's Arts Academy. Artist Ash Keating works across a conceptual, site-responsive and often collaborative art practice that incorporates painting, sculpture, installation, video, performance and public interventions, and has referenced a wide range of social and environmental issues within his art. Frequently working beyond the gallery, and often harnessing community narrative and energy, his work also draws upon myth, ritual and ceremony. 'West Park Proposition', 2012, is a three channel and screen video installation, utilising multiple camera video documentation of an endurance painting intervention undertaken on the morning of 01 September 2012 on the east facing wall of a newly built tilt-slab industrial building, situated on the direct edge of the current urban and rural boundary in Truganina, Victoria. The multi-screen work documents an endurance guerilla-style action painting intervention and ritualised painting performance in which a symbolic violence is enacted against a storehouse of commodity production and consumption. Upon winning the award artists Ash Keating said; “The work was made near Ballarat on the Deer Park bypass. It is an aesthetic comment about the way these new tilt-slab industrial buildings spring up without caring for the environment." The work, which took eight hours to create, was about reclaiming the space from “cost-effective architecture” without any aesthetics. The inaugural judge for the Prize, Jason Smith, Director, Heide Museum of Modern Art (MoMA) said, "Selecting the winner of this inaugural GNAP was exhilarating and excruciating: exhilarating because the seriousness of each artist's enterprise, and their uncompromising resolution of concepts, has created an inaugural exhibition of exceptional power. This first GNAP is a survey of some of the most poetic and provocative imaginations working in Australia today. Selecting one winner from such a show in which each of these artists has in some way transformed my thinking about the world was the excruciating part. Ash Keating's work West Park Proposition, 2012 kept drawing me back in the several hours I spent viewing the works. It simultaneously affirms the political and critical role of the artist as a key agent of change and action, and someone who reminds us of the beauty and resilience of humanity and nature in the face of unrelenting change. As a work combining performance, collaboration and hope, Keating's West Park Proposition is a work of immense and compelling poetry."artist, artwork, keating, ash keating, guirguis, guirguis new art prize, gnap, gnap13

Operation Okra was an Australian Defence Force contribution to the Military intervention against Islamic State. It was part of Joint Task Force 633 in the Middle East. Its initial stated aim was to Combat ISIL (ISIS) threat in Iraq. The commencement date was August 31st 2014.Framed Memorabilia, frame is brown timber, centre is an Australian Flag folded in a diamond shape, there is 3 posters around the flag, scattered around the items are various items of memorabilia from the Operation, at the bottom is a small plaque with details of the memorabilia and donor.On the plaque, “Presented to the Bendigo District RSL by Flight Lieutenant Naomi Holmes Air Task Group, Operation Okra, September 2016 - March 2017”brsl, smirsl, bdrslinc

Cholera swept a deadly path through Europe in 1832. Irish physician, William O’Shaughnessy, proposed treating patients with saline infusions and Dr Thomas Latta of Leith, successfully applied the treatment. The intravenous route is the fastest way to deliver fluids and medications through the body. Today, fluid therapy is one of the most widespread interventions in acute medicine. Clear plastic strip adhered to white paper backing, forming a sealed packet containing a cardboard backing board, with a cannula attached.Stamped in black ink on 3929.1: CAT: / NO. 1966 / CATHETER: 14 GA. / .058 I.D. / 5 1/2 IN. / 0182037 Stamped in black ink on 3929.2: CAT: / NO. 1967 / CATHETER: 16 GA. .044 I.D. / 5 1/2 IN. / 0189037intravenous, cannula, fluid therapy, william o'shaughnessy, thomas latta

The Old Gateway or the Saint-Sauveur Gateway (13th Century). After the old regime it had, for some time, served as a Town Hall. In august 1944, the US troops, eager to facilitate truck traffic provisioning the frontline, wanted to blow up this tower. It was saved by the energetic intervention of Mayor Andre Halbout. The town plan of 1946 rerouted Chaussee Street, which now passes to the north of the tower. The south tower, its twin, disappeared in 1788.Colour photograph of the Old Gateway, Vire, Franceold gateway, vire, france

The Registration Act 1836 established the General Register Office and a new system of national registration of births, marriages and deaths to take effect from 1837. There was a need to set up a system to record births, to aid with the planning of services and to record deaths to enable further study on the causes of mortality. The accurate recording of births and deaths was to be a vital tool in improving population health and would later enable systematic interventions such as vaccination, as well as aiding research and data analysis. ('1836 Registration Act')Round silver medallion with presentation case. Front of medal features portraits of King George VI and Queen Elizabeth in profile. Text encircling the portraits reads 'BIRTHS & DEATHS REGISTRATION & MARRIAGES ACTS". Back of medal carries a lit torch design at centre, encircled by the text "BIRTH . MARRIAGE . DEATH". Presentation case is a square, green, leather box with cream satin and beige velvet lining. There is a central depression within the case in which the medallion sits. Text printed on upper surface of box lid reads "B.D. and M./CENTENARY/1837-1937". Royal Mint insignia stamped in gold inside lid.numismatics

This field telephone was developed primary for military purposes (World War I) and other wars/military interventions there after. It was the first "mobile" telephone which had a prime objective of providing isolated or "hard" to connect with locations instant communication links. Like a lot of "new" technologies it evolved from a war environment. This handset was used to connect offices and workshops, which due to their functions could not be co-located with their prime office(external workshops).The evolution from the early 1900s to the mid 1980s when mobile communication technology progressed in leaps and bounds from hard wire telephone communication to mobile digital receivers. This handset was manufactured by a subcontracted Australian company under the Australian Post Office mandate.This handset is significant in that it was donated by the Mount Beauty Timber yards and formed an integrated part of its communication system with its out lying work yards and buildings, before the mobile handset evolution. This handset was located in an environment which required a rugged and reliable day to day communications linkage as a vital part of its logistical (business) survival. As progress demands it, the faster that customers are satisfied with the service they obtain from suppliers the longer those services will be asked for and the longer and more profitable the supplier will be. This edict is as true for rural companies as it is for small or large city businesses. The customer is "always" right.This sturdy field telephone has a shell housing made in black bakelite material with a "U" form housing the major components (wiring, magneto and batteries). The main housing has two metal bells, with a central ringer between both, on the top part (to notify incoming calls). In front of the main structure is a box with the telephone hand piece (ear and mouth receptacles) nestled on two cradles. An on/off switch is activated when handset is removed from its cradle. On the front of the control box is a winder handle(to ring off) and in a field situation to activate/deactivate the magneto. To the left of the winder but on the the main body are two wind up connection buttons for the connection of operational wires (power)On the main right hand front body and next to two chrome switches is a plate with "L (next to the top switch) and below this "L2" and underneath this are "or" "EARTH". There is a plate fastened to the front of the handset and behind the winder with "REPLACE HANDSET WHEN FINISHED" and below the winder 'SERIAL NUMBER 5116"field telephone, world war ii field telephone f mk i

Prior to the digital revolution the only medium by which cartographic information could be reproduced and distributed on mass was via printed media. The final negatives (repromat) used to produce the printed products were the culmination of a complex cartographic process and were therefore carefully preserved and stored. Preservation of the so-called final negatives enabled subsequent reprinting with minimal cartographic intervention. Since the arrival of the Land Headquarters Cartographic Company at Fortuna in 1942 the repromat for all products produced by the Australian Survey Corps were carefully stored. With the disbandment of the Army Survey Regiment in 1996 the Defence Imagery and Geospatial Organisation (DIGO) inherited that repromat archive. It was immanent that the support for film based printing was ending so on 25 October 2004 a review was required to determine the way ahead for the repromat and paper maps stored in the DIGO Map Libraries. Most of these maps were produced by the Royal Australian Survey Corps. This report is the result of that review. The report recommends the disposal of the repromat and the retention of single map copies. A4 plastic covered report, plastic clip bound, front page clear and rear page red. 9 x page document about the future of repromat and map printing.royal australian survey corps, rasvy, fortuna, army survey regiment, army svy regt, asr

John Edward Redmond, was a prominent banker and businessman before entering Parliament as a member for Wexford constituency in 1859; his statue stands in Redmond Square, Wexford town.(http://en.wikipedia.org/wiki/John_Redmond, accessed 21/01/2014) His great nephew, John Edward Redmond (1 September 1856 – 6 March 1918) was an Irish nationalist politician, barrister, MP in the House of Commons of the United Kingdom of Great Britain and Ireland and leader of the Irish Parliamentary Party from 1900 to 1918. He was a moderate, constitutional and conciliatory politician who attained the twin dominant objectives of his political life, party unity and finally in September 1914 achieving the promise of Irish Home Rule under an Act which granted an interim form of self-government to Ireland. However, implementation of the Act was suspended by the intervention of World War I, and ultimately made untenable after the Conscription Crisis of 1918. (http://en.wikipedia.org/wiki/John_Redmond, accessed 21/01/2014)Image of moustached politician John E. Redmond.ballarat irish, redmond, john redmond, irish nationalist party, irish home rule

Hugh Mahon (1857-1931) was a resident of Ringwood at the time of his death and was buried in Box Hill cemetery.Full title: Hugh Mahon, Patriot, Pressman, Politician by Jeff Kildea - Volume 2: Politician: the years from 1901 to 1931."This book, the second part of a to-volume biography of Mahon, covers the period from his election to parliament in 1901 until his death in 1931. It describes his almost 20 years as a backbencher and a ministe during which he gained a reputation as one of the brainiest men in parliament as well as one of the most controversial. It provides an insight into his reluctant decision to oppose conscription in 1916 and examines in depth his commitment to Irish self-government and the circumstances of his dramatic expulsion from parliament in 1920. The volume also looks at Mahon's career as managing director of the Catholic Church Property Insurance Co. and his intervention in Irish politics dujring the debatge over the Anglo-Irish treaty. It is the story of a flawed genius who simultaneously evoked high praise and damning criticism."

An item from an outstanding and diverse photographic collection, assembled by members of the Christian family of Pakington Street, Kew, comprising professional and amateur photography, depicting individuals, natural and settled environments and the interactions between these worlds. Many of the photographs vividly capture the worlds of three generations of men - Henry Christian, his son Orlando Henry Beater Christian, and his grandson of Henry Beater Christian. The most important photographer was the youngest, Henry Christian, who was a keen explorer, not just of his immediate environment but also of the Victorian wilderness. His major opus is contained in two albums in which he records, sometimes in majestic detail and on other occasions the intimate features of the natural world. His photographic travels during the 1920s, often in solitary ramblings but on other occasions with companions, recall the heroic landscape photography of an earlier era, pioneered by Nicholas Caire. In addition to their aesthetic value, the albums are historically significant records within the State of Victoria, of what is now a distant point in time, and of places that have become radically altered through human intervention.Sepia photograph of the wooden trestle Zig-Zag Bridge across the River Yarra. The bridge was built in the 1870s to transport stone from the west side of the Yarra to the east side. The stone was used in the construction of the Kew Asylum. The bridge continued to link the two asylums on each side of the river. yarra river -- kew (vic), zig-zag bridge -- kew (vic.), henry beater christian, christian-washfold collection

HMS Iron Duke was a dreadnought battleship of the Royal Navy, the lead ship of her class, named in honour of Arthur Wellesley, 1st Duke of Wellington. She was built by Portsmouth Dockyard, and her keel laid in January 1912. Launched ten months later, she was commissioned into the Home Fleet in March 1914 as the fleet flagship. She was armed with a main battery of ten 13.5-inch (340 mm) guns and was capable of a top speed of 21.25 knots (39.36 km/h; 24.45 mph). Iron Duke served as the flagship of the Grand Fleet during the First World War, including at the Battle of Jutland. There, she inflicted significant damage on the German battleship SMS König early in the main fleet action. In January 1917, she was relieved as fleet flagship. After the war, Iron Duke operated in the Mediterranean as the flagship of the Mediterranean Fleet. She participated in both the Allied intervention in the Russian Civil War in the Black Sea and the Greco-Turkish War. She also assisted in the evacuation of refugees from Smyrna. In 1926, she was assigned to the Atlantic Fleet, where she served as a training ship.WW1 HMS Iron Duke in the Battle of Jutland 1916. a Piece of wood (teak) taken from the ship HMS Iron Duke Admiral Jellicoe's flag ship, in 1916 (Jutland). Brass plate attached to wood reads as follows: From the Teak of HMS Iron Duke Admiral Jellicoe's Flag Ship Jutland 1916. ww1 the great war 1914-1918, hms iron duke, british navy, battle of jutland

Prior to the 1900s, complicated births, particularly where there was a disproportion between the size of the woman’s pelvis and the foetus’ head, often meant the death of the baby and the mother. Instruments for removing a dead or ailing foetus from within the mother were used to attempt to save the mother’s life. The cranioclast, first invented by Dr. James Simpson in the mid-19th century and later redesigned by others, was used for fetal destruction and removal. Fundamentally a strong pair of forceps, the cranioclast was used to crush the skull, decreasing its diameter. In some cases, this would allow normal uterine contractions to expel the foetus; in others, the physicians would use an obstetrical hook to pull the body out of the mother. Doctors disagreed as to the pelvic diameter that would necessitate this drastic intervention, but generally found that 3 to 3.5 inches was the smallest size through which a living infant could pass. Equally of debate was the pelvic size through which the dead fetus could be extracted. When vaginal extraction was deemed unadvisable, Caesarian section would be performed. As caesarean section became safer and more common with the advent of anaesthetics and antiseptic techniques, the use of cranioclasts and obstetrical hooks diminished. (Museum of Health Care, Kingston) Dr Mitchell Henry O'Sullivan worked in the Victorian country town of Casterton as a general practitioner from 1919 until his death in 1977. He also practiced obstetrics. His son, Dr David More O'Sullivan donated his obstetric bag and its contents to the College in 1999. The bag and contents are a unique time capsule of the type of instruments and pharmaceuticals used in the inter-war period.Hinged metal tool with bakelite handles at one end and serrated teeth at other end. The instrument is in two sections. The right or upper blade has a black bakelite handle. There are two screws on the inside of the handle, 5.5cm apart. In the centre of the blade is a screw notch in the shape of a small horseshoe. On the inner side of the blade is a depression extending most of the length. The left, or lower, blade also has a black bakelite handle. There are two screws on the inside of the handle approximately 6cm apart. Mobile metal clasps in the shape of an 'S' , with three serrations, is attached to the distal end of the handle, which enables the blades to be opened or closed. destructive instruments

Bob Kelly paints landscapes of culturally significant sites along the Mornington Peninsula and depicts these locations as he imagines they originally were before colonisation. Using traditional Western painting techniques, Kelly records the underlying spirit of the Peninsula from a Wathaurong perspective. Chinaman’s Creek in Capel Sound (Rosebud West) was an important watercourse that originally ran from Wonga (Arthur’s Seat) down through Tootgarook Swamp into Port Phillip Bay. It was a great fresh water and food source and home for many Boonwurrung people. Since settlement over 170 years ago, the creek has been drained, blocked, reconstructed and damaged. Kelly depicts a lush green landscape in which the clean creek water winds through the surrounding vegetation of spinifex grasses and gum trees, the background hills are abundant with trees, untouched from man's intervention. Using painstaking detail, Kelly records each blade of grass and ripple on the surface of Chinaman’s Creek. His attention to detail serves to powerfully reimagine this important cultural site, returning it to its former pristine state, and reinvigorating its role as a key place of sustenance for the Indigenous populations of the Peninsula. Chinaman's Creek was a finalist in the 2017 Bayside Acquisitive Art Prize.oil and acrylic on canvaslandscape, creek, trees, chinaman's creek, painting, indigenous, robert kelly, bayside acquisitive art prize, bob kelly, wathaurong, rosebud, arthur's seat, tootgarook swamp, port phillip bay, boonwurrung

Paul Howard McGillivray (1834 - 1895) : In 1862, Paul Howard MacGillivray was appointed resident surgeon at Bendigo Hospital, succeeding Dr. Atkinson, a position he held until 1873.[ During this tenure, he managed patient care amid the rapid population growth and health challenges of the Victorian goldfields, where mining accidents, infectious diseases, and injuries were prevalent. His role involved overseeing surgical operations and general medical services for a burgeoning community, contributing to the hospital's development as a key institution in regional healthcare. MacGillivray's surgical expertise was particularly evident in his focus on hydatid cysts, a common affliction in colonial Australia due to environmental factors. He authored three papers on the subject between 1865 and 1872, published in medical journals, which detailed innovative management techniques including excision methods and post-operative outcomes. These works emphasized conservative approaches alongside surgical intervention, drawing from cases encountered at Bendigo Hospital, and helped advance local understanding of the disease's treatment. In 1873, following the end of his hospital appointment, MacGillivray transitioned to independent private practice in Bendigo, establishing a solo operation that catered to the mining community's medical needs. This shift allowed him greater flexibility in serving patients affected by occupational hazards and chronic conditions, building on his foundational experience in Williamstown. His practice quickly gained prominence for reliable surgical care in the region. Paul Howard McGillivray died in Bendigo on 9th. July, 1895, at his residence on the corner of Forest and Rowan Streets. https://grokipedia.com/page/paul_macgillivrayHand written certificate of appreciation presented to P. H. MacGillivray, Resident Surgeon, Bendigo Gold District General Hospital from the patients upon his resignation. On stiff paper with a hand painted border of leaves, flowers and patterns in blue, green, yellow and pink. Markings - Sandhurst October 1873.paul howard macgillivray, sandhurst, bendigo hospital, mcgillivray museum, bendigo school of mines