Thought to have been used in shoemaking classes held for repatriated soldiers at Ballarat School of Mines. At the Ballarat Technical Art School, during the early twentieth century, leather art was popular but had little industrial value and was usually a minor study. The Victorian Education Department set examinations in art leather work. Copies of many Technical School Examination Papers are kept within the University's historical collection.Black wooden box with metal latch and handle. Contains assortment of tools, some with timber handles, some metal. Two halves inside box. Lid is attatched by canvas nailed to bottom. leather, tools, box, world war one, ballarat school of mines, shoemaking, bootmaking, bootmaker, leatherwork, repatriation

Leatherwork was offered to clients at the Ballarat office of Vision Australia, involving the use of jigs to help align punch marks. This jig was donated by "G.A. Arnold P/L 98-106 Moray St, South Melbourne" and its users were advised to "Clean and oil weekly" according to the 2 metal plates attached to the base plate that the jig was affixed to. A small metal bar runs across the middle of the base plate, to assist in correct alignment, with a black ball handle situated above a metal rod to allow users to push downwards on to a secondary rod (held in place by a cylinder) at the end of which is a punch. The cylinder that holds the punch in place is attached to a broader black metal attachment that is screwed into the base plate. The punch remains at the centre, however this image was taken before the centre's refurbishment.Metal sheet with ridges to align items above a punch activated by a lever pushed downwardsG.A. Arnold P/L 98-106 Moray St, South Melbournerecreation equipment, vision australia

These leatherworking tools were widely used in the 19th and early 20th centuries by saddlers, cobblers, and leather artisans for making shoes, saddles, belts, and harnesses. The round knife (half-moon knife) was an essential tool for cutting and skiving leather. The hole marker or stitch marker ensured even stitching, improving durability and aesthetics. The clamp tool may have been used for holding pieces of leather together during stitching or gluing. Such tools were indispensable in handcrafted leather goods before industrialized mass production. From HODGES Saddlery at NatimukThe image features three distinct vintage leatherworking tools, each tagged with numbers for identification. Left Tool: Leatherworking or Saddler’s Clamp A small metal clamp with an adjustable screw mechanism, likely used in leather stitching or riveting. The rusted metal body suggests it was used extensively in leather crafting, possibly to hold pieces of leather together while being stitched or to secure a cutting guide. The adjustable components indicate it was a versatile tool. Middle Tool: Leather Round Knife (Half-Moon Knife) A wooden-handled cutting tool with a curved, semi-circular blade, commonly known as a round knife or half-moon knife. This tool is traditionally used by leatherworkers for cutting, skiving, and shaping leather. The blade is rusted, but the tool still retains its distinct shape. The wooden handle is rounded for a firm grip, essential for precise cutting. Right Tool: Leather Hole or Stitch Marker A small metal tool with multiple protruding points, likely used for marking stitch holes or perforating leather before sewing. The sharp points indicate it could have been used to create evenly spaced stitch lines or decorative impressions. This type of tool was commonly used by cobblers, saddlers, and leatherworkers to ensure even and consistent stitching.leather, cutting tools, commercial equipment, saddlery

Entrance requirements for a full-course student was an Intermediate Certificate of equivalent. The Certificate of Art was a two year course of basic study to enable students to undertake a further two years of specialised training in a chosen field of art. The Diploma of Art was a two-year course of specialised training available to students, who have passed the Certificate of Art Examination or its equivalent. Candidates of the examination must be at least 19 years of age, must have completed two years' full -time training or not less than three years' part-time training, and must present for the Matriculation examination for English Expression. Part-Time classes at the Ballarat Technical Art School c1948 were: Day: Dressmaking, Weaving, Leatherwork, Pottery, Metalwork, Painting, Sculpture, Junior Art. Evening: Dressmaking, Weaving, Leatherwork, pottery, Metalwork, Painting, Sculpture, Ticket Writing, Lettering, Figure Drawing. Two fold, 6 page information flyer on classes held at the Ballarat Technical Art School. The Art school offered Diploma of Art, Certificate of Art and Part-time classes.ballarat technical art school, art, diploma of art, certificate of art, part-time classes, syllabus, design, scholarships, diploma of art in pottery, diploma of art in advertising, art education, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, junior art, dressmaking, weaving, leatherwork, pottery, metalwork, painting, sculpture, ticket writing, lettering, figure drawing

.1) Dark Brown Leather Belt with a Brass Buckle Featuring an Eagle and cross one brass star mounted on the belt .2) Brown leather pouch with a leather closer Silver stud attached as a clasp Three leather loops on back to attach to the beltmilitary-equipment, leatherwork

Cylindrical brown leather container with attached lid fastened with two straps and buckle. Shoulder strap attached. Container lined with velvetleatherwork, military-equipment

The belt belonged to Regimental Sergeant Major Edgar Frederick Dawson DCM, No 4472 57th Batt AIF. Refer Cat No 893 for his service history.Sam Browne Belt, brown leather with metal buckles, has a brown leather adjustable shoulder strap. Re RSM E.F.Dawson.uniforms - army, leatherwork, sam browne

The case and camera 1319.2 belonged to Jack Grinton No 1043, 38th Batt AIF. Part of the Grinton collection which included hundreds of negatives and developed photos that he took during the War. Refer Cat No 1280 for service details. Refer 1317P, 1320P. .1) Lockable rectangular leather camera case for item no. 1319.3. Dark brown with leather carrying strap at top and the name "Grinton" scratched on back. .2) Key for .1).cameras, leatherwork, photography

The items were issued to Quentin Clifford BINKS V245016 & VX114178 2nd AIF. Refer Cat No 1835 for his service history.Pair of khaki webbing gaiters bound with leather on bottom edges. Buckle fastenings ( 2 per gaiter ).costume accessories, uniform - army, footwear accessories, leatherwork

This tool is likely part of an older hand-cranked or foot-operated drill system, possibly used for working on wooden spokes in wheelwrighting or for drilling in metal or leatherworking. Such tools were commonly found in workshops from the late 19th to early 20th centuries before electric drills became widespread. Steel Drill Spoke used for making holes in wheel hubs for inserting spokes.The item appears to be an antique drill spoke or a hand-operated tool component, possibly from a blacksmiths or wheelwright’s workshop. It consists of a cylindrical, rusted metal body with a tapered, pointed end, which may have been used for drilling or reaming holes. The base is attached to a mounting bracket with bolt holes, likely for securing it to a workbench or machinery.drill, spoke, wheel, hub, commercial equipment, wagon, gig, buggy

This steel leather punch would be used by early settlers in Moorabbin Shire c1900when making and repairing, farm and household leather goods.Early settlers in Moorabbin Shire had to be self sufficient and made and repaired their farm and household equipment. Blacksmiths made the toolsA solid steel leather punchleatherwork, craftwork, moorabbin, bentleigh, cheltenham, early settlers

leather boxing glove stuffed with horse hair, red stitching air vent in centre of palm.recreations, sports, boxing, glove, leatherwork, stitched

Leather thicknessers like this were commonly used in leatherworking and saddlery to ensure uniform thickness in leather pieces before making belts, harnesses, saddles, or other leather goods. This design suggests it was hand-operated, requiring the user to feed leather through the adjustable gap while controlling the pressure with the lever. These tools were essential in workshops and tanneries, particularly in the 19th and early 20th centuries, before the advent of more mechanized skiving machines. From HODGES Saddlery, Natimuk.This is a vintage manually-operated leather thicknesser, used for skiving or adjusting the thickness of leather pieces. The tool consists of a wooden base with four mounting holes, likely for securing it to a workbench. A horizontal metal bar runs across the top, supported by two vertical posts, and is adjustable via two round-headed screws. The tool also features a curved lever handle on one side, which is used to adjust or apply pressure to the leather being processed. The metal components show signs of oxidation and rust, while the wooden base has a well-worn appearance, suggesting extensive use.leather thicknesser, functional item, tool, farm equipment, harness, horse equipment, saddlery, leather, commercial equipment

Wallet & mirror belonged to Colin ODLUM VX45898 2/23rd Batt AIF. KIA 12.7.42. Refer 127.56, 135.2, 136.2P, 137.3P. .1) Brown leather wallet, folds in half, stitched all round. .2) Shaving mirror, polished stainless steel with small slot for hanging..1) Wallet has "C Odlum 2nd AIF" scratched on inside. .2) Shaving mirror has "C Odlum" scratched on one side.personal effects, grooming, toilet requisites, shaving, money containers, metalcraft, leatherwork

The hat box was very necessary for Ladies to protect, store and transport their beautifully decorated hats.The family of Miss Carol Pedersen-Green were early settlers in Moorabbin Shire of Scandinavian descentA lady's, large, hat box made of brown leather with metal hinges and securing clips and inside 2 large leather restraining straps.green carol, moorabbin, bentleigh, brighton, cheltenham, early settlers, pioneers, leatherwork, hats, milliners

These leather forming dyes were used in traditional leathercraft to shape leather into rounded or contoured forms. Common applications include the forming of pouches, holsters, watch straps, belts, and decorative motifs. Wet leather would be pressed over or into the dies using the domed tools, creating consistent shapes for repeat production or fine detailing. This type of toolset was especially useful in saddlery, harness-making, and artisanal leather goods manufacturing, and may date from the early to mid-20th century. The craftsmanship and material suggest they were intended for long-term use in a workshop setting. Used for three generations back in WEBB family. Colin WEBB from Grass Flat's Great Grandfather's. Used for making flowers and decorate leatherwork.A set of four cylindrical leather forming dies accompanied by five domed shaping tools. The dies are robust, upright forms with flared openings at the top and rounded bases, crafted to receive and shape wet leather into concave or domed forms. The accompanying tools are smooth, tapered rods ending in spherical or bulbous tips of varying sizes, designed for pressing and shaping the leather from the inside or outside of the die. The tools and dies are made of the same dark, polished material—most likely wood or hard resin—showing signs of long-term use such as surface wear and patina.webb, leather, farm equipment

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Twelve drawings undertaken for the 'Drawing the Human Figure from Casts' class at the Ballarat Technical Art School. The works were undertaken by Edith Alice Watson. The full folio of work undertaken while Alice Watson was a student at the Ballarat Technical Art School is held by Federation University Australia.most are signed A.Watson 1932.edith alice watson, alice watson, ballarat technical art school, plaster cast, artwork, alumni, drawing the human figure from casts, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.A series of drawings undertaken by Alice Watson when she was studying "Drawing From the Plaster Cast" at the Ballarat Technical Art School. Some drawings are double sided.plaster casts, drawing, ballarat technical art school, alice watson, edith alice watson, alumni, visual arts

Edith (Alice) WATSON (1914–2010) Murtoa | Australia Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. commercial artSeven paintings undertaken by Edith Alice (Alice) Watson at the Ballarat Technical Art School, a division of the Ballarat School of Mines. ballarat technical art school, edith alice watson, ornament, flora, alumni, composition, composition of form and colour, general design, australian flora, light and shade, commercial art

Early settlers and market gardeners in Moorabbin Shire had to be self reliant, producing their food making and maintaining their own equipment, clothing and utensils This Singer boot-makers sewing machine is an example of the skills and craftsmanship of the pioneer settlers in Moorabbin Shire.A black, Singer 29K2, treadle, boot-maker's sewing machine c1914' SINGER ' on body of machine / 'SINGER 29K2' on plate/ emblem plate on right shaft shows 'S entwined with a shuttle/ bobbin over a reel of cotton' ./ ‘Singer Manef.c Co’ on iron support framebrighton, moorabbin, pioneers, bentleigh, market gardeners, early settlers, farm equipment, sewing machine, singer manufacturing company, boot-makers, leatherwork

This treadle Bootmaking machine was used by early settlers and market gardeners in Moorabbin Shire, who had to be self reliant, producing their food and making and maintaining their own equipment, clothing and utensils This Claes 'Patent Elastic' boot-making machine is an example of the skills and craftsmanship of the pioneer settlers in Moorabbin Shire c1900 A black, 'Patent Elastic' treadle, boot-maker's, sewing machine.'PATENT ELASTIC' on iron framebrighton, moorabbin, pioneers, bentleigh, market gardeners, early settlers, farm equipment, sewing machine, boot-makers, leatherwork, patent elastic manufacturing company

Edith (Alice) WATSON (1914–2010) Murtoa | Australia The monogrammed initials on these buttons are for Alice Watson. Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. Her folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family. Two circular enamelled buttons with dark blue background and gold edging. The initials A W are the design feature. The A is white with gold edging and the W is red with gold edging. The reverse side is gold. They are contained in a small, green, octagonal shaped cardboard box. buttons, edith alice watson, alice watson, enamelled buttons, ballarat technical art school

Ludwig HIRSCHFELD-MACK (1893-1965) Born 11 July 1893, Frankfurt am Main, Germany In 1940 Hirschfeld-Mack was deported to Australia from England as an enemy alien in the Dunera. He was interned at Hay and Orange, New South Wales, and at Tatura, Victoria. There he made a number of woodcuts that illustrated life under detention. Released in 1942 through the sponsorship of (Sir) James Darling, headmaster of Geelong Church of England Grammar School, Hirschfeld-Mack was appointed its art master. He promoted his pupils' self-knowledge, introduced them to avant-garde painting techniques, and encouraged wood-carving, weaving, musical instrument-making, leatherwork and other crafts. (http://adb.anu.edu.au/biography/hirschfeld-mack-ludwig-10510, accessed 29 June 2016) He died on 7 January 1965 at Allambie Heights, Sydney Framed abstract paintingSigned in pencil lower left hand side 'L.H.Mack 1959'art, artists, mack, hirschfeld-mack, ludwig hirschfeld-mack, ludwig hirshfeld-mack, printmaking, monoprint, bauhaus

Alice Watson studied at the Ballarat Technical Art School (at the School of Mines, Ballarat) from 1930 until 1933. Watson sat several departmental exams, including drawing and painting plant forms from nature, lettering, Composition of Form and Colour and advanced General Design, as well as dressmaking and embossed leatherwork. General Design examinations required only designs on paper, and not the full execution of an object (which was the case for Applied Design exams). Watson's folio applies many Australian native floral elements to design. Upon graduating, Watson taught at the Murtoa High School, living with her parents until their deaths in 1972 and 1988 when she was 74 years old. Alice Watson died in Ballarat, aged 95, having conserved her beautiful student folio, which was generously gifted to the Federation University permanent Historical Collection by the Watson family.Watercolour painting of a standing woman with short light brown hair, in a green striped sleeveless shirt, a dark green shorts, and green heels, she is at the beach and there are birds in the background.Watermark (1917 UNBLEACHED ARNOLD)alice watson, beach, cape, woman, ballarat technical art school, alumni