Showing 131 items matching jeanette
-
Whitehorse Historical Society Inc.
Book, William Sewart, 2007
The Story of William (Bill) Stewart, former City of Nunawading City Engineer 1968-1976.The Story of William (Bill) Stewart, former City of Nunawading City Engineer 1968-1976, with contributions from former Councillor Keith Rooney, Rotarian Bob Hoskins and Jeanette SewartThe Story of William (Bill) Stewart, former City of Nunawading City Engineer 1968-1976.bill sewart athletic track, east burwood reserve, city of nunawading, jane, ted, maxwell, dorothy -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. Rayment played the role of Therese in the production.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Jeanette Rayment, Botanical Gardens, promoting Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, musical comedy -- melbourne -- victoria, kew recreation hall -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1958
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Faded photograph of Esme Melville and Jeanette Rayment in full costume in the Royal Botanical Gardens to promote The "Q" Theatre Guild's performances of Blossom Time during the Moomba Festival of 1959. The performances took place in the Alexandra Gardens. In the production, Melville performed the role of Countess Fritzi Frangipani, while Rayment played the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the following underneath the photograph: "Esme Melville, Jeanette Rayment, Botanical Gardens, *** Blossom Time."performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Clunes Museum
Document - REPORT, A REVIEW OF THE MANAGEMENT OF QUEENS PARK, CHLUNS FROM AN HISTORICAL, SOCIAL AND ENVIRONMENTAL CONTEXT, 2006
PREPARED BY : JEANETTE SPITTLE PROJECT SUPERVISOR : PROFESSOR ROGER COUSENS LOCATION : UNIVERSITY OF MELBOURNE, BURNLEY CAMPUS UNIT : INDUSTRY PROJECT : 202-311 DATE : NOVEMBER 2006A REVIEW OF THE MANAGEMENT OF QUEEN'S PARK, CLUNES FROM AN HISTORICAL, SOCIAL AND ENVIRONMENTAL CONTEXT, UNBOUND, 8 X PAGES WITH COLOUR IMAGES ON THE FRONT PAGE PREPARED BY: JEANETTE SPITTLE PROJECT SUPERVISOIR: PROFESSOR ROGER COUSENS LOCATION: UNIVERISITY OF MELBOURN, BURNLEY CAMPUS UNIT: INDUSTRY PROJECT: 202-311 DATE: NOVEMBER 2006local history, documents, reports, queens park -
Whitehorse Historical Society Inc.
Article, Students stitch sanctuary theme, 24/11/1993 12:00:00 AM
The article describes a quilt made by the Blackburn Lake Primary School students under the guidance of local artist, Jeanette Jennings.The article describes a quilt made by the Blackburn Lake Primary School students under the guidance of local artist, Jeanette Jennings. The project was integrated with environmental studies and involved all students at the school.The article describes a quilt made by the Blackburn Lake Primary School students under the guidance of local artist, Jeanette Jennings.primary education, blackburn lake primary school no 4860, nunawading schools community arts project, jennings, jeanette, oldham, john, nunawading civic centre, blackburn branch library, blackburn lake sanctuary visitors centre -
Orbost & District Historical Society
sheet music, Will You Remember (Sweetheart), 1940's
Will You Remember (Sweetheart)was written Sigmund Romberg with the words by Rida Johnson Young. It was sung by Jeanette McDonald and Nelson Eddy in the musical "Maytime" "Carry Me Back to Old Virginny" is a song which was written by James A. Bland (1854–1911), an African American who wrote over 700 songs. It is an adaption by Bland of the traditional "Carry Me Back to Ole Virginny" popular since the 1840s and frequently sung by Confederate soldiers during the American Civil War. It was sung in the 1937 musical "Maytime" this item is an example of songs that were popular in the mid 20th century.Sheet music for "Will You Remember (Sweetheart)" The cover is black/white and has details of the composer and lyricist. There is a drawing of Jeanette McDonald and Nelson Eddy as in the musical film MayTime. The cost is 2/-. It also contains music for "Carry Me Back to Old Virginny".music sheet-music-will-you-remember sheet-music-carry-me-back-to-old-virginny -
Whitehorse Historical Society Inc.
Pamphlet, Strengthening local communities, 1/07/2005 12:00:00 AM
A summary of the research on neighbourhood houses by Jeanette Pope.A summary of the research on neighbourhood houses by Jeanette Pope.A summary of the research on neighbourhood houses by Jeanette Pope.adult education, neighbourhood houses -
St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
-
Rutherglen Historical Society
Book, Business and Professional Women's Club of Wangaratta, Through Women's Eyes at Pioneering Days : Some women of Wangaratta and District / Compiled by Brenda Leitch, 1985
104 page paper covered book. Through women's eyes at pioneering days / compiled by B. Leitch for the B.P.W. Club Wangaratta. ISBN 0958970416Written at top of title page: "Jeanette D Jasper"pioneer women, north east victoria, wangaratta -
Flagstaff Hill Maritime Museum and Village
Book, Leader By Destiny
This item is from the ‘Pattison Collection’, a collection of books and records that was originally owned by the Warrnambool Mechanics’ Institute, which was founded in Warrnambool in 1853. By 1886 the Warrnambool Mechanics’ Institute (WMI) had grown to have a Library, Museum and Fine Arts Gallery, with a collection of “… choice productions of art, and valuable specimens in almost every branch and many wonderful national curiosities are now to be seen there, including historic relics of the town and district.” It later included a School of Design. Although it was very well patronised, the lack of financial support led the WMI in 1911 to ask the City Council to take it over. In 1935 Ralph Pattison was appointed as City Librarian to establish and organise the Warrnambool Library as it was then called. When the WMI building was pulled down in 1963 a new civic building was erected on the site and the new Warrnambool Library, on behalf of the City Council, took over all the holdings of the WMI. At this time some of the items were separated and identified as the ‘Pattison Collection’, named after Ralph Pattison. Eventually the components of the WMI were distributed from the Warrnambool Library to various places, including the Art Gallery, Historical Society and Flagstaff Hill. Later some were even distributed to other regional branches of Corangamite Regional Library and passed to and fro. It is difficult now to trace just where all of the items have ended up. The books at Flagstaff Hill Maritime Village generally display stamps and markings from Pattison as well as a variety of other institutions including the Mechanics’ Institute itself. RALPH ERIC PATTISON Ralph Eric Pattison was born in Rockhampton, Queensland, in 1891. He married Maude Swan from Warrnambool in 1920 and they set up home in Warrnambool. In 1935 Pattison accepted a position as City Librarian for the Warrnambool City Council. His huge challenge was to make a functional library within two rooms of the Mechanics’ Institute. He tirelessly cleaned, cleared and sorted a disarrayed collection of old books, jars of preserved specimens and other items reserved for exhibition in the city’s museum. He developed and updated the library with a wide variety of books for all tastes, including reference books for students; a difficult task to fulfil during the years following the Depression. He converted all of the lower area of the building into a library, reference room and reading room for members and the public. The books were sorted and stored using a cataloguing and card index system that he had developed himself. He also prepared the upper floor of the building and established the Art Gallery and later the Museum, a place to exhibit the many old relics that had been stored for years for this purpose. One of the treasures he found was a beautiful ancient clock, which he repaired, restored and enjoyed using in his office during the years of his service there. Ralph Pattison was described as “a meticulous gentleman whose punctuality, floorless courtesy and distinctive neat dress were hallmarks of his character, and ‘his’ clock controlled his daily routine, and his opening and closing of the library’s large heavy doors to the minute.” Pattison took leave during 1942 to 1945 to serve in the Royal Australian Navy, Volunteer Reserve as Lieutenant. A few years later he converted one of the Museum’s rooms into a Children’s Library, stocking it with suitable books for the younger generation. This was an instant success. In the 1950’s he had the honour of being appointed to the Victorian Library Board and received more inspiration from the monthly conferences in Melbourne. He was sadly retired in 1959 after over 23 years of service, due to the fact that he had gone over the working age of council officers. However he continued to take a very keen interest in the continual development of the Library until his death in 1969. WARRNAMBOOL PUBLIC LIBRARY The Warrnambool Mechanics’ Institute (WMI) was formed by a voluntary community group in 1863, within six years of Warrnambool’s beginnings, and its Reading Room opened in 1854. The WMI operated until 1963, at which time it was one of the oldest Mechanics’ Institutes in Victoria. Mechanics’ Institutes offered important services to the public including libraries, reading rooms and places to display and store collections of all sorts such as curiosities and local historical relics. In 1886 a Museum and Fine Arts Gallery were added to the WMI and by the beginning of the 20th century there was also a billiards room and a School of Art. By this time all Mechanics’ Institutes in country Victoria had museums attached. Over the years the Warrnambool Mechanics’ Institute Library was also known as the Warrnambool Public Library the Warrnambool Library and the Free Library. Early funding from the government was for the “Free Library”. The inscription in a book “Science of Man” was for the “Warrnambool Public Library”, donated by Joseph Archibald in 1899. Another inscription in the book “Catalogue of Plants Under Cultivation in the Melbourne Botanic Gardens 1 & 2, 1883” was presented to the “Warrnambool Library” and signed by the author W.R. Guilfoyle. In 1903 the Warrnambool Public Library decided to add a Juvenile Department to library and stock it with hundreds of books suitable for youth. In 1905 the Public Library committee decided to update the collection of books and added 100 new novels plus arrangements for the latest novels to be included as soon as they were available in Victoria. In July 1911 the Warrnambool Council took over the management of the Public Library, Art Gallery, Museum and Mechanics’ Institute and planned to double the size of the then-current building. In 1953, when Mr. R. Pattison was Public Librarian, the Warrnambool Public Library’s senior section 10,000 of the 13,000 books were fiction. The children’s section offered an additional 3,400 books. The library had the equivalent of one book per head of population and served around 33 percent of the reading population. The collection of books was made up of around 60 percent reference and 40 percent fiction. The library was lending 400 books per day. In 1963 the Warrnambool City Council allocated the site of the Mechanics’ Institute building, which included the Public Library, Museum and Art Gallery, for the new Municipal Offices and the Collections were dispersed until 1971. The Warrnambool Library took over the Mechanics’ Institute Library’s holdings on behalf of the Warrnambool City Council. Since the closure of the Warrnambool Mechanics’ Institute the exact location and composition of the original WMI books and items has become unclear. Other materials have been added to the collection, including items from Terang MI, Warrnambool Court House and Customs House. Many of the books have been identified as the Pattison Collection, named after the Librarian who catalogued and numbered the books during his time as Warrnambool Public Librarian in the time before the Mechanics’ Institute closed. It seems that when Warrnambool became part of the Corangamite Regional Library some of the books and materials went to its head office in Colac and then back to Warrnambool where they were stored at the Art Gallery for quite some time. Some then went to the Warrnambool Historical Society, some stayed at the Art Gallery and some were moved to Flagstaff Hill Maritime Village. The various stamps and labels on the books held at Flagstaff Hill show the variety of the collection’s distribution and origin. The books in the collection at Flagstaff Hill Maritime Village date from the 1850’s to the late 1950’s and include rare and valuable volumes. Many of the books are part of the “Pattison Collection” after the Warrnambool’s Public Librarian, Mr. R. Pattison. The Pattison Collection, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institute’s collection. The Warrnambool Mechanics’ Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. The Warrnambool Mechanics Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and the important role it played in the intellectual, cultural and social development of people throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance. The Warrnambool Mechanics' Institute Collection is primarily significant in its totality, rather than for the individual objects it contains. Its contents are highly representative of the development of Mechanics' Institute libraries across Australia, particularly Victoria. A diversity of publications and themes has been amassed, and these provide clues to our understanding of the nature of and changes in the reading habits of Victorians from the 1850s to the middle of the 20th century. The collection also highlights the Warrnambool community’s commitment to the Mechanics’ Institute, and to reading, literacy and learning in the regions, and proves that access to knowledge was not impeded by distance. These items help to provide a more complete picture of our community’s ideals and aspirations. As with many Mechanics' Institutes in Australia, the one which operated in Warrnambool was established and overseen for many years by key individuals associated with the development of the city itself. The WMI publication collection is historically significant because of its association with local people, places and the key historical themes in the development of Warrnambool of rural development, industry, farming, education, and community. The collection documents and illustrates the changing interests, focus and tastes of Victorians, especially those in regional cities. Generally the individual items in the collection are not particularly rare, as examples of all probably exist in other public collections in Victoria. It is primarily because there are so very few surviving Mechanics' Institute collections in Victoria, which lends this overall collection its significance. Many items in the WMI Collection have the potential to support further research, both as individual objects and through the collection in its entirety. This material is significant for its ability to assist in the interpretation of the history of the area and adds to the general understanding of the development of the township. Many components of the WMI publication collection complement and reinforce the Flagstaff Hill Maritime Museum Collection, the Warrnambool Art Gallery Collection, and that in the Warrnambool Historical Society, and also contribute to a clearer understanding of the original Warrnambool Mechanics' Institute collections. This will greatly enhance the appreciation of the few surviving Mechanics' Institute collections across Victoria, and also in New South Wales. The similarities and differences between the small number of collections that have survived can provide further insights into how the people of Victoria in general, and Warrnambool in particular, constructed a civic culture of adult learning to foster an informed citizenry. The Warrnambool Mechanics' Institute publication collection is of both local and state significance. Leader By Destiny George Washington, Man and Patriot Author: Jeanette Eaton Publisher: George G Harrap Label on spine cover with typed text PAT 920 WIS Pastedown front endpaper has sticker from Warrnambool Public Library covered by a sticker from Corangamite Regional Library Service Front loose endpaper has a stamp from Warrnambool Mechanics Institute warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, book, pattison collection, warrnambool library, warrnambool mechanics’ institute, ralph eric pattison, corangamite regional library service, warrnambool city librarian, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, great ocean road, george washington, jeanette eaton -
Victoria Police Museum
Photograph (badge, Auxiliary Force)
Cap badge number 251 belonging to Jeanette Silvester The distinctive badge of the Women's Police Auxiliary Force, Victoria Policepolice women, women's police auxiliary force, silvester, jeanette alyce 9954, police woman, policewomen, policewoman -
Ringwood and District Historical Society
Photograph, Ringwood State School - House Captains, 1972
Black and white photograph - House Captains, 1972."Attached to photograph" 6730- Grarme Rush, Jeanette Trotter. 6731- Richard Wyman, Leanne Jones. -
Rutherglen Historical Society
Photograph - Image, 1911 Exact
Donated by Mrs Jeanette Jasper, a member of the Rutherglen Historical Society, who has visited Rutherglen in ScotlandSmall postcard size, sepia, unframed photograph, stapled to a piece of white paper. Subject is a school in Rutherglen Scotland with pupils assembled around a flagpole which is flying the Union JackOn piece of paper: "The Union Jack flying from the flagpole at Spittal Public School, Rutherglen, Scotland. The school is assembled around the flagpole. 1911"rutherglen scotland, rutherglen connection, spittal public school, union jack, school buildings -
Whitehorse Historical Society Inc.
Clothing - Wedding headdress & veil, 1978
Made for and worn by Jeanette Margaret Bennett for her wedding at Uniting Church, Riversdale Road, Wattle ParkWide, white 1978 headband padded and covered with nylon net, and decorated with satin flowers. Veil trimmed with 4 cm wide satin ribbon|NA3596 wedding dresscostume, female headwear, female ceremonial -
Whitehorse Historical Society Inc.
Clothing - Wedding Dress, 1978 c.February
Made for and worn by Jeanette Margaret Bennett at her wedding at Uniting Church, Riversdale Road, Wattle ParkWhite chiffon 1978 round neck line dress with high waist, long sleeves; with cuff and six covered buttons. Hem line and neck trimmed with satin. Dress lined with satin underskirt. See also 3597., Wedding Veilcostume, female ceremonial -
Tatura Irrigation & Wartime Camps Museum
Book, Letters to Bruce
Photographs and letters written to Doreen Jeffery by her husband Bruce whilst away at WW2. Compiled by Jeanette Thompson, one of his daughterSoft covered book with photograph of a man in the middle, title above, letters in background and author at bottom. Back has family photograph with letters in background.doreen jeffery, bruce jeffery, jeanette thompson -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, Blossom Time, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of Jeanette Rayment in Blossom Time, a musical play in 3 acts adapted from the operetta Das Dreimäderlhaus by A.M. Wilner & Heinze Reichert. The performance was produced by Beatrice Oakley for The "Q" Theatre Guild in 1959 to coincide with Moomba. Music was provided by the Kew Philharmonic Society conducted by John Trotter. The set design is credited to Lachlan Stebbins. Marion Tilley, the creator of the scrapbook in which the photo is pasted, is given credit for designing and making the costumes. Jeanette Rayment performed the role of Therese.Marion Tilley, the creator of the scrapbook, wrote the name of "Jeannette Rayment" underneath the photograph.performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, musical comedy -- melbourne -- victoria -
Federation University Historical Collection
Photograph - black and white, Ballarat Girls' Technical School, 1961, 04/1961
Nine girls in the uniform of the Ballarat Girls' Technical School. From left: Maureen Carroll, Sandra Tait, Jeanette Cameron, Wendy Gasterstadt, Coralie Crabb, Wendy Widgery, Suzanne Hall, Janette Smith, Heather O'Brien. ballarat girls' technical school, ballarat girls' junior technical school, maureen carroll, sandra tait, jeanette cameron, wendy gasterstadt, coralie crabb, wendy widgery, suzanne hall, janette smith, heather o'brien, class -
Geoffrey Kaye Museum of Anaesthetic History
Photograph
This photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 89.Black and white photograph depicting a dentist's office with a woman patient sitting in a chair receiving anaesthesia. Behind the chair is a fully gowned and masked anaesthetist operating a DM Machine with CIG oxygen cylinders. The male dentist is seated to the left of the patient holding equipment near the patient's mouth. A woman dental nurse is standing to the left of the dentist holding a suction tool.•Stamped in red ink on reverse: C.I.G. Equipment Pty. Ltd. •Handwritten in blue ink on reverse: CG13 •Handwritten in grey pencil on reverse: Dr H.N. Matthews / Essendon / Return to F Biggs •Handwritten in grey pencil on reverse: 6 [in a circle]dentist, anaesthetist, dental nurse, patient, cig, oxygen cylinder, shipway, dm machine -
Mission to Seafarers Victoria
Book, Jane Clark & Felicity Druce, Violet Teague, 2000
Catalogue of artworks by Australian female painter, Violet Teague.The Beagle Press, 1999.. Lge. 4to; pp. 128; frontispiece, 50 plates, bibliography; stiff illustrated wrapper, a fine copy. With contributions by Roger Butler, Anita Callaway, Jeanette Hoorn, Jacqueline Macnaughtan, Richard Neville, Juliet Peers, Kay Vernon and Liz Ward.non-fictionCatalogue of artworks by Australian female painter, Violet Teague.violet teague, windjammers, jane clark, felicity druce, artist, female artist, c.b. pedersen, carnarvon -
Vision Australia
Photograph - Image, 2000 QBIC Industries, 2000
Images taken of staff at QBIC Industries in 2000, including Tracey Millwood, Marlene Austin, Wayne Ford, Keith Smith, Jeanette Matthias (finance and admin manager),Sue Camps, Henry Chichowski and Craig Gardner, as well as the QBIC frog box and showroom wall.14 col. photographs of staff members1 - Tracey Millwood, 2000 2 - Employment officer Marlene Austin at keyboard demonstrating large print, 3/00 3 - Staff storeman Wayne Ford, 2000 4 - Craig Gardener, Storemanqbic industries, tracey millwood, marlene austin, wayne ford, craig gardner, keith smith, henry chichowski, sue camps, jeanette matthias -
Eltham District Historical Society Inc
Photograph, Staff Photo, Corporate/Administration/Finance Department, Shire of Eltham, July, 1987 (with names), 1987
Top Row, from left - Tom Lovass, Mark Holding, Margaret Jarvie, Graham Ford, Carolyn Edmonds, David Petersen, Phil McKenzie, Liz Edmondson, Craig Westhead, Ray King, Lodi Francesconi. Middle Row, from left - Kevin Garvey, Jeanette Cornish, Peter Spiller, Linda Kirkwright, Earl Roberts, Tony Guzzo, Rodney Roscholler, John McDonough, John Higgins, Keston Clarke, Jeanette Sproat. Front Row, from left - Mark Sutcliffe, Natalie Sannholm, Des Powell, Lee Hayes, Neanne Roker, Lynda McNally, Liz Blake, Jane Glynn, Marg Shepherd. (Staff not present – Carole Bell, Charmayne Rose, Margaret Marczuk, George Overton, Ian Young, Joe Galea, Stacey Hesketh, Marjorie McNeil).Two colour photographs, laminated, one with typed list of names 2 copies different sizes 22.5 x 27 cm laminated (12.5 x 20 cm photo) and 26.5 x 33 cm laminated (19 x 25.5 cm photo)Originally contained in an envelope with handwritten note on enveloe to Allan Baker dated 14 Dec 1987 "Enclosed for your use are staff photos of all departments. I've given each Champion of Committees copies for all their respective Councillor photos of Depts reporting to each committee. Outdoor staff photos will be taken next week and I'll make those available as soon as possible. Cheers (Undecipherable)"shire of eltham, council staff -
Ringwood and District Historical Society
Photograph, Ringwood State School - Grade 3A, 1969
Black and white photograph "Written on back of photograph" Ringwood State School- Class photograph, Grade 3A, 1969. Front Row- L to R: Michelle Matheson, Hayley Brownrigg, ?, ?, Jeanette Trotter, ?, ?, ?, ?. Teacher: Miss Federman -
Geoffrey Kaye Museum of Anaesthetic History
Photograph, c1940s
Possibly part of a series of photographs taken at the Geoffrey Kaye Museum when it was located at the University of Melbourne in the late 1940s, photographer unknown. The photograph was reproduced in the book One Grand Chain : The History of Anaesthesia in Australia 1846 - 1962 : Volume 2 1934 - 1962, Gwen Wilson, edited by Jeanette Thirlwell Jones, on page 459.Black and white photography depicting a group of six male students rehearsing with anaesthetic apparatus. Five of the students are standing and one student on the left of the photograph is sitting and holding an inhaler to his face. There are two apparatus displayed.•Handwritten in grey pencil on reverse: Frame 17 •Handwritten in blue ink on reverse: sample. •Handwritten in grey pencil on reverse: 2 [in a circle] •Handwritten in grey pencil on reverse: 15 [in a circle, with the 5 crossed out] •Label which was originally glued to bottom on photograph which has since detached, written in all capitals with white ink on black paper: Students rehearsing with current apparatus, displayed in functional order and in sectionstudents, training session, anaesthetic machine -
Bendigo Military Museum
Photograph - Army Survey Regiment Map Production Equipment, c1980s, c1990s
Photos .1P, .2P, .4P and .5P were most likely taken in the 1980s and photo .3P in the c1990s at the Army Survey Regiment, Fortuna, Bendigo. Despite lacking annotation on exact dates, locations and personnel, they are positively identified. CPL Ian Nelson in photo .1P is operating a Wild Pug 4 point transfer device in Air Survey Squadron c1980s. Control points were transferred onto the mapping diapositives of aerial photography by drilling their locations into the photographic emulsion. SPR Viv (Hawkins) Doherty in photo .2P and SPR Jeanette Drury-Lane in photo .5P are operating a Wild B8 Stereoplotter coupled to a digital workstation in Air Survey Squadron c1980s. Topographic features were extracted with the B8 in 3D and feature coded with attributes, using keyboard, menu, keypad and voice inputs to the computer. The features were stored in the AUTOMAP 2 digital database for subsequent cartographic production and printing. CPL Mick Ellis in photo .3P is operating the Optronix 4040 Scanner/Film Writer in Lithographic Squadron c1990s. In scanning mode, compilation sheets were mounted on the drum and scanned. The resultant raster file was vectorized, feature coded with attributes and stored by cartographic technicians in the AUTOMAP 2 database. In film writing mode, digital cartographic files were output at very high resolution for each print colour on photosensitive film, for subsequent finalisation, platemaking and printing.This is a set of five photographs of technicians operating map production equipment at the Army Survey Regiment, Bendigo. The photographs were printed on photographic paper and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 300 dpi. .1) - Photo, colour, c1980s. CPL Ian Nelson operating a Wild Pug 4 point transfer device in Air Survey Squadron. .2) - Photo, colour, c1980s. Wild B8 Aviograph stereoplotter feature extraction, SPR Viv (Hawkins) Doherty in Air Survey Squadron. .3) - Photo, colour, c1990s. CPL Mick Ellis operating the Optronics 4040 Scanner in Lithographic Squadron. .4) - Photo, colour, c1984. AUTOMAP 2 Graphic Edit Workstation, SPR Craig Kellet in Cartographic Squadron. .5) - Photo, colour, c1989. Wild B8 Aviograph stereoplotter feature extraction, SPR Jeanette Drury-Lane in Air Survey Squadron. .1P – no annotations .2P – annotated “Stereoplotter Workstation. The operator has the use of keyboard, menu, keypad and voice for input to the computer. Feedback is given through voice and screen messages.” .3P to .5P – no annotationsroyal australian survey corps, rasvy, army survey regiment, army svy regt, fortuna, air survey, litho, aerotrig -
Kew Historical Society Inc
Photograph, The "Q" Theatre Guild, The Bohemian Girl, 1959
The "Q" Theatre Guild was formed out of the Kew Light Opera Company in 1957. It marked the transition of the company that had initially been directed by Lance Nicholls to one directed by Beatrice Oakley. It continued to perform in the Kew Recreation Hall, but, with its demolition in 1960, and the opening of the new Kew City Hall in Cotham Road, moved its productions to that venue. Productions of the "Q" Theatre Guild included The Geisha (1957), Maritana (1958), They All Do It (1959), Blossom Time (1959), Love's A Luxury (1959), There And Back & The Bohemian Girl (1960), Die Fledermaus (1960), Gay Rosalinda (1961), The Land Of Smiles (1961), Kisses For A Kid & Hansel And Gretel (1961), Die Fledermaus (1962), Monsieur Beaucaire (1964), Macbeath or The Beggar's Opera, and So To Bed.The scrapbook of annotated photographs, programmes, and newspaper reviews of which this item is a part was assembled by Marion Tilley, wardrobe mistress for, and performer in, productions by the Kew Light Opera Company and the "Q" Theatre Guild. It is significant as a remarkably complete document of theatre performances in Kew, Victoria during the 1950s and 1960s. The scrapbook, and the items individually catalogued within it, have artistic and aesthetic significance within the history of performing arts in Victoria in the middle of the 20th Century. They have social significance in that they reveal socio-cultural values and preoccupations during the period. The records also act as a history of arts activities in the Kew Recreation Hall and later in the Kew City Hall as entertainment and community arts and music precincts.Black and white photograph of members of the cast of the "Q" Theatre Guild in their 1959 production of Michael Balfe's The Bohemian Girl. Beatrice Oakley was the producer and John Trotter the musical director. The costumes were designed and made by Marion Tilley while the scenery was designed by Claude Ward and Lachlan Stebbins. An annotation, in the corresponding programme, records that Joan Carden (later a star of the Australian Opera) performed in the Ladies of the Chorus.Marion Tilley, the creator of the scrapbook, wrote the following names underneath the photograph: "Fred C., Esme M., Val Breen, Jeanette R., Alan Wilson, B. Meagher, Irene T., Gwen Bolden".performing arts -- kew (vic.), scrapbooks, marion tilley collection, 'q' theatre guild, kew recreation hall, theatre programmes, musical comedy -- melbourne -- victoria -
Ringwood and District Historical Society
Book, Melbourne the Olympic City, subtitled 10 Facsimile Drawings With Colour - Harry Hudson
Yellow soft covered book containing Melbourne street scene sketches, photographs, and recollections contributed in 2021 by former pupils of Ringwood High School as a tribute to their well remembered art teacher, Harry Hudson (1910-1974). The images are reproduced from a folio of drawings that Harry made as a souvenir of Melbourne at the time of the 1956 Olympic Games. Contents and contributors: Flinders Street Station - Jeanette Fry Bourke Street - Graham Edney Collins Street - Michael Anderson, Thomas Guest, Eleanore Peeler Princess Theatre - John Wood, Thomas Guest Melbourne Town Hall - Thomas Guest Princes Bridge - Jeanette Fry StPaul's Cathedral - Ian McCleave Public Library - Gavin Fry Swanston Street - Peter Fry StPatrick's Cathedral - Gavin Fry. -
Southern Sherbrooke Historical Society Inc.
Information folder - Tye family
Folder containing items pertaining to the Tye family. Contents: -letter, Jeanette Webster to Susan Heywood-Downard, dated 28 Sep 04, re. contact with society -letter, Jeanette Webster and Stuart Murdoch to Susan Heywood-Downard, dated 13 Oct 04, re. meeting at All Saints Spring Arts Fete -letter, Jeanette Webster to Susan Heywood-Downard, dated 29 Oct 04, re. family history -letter, Jeanette Webster to Susan Heywood-Downard, dated 14 Dec 04, re. communication with Anglican Church -copy of letter, Anglican Diocese of Melbourne to Jeanette Webster, dated 9 Dec 04, re. future of All Saints Church -family tree of John Tye (3 sheets)/list, descendents of John Tye (3 sheets) -list, descendents of William (?) Wilby -list, the family of David Graham -typescript (incomplete) re. the Tye family, prepared for All Saints Spring Arts Fete display 2004 by society -family history sheets:- Donald MacGregor (2), handwritten/- Donald MacGregor, typed/- "The Tye Family"/- "Colin Graham married Bella MacFadyen"/- "John Tye married Elizabeth Powell"/- annotated, handwritten sheet found in old Bible -article, undated, "Great Industrialist Passes - Mr Allen Tye's Link With South Melbourne", copy -letter, 29th April 1990, Alicia Murdock to Mrs E. Haynes, refuting claim re. founding of Tye & Co. -Certificate of Title, Vol. 7670, Fol. 146, transfer of land (Selby?) to Ethel May Murdoch, dated 7th November 1951 (3 sheets, copies) -Certificate of Marriage, George Tye and Alicia McMillan, Castlemaine, 23rd July 1890 (copy) -Marriage Certificate, Daniel MacMillan and Sarah Bolton, Loddon, 13th January 1857 (copy) -Baptism Certificate, Daniel MacMillan, Whitstable, Kent, England, 8th July 1832 -Baptism certificate, Noel Stuart Tye Murdoch, All Saints, Selby, 18th September 1932all saints church, carlotta tye memorial church -
Bendigo Historical Society Inc.
Document - Amy Huxtable Memorial History Prize Winners, 1992-93
Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet a Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial History Prize Winners for 1992 as announced in 1993 by the Bendigo Historical Society, Dudley House, View Street, Bendigo. * First Prize - Michael Jaeger. Paper: A reconstruction of the landscape of a portion of the Parish of Runnymede, Northern Plains, Victoria. * Highly Commended - Mrs Jeanette Margison. Paper: A review of pre-federation and post federation education, and the transitional changes that took place.history, amy huxtable, bendigo, amy huxtable memorial history awards -
Greensborough Historical Society
Article, Greensborough Historical Society, Watsonia Primary School: its history through a collection of oral histories, 2014_
The story of Watsonia Primary School No 4838 is told through interviews with John Eddy (Principal 1993-97), Claudia Crosling, Jan Cleeland, John Murphy and Christina Barclay (teachers), Lesley Hooper and Nancy Fyfe (parents) - all interviewed by Rosie Bray. A foreword was written by 2015 Principal Mrs Jeanette Martin and a brief history compiled by Sam Chesser (GHS member and current parent). Photographs of the school and scans of past student photographs by Marilyn Smith.A history of the Watsonia Primary School through the eyes of people associated with the school.Folder with black cover containing transcripts of oral histories, photographs and memorabilia. watsonia primary school