Paperback; 16 p. : ill. ; 14 x 23 cm.arthurs creek, patrick reid, ardchattan, brennans, john macdonald, john bear, archibald macfarlane

Photocopy of original book: Early Settlers of Arthurs Creek, Victoria published in 1971 by James T. Murphy with an additon of a map of Shire of Eltham dated 2004.arthurs creek, harry gilham collection, archibald macfarlane, ardchattan, arthurs creek school, brennans, charles creighton, collins, cornelius stewart, davey wilson, drapers lane, duncan smith, f. sims, hazelglen, hazelglen school. alex smith, hugh macmillan, james millar brock, james sutherland, james t murphy, john bear, john macdonald, john ryder, john smith, joseph lobb, joseph murphy, maloney, michael brennan, p. green, patrick reid, pierre brennan, pine hill, richard bassett, rtanks corner, spicer, thomas murphy, william laidlay, william murphy

James Murphy standing on the platform of the Canadian Railway Station which was on the Buninyong Line.canadian, railway station, james murphy, buninyong line, building, person, public

Index, bib, ill, p.194.non-fictionCommemorating the 75th anniversary of the Easter Rising this book re-examines the idealism of Patrick Pearse and the lives and actions of the other leading personalities of that time. It offers a new perspective on modern Irish history based on hitherto undiscovered source material.patrick pearse - biography, ireland - republicanism - history

Braille hand frames and styluses were the primary way to produce Braille for over a century. The stylus was used to make a separate indentation for each dot, and the hand frame to keep dots within the same cell. Braille rows are produced from right to left. The process was very time consuming. Volunteer transcribers for the library could take an average of ½ hour to produce one page of Braille using this method. For example: “Oliver Twist” required approximately 600 sheets equating to 300 hours of work! Various metal hand frames accompanied by a metal stylus with wooden handle. Some include a wooden slate, which was used to make the system portable as a firm base was needed to sustain puncture pressure. The frame can also be slotted into both sides of the slate, thereby ensuring that the lines of Braille were straight across the page. Transcribing maths was an extremely complex task and a metal grid was utilised to reproduce graphs and diagrams.1 wooden hand frame with metal grid and metal and wooden stylus, 1 metal maths grid with metal pegs in metal container inside a brown suitcase and numerous sheets of Braille paperT.C. Coughlin 5 doz sausage rolls Wilmington Southend is written inside the lid of the suitcasebraille equipment, james murphy

Regarding trotting history at Port Melbourne Speedway. Includes an extract from "Trove" of the "Record " Emerald Hill covering the opening of the speedway on 24th August 1918. MLA J L MURPHY (president of the club) opened the track in the presence of Port Melbourne Mayor J P CRICHTON and other dignitaries. The club was formed to encourage and support the breeding of trotters and enjoy the sport free from gambling.Four digital images relating to trotting in Port Melbourne. (.01) "Darkie" GATH and horse Grand Logan in the streets of Port Melbourne where brother George operated his first stablesjames laurence murphy, james peter crichton, sport - trotting, pearl kelly, george gath, 'darkie' gath, will whitbourn, cumming smith and co, john peck, dick cullen

Regarding trotting history at Port Melbourne Speedway. Includes an extract from "Trove" of the "Record " Emerald Hill covering the opening of the speedway on 24th August 1918. MLA J L MURPHY (president of the club) opened the track in the presence of Port Melbourne Mayor J P CRICHTON and other dignitaries. The club was formed to encourage and support the breeding of trotters and enjoy the sport free from gambling.Four digital images relating to trotting in Port Melbourne. (.02) George GATH seated on trotting sulkyjames laurence murphy, james peter crichton, sport - trotting, pearl kelly, george gath, 'darkie' gath, will whitbourn, cumming smith and co, john peck, dick cullen

Regarding trotting history at Port Melbourne Speedway. Includes an extract from "Trove" of the "Record " Emerald Hill covering the opening of the speedway on 24th August 1918. MLA J L MURPHY (president of the club) opened the track in the presence of Port Melbourne Mayor J P CRICHTON and other dignitaries. The club was formed to encourage and support the breeding of trotters and enjoy the sport free from gambling.Four digital images relating to trotting in Port Melbourne. (.04) Pearl KELLY riding a trotter in harness (but without sulky) at Royal Melbourne Show. No certainty of a link to Port Melbourne.james laurence murphy, james peter crichton, sport - trotting, pearl kelly, george gath, 'darkie' gath, will whitbourn, cumming smith and co, john peck, dick cullen

Published to commemorate the anniversary of the 1928 waterfont lockout.Booklet with mauve background and black and white and dark red text. Back cover has map of "historic watersiders Port Melbourne walk"built environment, piers and wharves - princes pier, industrial disputes, allan whittaker, piers and wharves - waterside workers, maritime union of australia, mua, hogan's flat, beacon cove, james laurence murphy, george sangster

192 - James Murphy at the RVIB Brush factory. 193 - unknown worker inspects the millet heads. 195 - unknown worker stacks the newly made brooms together for delivery. From the annotation on the back of 193, these images may have been taken for the 1964 annual report.3 B/W photographs of millet broom making192 - Brush Factory 1 193 - Brush Factory 2, AR 1964 195 - Brush Factory 4royal victorian institute for the blind, employment

This hanging frame was contained in the steamer chest which belonged to Dr. Murphy (1905 - 1981) who was the first doctor of Emerald. It is believed to have belonged to his mother, Mary Murphy. Dr. Murphy's father, Sir Stephen James Murphy, was in the Indian Civil Service (1898 - 1935) serving in various positions including as the Justice of the High Court of Bombay. The chest appears to date from the early 1900s.This item is significant as it belonged to Dr. Murphy who was an esteemed Emerald GP and local person.Wooden hanging frame. Part of the steamer chest. Intended use is to hang clothes on by laying the chest up vertically and opening the chest. Early 1900s.dr. murphy, steamer chest, bombay, stephen murphy, emerald, doctor, 1900s, hanging frame

Steamer trunks were used on steamboats to transport luggage. Steamer trunks were intended to be stored vertically and were able to be opened vertically on long voyages. This steamer trunk belonged to Dr. Murphy (1905 - 1981) who was the first doctor of Emerald. It is believed to have belonged to his mother, Mary Murphy. Dr. Murphy's father, Sir Stephen James Murphy, was in the Indian Civil Service (1898 - 1935) serving in various positions including as the Justice of the High Court of Bombay. The trunk appears to date from the early 1900s.This item is significant as it belonged to Dr. Murphy who was an esteemed Emerald GP and local person.Large steamer trunk with wooden slats. Leather over wood exterior. Fabric interior. Leather straps. Decorative metal edging. Containing a hanging frame and a hanger. Lump on top of the chest. Trunk made by Murrells & Becker. Lock made by Corbin Cabinet Lock Co.On top painted: "M. MURPHY/ BOMBAY" On lock engraved: "CORBIN CABINET LOCK CO. NEW BRITAIN CONN. USA" Sticker on interior lid: "MURRELLS & BECKER / MELBOURNE & BRISBANE TRAVELLING GOODS MANUFACTURERS / QUEEN ST BRISBANE / COLLINS ST MELBOURNE" Sticker on right side: "P - .CO / NOT WANTED VOYAGE"dr. murphy, steamer chest, bombay, stephen murphy, emerald, doctor, 1900s

Steamer trunks were used on steamboats to transport luggage. Steamer trunks were intended to be stored vertically and were able to be opened vertically on long voyages. This steamer trunk belonged to Dr. Murphy (1905 - 1981) who was the first doctor of Emerald. It is believed to have belonged to his mother, Mary Murphy. Dr. Murphy's father, Sir Stephen James Murphy, was in the Indian Civil Service (1898 - 1935) serving in various positions including as the Justice of the High Court of Bombay. The trunk appears to date from the early 1900s.This item is significant as it belonged to Dr. Murphy who was an esteemed Emerald GP and local person. It also gave insight into how people of the upper class would have travelled.Large steamer trunk with wooden slats. Leather over wood exterior. Fabric interior. Leather straps. Decorative metal edging. Containing a hanging frame and a hanger. Lump on top of the chest. Chest made by Murrells & Becker. Lock made by Corbin Cabinet Lock Co.On top painted: "M. MURPHY/ BOMBAY" On lock engraved: "CORBIN CABINET LOCK CO. NEW BRITAIN CONN. USA" Sticker on interior lid: "MURRELLS & BECKER / MELBOURNE & BRISBANE TRAVELLING GOODS MANUFACTURERS / QUEEN ST BRISBANE / COLLINS ST MELBOURNE" Sticker on right side: "P - .CO / NOT WANTED VOYAGE"dr. murphy, steamer chest, bombay, stephen murphy, emerald, doctor, 1900s

Wireless Patrol members with two cars, registration numbers KO-302 and KO-703, circa 1948Wireless Patrol 1948. Front: Phil Knight, Angus McVicar, ECC James, Jackson, Jack Murphy, Dave Whitton, Bill Phillips. Centre: Ernie Spinks, Leo Dent, Tom Williams, Sid Olsen, ?, Dave McEvoy, Miss Snell, Mal McGuiness?, Jim Barritt, Ernie May. Rear: Machesi, Don Witham, Durch Holland, Lyle Minns, George Earl, ?, Ron smith, Stan Hanlon, Bill Banks, Frank Murphy, Fred Wooster

"The fine structure of St. Peter's, with its prettily-decorated interior, which holds crowded congregations at Holy Mass on Sundays, is alone an eloquent testimony of the piety and devotion which permeates the whole parish. Attached to the church is a circulating library, and Catholic papers and other literature are distributed at the church door. Branches of the H.A.C.B. Society and Catholic Federation are doing much good work. (Melbourne Advocate, 17 January 1914) "OPENING AND CONSECRATION OF THE NEW CATHOLIC CHURCH OF ST. PETER’S, DAYLESFORD Cross on St. Peter'sNotwithstanding the inclemency of the weather, the opening of the new Catholic Church of St. Peter’s, yesterday (Sunday), attracted a crowded congregation. Although the rain, which has poured almost incessantly for some days past, had left our roads and streets in the condition for which Daylesford is celebrated in winter weather, and although he storm and rain seemed to increase as the hour announced for the ceremonies approached, the church was filled by a large congregation, comprising all sects and denominations of Christians in and around the district. The beautiful edifice, erected mainly through the zeal, liberality and energy of the respected pastor, presented a most imposing appearance, and reflects infinite credit upon the Rev. Mr. Slattery, and the flock committed to his charge. The church was commenced in November 1863 and has been in the hands of the workmen up to the present time, work being uninterruptedly carried on. On commencing the foundations, it was necessary to excavate until solid clay was reached, which in consequence of the deep rich chocolate soil on the site of the building, had to be carried down to an average depth of 6 feet 6 inches. The foundations were laid with massive stones in courses of 12-inch, and four feet thick, reducing to 3 feet below the floor line. The style of the building is decorated Gothic, and consists of a nave, 80 feet by 30 feet in the clear, and a chancel 18 feet high; from floor line to apex of roof, 47 feet, which is elegantly constructed, consisting of six spans or frames with puncheons resting on carved corbels, low down between the windows. The north side consists of a handsome entrance, near the north-west angle, approached by nine steps of cut stone, and four bays of windows on nave, and a small door on side of chancel, intended as an entry from the sacristy. The south side presents a very handsome view to Victoria street, a beautiful porch entrance giving access to the building on the south-east end of nave; and on the south-west angle a handsome octagonal spire, terminating in an iron cross, with gilt floriations; the height of top of cross, from floor line, is 88 feet. A stone stairs gives access to the organ gallery and the belfry. The whole of the windows are of a handsome geometrical design, and carved in stone, with mullions and tracery, and glazed with amber-tinted glass, the chancel window being 15 feet high, and 8 feet wide. The chancel arch is unusually large, 27 feet St. Peter's interiorhigh and 18 feet wide, and handsomely moulded, and presents a fine appearance from the body of the church. The roof is stained a rich oak, with heavy cornice, and all the walls are smoothly plastered, and colored peach color, giving the amber-tinted glass a beautiful soft cathedral appearance to the interior. The altar is of a very chaste design, the panels being moulded with Gothic heads, and finished in white and gold; the altar rail was not completed, but is intended to be of polished cedar, with carved pillars. The interior fittings will be proceeded with immediately, and to complete the design, an organ gallery, with sittings for about 100 persons besides the choir, will be constructed on the west end. It is intended also to place pillar gaslights on each side of the main entrance, for lighting during vespers in winter. The style of architecture has been strictly carried out, and in the best and most substantial manner. The building has been erected under the superintendence of the architect Mr. John Townsend Brophy, a member of the congregation, and who has discharged his duty with great ability and care. The hour of half-past eleven has scarcely passed when from the sacristy entered His Lordship the Right Rev. Dr. Gould, Bishop of Melbourne, preceded by the Very Rev. Dean Hayes (Sandhurst), the Rev. P. J. Slattery, and a number of boys dressed in white surplices. The Right Reverend Prelate proceeded to the foot of the altar, the Very Rev. the Dean on his right, and the Rev. P. J. Slattery on the left. The prayers usual upon the occasion were read by the Bishop. A procession was then formed, and went around the church in the following order. Several youths bearing wax candles first, next the Very Rev. the Dean, then the Bishop and his train bearers, and following were the Rev. Mr. Slattery and acolytes. Having returned to the altar in the same order, the Deacon (Dean Hayes) and Sub-Deacon (Rev. P. J. Slattery) proceeded to robe his Lordship, who had taken his seat at the epistle side of the altar, for the solemn High Mass, at appropriate times wearing his mitre and bearing his crozier. The mass, which was chanted by the Bishop with touching simplicity and earnestness, was then commenced. The choir, under the direction of Mr. Meunsch, organist, was full and most effective. Mrs. Testar, of Melbourne, having generously offered her valuable services, took the leading soprano solos, and it is scarcely necessary to add, rendered them with exquisite taste and feeling – her beautiful voice being heard with great effect throughout the entire building. The choir consisted of the following ladies and gentlemen who volunteered to aid in the ceremonies upon this most interesting occasion. Ladies: Mrs. Tresar, soprano; Mrs. J.J. McCormick, alto; Miss Julia Conry, soprano; Mrs. Vincent, soprano; Mrs. Aitken, soprano. Gentlemen: H. Guthiel, tenor; Master John Murphy, tenor; James Knox, bass; J. M. Murphy, bass; Mr. Staunton, baritone; Mr. Sourby, alto; Mr. Short, bass. The chant, “Let us adore,” during the procession, was given by Mrs. Vincent with considerable power. The selection of the “Imperial Mass” (Haydn’s No. 3) was felicitous, and the highly artistic and finished manner in which the different parts were sustained, demonstrated that great and persevering care must have been bestowed on the preparation for “the opening day.” The “Kyrie” was given with the full strength and power of the choir. The swelling of the voices in complete harmony, and the pealing of the organ in the midst of incense and prayer, produced a most marked effect upon the congregation. In the “Gloria,” the solos of Mrs. Testar were really beautiful and Mrs. McCormick rendered the alto solos with considerable merit. Mr. Knox sang the part commencing with the words “Qui tolles” with much taste and power. The “Credo” than which we believe there is not a more magnificent piece of sacred music extant, was most successful in its rendering, nor do we ever remember to have heard anything more touching than the manner in which the line “Vetam Venturi in Seculi,” was given by Mrs. Testar. The offertory hymn “Come unto Me all ye that labor,” was given by Mrs. Testar with the most thrilling effect. The “Sanctus” having been sung, in which Mr. Sourby ably rendered an alto solo, the “Agnus Dei” was commenced with a solo by Mrs. McCormick and was given with great taste and feeling, Mrs. Testar, at the conclusion of the “Agnus,” taking up the soprano part. Mass being concluded, the Very Reverend Dean Hayes ascended the altar and proceeded to preach the opening sermon, taking as his text Second Paralipomenon [Chronicles II], 7th chapter and 16th verse – “For I have chosen and have sanctified this place that My hand may be there for ever, and My eyes and My heart may remain there perpetually.” St Peter's manseAt the close of the sermon a collection was made by the very reverend preacher, assisted by John Egan, Esq., Corinella, on behalf of the church, and about fifty pounds were contributed. When it is remembered that 500 tickets had been issues at 10s each, and the inclemency of the weather taken into consideration, the collection may be regarded as a large one. Benediction was sung by the Rev. P. J. Slattery, assisted by Dean Hayes, the choir singing the “O! Salutaris Hostia” and “Laudate.” Handel’s Hallelujah Chorus was sung at the termination of the ceremonies. The vestments issued at Benediction, as well as at the Mass, were of the most gorgeous and beautiful character. When the Benediction was over, the Rev. P. J. Slattery, standing at the front of the altar said– “I wish to say one or two words before the congregation leave. I feel most deeply indebted to all of you who have attended here today for the honor and glory of God, not withstanding the difficulties you had to encounter from this most inclement season. I am truly delighted at such a manifestation of feeling, and will not easily forget it.” The rev. gentleman having disrobed, thanked the members of the choir for their kindness in assisting at the ceremonies, and more especially Mrs. Testar, who had braved all the storm and rain to be present at, and give the advantage of her great musical abilities on, the “opening day.” (Daylesford Mercury, 15 May 1865.)A number of photographs of St Peter's Catholic Church, Daylesford, taken at the 150th anniversary celebration. st peter's catholic church daylesford, decoration, altar decoration, anniversary, daylesford, religion, painting, interior, slattery, gough, d'alton, mcmahon

Vol. 2, No. 1, Feb-Mar 1997 CONTENTS MEDALS AND MODERNISM A retrospective look at the cultural impact of the Melbourne Olympics 3 CD REVIEWS 6 NEW HORIZONS Judy Jacques takes a new direction 6 LA MAMA 30 YEARS ON Liz Jones at the helm 10 PAST AS POST CUBISM Annita Furey on Heather Shim men 14 GRAPE GRAZING FESTIVAL Food, wine and music in the Yarra Valley 16 SHORT STORY Fantasia on a cup of coffee 18 WHAT'S ON A round-up of events for February 22 WHO'S TEACHING WHAT Classes in the region 24 FRANCES DUFFY RETROSPECTIVE An artist who extended the boundaries of tonalism 26 ANDY WARHOL AND THE CAN OF SOUP More than 15 minutes of fame 27 A ‘DUTCH’ FESTIVAL COMES TO ST ANDREWS 28 LISTINGS Artists, performers and galleries 29 "Peter Dougherty has been involved in the local art scene for many years. As publisher and editor of the arts magazine Artstreams, his comments on the various branches of the arts are widely respected. His "The Arts" column in the Diamond Valley Leader presents a brief summary for a much wider cross section of the local community. Peter also operates his own gallery and the Artstreams Cafe at the St Andrews market. Peter has a wealth of knowledge about present day and historical aspects of local art and artists." - Eltham District Historical Society Newsletter No. 161, March 2005Colour front and back cover with feature articles and literary pieces with photographs and advertisements printed in black and white. 36 pages, 30 cm. Vol. 1, no. 1 (Nov. 1996) - Vol. 10, no. 5 (summer ed. 2005/​06) 1956 melbourne olympics, 1956 olympics, 1995 eltham arts ball, a.d. (archie) colquoun, abu baku, adams of north riding, afandi siyo, albert namatjira, alice (1956), andy warhol, annita furey, anthony dymke, art streams magazine, ballarat school of mines, bathing in the dark, bob sedergren, bob valentine, bourbo's belly, brian brown quntet, bulleen art & garden centre, cafe margot, charles blackman, christine edwards, circushead, clifton pugh, cottlesbridge, council amalgamation, cuddlefish, dave pithouse, david lord, david tolley, dawn sime, dione mcintyre, dixon's creek, edward grigoryan, eltham college concert band, eltham wiregrass gallery, erika mcgilchrist, fergusson winery, food for all seasons, frances duffy, fred williams, frenzi, geoff achison, geoff mainwaring, graeme bell, grape grazing festival, half caste child, heather shimmen, hoodangers, isobel lindsay, james wakeling, janette geri, john brack, john mcall, john murphy, jordie albiston, judy jacques, kath mckinnon, katherine's silly women, kelly 1956, ken harrison, kevin borland, kim harriss quartet, la mama theatre, lauurie dawes, leonard french, lighthouse, liz jones, lloyd jones, lothlorien, lovegroves, lovey's estate, luxum, maelstrom, max meldrum, may grigg, michelle nicolle, mighty servant, mirka mora, miss suzannah espie, moma, montsalvat jazz festival, moonee valley drifters, moonlight shadow, museum of modern art at heide, mystery train, the melbourne jazz band, nicole eveleigh, nigel shipley, olympomania, peter mcintyre, phyllis murphy, pip avent, portrait of georges mora (1956), ray horsfield, red shed theatre company, reed's gallery, richardson house (1955), river house (1955), robin boyd, sandro donatti, secret of the west wind, seville, shantell vineyard, shedlevellers bush band, shirley bourne, sigmund jorgensen, sir william dargie, soul sister swing, sydney nolan, that handsome couple, the band who knew too much, the broken fence (1956), the gusset rustlers, the rhonda movement, the russian gypsey jazz quartet, three amigos, victorian artists supplies, warburton, wholefood delights, yarra valley grape grazing festival, yellow dog jazz band, yering station, art streams

5 x A4 pages photocopy extract of book alan selman, andrew paul, anthony scott, captain andrew wauchope, charles le page, charles mason, christmas hills, cornelius g. stewart, daniel murphy, david lithgow, dennis rourk, donald mcintyre, donald mcrae, dr william ronald, duncan mcnab, e kidgell, edward moore poyner, eltham, ewan robertson, fern tree gully, george payne, george rae, george robert white, george stebbing, george thomas wiggin, gilbert marshall, h. perrin, h.w. paul, hazel glen, healesville, henry scarce snr, isidore t. wilmot, james john madden\, james keets, james lindsay, james mcpherson jnr, james mcpherson snr, james quigley, james thomson, james williamson, john b, john george maddicks, john hicks petty, john p lithgow, john pulbrook snr, john ryder, john williamson, joseph pett, joseph stevenson, kangaroo ground, lilydale, michael mclaughlin, michael supple, morang, mrs e. ronald, mrs john mason, mrs mary weller, mrs murphy, narrewarren, nelson andrew, patrick woulfe, peter le page, richard robert woolcott, richard tamplin king, ringwood, riobert lum, robert lithgow, robert parry, robert stevenson, st hubert's, thomas mcintyre jnr, thomas mcintyre snr, thomas moses, thomas payne, thomas quale, thomas sherwin, thomas younger, upper yarra, walter wippell, wandin yalloak, whittlesea, william kennedy ross, william laidley, william lalor, william sebira, william towt, wilson, yan yean, yarra flats, yering

Set up by The Shire of Mulgrave. Later placed in front of the old RSL building at Glen Waverley. Now part of the Waverley RSL Memorabilia collection2 Marble Slabs erected by the Shire of Mulgrave to commemorate the men of the Shire who served in "The Great War"Shire of Mulgrave Honour Roll 1914 The Great War 1918 * Died in Service Plaque 1 ADAMS F., ADAMS A. , ADAMS. J, AJANI A. W. , AJANI E. ,ADJANI M., *ALCOCK J. ,ANDERSON G. McK. , ARMSTRONG S. ,ARNOLD W. R. ,ARNOTT W. –MM ,AURISCH F. R. , * BARKER F. ,BANKS D. A. ,BARKER E. J. H. ,BARKER L. C. S. ,BARKER R. C. I. , * BATTEN T. ,BEACON C. J. , BEACOM W. F. ,BEGS J. A. , BENNETT T. T. , BENNINGTON K. C. , BISCHOFFER K. S. E. ,BIZLEY L. ,BRAND A. M. , BRAND A. ,* BRAY R. L. , BRENNAN E. V. , BRENNAN W. J. , BREWER J. H. ,*BROWN S. , BRIDLE N. ,BUTCHER J. , BRABAZON F. , *CAMPBELL W. , CARLSON J. ,CHANDLER S. A. ,CLARKSON A. H. ,COCHRANE D. ,COLWELL E. ,*CORNELL C. ,CORNELL E. ,CORNELL R. ,COX B. T. ,CRAWLEY J. ,CRIPPS A. W. ,*CROW . , CUTTING R. ,DAYS E. J. ,DAGNALLA. E. , DALCOM T. ,DECARTE S. ,*DOOLAN W. E. ,*DOVER T. E. ,DUNTZELL R. ,DYER C. H. ,DYER H. ,DYKE H. ,EARLE A. F. , EVANS E. ,EVANS J. H. , FEAR H. ,*FEAR S. R. W. ,FIELDS C. J., *FURPHY A. F. ,GASCARD A. S. , GLENNON T. R. , GOBBI J. –MM ,GOULD T. D. , GRAY R. , GREENHAM A. ,GUNTHER C. J. ,GUNTHER H. V. , HENLEY A. , Plaque 2 HARRIS A. , HENLEY C. H. , HERRIOT S. T. ,*HERRIOT W. E. , HIND S. J. , HOLFORD J. S. S. , HORE H. R. ,*HORE S. C. , *HORNER C. S. C. ,HOURIGAN E. ,HOURIGAN F. ,HUNTER N. A. ,HURST W. K. , HUSSEY W. F. , JACKSON H. ,JAMES P. M. ,JANE R. W. –DCM, JOHNSON A. J. , *KELSALL W. J. ,KITCHEN J. H. ,KNIGHTS E. D. , LAITY J. E. ,LAITY F. C. , * LAW F. ,LAW J. ,LETCHE A. J. ,LECHTE D. W. ,MAILER D. ,MARKLE V. W. ,MARTIN W. E. ,MARWICK S. J. ,MAY J. ,MOORE A. J. ,MOYLAN P. , MUIR P. F. –MM , *MUNRO A. M. , MUNRO W. , MUNYARD W. ,MURPHY J. ,MUSTARD A. D. ,McGILL T. , McKELVIE F. W. ,McNALLY A. E. ,* McPHERSON A. P. ,OWENS H. C. ,OWENS O. , PARSONS G. ,PARSONS H. W. , PETERSON G. F. ,PEGG W. ,REEVE P. ,ROBBINS E. J. ,ROBBINS R. R. ,ROOKE W. L. ,SAWYER E. H. J. , SCAMMELL A. E. ,SHEPPARD H. ,SIM W. ,SIMMONS A. W. ,SMITH H. ,*SMITH N. , SMITH R. B. ,STEELE G. ,TURBER J. J. ,WATTS W. E. , WATTS W. E. ,* WHEELWRIGHT H. M. ,* WHITE D. C. ,WHITE S. G. S. ,WHITE W. ,WILLIAMS H. ,WILLIAMS L. ,WILLIAMS L. E. ,WILSON F. W. , WILSON H. R. ,WRIGHT W. ,WESTNEY P. E. –MM DCM , honour roll, great war, adams f., adams a., adams. j, ajani a. w., ajani e., adjani m., *alcock j., anderson g. mck., armstrong s., arnold w. r., arnott w. –mm, aurisch f. r., * barker f., banks d. a., barker e. j. h., barker l. c. s., barker r. c. i., * batten t., beacon c. j., beacom w. f., begs j. a., bennett t. t., bennington k. c., bischoffer k. s. e., bizley l., brand a. m., brand a., * bray r. l., brennan e. v., brennan w. j., brewer j. h., *brown s., bridle n., butcher j., brabazon f., *campbell w., carlson j., chandler s. a., clarkson a. h., cochrane d., colwell e., *cornell c., cornell e., cornell r., cox b. t., crawley j., cripps a. w., *crow ., cutting r., days e. j., dagnalla. e., dalcom t., decarte s., *doolan w. e., *dover t. e., duntzell r., dyer c. h., dyer h., dyke h., earle a. f., evans e., evans j. h., fear h., *fear s. r. w., fields c. j., *furphy a. f., gascard a. s., glennon t. r., gobbi j. –mm, gould t. d., gray r., greenham a., gunther c. j., gunther h. v., henley a., harris a., henley c. h., herriot s. t., *herriot w. e., hind s. j., holford j. s. s., hore h. r., *hore s. c., *horner c. s. c., hourigan e., hourigan f., hunter n. a., hurst w. k., hussey w. f., jackson h., james p. m., jane r. w. –dcm, johnson a. j., *kelsall w. j., kitchen j. h., knights e. d., laity j. e., laity f. c., * law f., law j., letche a. j., lechte d. w., mailer d., markle v. w., martin w. e., marwick s. j., may j., moore a. j., moylan p., muir p. f. –mm, *munro a. m., munro w., munyard w., murphy j., mustard a. d., mcgill t., mckelvie f. w., mcnally a. e., * mcpherson a. p., owens h. c., owens o., parsons g., parsons h. w., peterson g. f., pegg w., reeve p., robbins e. j., robbins r. r., rooke w. l., sawyer e. h. j., scammell a. e., sheppard h., sim w., simmons a. w., smith h., *smith n., smith r. b., steele g., turber j. j., watts w. e., * wheelwright h. m., * white d. c., white s. g. s., white w., williams h., williams l., williams l. e., wilson f. w., wilson h. r., wright w., westney p. e. –mm dcm, mulgrave

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. VIOSH had its first intake of students in 1979. At that time the Institution was known as the Ballarat College of Advanced Education. In 1990 it became known as Ballarat University College, then in 1994 as University of Ballarat. It was 2014 that it became Federation University. VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree - on the basis of extensive work experience and knowledge. Photograph of thirteen students enrolled in Certificate IV in Occupational Health and Safety: Intake 20, January 2001Colour photograph laminated. Names of students under photographNames of studentsviosh, victorian institute of occupational safety and health, occupational health and safety, certificate iv, intake 20, dean barnett, greg beadle, sherron butler, michael car, simon casey, ken cullinan, margaret donaldson, anthony dunlop, timothy giesecke, joseph groves, danny hrvatin, james lynch, karina mcinnes, david mangnall, jim martin, colin muir, richard murphy, kirsten niglia, jason oldaker, andrew plucke, grant powell, colin ransley, david rogers, karen shell, melissa stacey, rodney tresidder, john virgo, tim watts, roy westwell, marite williams