Jo FOLEY Jo Foley studied Visual Art of the University of Ballarat. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Mobile If you can assist with information on this artist or artwork please use the comment link below.art, artwork, jo foley, mobile, human movement collection, alumni

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Small wheel thrown glazed and decorated cup.art, artwork, jo lunt, ceramic

I0th A.G.H, being “10th Australian General Hospital”, part of Australian Army medical Corp.Newspaper “Hullo Jo” 4 pages yellowed, black print being the “Mouthpiece of the 10th A.G.H Somewhere in Malaya, Series 1 - No 2”hullo jo, newspapers, mouthpiece

Around four months after becoming President of the Old Colonists' Association the Covid19 pandemic hit, and by March 2020 Ballarat was in lockdown. Association Council meetings continued online, residents of the retirement village were kept informed of safety requirements during the pandemic, and 3 additional units were built at the Charles Anderson Grove Retirement Village. A Conservation Management Plan was also commissioned for the Old Colonists' Hall.Colour photographs of Jo Barber President of the Old Colonists' Association of Ballarat Inc giving her inaugural speech As President. .The photograph was taken in the Old Colonists' Hall.ballarat old colonists' association, ballarat old colonists' hall, jo barber, president, covid19, pandemic

Photograph of Jo Barber wearling the presidents collar on the night she was elected President of the Old Colonists' Association of Ballarat proposing a toast to John Lewis, newly elected President of the Old Colonists' Club.jo barber, old colonists' association of ballarat, president, john lewis

Colour photographs of President Travis Hurst receivingthe President's Collar from Jo Barber, Past President of the Old Colonists' Association of Ballarat Inc.The photograph was taken in the Old Colonists' Hall on the occasion of the Annual General Meeting.ballarat old colonists' association, ballarat old colonists' hall, jo barber, president, president's collar, travis hurst

This book was compiled by Sue Barnett at the request of the project participants from material gathered as part of the project "Beyond the Garden Wall". This project was devised and managed by a team at Surrey Hills Neighbourhood Centre Inc. with funding from the Victorian Department of Planning and Community Development (VDPCD) under the "Images of Age' grant 2007. It involved conducting oral histories, reflection on the part of the participants through visual diaries, photography and painting. A short video of some of the gardens was also commissioned. All the elements came together during Seniors Festival in an exhibition held at the Augustine Centre, and opened by Jane Edmanson. At the request of the VDPCD, a modified exhibition was held in 2008 at 'Australia on Collins' during the 2008 Seniors Festival. Sue Barnett and Jo Reitze (Mrs de Carteret) are Surrey Hills residents. This provides a snapshot of 20 gardens and the 22 passionate gardeners who created them. The prose provides a potted history of the gardeners and their philosophical approach, accompanied by portraits of them and cameo photos of their gardens, as well as a photo of the painting of the garden as seen by artist Jo Reitze. All the gardens were situated within the City of Boroondara and all the gardeners were over 60 years of age. Prose written by Sue Barnett; photography by Sue Barnett and Jo Reitze.gardening, anecdotes, (ms) jo reitze, (ms) susan barnett, sue barnett, paintings, gardeners

Around four months after becoming President of the Old Colonists' Association the Covid19 pandemic hit, and by March 2020 Ballarat was in lockdown. Association Council meetings continued online, residents of the retirement village were kept informed of safety requirements during the pandemic, and 3 additional units were built at the Charles Anderson Grove Retirement Village. A Conservation Management Plan was also commissioned for the Old Colonists' Hall.Colour photographs of Jo Barber President of the Old Colonists' Association of Ballarat Inc giving her inaugural speech As President. Andrew Robson (secretary) sits to her left and Steve Carter (Treasurer) sits to her right.The photograph was taken in the Old Colonists' Hall on the occasion of the Annual General Meeting.ballarat old colonists' association, ballarat old colonists' hall, jo barber, president, covid19, pandemic, president's collar, andrew robson, steve carter

Jo Ilian 5-1-1913 to 8-10-1998 Loved by his wife Dorothy His sons John and Alan And his stepdaughter Fiona. The mould is brokeneltham cemetery, gravestones, jo ilian, memorials

Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.A series of 11 black and white photographs and one paper receipt. 1,2,4 & 8 are of Frank Wright conducting a large orchestra on a stage, the front of which is dressed in gathered fabric with floral tributes along its length. In the foreground the audience can be seen and the background of the stage is black with four white frames containing floral bouquets. The roof with large square lights can also be seen. 9-11 are front views of Frank Wright holding his baton and conducting the orchestra. In the foreground, the rear of the head of a violinist can be seen and in the background the audience can be seen fading out of sight in the darkness of the theatre. 3,6 & 7 are of Frank Wright with various groups of people at a reception. In two he is seated and in one he is standing. He is holding a glass of wine in two and has a plate, napkin and cutlery in the other. 5 is a photo of Frank White inspecting the cornet of a uniformed, young man who is part of a brass band. They are standing with the band in an outdoor venue with an audience seated on tiered rows in the background. 12 is a printed black ink on white paper receipt on which is the handwriting is in blue ink. It is for the cost of the photographs.Printed on the back of photographs - Copy-right, Jo Pottgens, Old Hickoryplein 4, Kerkradefrank wright, kerkrade, conductor, cornet, orchestra

Winner of Expressions 2008: The Wool Quilt Prize Artist Statement: 'My friend Vriginia named this quilt for me and I thought "of course". A ladder is a means of rising or climbing and I began this work woth a sense of freedom. In this case freedom from entrapment of thought, feeling and creativity.'W7184 'Green Ladder' Catalogue for 'The New Quilt 2003: an exhibition of contemporary quilt textiles' Jo Steele's entry in 'The New Quilt 2003' catalogue Jo Steele's Curriculum Vitae Photocopy from Quilters Guild Magazine, 1998. Jo Steele's 'Eggshells & Iron Bars' Photocopy from catalogue '2002: One step further marvellous minatures', including Jo Steele's entry. Photocopy from '2007 Australian Cotton Fibre Expo'. Jo Steele entry 704. Includes first prize certificate for Section 7: Contemporary Quilting and Patchwork. Certificate awarded to Jo Steele for 'Chill Out!' 2004. Winner 'Fashion Extravaganza' Category. Photocopy from catalogue for 'Territory Craft 30th Alice Craft Acquisition'. Jo Steele entry 133. Photocopy from catalogue for 'The 29th Alice Craft Acquisition'. Jo Steele entries 143 and 144.Jo Steel 34 Neale Street Katoomba 2780 NSW 0413 074 604 'Green Ladder'quilting textile art, steele, ms jo, quilting, textile art

Reproduced page 132 of Pioneers & Painters, edited by Alan Marshall (1971) Source: National Gallery of VictoriaThis photo forms part of a collection of photographs gathered by the Shire of Eltham for their centenary project book,"Pioneers and Painters: 100 years of the Shire of Eltham" by Alan Marshall (1971). The collection of over 500 images is held in partnership between Eltham District Historical Society and Yarra Plenty Regional Library (Eltham Library) and is now formally known as the 'The Shire of Eltham Pioneers Photograph Collection.' It is significant in being the first community sourced collection representing the places and people of the Shire's first one hundred years.4 x 5 inch colour reversal film (1) Black and white print 16 x 21.5 cm Condition: May not be true to colour of original work. Scanned from a 4 x 5 inch colour transparency which was taken c.1970 (approx. 50 years old) and which has undergone significant colour degradation towards the red spectrum. Allowances made for colour cast correction in scan with best guess for white balance. Significant light flare is reflected off glossy surface of original work at camera lens at lower left and right sides causing quality issues. artist, pioneers and painters, sepp, shire of eltham pioneers photograph collection, jo sweatman

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprintart, artwork, jo-anne pelchen, monoprint, printmaking, horsham campus, wimmera campus, available horsham

Unknown year

Red linen hardcover book with yellow, blue, green and black illustrations and text on the front cover and spine. 183 p. b&w ill. There is a book plate inside the front cover.non-fictionwesleyan sunday school were street brighton, nellie clements, w. e. herring superintendent

Around four months after becoming President of the Old Colonists' Association the Covid19 pandemic hit, and by March 2020 Ballarat was in lockdown. Association Council meetings continued online, residents of the retirement village were kept informed of safety requirements during the pandemic, and 3 additional units were built at the Charles Anderson Grove Retirement Village. A Conservation Management Plan was also commissioned for the Old Colonists' Hall.Colour photographs of Jp Barber President of the Old Colonists' Association of Ballarat Inc giving her inaugural speech As President. .The photograph was taken in the Old Colonists' Hall.ballarat old colonists' association, ballarat old colonists' hall, jo barber, president, covid19, pandemic

From Forward: The term Chinese Anzacs used in this publication describes Australians with Chinese ancestry who served during the First World War..1) Booklet. Soft, cardboard cover, red background with white print front & back. Cover illustrated, sepia half portrait of soldier photo over red poppies & portrait of soldier in background. Bayonet depicted below print. Gallipoli service badge. 40 cut, glossy white pages. Illustrated in colour photos, medals, certificates. End papers coloured red. .2) DVD. Secured in plastic pouch front flyleaf.booklet, dvd, chinese, anzacs

MEDIUM: Acrylic on canvas. DESCRIPTION: Blue and black, no external frame. A figurative nude, the close up takes most of the canvas. It sits on a dark background in undefined surroundings. The blue woman sits flat as many of Matisse’s works do, favouring this style over the illusionistic depth to achieve his aim, here we see this replicated. Matisse is also noted for his use of colour as a means of expression rather than description. Here we have a woman painted all in blue, with this knowledge we could say the artist has painted his subject as someone who has been captured in a very relaxed, very calm version of herself, an ocean onto herself, mysterious and captivating in this moment. Her arm slung confidently above and around her head, her view directly facing the viewer provocatively. The only other colour on her other than the thick black lines which outline and shadow her contours, is the circular red of her earring -mirroring the generous sweeping curves of the work. The presence of visible brushstrokes produces a sense of movement and energy as well as providing a decorative quality to the painting.Signed and dated on bottom proper left of center of image (on reverse of canvas).acrylic, darvall, matisse

Cult Australian surf travel documentary made by Stefan Hunt and Jonno Durrant as they endeavour to surf 50 states of the United States of America in 50 days (32 without an ocean). Music by Spiderbait, The Wahas and many more. World Premier at the Hayden Orpheum Picture Palace, Cremorne, Sydney on 15th October, 2008.On of the most popular independent surf travel documentaries ever made. Unique insight into surfing and popular culture.Colour cover art of an American flag over a sand, movie title and colour photograph of Johnno and Stefan with the infamous Hurley Van.Movie title, one line synopsisjonno durrant, stefan hunt, surfing 50 states, spiderbait

non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices

Purchased through the Horsham Art Gallery Trust Fund, 2017