Double-sided A4 page printer in colour all of me, permorming lines, legs on a wall

This series of photos were taken in 1996 at the launch of the bilingual "Move it or Lose it" brochures for the Italian community. As a result of a commitment by the Arthritis Foundation of Victoria (AFV), incorporating Osteoporosis Victoria (OV), to better reach and serve the multicultural community, bilingual brochures were produced in several languages. This photo depicts the three elderly people from the Italian community who were featured in the brochures. An unidentified woman is sitting with them.COL photo of four people who are seated on a row of chairs. The man has a walking stick leaning against his leg. On the wall behind them are several posters, and beside them is a colourful frees-standing banner.arthritis foundation of victoria, afv, osteoporosis victoria, ov, culturally and linguistically diverse, cald, languages other than english, lote, migrant communities, bilingual, italian, move it or lose it, brochures, 1996

Castlemaine State Festival, Castlemaine. 2 November 1990. Programme. From the Chairmen - Mr Bereck Segan. Melbourne Committee: B R Segan, O.B.E. (Chairman), M Besen, A.O. (Deputy Chairman), Mrs H Dore (Hon. Sec.), C Anzarut, N Bourke, Ms M Coillet, Prof. C Duckworth, G Fairfax, A.M., K MacKenzie-Forbes, A.M., Mrs B Margetts, Dr F R Moulds, I.S.O., R Nordlinger, J Parker, M.B.E., A Porter, Ms M Prendergast, C Pyett, Ms D Reilly, Mrs, Ms L Schiftan, P M Schiftan, D Segan, B J Stewart, Ms S Walker, Dr R Wlikie. Melbourne Committee: I O'Halloran, (Chairman), Mrs M Rilen (Hon.Sec.), Miss R Wood (Treas), Mrs L Bennet, Mrs M Bock, S Cox, Cr T Daniell, Mrs H Griffiths, B Heydon, N Jennings, Mrs C McKellar, Miss M Oliver, L O'Toole, F Ransome-Smith, J Shortal, Dr D Silver, Mrs V Victor-Gordon, Mes E Warren, Miss L Waters. Welcome to the 1990 Castlemaine State Festival. As one festival closes, planning for the next commences immediately.. . Mr Ian O'Halloran, Chairman, Castlemaine. Castlemaine State Festival Administration, Festival Manager: Phee Broadway, Manager's Assistant: Mary Harris, Technical Manager: Lis Pain, Drawing Prize Co-ordinator: Bev Singleton, Farnham Concert Co-Ordinator: Noel Jennings with Victorian Rock Foundation. Event Listings: Opening by Hon. Jim Kennan M.P., Deputy Premier and Minister for the Arts Castlemaine Stadium. Melbourne Symphony Orchestra, Conductor - Hiroyuki Iwaki, Soloist - Dong -Suk Kang. Royal Variety Club Grand Final Theatre Royal, Town Crier Mr Neville Stonehouse. Kilmna Wildflower Walk. 'Melbourne: Architecture Today and the year 2000' Professor Peter McIntyre, A.O. Wine tasting. Selected Antique Fair. Organ Recital, organist Michael Bottomly. Mickleford Tour. A Closer Look at Castlemaine, Castlemaine Historical Society. 'Local Brew' Love Letters by A R Gurney, Starring Julia Blake and Terry Norris Directed by George Fairfax A.M. The Noel Watson Show. John Pringle and Miriam Gormley sing Operatic Gems with the Rantos Collegium and conductor Nicholas Braithwaite. The Incredible Shrinking Mortgage Show', Pat Wilson and Adrian Barnes. Festival Nightcap, Mr P P an acrobatic delight. Breakfast with Potts in the Park. A Stroll Around Town, Historical Society guide. Gardens Open. Selected Antique Fair. Festive Family Fun, musician Natasha Moszenin, Fratellini Brothers, Tim Hurley, Wally Fair Ground Organ, Foundry Band, Megan Jones, Mr P P. A guided Tour, Mrs Marjorie Rilen. Goetz Richter - Violin, Jeanett Carrigan - Piano. 'King Lear', Berenice Kavanagh and Suzanne Kersten. The Chagell Ensemble, Rita Reichman, Piano, Semmy Stalhammer, Violin. Trevor Jones, Viola. David Pereira, Cello. Steven Reeves, Double Bass. 'The Incredible Shrinking Mortagage Show' Pat Wilson and Adrian Barnes. Festival Hymns. 'Recital' Hellen Noonan, Douglas Horton, David Chesworth, Jacqui Everett, Jude Gunson. Music for Flute and Piano, Dereck Jones - Flute, Jeanell Carrigan - Piano. 'Brass With Class' William Evans - trumpet, David Farrend - trumpet, Russell Davis - french horn, Ken McClimont - trombone, Eric Klay - bass trombone. Piano Recital - Richard Mapp. Chris Ludwick's Society Synocopators - Cup Eve Cabaret, Chris Ludowyk - trombone, Peter Gaudion- Trumpet, Richard Miller - reeds, Pip Avent - tuba, Cal Duffy's - drums. 'Cup Eve Comedy' Rachel Berger and Richard Stubbs. Festival Nightcap Mr P P. Botanical Gardens Tour Kevin Walsh. Alice's Adventures in Wonderland Glenn Elston. By arrangement with Feipp and Park Projects and Elston, Hocking and Woods Pty Ltd. Family Concert, Piano for 4 hands Jocelyn Abbott and Richard Mapp, actor Justin Shortal. Cup Day Sports Carnival. Fashion Parade, luncheon available at Georgians in George Clark Place. The Melba Trio, Carolyn Hayes - Oboe, Jane Stacvy - cor anglais, Seng Tong - Oboe. 'Images' Prudence Davis - flute, Jeffrey Crellin - oboe, Peter Lynch - guitar. 'Sounds in Time' Andree Cozens - soprano, Berenice Kavanagh - words, Dudley - Simons - piano, John Snowden - Guitar, Peter Taylor - Set design & lighting. 'Music for Celestial Voices' Laurence - Jenkins - organ, Mary Anderson - harp, Margot Anderson - harp, Margot Cory - soprano. 'Proms for Preps' Nehama Patkin. Organ Recital Keeith Bottomley. Kaweka Walk, Kaweka Reserve Committee. 'Camille Claudel'. The Tudor Choristers Musical Director - John O'Donnell. 'Something for Everyone' Nehama Patkin - piano, guitar and voice, Peter Clinch - saxaphone and clarinet, major Australian Orchastras. 'The Dock Brief' & 'What Shall We Tell Caroline' Neville Stonehouse, Kay Barker, David Bickart, Angela Walter. 'Bluebeard' The Rag & Bone Theatre Company. Poedijono and the Javanese Gamelan, Poedijono (Teacher), musician, dancer and puppeteer. Botanical Gardens Tour, Kevin Walsh, horticulturist and garden writer. 'Music through the Ages' 'Pizzicato' - classical guitar ensemble, Castlemaine Courthouse, Bruce Millar, Meryl Wilkinson, Greg Wilkinson, Greg James, Joan Maher, Danny Silver. Bach and Vivaldi - Elysium Ensemble Greg Dikmans - Art Director, flute & recorder, Julie Hewison - violin, Lucinda Moon - violin, Janet Ferandez - viola, Miriam Morris - cello, Rosemanry Westbrook - double bass, John O'Donnell - harpsichord. 'Handle by Candle' Laurence Jenkins. Sarah Grunstein at the Piano, Sarah Grunstein. 'Let the Children Sing' Castlemaine Children's Choir, director Michael Bottomley, soloist Peter Bottomley. 'Made in Australia' Phillip Day, Bruce Waston, & 'Twankydillo'. The Dancers Company of the Australian Ballet, Les Sylphides, Dame Peggy van Praagh, Sir John Betjeman, Robert Ray. 'The Wooden Child' Handspan Theatre, Douglass Horton, Ken Evans, Andre Greenwell, Peter J Wilson, Philip Lethean. Botanic Gardens Tour Kevin Walsh. Divine Accidents and Heavenly Venues' William (Bill) Akers, A.M., Director of Productions, Australian Ballet. Jazz at the Jail. Another Stroll round Castlemaine, Historical Society. Muckleford Tour, Naturalists Club. 'Sketches' The Argus Guitar Quartet, Jochen Sxhubert, Tania Ravbar, Samantha Tout, Chi Ly.Scores for Instruments and Voices, Phylis Bachelor. Fred Shade, flute; Mara Miller, Violin; Len Vorster, piano; Loris Synan, soprano; and the students of the Faculty of Music, Melbourne University. Music for Four Hands at One Keyboard, Jocelyn Abbot and Richard Mapp. Paul Grabowsky and the Groovematics, Paul Graboesky, piano. Andrew Gander, Drums. Doug de Vries, guitar. Bob Venier, Trumpet, Flugelhorn. Ian Chaplin, saxophone. Garry Costello, double bass. Shelley Scown, vocals. 'My Most Loved Songs' David Bickart - Basso. Chapliapin, McEachern, Pinza, Robeson, Dawson. A Stroll Around Town, Historical Society. Breakfast at Buda. Garden Open. Festival Eucharist, choir and orchestra Directed by Kevin Bottomley. Music, Madness, Magic. Itchy Feet Pep Band, 'Sound Steppers', 'Legs on the Wall', Andrew Elliot, Antebodies. A Guided Tour of Angligan Parish Church. John Farnham in Concert, The Chain Reaction Tour. John Farnham. Exhibitions: Aspects of France: The Australian Artist's View. Artsits include John Russell, Lloyd Rees, David Davies, John Dent, Eric Wilson, E Phillips Fox, Ethal Carrick, Rupert Bunny, Max Meldrum, Will Ashton, George Bell and others. Annemieke Mein: Embroidery and Applique. Castlemaine Artists Incorporated 6th Biennial Exhibition. Dominique Segan Castlemaine State Festival Drawing Prize 1990. 'Provocative Pieces'. 'Feathered Friends' Barbara Muir. Through the Looking Glass. Handmade - For Pleasure, Julie Cook - dolls and puppets; Traude Beilharz - hats; Gwen Cook - embroidery; Erika Beilharz - woven pieces. 'High Art' students of Castlemaine. 'Works in Wood' Laurie Vella. Old Telegraph Station, Pioneers and Old Residents Association, Jubilee booklet on sale. Studio Exhibition, Juliana Hilton: Prints, paintings decorated screens and furniture. Val Restarick: Pottery and outdoor planters. 2nd Biennial Ernest Leviny Commemorative Silver Exhibition, leading contemporary silversmiths; Hendrick Foster, Tony Kean, Mike Wilson, Flynn Bros, Andrew Last, Mark Edgoose, Peter Gerter, Beatrice Schlabowsly, Marian Hoskings, Karyn Kirby, Chris Sherwin, Peter McBride, Fran Allison. Ray Stanyer - Ceramic Paintings. Norman Anderson - Water Colour Studies. 'Australian & Baroque' David Terry. 'Mediterranean Images' Val Restarick. Framing Shop, Brian Harding. Exhibition of Women Artists, Liz Caffin, Mary Quinlton, Debra Watkins, Lorraine Le Plastrier. Maine Images, Jacki Bickart, Valarie Blake, Sue Breeney, Kate Burtchell, Janet Chapman, Diana Davidson, Betty Hall, Deidre Hull, Molly Maddox, Norma McKenzie, Beth Oag, Rhyll Plant, Michell Phillipson, Diane Thompson. Ceramics, Ian Drumond. 'The Esplanade of Palms' (Brickworks Exhibition), John Wilkins. Han Built Pottery, George Butcher. Hollis Gallery, Richard Hollis, Kathy Hollis. 'End of an Era', Castlemaine Technical College Student Exhibition. 'Building A Country', Commissioned by the Latrobe Library, the Australian State Library of Victoria. The Festival Exhibition. 'Colour - Three Way's, Alice Clague, Geoffrey Clague, Howard Tozer. Tonal Oil Painters and Tapestry Exhibition by a group of local artists, Albert Pollard, Shirley Anderson, Valerie Blake, Ivy Brown, Marjorie Byrne, Janet Chapman, Frances Cree, Colleen Hall, Loretta Harris, Phyllis McClure, Lorraine McDowell, Norma McLean, Margaret Maher, Winsome Morrat, Jean Perry, Martha Phillips, Alison Ross, Norma Sneddon, Val Story, Irene Szabo, Jean Wells, and Alan Winzor. Roma Dodson.'BarleyTwist Cottage', Bill Davies, Linda Long, Fred Kuhnl. Photography Exhibition: Faces and Souls. Children's Books and Illustrations, Meet the authors and illustrators. Burnett Gallery and Garden, Drew Lawson, photographer of Eaglehawk. Decorated Cakes & Sugar Craft Exhibition, Barbara Porter. Sponsored by Marong Hotel. The Central Victorian Unique Design & Restoration Centre, historical photographs, sketches, etc. Badger's Keep Nursery & Mr Badger's Shop, Margaret Lees, Bill Jackson. Carriage Builders & Restorers. 'Harmonious Inspirations X Four' Kristina Browning, Catherine Tait, Rod Pitt, Lindy McAboy, Castle Mice by Sonia. Historic Cottage, 'Orvil Dean Stud', John and Anne Murdock, Judy Dean. The Heritage of Maldon, Geoffery Stocks. Stanyer's Pottery, Dragon Magic, Annett Annand, Ellan Hansa. 2(two) copies of this program.event, entertainment, castemaine state festival, castlemaine state festival, castlemaine 1990. programme. chairmen - mr bereck segan. committee:b r segan, o.b.e. (chairman), m besen, a.o. (deputy chairman), mrs h dore (hon. sec.), c anzarut, n bourke, ms m coillet, prof. c duckworth, g fairfax, a.m., k mackenzie-forbes, a.m., mrs b margetts, dr f r moulds, i.s.o., r nordlinger, j parker, m.b.e., a porter, ms m prendergast, c pyett, ms d reilly, mrs, ms l schiftan, p m schiftan, d segan, b j stewart, ms s walker, dr r wlikie. melbourne committee: i o'halloran, (chairman), mrs m rilen (hon.sec.), miss r wood (treas), mrs l bennet, mrs m bock, s cox, cr t daniell, mrs h griffiths, b heydon, n jennings, mrs c mckellar, miss m oliver, l o'toole, f ransome-smith, j shortal, dr d silver, mrs v victor-gordon, mes e warren, miss l waters. mr ian o'halloran, chairman, castlemaine. castlemaine state festival administration, festival manager: phee broadway, manager's assistant: mary harris, technical manager: lis pain, drawing prize co-ordinator: bev singleton, farnham concert co-ordinator: noel jennings with victorian rock foundation. event listings: opening by hon. jim kennan m.p., deputy premier and minister for the arts castlemaine stadium. melbourne symphony orchestra, condustor - hiroyuki iwaki, soloist - dong -suk kang. royal variety club grand final theatre royal, town crier mr neville stonehouse. kilmna 'melbourne: professor peter mcintyre, a.o. organist michael bottomly. mickleford tour. castlemaine historical society. love letters by a r gurney, starring julia blake terry norris directed by george fairfax a.m. the noel watson show.john pringle and miriam gormley operatic rantos collegium and conductor nicholas braithwaite. the incredible shrinking mortgage show', pat wilson and adrian barnes., mr p p an acrobatic delight. potts in the park. a stroll around town, historical society guide. selected antique fair. festive family fun, musician natasha moszenin, fratellini brothers, tim hurley, wally fair ground organ, foundry band, megan jones, . a guided tour, mrs marjorie rilen. goetz richter - violin, jeanell carrigan - piano. 'king lear', berenice kavanagh and suzanne kersten. the chagell ensemble, rita reichman, piano, semmy stalhammer, violin. trevor jones, viola. david pereira, cello.steven reeves, double bass. pat wilson and adrian barnes. festival hymns. 'recital' hellen noonan, douglas horton, david chesworth, jacqui everett, jude gunson. music for flute and piano, dereck jones - flute, jeanell carrigan - piano. 'brass with class' william evans - trumpet, david farrend - trumpet, russell davis - french horn, ken mcclimont - trombone, eric klay - bass trombone. piano recital - richard mapp. chris ludwick's society synocopators - cabaret, chris ludowyk - trombone, peter gaudion- trumpet, richard miller - reeds, pip avent - tuba, cal duffy's - drums. 'cup eve comedy' rachel berger and richard stubbs. festival nightcap mr p p. botanicla gardens tour kevin walsh. alice's adventures in wonderland glenn elston. by arrangemnent with feipp and park projects and elston, hocking and woods pty ltd. family concert, piano for 4 hands jocelyn abbott richard mapp, actor justin shortal. cup day sports carnival. fashion parade, lucheon available ar georgians in george clark place. the melba trio, carolyn hayes - oboe, jane stacvy - cor anglais, seng tong - oboe. 'images' prudence davis - flute, jeffrey crellin - oboe, peter lynch - guitar. 'sounds in time' andree cozens - soprano, berenice kavanagh - words, dudley - simons - piano, john snowden - guitar, peter taylor - set design & lighting. 'music for celestial voices' laurence - jenkins - organ, mary anderson - harp, margot anderson - harp, margot cory - soprano. 'proms for preps' nehama patkin. organ recital keeith bottomley. kaweka walk, kaweka reserve committee. 'camille claudel'. the tudor choristers musical director - john o'donnell. 'something for everyone' nehama patkin - piano, guitar and voice, peter clinch - saxophone and clarinet, major australian orchastras.'the dock brief' & 'what shall we tell caroline' neville stonehouse, kay barker, david bickart, angela walter. 'bluebeard' the rag & bone theatre company. poedijono and the javanese gamelan, poedijono (teacher), musician, dancer and puppeteer. botanical gardens tour, kevin walsh, horticulturist and garden writer. 'music through the ages' 'pizzicato' - classical guitar ensemble, courthouse, bruce millar, meryl wilkinson, greg wilkinson, greg james, joan maher, danny silver. bach and vivaldi - elysium ensemble greg dikmans - art director, flute & recorder, julie hewison - violin, lucinda moon - violin, janet ferandez - viola, miriam morris - cello, rosemanry westbrook - double bass, john o'donnell - harpsichord. 'handle by candle' laurence jenkins. sarah grunstein at the piano, sarah grunstein. 'let the children sing' castlemaine children's choir, director michael bottomley, soloist peter bottomley. 'made in australia' phillip day, bruce waston, & 'twankydillo'. the dancers company of the australian ballet, les sylphides, dame peggy van praagh, sir john betjeman, robert ray. 'the wooden child' handspan theatre, douglass horton, ken evans, andre greenwell, peter j wilson, philip lethlean. botanic gardens tour kevin walsh. divine accidents and heavenly venues' william (bill) akers, a.m., director of productions, australian ballet. jazz at the jail. stroll round castlemaine, historical society. muckleford tour, naturalists club. 'sketches' the argus guitar quartet, jochen sxhubert, tania ravbar, samantha tout, chi ly.scores for instruments and voices, phylis bachelor. fred shade, flute; mara miller, violin; len vorster, piano; loris synan, soprano; students of the faculty of music, melbourne university. music for four hands at one keyboard, jocelyn abbot and richard mapp. paul grabowsky and the groovematics, paul graboesky, piano. andrew gander, drums. doug de vries, guitar. bob venier, trumpet, flugelhorn. ian chaplin, saxophone. garry costello, double bass. shelley scown, vocals. 'my most loved songs' david bickart - basso. chapliapin, mceachern, pinza, robeson, dawson. stroll around town, historical society. breakfast at buda. garden open. festival eucharist, choir and orchestra directed by kevin bottomley. music, madness, magic. itchy feet pep band, 'sound steppers', 'legs on the wall', andrew elliot, antebodies. a guided tour of angligan parish church. john farnham in concert. exhibitions: aspects of france: the australian artist's view. artsits include john russell, lloyd rees, david davies, john dent, eric wilson, e phillips fox, ethal carrick, rupert bunny, max meldrum, will ashton, george bell and others. annemieke mein: embroidery and applique. castlemaine artists incorportated 6th biennieal exibition. dominique segan castlemaine state festival drawing prize 1990. 'provocative pieces'.'feathered friends' barbara muir. through the looking glass. handmade - for pleasure, julie cook - dolls and puppets; traude beilharz - hats; gwen cook - embroidery; erika beilharz - woven pieces. 'high art' students of castlemaine. 'works in wood' laurie vella. old telegraph station, pioneers and old residents association, jubilee booklet on sale. studio exhibition, juliana hilton: prints, paintings decorated screens and furniture. val restarick: pottery and outdoor planters. 2nd biennial ernest leviny commemorative silver exhibition, leading contemporary silversmiths; hendrick foster, tony kean, mike wilson, flynn bros, andrew last, mark edgoose, peter gerter, beatrice schlabowsly, marian hoskings, karyn kirby, chris sherwin, peter mcbride, fran allison. ray stanyer - ceramic paintings. norman anderson - water colour studies. 'australian & baroque' david terry. 'mediterranean images' val restarick. framing shop, brian harding. exhibition of women artists, liz caffin, mary quinlton, debra watkins, lorraine le plastrier. maine images, jacki bickart, valarie blake, sue breeney, kate burtchell, janet chapman, diana davidson, betty hall, deidre hull, molly maddox, norma mckenzie, beth oag, rhyll plant, michell phillipson, diane thompson. ceramics, ian drumond. 'the esplanade of palms' (brickworks exhibition), john wilkins.han built pottery, george butcher. hollis gallery, richard hollis, kathy hollis. 'end of an era', castlemaine technical college student exhibition. 'building a country', commissioned by the latrobe library, the australian state library of victoria. the festival exhibition. 'colour - three way's, alice clague, geoffery clague, howard tozer. tonal oil painters and taperstry exhibition by a group of local artists, albert pollard, shirley anderson, valerie blake, ivy brown, marjorie byrne, janet chapman, frances cree, colleen hall, loretta harris, phyllis mcclure, lorraine mcdowell, norma mclean, margaret maher, winsome morrat, jean perry, martha phillips, alison ross, norma sneddon, val story, irene szabo, jean wells, and alan winzor. roma dodson.'barleytwist cottage', bill davies, linda long, fred kuhnl. photogralhy exhibition: faces and souls. children's books and illustrations, meet the authors and illustrators. burnett gallery and garden, drew lawson, photographer of eaglehawk. decorated cakes & sugar craft exhibition, barbara porter. sponsored by marong hotel. the central victorian unique design & restoration centre, historical photographs, sketches, etc. badger's keep nursery & mr badger's shop, margaret lees, bill jackson. carriage builders & restorers. 'harmonious inspirations x four' kristina browning, catherine tait, rod pitt, lindy mcaboy, castle mice by sonia. historic cottage, 'orvil dean stud', john and anne murdock, judy dean. the heritage of maldon, geoffery stocks. stanyer's pottery, dragon magic, annett annand, ellan hansa.

This particular small ice chest was once part of the domestic furniture of Dr W.R. Angus and his young family in 1927 when they lived in the Nhill and Ballarat districts. The family relocated to Warrnambool in 1939 and brought the ice chest with them. An ice chest, also called an icebox or refrigerator, was invented by Thomas Moore in 1802 and had become a common home appliance from the mid-1800s until around the 1930s, when electric refrigerators became affordable and safe. The non-mechanical ice chest allowed perishable food to be kept fresh for longer than the food-safe or ‘Coolgardie’ used in colonial days in Australia. It required the use of ice blocks, which were delivered to households by the ‘iceman' and his horse and cart. The ice man would use an ice pick to cut the blocks into the right size for the buyer’s ice chest. The ice came from an ‘ice house’, a factory where the ice was made. The ice chest required a block of ice to be placed into the insulated top section on top of the corrugated iron stand. The ice would cool the air and the cool air would flow downwards through the oval hole under the stand and into the refrigerator compartment below. The water from the melted ice would drain from the sloping floor of the top compartment and into the hooded pipe. The pipe went through the refrigerator and ended below its floor, where the drained water would be collected in the metal bowl placed there for that purpose. The lip on the bowl allowed it to be easily removed and emptied at regular intervals before it overflowed. W.R. Angus Collection- The W R Angus Collection spans from 1885 to the mid-1900s and includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. He and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Dr Angus and his wife were very involved in the local community, including the early planning stages of the new Flagstaff Hill, where they contributed to the layout of the gardens. Dr Angus passed away in March 1970.This ice chest is significant for representing a method of refrigeration and food preservation used in the 19th to mid-20th centuries when people were beginning to afford powered domestic refrigerators. After the second world war, most households replaced their food storage cupboards and ice chests with refrigerator appliances. The ice chest is also significant for its connection with the domestic furniture of Dr W.R. Angus and his family, and its inclusion in the W.R. Angus Collection.Ice chest; single front wooden cabinet with two doors and a flap, and three accessories. The top door is a lid with a metal handle at the front and two metal hinges along the back. The front door has two metal hinges on the right-hand side and has a metal lever catch. A hinged flap fits between the front legs at bottom of the ice chest and swings upwards. The front legs have wheels. The insulated top compartment has a metal lining and its floor slopes towards the centre of the back wall. In the floor are a formed oval air-flow hole and the open end of a pipe that has a hood partly covering it. The front compartment is an insulated metal-lined cupboard with a vertical pipe down the centre of the back wall and horizontal rails in the centre of each side wall. The accessories are a rectangular corrugated iron stand, a rectangular wire grid shelf and a round aluminium bowl with a lip and two sides pushed in. The ice chest was made circa 1927 and is part of the W.R. Angus Collection.flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, dr w r angus, dr roy angus, dr ryan, doctor angus, dr angus, ice chest, ice box, antique, food preservation, refrigeration, domestic equipment, kitchen appliance, refrigerator, non-electric refrigerator, non-mechanical refrigerator, w.r. angus collection

Reprinted history of Murrumbeena Baptist Church 1890 – 1990 compiled for the church’s centenary celebrations in 1990 by Ross Harrison Snow and Geoft Barthold. Each chapter details certain periods of church history and associated events Handwritten notes, including wording on foundation stone, by person unknown & undatedmurrumbeena, murrumbeena baptist church, pitt annie sophia, dandenong road., george samuel, baptist church, emily street, whitlam janet, box henry, snow ross harrison, gallop abel, pay henry mrs., rollings william, barthold geoff, thomas pay, pay e – miss godfrey, w- mrs, pitt st clair percival, godfrey william, pay t. a. h – mrs, blair mrs, white mrs, shearer mrs., box marie miss, box nellie miss, gallop prudence miss, gallop e. j. miss, rosstown wesleyan churches, murrumbeena baptist church, churches, gresswell f. l. mrs, neerim road, public halls, murrumbeena railway station, union chapel, kangaroo road, oakleigh, cole. j. h., turner mr., williamson r. rev, stewart allan., rosstown., architects, laver and flick messrs, mayhew george mr., chambers a. r. mr., godfrey brother, whitley w. t. rev., williamson rev., endersby elizabeth miss., meehani francis, french john, whyte mrs., thompson isabella mrs., burgess mary mrs., organ, tarry j. brother, mclean donald f. rev., wilkins george mr., sutherland mr., sydney street, nopkins ivor. rev, gallop mrs, pay brother, pitt brother, hopkins mrs, thompson ethel. miss, thompson mabel. miss, lavender mr. fred, whitlam george. master, varley frank mr, whitlam fred. mr, varley mrs, hale g. e. rev., whitlam crissie miss, curnick elizabeth miss, byrne mr, clemens f. rev., tennis club, tennis courts, cheffer mr., peace george mr., green mr., nash w. f rev., earl stanley j. rev, earl mrs., parker miss, adelaide street 12 manses, endersby david, harvey nellie. miss, fasham f. miss, mills mr., kelly mr., dyason mr, mckeon mr, lavender b. mr., chaffey alf, nelson norman, guthrie andrew, hopkins mrs., kindergarten, girl guides, loyal orange lodge, hall, fire, juniour christian endeavour league, intermediate christian, endeavour society, endersby mr, wilkins mr, wills mr, kelley mr, golden jubilee 22- 29 sept. 1940, knight e. o. rev, marriott e staunton m stone j., clay clark e. messrs, carter mr, carter mrs, deacenesses, helmore p. h. mrs, ryall c. m. mrs, carbis l. miss, wilson a. mrs, clark e. j. mrs, cornock m. miss, smith a. w. rev, mcdonald h. miss, stewart j. miss, edwards. w. messrs, crowe m. messrs, diggins l. messrs, wilson k. mr, ryall c. m. mr., wright a. mr., watkins mr., smith k. a. rev, scout groups, hobart street – 59 manses, helmer p. mr, filmer mr, carter mr., staunton martin mr., lewis donald rev 1951- 1956, perri john, collrus barry, ferguson mrs, white mrs, outhread noel mr., burleigh betty miss, orchestras, clark ted mr., daniels alan mr, staunton keith mr., staunton martin mr, steer doug mr, pascoe vack mr., ryall mert mr., clay ken mr., carter francis mr., chambers harry mr, hendry t. j. mr, andrews. e. f. rev, venning frank, provis keith, lee milton f. rev, kingdom max rev, kingdom fredq, allison c., eleiner e mrs, provis jan miss, chambers merle miss, collicot allison miss, cook john, cook family, horn neville rev, horn family, benneld family, bennett john., bennetts cliff, wiesmayrs’ family, allison barbara miss, jones ross, jones joy, fverst walter, doyle family, bertram estelle, bertram family, saletta margaret, saletta len, close kevin, close family, close anne, stewart des, stewart family, peel family, fisher family, leis family, arms harry, jones ross, jones family, jones joy, langdon family, bertram bill, staunton ian, staunton yvonne, staunton jean, staunton keith, staunton martin, clifferd. patricia, clifferd. charles, chambers awen, wall brian, wall bev, ryall geoff, ryall kay, ryall edna, davidson max, davidson mary, freeman john, hendry t s, provis keith, terrington michael, terrington doreen, carbis hazel miss, butterworth ern, clay ken, clay mrs., clay judith, clay noelle, muller ron, cook john, kingdom joy, kingdom graham, strong david, owens cliff, chambers harry, christy family, warr bill dr., morrison grace mrs., soderholm harvey, soderholm mrs, harris jeanette mrs, harris trevor rev., freeman pauline, freeman john., hendry t. j., steer doug, owens allison, owens graham, henderson ray, henderson chris, rathbone ian, rathbone pat, jenkins marion, girls’ club, wilson cliff dr., ladies evening group (legs), anderson family, l’ amont family, powell harold., harris luke, harris trevor, davies mrs, young george, anderson russell, wade joan, sauvarin lois, hill fred, wilson david., hansell fiona, hansell jane, brammer leanne, bertram ruth, langton john, crowe ken, dobney john, nobbs steve, jordan mr., steer david., steer doug, murrumbeena christian education centre (cec), suggare alwyn, gray s. mr., wilson clive rev., jephcott hume, jephcott heather, mccleary ross, mccleary glenn, claringbold mary, bennetts marcia., langton phil, worthy reg, thomson ave, mckerlie darrell rev., henderson ray, langenberg stewart van, crowe malcolm., sydney street, wall brian, zegelis imants, allison doug, owens rhonda, anderson peter, provis ken, vaitch fay, longenberg roger van, ife david, warren lena, churches bruce, churches mrs, bennetts john, mcdonald. k., cathie ian., cathie wendy, wright norman rev., alma street, mckerlie darrell rev., hampton keith rev., robinson john rev, jolly rod, crowe malcolm, lakey m, ferdinands ann, ferdinands ken, inders brett, inders jenny, cooke stephen, cooke deanne, langenberg jeremy van, binks paul, wall john, leslie geoff, leslie debbie, macleod nelson, macleod heather, dalton steven, pugh jeff, jones ross, ceulson joy, jackel lindsay, jackel sue, berry graham, wall brian, wheatland don, langton phil, stewart margaret, wheatland elise, wall bev., chambers gwen., foundation stone, morley john rev., sunday seekers, young marrieds, mothers’ group, choirs, walrond cw, turner mr, chisholm mr, mcdonald mr, church furniture, williams brother, sunday schools, victorian baptist preachers’ society, pitt mrs, thompson m miss., pitt w. miss, pay miss, thompson e. mrs., stained glass, christian endeavour society, young worshipper’ league, baptist women’s association, men’s society, murrembeena baptist football club, children’s church, youth council, junior christian endeavour, buds, baptist girls’ fellowship, boys club, baptist men’s society, youth fellowship life boys, boys brigade, alma street 17 chadstone manse, one way searchers’ group

"The work gestures towards Utopian, modernist public art, like that of Miro, Matisse and Sainte-Phalle, but I was also inspired by Yarra's own Keith Haring murals, in the way that he repeats his personal iconography to fill a chosen space. I wanted to make an expansive, open and inclusive artwork. I drew legs from women playing footy, cricket and soccer, but tried to draw them in the least heroic, least literal way possible." Commissioned as part of an upgrade project at the Malcolm Graham Pavilion, Kevin Bartlett Reserve, Burnley, 2020. The existing facilities were upgraded to include female change rooms and amenities. The project funding comes from Yarra City Council and the State Government through its Female Friendly Facilities Fund. The commission is a result of Yarra's Public Art Policy 2015 - 2020 which ensures Council commits a percentage of the capital works budget for new community infrastructure projects. Matisse and Sainte-Phalle, Keith Herring, Miro, ModernistCopyright the artistA series of abstracted legs in various shapes that jump, kick and run across the wall, activating and animating the space with bold, bright colours.accompanying plaquesport, women, installation, modernism

Sepia image mounted on board: image shows Bendigo Creek, sandstone walls on creek. Creek is not yet paved with bluestone pitchers. On RH side Hustlers Royal Reserve Mine, chimney and poppet head visible. Poppet head has lattice girder legs. Post Office clock behind showing 25 to 4. Image is pre-1910, when mine structure was removed.bendigo, mining, hustlers royal reserve/bendigo creek, bendigo, sandhurst, bendigo creek, mining, huslters royal reserve, post office, poppet head, chimney

Junction Dam is a reinforced slab and buttress type construction and was commenced in February, 1940 by Lewis Construction Company. Stiff leg derricks were erected at appropriate locations at the site of the dam and used for the disposal of excavated material and the placing of concrete. A rock crushing and screening plant was established at a site a short distance upstream from the dam site and concrete was supplied from a central mixing plant placed close to the upstream toe of the structure. The SEC took over the construction in April 1942 and the dam wall was completed in March, 1944. Bogong township was commenced in early 1940 with the construction of a workmen's camp housing 96 men, (known as Junction camp). Construction of housing for families commenced shortly after. Forty houses, plus office, workshops, stores and laboratory accommodation were completed over the next 5 years,Of historical significance as a pictorial record of Junction Dam, Lake Guy and Bogong Village, as the photos were taken only 4 years after completion and one photo taken on completion of the dam wall but before the lake was filled with water.12 small black and white photographs of Junction Dam, Bogong Village and surrounding area.Photo 1 - On the back upper edge in pen 'Junction Dam'. Then '12' in pencil, circular stamp, printed in centre 'Print by Willson White Albury'. Photo 2 - On the back upper edge in pen 'Junction Dam October 1948'. Stamp as no. 1 photo. Stamp '998L' lower centre. Photo 3 - on the back upper edge in pen 'Junction Dam October 1948'. Circular stamp with 'Kodak Print' . Lower centre back is stamped 'velox' and '998L'. Photo 4 - upper back, in ink - 'Junction Dam Spion Kopje in background. October 1948'. Stamps as photo no. 4. Photo 5 - upper back, in ink - 'Lake Guy (orange filter) October 1948'. Centre back, in pencil '29' and circular stamp with words 'Print by Willson White Albury'. Photo 6 - upper back edge 'Junction, Bogong from Radio Receiving Shack Dec. 1948'. In pencil '14'. Photo 7 - On back of photo 'View of Mountains from Little Arthur Fire Track October 1948'. Two circular stamps with 'Kodak Print', another two stamps - 'Velox' and '998L'. Photo 8 - On back in ink 'Loone's Store Bogong with Spion Kopje in background. October 1948'. Lower down, stamps 'Velox' and '998L'. Part of circular stamp with one word 'Kodak'. Photo 9 - on back in ink 'Junction Camp, Bogong Village & Lake Guy from Little Arthur Fire Track. October 1948'. Stamped across writing '998L'. Lower down stamped 'Velox' and circular stamp with words 'Kodak Print'. Photo 10 - on back in ink 'Junction Camp & Bogong Village Lake Guy in Foreground. October 1948'. Stamps as photo 9. Photo 11 - on back in ink 'Junction Camp & Bogong Village, Lake Guy in Foreground. October 1948'. Lower stamp '998L'. Photo 12 - 'Junction of Rocky & Pretty Rivers with tennis courts in foreground October 1948' . Circular stamp with words, 'Print by Willson White Albury'. Number '29' written pencil.junction dam; bogong village; kiewa hydro electric scheme; lake guy

Wool picking machine designed to separate locks of wool before it is carded and spun. The picker opens the wool’s locks which makes it easier to send the fleece through a carding machine. It does this by teasing the fibres (which can also be done by hand just by pulling the lock structure apart), but a picker does this in bulk and much quicker than what can be done by hand. It is possible to spin fibres directly after the picking stage; however, it is usually more desirable to card and blend them with other fibres. Typically, at a textile mill, a picking machine can separate enough lengths of fibre for a full day’s work after just a single hour. It will also help to remove any vegetation matter or other any unwanted elements that may be present in the wool. The quality of the casting on this machine suggest that it was made locally, either in Australia or New Zealand. Mike Leggett, the donor of the machine, acquired it from New Zealand where the seller said it had been used by his father to pick wool to make hand stuffed horse saddles. Mike attempted to used it a couple of times to pick alpaca hair, but the speed of the attached motor caused damage to the fibres. The motor is thought to be an added attachment, sometime around the 1960s judging by its age, while the machine itself is thought to be dated around the 1920s. The machine works by inserting wool through the rollers. Initially there was a conveyor belt feeder system which was powered by the handle on the side. This conveyor belt has been removed however, most likely due to age and deterioration. Wool is now fed through the initial teeth and is met by a spiked rotating drum which works to separate the fibres. The separated fibres would then complete a loop of the drum before being dispatched somewhere below, around where the motor presently sits, at a rapid rate of speed. Typically this wool will be collected in a closet or large catchment area, as can be seen from the 8:47 minute marker in the linked video (link - https://www.youtube.com/watch?v=kMjx-t3tH3A). It is not apparent how the wool is collected with this machine. Red and green machine with four green legs currently attached to a wooden pallet with wheels for easy movement. The green legs lead up to a red central circular barrel from which many attachments are present. Also present on the wooden pallet is a small black motor which is attached by a rubber belt to the central drum inside the red barrel. The belt spins the wooden drum via a dark red circular plate attached to the side of the drum. On the other side of the red barrel, a green handle extends for turning the picker’s conveyor belt feeder system. Two green walls extend forward from the central red barrel, guarding either side of where the conveyor belt would have been. At the start of these walls is a wooden cylinder, which the conveyor belt would have wrapped around, followed by two interlocking gears which rotate and accept the fed wool. The red roof extends over the central cylinder from here, securing the wool inside and protecting hands from the heavily spiked internal wooden cylinder which rotates and separates (picks) the wool. Extending over the top of this red roof is a green handle which reaches to the back of the machine (not pictured). Here it accepts a weight to ensure pressure is always present for the initial feeder interlocked gear teeth. There are two large gear cogs on the rubber belt side of the machine and 3 small gear cogs on the handle side of the machine, all coloured green. A green handle is also present at the rear of the machine, below the location from which the weight is hanging. A power cable extends from the motor and there are two adjustable metal rods on the top of the machine, the purpose of these rods is presently unknown. Black texter. On top of drum. Wording: HG3707 Wording. Imprint: BRACEWIND BLYN On motor. Wording AEIwool picking, textile manufacturing, wool processing

502 Grade IV a 1942 Class Photo (1942). The photograph taken in 1942 shows 4 rows of school students in grade 4a (IV a) The lower row is of seated boys and Graeme Bennett is third from the left. Back row boys standing. 1.? 2. Wally Byron, 3. Ron Honeyman, 4. Robert Evans, 5. Noel Dart, 6. Don Boisen, 7. Robert Grant, 8. Brian Hughes, 9. Roy Belot, 10.? 11. Jackie Lee, 12.? 2nd Back row Girls. 1. Joyce Moller, 2.?, 3. Dorothy Skurrie, 4. Betty Oster, 5. Norma Lee, 6, Rosemary Walls, 7. Laurene Cornish, Girls seated. 1. Helen Floyd, 2. Margaret Treadren, 3. Pat Hunt, 4. Janet Mitchell, 5. Glenda Giles, 6. Nance West, 7. Vonda Lever, 8.?. Boys seated legs crossed. 1. Max Walker, 2. Ron Cashin, 3. Graeme Bennett, 4. Bruce Shipp, 5.?, 6. Noel Powell, 7 Stan Fry, 8.?.Stawell State Primary School 502 Grade 1Va 1942. Two black & white photographs of Stawell students. One is an enlargement of the original photo. The original photo is a post card "Graeme 3rd from left front row". Handwritten on the back of the post card.stawell education students

With more and more woolsheds being connected to power lines, the need for electric shearing gear markedly increased from the 1960s onwards. The greater economy made electric gear an attractive proposition to many graziers. Requiring only an electric shearing motor, for small and medium scale operations, electric shearing motors were a more economical way of shearing a wool clip. The other option for graziers was Overhead shearing gear, which also required an Engine to provide shared power to a row of shearing stations. Still working, this Sunbeam Electric Shearing Motor – Heavy Duty Model, features a slow speed motor totally enclosed for protection against dust and insects. The full bearing down tube is easily removed and stored to be out of the way when not in use (not pictured). Providing 0.5 hp, which is twice the power ever needed for shearing sheep, this buffer allows for fluctuations in voltages that can occur in rural districts. Inventor Frederick Wolseley made the world's first commercially successful power-shearing system in Australia in 1888. US company Cooper, which had been founded in 1843 as a maker of sheep dip, began selling Wolseley equipment in the USA in 1895. The Chicago Flexible Shaft Company successfully entered the power-shearing market a few years later and entered into a joint venture with Cooper. It set up a branch in Sydney and sold shearing sets, and engines to power them, into the Australian market. In 1921 the US parent company, realising it needed to make products whose sales were not as seasonal as those of shearing equipment, made its first household appliances and branded them Sunbeam. In 1933, changes in exchange rates and taxes led the company to manufacture engines and shearing equipment in Australia via subsidiary Cooper Engineering, which changed its name to Sunbeam in 1946. Although most Australians know of this company as a major manufacturer of household appliances, its rural division flourished and retained the Sunbeam name for shearing equipment even after it was taken over by New Zealand company Tru-Test in 2001. This 0.5 horsepower vertical brushed motor air-cooled engine was designed to drive a single shearing plant. From the central cylinder which features a yellow “Sunbeam” sticker, a grey 240v power lead can be found on the left-hand side. A blue capacitor is located next to this power lead. Below, two legs extend and meet to form a foot which is fastened to a wall. On the right-hand side of the engine, a specification plate is located on the central cylinder. A yellow directional arrow sticker is located on the rotating section of the engine below the specification plate (location for photography, this section is designed to rotate and hence this sticker is not fixed in this location). At the rear of the cylinder, a plastic cap with small air cut outs protects the air-cooled engine from contaminants. At the front of the engine, the location for securing the bearing down tube is located. On the right-hand side of the lock for the bearing down tube is the handle, to which a string is often attached for switching the motor on and off by a shearer bent at the waist (not pictured). Sticker. Gold writing. Front of shearing motor “Sunbeam” Plate. Inscribed. Side of shearing motor. “Sunbeam / SHEARING MOTOR / MADE IN AUSTRALIA / 0.5 H.P. / 220/240 V / 1 PHASE A.C. / 4.0 AMPS / 50 C/S. / CONT. RTG. / 1425 R.P.M. / CLASS A INSUL / NO. J244560 / TYPE: NSB5C2/49." sheep sheering, shearing equipment, sunbeam, electric shearing motor

An older man sits on the floor, his back resting against the wall where nearby a mural of koalas and a gum tree have been painted. On his right leg he holds a young possibly Aboriginal girl who smiles as she plays with a teddy bear and watches as he holds up other items. A blonde curly haired boy stands as he watches the man, whilst an older child sits as he plays with a rattle. There are 5 photos in this sequence, which takes place at an unknown location.5 B/W photographs of an older man who holds a young girl in his lapassociation for the blind, elanora home (brighton)

Used for Velvet wall bracket decoration.2 small china cherub dolls. 1 with movable arms and legs. 1 touching toe.dolls, doll components, character dolls

This digital image appeared in the MDNS 1937 Annual Report and depicts one of the aspects of nursing care carried out by the District Sisters of the Melbourne District Nursing Society (MDNS) in a home in the suburbs of Melbourne.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), from its inception in 1885, provided wound care to their patients who ranged in age from the very young to the elderly. As research developed better products and dressing materials, the methods and medication applied to wounds changed. MDNS received Royal patronage in 1966 and as Royal District Nursing Service (RDNS), the Education department developed wound care programs, such as the Leg Ulcer Management Program to provide their Trained nurses (Sisters) with methods of best quality care. They instructed RDNS Wound Care Specialists who made assessments and provided advice and support to the District Sisters working in the field as needed. The Sisters liaised with the patient’s Doctors and Hospitals to provide information on the progress of patient’s wounds and to receive any change of wound care from the Doctors. On the left of this black and white digital image is a little girl who is sitting on the top step of a wooden stool which is against a light coloured wall. The little girl has short dark straight hair; is wearing a dark jumper and skirt and is holding a light coloured bandage in her right hand. Her long grey socks are pushed down and she is wearing black sandals. Her right leg is bent and her foot is resting on the lower step. Her left leg is extended and she is looking down at a Melbourne District Nursing Society (MDNS) Sister who is on her right, as she is swabbing a wound on the girls left knee. The Sister is wearing her uniform dark cardigan over her grey dress which has a white collar, and her grey brimmed hat, with central Maltese cross on the hatband, is worn over her short hair. She is looking down at the child's wound and in her right hand she has a pair of forceps holding a white swab against the wound on the girl's knee. Her left hand is under, and supporting, the girl's knee.mdns uniform, melbourne district nursing society, rdns, royal district nursing service, mdns wound care

Miss Kosch is a private physiotherapist contracted by RDNS. She is at RDNS Heidelberg Centre teaching RDNS staff a safe method of lifting and transferring Sr. Geldard from a chair. From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.Standing in the rear left of the black and white photograph is Ms Kosch, who has short curled dark hair and is wearing a check suit. She is looking down at Royal District Nursing Service (RDNS). Sister (Sr) Daphne Geldard, who has collar length curled dark hair, and is seated in front of her on a padded kitchen type chair. To Sr. Geldard's right, standing, is Sr Elizabeth Francis who has short dark curled hair and is bending forward with her arms outstretched under Sr. Geldard's armpits. She has her right leg braced against Sr. Geldard's right knee Sr Bev. Armstrong, who has short blonde hair, is standing at the right rear observing the procedure. The three Sisters are wearing a grey skivvie under a darker V neck tunic style dress with the RDNS insignia on the upper left. A black below knee boot is seen on Sr. Geldard's right leg. A closed dark wooden door with a white surround is behind Ms Kosch and to its right another chair is seen against the wall. Photographers stamp , names of staff, date and location. Quote KY 35rdns, royal district nursing service, rdns uniform, rdns physiotherapy, sister elizabeth francis, sister daphne geldard, sister bev armstrong, ms kosch

The demonstration is being carried out in the bathroom at RDNS Headquarter, 452 St. Kilda Road, Melbourne. The Sisters are wearing their grey RDNS uniforms and red cardigans of that era. From the founding of the Melbourne District Nursing Society (MDNS) in 1885, known as Royal District Nursing Service (RDNS) from 1966, the rehabilitation of patients to insure they were able to live independently in their own homes was at the forefront of care given by their Trained nurses. As well as teaching and supervising the use of equipment, their Trained nurses taught them safe transfer techniques. These techniques were also taught to family members to enable them to care for their loved ones. RDNS at first held workshops given by a contracted private Physiotherapist before employing their own Physiotherapist in 1975 who taught staff the correct techniques, not only for safety of the patient, but to reduce physical strain on RDNS nursing staff and patient’s family members. When required the Physiotherapist accompanied the Sister on her visit to the patient in their home.staff to be trained in techniques by RDNS Physiotherapists.Black and white photograph showing a safety technique demonstration. Royal District Nursing Service (RDNS) Sister Liz Thomson, with her hair drawn back, is wearing a white gown over her uniform and is being transferred by Sister Betty McDonald, dark short curled hair. She has her arms extended supporting Sr. Thomson onto a bath seat. Sister Thomson has her left leg over the bath and the wooden bath seat can be seen positioned in the upper section of a white bath. Sister Joanne Wilkinson, who has short straight dark hair is on the right observing. Both Sr. McDonald and Sr. Wilkinson are wearing their RDNS uniforms of a dark cardigan over a grey frock. A white tiled wall with a strip of dark tiles is behind the bath.with metal piping attached to the right tiled wall and running to taps over the bath. A window is seen to the left of the tiled wall. Photographers stamp and Quote No. GW 8royal district nursing service, rdns, rdns education, equipment, liz thomson, betty mcdonald, joanne wilkinson

Two Royal District Nursing Service (RDNS) Sisters are assisting a young male patient who has a movement disorder, to change position in his reclined chair.The Trained nurses (Nurses) of the Melbourne District Nursing Society (MDNS), later known as Royal District Nursing Service (RDNS), visited patients in their home and gave best practice care in many fields of nursing, and to people of many cultures, throughout its 130 years of expansion. Initial visits not only assessed the specific nursing situation but the situation as a whole. Their patients ranged in age from babes, children, adults to the elderly and referrals were taken from Hospitals, General Practitioners and allied Health facilities. Some of the care the Trained nurse (Sisters) provided is as follows: – Post-Natal care given to mother and babe, Wound Care following various types of surgery, accidents, burns, cancer, leg ulcers etc. Supervising and teaching Diabetic Care, including teaching and supervising people with Diabetes to administer their own Insulin, and administering Insulin to those unable to give their own injections. Administering other injections and setting up weekly medication boxes. The Sisters performed Catheterizations on adults suffering from conditions such as Quadriplegia, Paraplegia, Multiple Sclerosis (MS), Motor Neurone Disease (MND) and Guillan-Barre Syndrome, and when required at school on children for e.g. those with Spina Bifida. The Sisters visited those requiring Cystic Fibrosis support and care; those requiring Haemo-Oncology care, including visiting children at school; those requiring Home Enteral Feeding care, and those requiring IV therapy at home and home Dialysis. Palliative Care was given including pain relief with the use of syringe drivers, personal care as needed, and advice and support to both patient and family. The Sisters provided Stoma management to those needing Urostomy, Ileostomy and Colostomy care and those requiring Continence care. HIV/AIDS nursing care was provided; visits to Homeless Persons were made. Personal care was given to patients ranging in age and with varying mobility problems, such as those with MS, MND, Guillan-Barre Syndrome, Poliomyelitis, Quadriplegia, Paraplegia, Acquired Brain Injury, to those following a Cerebrovascular Accident (Stroke), those with severe Arthritis and those with a form of Dementia. When necessary the elderly were assisted with personal care and advice given on safety factors with the use of hand rails, bath or shower seats, and hand showers. Rehabilitation with an aim towards independence remained at the forefront of the Sister’s minds and when possible using aids and instruction on safe techniques enabled the person to become fully independent. All care included giving advice and support to the patient and their Carers. The Sisters liaised with the persons Doctor, Hospital and allied Health personal when necessary.A coloured photograph showing two Royal District Nursing (RDNS) Sisters with a young male patient who is lying in a reclined chair. The Sister standing on his left is smiling; she has short straight dark hair, and is wearing a RDNS light blue apron over her royal blue dress and darker blue long sleeve cardigan. The Sister on the right hand side of the patient's chair is laughing. She has blonde hair and is slightly bent over the chair as her left hand is supporting his left leg. She is wearing the RDNS summer uniform of the day - a white short sleeve blouse under a royal blue V neck tunic style frock. Her right arm is bent and resting on top of the patient's chair and pillow. The young man has short dark hair and is smiling and looking towards the left of the photograph. He is wearing a dark blue long sleeve top and his right arm is extended toward the Sister on the left hand side of the photograph. His legs are over his coverings with his left leg bent at the knee. He is wearing light coloured pants and has a pink and white striped slipper on his foot. His pillow is white, and coverings seen are blue and white check, white, and a pale pink sheepskin. A wood board wall is in the background. A vase of flowers are standing on the part of a round low table that can be seen in the right hand rear corner. A pale lilac wall can be seen on the right hand side. A small section of a dark patterned carpet can be seen.royal district nursing service, rdns, rdns uniform, rdns patient care

In September 1989, the Arthritis Foundation of Victoria held an Arthritis Self-Help Course at the Moridalloc Community Health Centre. The course was conducted by Arthritis Foundation of Victoria staff. In attendance was the Minister for Community Services, Victoria, Peter Spyker. In this photo, the Minister tries out some of the chair-based exercises with a small group of women. The event is briefly mentioned in an article titled, "Minister tries arthritis self help". It appears on page 6 of the Vol 2 No 4, November 1989 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update.B&W photo of a man standing behind a chair in a large room. He is holding onto the back of the chair with both hands while extending one leg out to the side. Standing opposite him are three women. They are each standing behind a chair and holding onto the back of the chair with both hands. In the background, there is a long wood-panelled wall. Pushed up against the wall are five milk crates stacked up on top of one another, a wooden coffee table, a long trestle table, and a radiator. There are various items on the coffee table and trestle table, including a board propped up on a small stool on top of the coffee table. There is a plastic basket beneath the trestle table. There are two cardboard signs with handwritten text on the wall.[On a yellow sticky note, handwritten in blue ink] The Hon Mr Peter Spyker, Minister for Community Services, demonstrates his exercise prowess at ["at" is crossed out] to participants in an ASHC at Modialloc CHC conducted by AFV staff in ? Oct ("Oct" is crossed out) Sept. '89 [Handwritten in blue ink, in the bottom right corner of the photo] 9/89arthritis foundation of victoria, afv, peter spyker, minister for community services, chair-based exercise, self-help course, self management, pain management, mordialloc, community health centre, arthritis update, 1989

In September 1989, the Arthritis Foundation of Victoria held an Arthritis Self-Help Course at the Moridalloc Community Health Centre. The course was conducted by Arthritis Foundation of Victoria staff. In attendance was the Minister for Community Services, Victoria, Peter Spyker. In this photo, the Minister joins a small group of women in trying out some of the chair-based exercises. The event is briefly mentioned in an article titled, "Minister tries arthritis self help". It appears on page 6 of the Vol 2 No 4, November 1989 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update.B&W photo of a man standing behind a chair in a large room. He is holding onto the back of the chair with both hands while lifting one leg behind him from the knee. Standing opposite him are four women. They are each standing behind a chair and holding onto the back of the chair with both hands. In the background, there is a window along one wall, and a wood-panelled wall along a perpendicular wall. Beneath the window, there are several stacked chairs. Pushed up against the wood-panelled wall are five milk crates stacked up on top of one another and a wooden coffee table. There are various items on the coffee table, including a board propped up on a small stool (partially obscured).[On a yellow sticky note, handwritten in blue ink] THE HON. MR. PETER SPYKER, MINISTER FOR COMMUNITY SERVICES JOINS IN AN EXERCISE DEMONSTRATION AT AN ARTHRITIS SELF HELP COURSE HELD AT MORDIALLOC C.H.C. (CONDUCTED BY AFV STAFF) 9/89arthritis foundation of victoria, afv, peter spyker, minister for community services, chair-based exercise, self-help course, self management, pain management, mordialloc, community health centre, arthritis update, 1989

In September 1989, the Arthritis Foundation of Victoria held an Arthritis Self-Help Course at the Moridalloc Community Health Centre. The course was conducted by Arthritis Foundation of Victoria staff. In attendance was the Minister for Community Services, Victoria, Peter Spyker. In this photo, the Minister and a small group of women are trying out some chair-based exercises. Standing beside the Minister and facing the women is another man who is giving them instructions. The event is briefly mentioned in an article titled, "Minister tries arthritis self help". It appears on page 6 of the Vol 2 No 4, November 1989 issue of the Arthritis Foundation of Victoria's quarterly magazine, Arthritis Update.B&W photo of a man standing behind a chair in a large room. He is holding onto the back of the chair with both hands while lifting one leg behind him from the knee. Standing opposite him are four women. They are each standing behind a chair and holding onto the back of the chair with both hands. There is another man standing beside him, facing the women and gesticulating with both hands. In the background, there is a window along one wall and a wood-panelled wall along a perpendicular wall. Beneath the window, there are several stacked chairs. Pushed up against the wood-panelled wall are five milk crates stacked up on top of one another and a wooden coffee table. There are various items on the coffee table, including a board propped up on a small stool.[On a yellow sticky note, handwritten in blue ink] THE HON. MR. PETER SPYKER, MINISTER FOR COMMUNITY SERVICES, JOINS IN AN EXERCISE DEMONSTRATION AT AN ARTHRITIS SELF HELP COURSE HELD AT MORDIALLOC C.H.C. (CONDUCTED BY AFV STAFF) 9/89arthritis foundation of victoria, afv, peter spyker, minister for community services, chair-based exercise, self-help course, self management, pain management, mordialloc, community health centre, arthritis update, 1989

In October 1988, visiting British physiotherapist, Jane Barefoot, conducted a workshop for people with Ankylosing Spondylitis. In this photo, workshop participants are practising one of the stretching exercises.B&W photo of several people doing some stretching exercises in a long, narrow hallway. There is a handrail on one wall, and a brick wall without a handrail on the opposite wall. Some people have one leg up on the handrail while others have their leg placed up high on the brick wall opposite. Each person exercising is bending their torso towards the ankle of the raised leg. There are two people who appear to be standing while the others are doing the exercises.[in blued ink on a green sticky note] An evening workshop for people with Ankylosing Spondylitis was conducted by visiting British physiotherapist Jane Barefoot. Here, special stretching exercises for the condition are demonstrated.arthritis foundation of victoria, afv, jane barefoot, physiotherapist, ankylosing spondylitis, workshop, exercise, pain management, 1988

On the 18th of September, 1980, the Box Hill Self-Help Group held a New Members Meeting at Action House, the headquarters of the Rheumatism and Arthritis Association of Victoria (RAAV). In this photo, a small group of people in evening dress pose for a photo with Artie, the RAAV mascot. A similar photo appears on page 5 of the Vol 19, December 1980 issue of RAAV's quarterly newsletter, News Review. The photo accompanies a brief article titled "A MEETING WITH LAUGHS!", written by A G Meyers. The article states that the Box Hill Evening Group met at Action House on the 18th of September for a New Members Meeting. RAAV President, Dr Les Koadlow, was the guest speaker. The Raffle Co-ordinator, Lorraine Binns, gave a short talk about the raffle and Eileen Ervine, President of the Op Shop, entertained everyone by presenting a fashion parade. Titled, "The Bridal Party", the models wore clothes from the RAAV op shop. According to the article, the photo was taken by Dr Elsmaree Baxter.B&W photo of a small group of people, dressed in evening wear. They are gathered around a small table. Among them is a person dressed in a rat costume. Most of the people are standing behind a small table, while a few others are seated around the table. One woman, who is sitting, has one leg up on the table. Everyone is smiling or laughing. There is a gas wall heater on the wall behind them, with two small windows on either side.[In black ink] Ken CHegwidden, Maureen Meyers, Eileen Ervine, Artie & Joan Chegwidden at Box Hill Group's party at Action House, 1980 [Date stamp] 23 OCT 1980rheumatism and arthritis association of victoria, raav, ken chegwidden, maureen meyers, eileen ervine, joan chegwidden artie, research rat, cartoon, mascot, costume, new members, meeting, op shop, bridal party, elsmaree baxter, photographer, 1980

A television crew visited the Arthritis Foundation of Victoria's headquarters to either film a segment for, or related to, the Foundation's "Move It or Lose It" television program. The series was broadcast on the Community Television channel, Channel 31. In this photo, Bill O'Connor and an unidentified woman are being filmed by the crew.COL photo of a television crew filming a man and a woman who are seated at a table. The woman is a wheelchair user and is wearing leg braces/splints. Behind them, against the wall, is a skeleton on a stand. A crew member is sitting on a chair beside them, holding a boom microphone on a stand. The fluffy boom microphone cover is on the floor, under the chair. Another microphone has been placed on the table. There are two long cables leading from each microphone to the television cameras.arthritis foundation of victoria, afv, move it or lose it, television program, television series, broadcast television, television crew, television camera, boom microphone, community television, channel 31, audiovisual, bill o’connor, leg braces, leg splints, wheelchair user, c2001

A television crew visited the Arthritis Foundation of Victoria's headquarters to either film a segment for, or related to, the Foundation's "Move It or Lose It" television program. The series was broadcast on the Community Television channel, Channel 31. In this photo, four camera operators are filming Bill O'Connor and an unidentified woman at close range.COL photo of a television crew filming a man and a woman who are seated at a table. The crew is kneeling in front of the table to film their subjects at close range. Another crew member is sitting on a chair, recording the audio. She is wearing headphones. Standing beside the table, in front of the windows, are two women, each holding several sheets of paper. Against the wall, there is a skeleton on a stand. In the foreground, there is a tripod camera stand. Although obscured, there are two other people also in the frame.arthritis foundation of victoria, afv, move it or lose it, television program, television series, broadcast television, television crew, television camera, boom microphone, community television, channel 31, audiovisual, bill o’connor, leg braces, leg splints, wheelchair user, c2001

This series of photos were taken in 1996 at the launch of the bilingual "Move it or Lose it" brochures for the Italian community. As a result of a commitment by the Arthritis Foundation of Victoria (AFV), incorporating Osteoporosis Victoria (OV), to better reach and serve the multicultural community, bilingual brochures were produced in several languages. In this photo, the attendees is taking part in some simple chair-based stretching exercises.COL photo of a group of people, seated, stretching one leg forward while lifting it off the ground. Behind them are some people standing in the background. Two of these people appear to be in costume. On the wall are some travel posters, and at the back of the room is a freestanding "Move It Or Lose It" banner.arthritis foundation of victoria, afv, osteoporosis victoria, ov, culturally and linguistically diverse, cald, languages other than english, lote, migrant communities, bilingual, italian, move it or lose it, brochures, gentle exercise, stretching exercises, chair-based exercise, 1996

Closing time for the Theatre Royal Melbourne’s Theatre Royal opened 16 July 1855 at 236 Bourke Street, between Swanston and Russell, in the heart of the city’s entertainment district and it was comparable in size to London’s Drury Lane and Covent Garden. It was rebuilt in 1872 following a fire, remodelled in 1904, and demolished in 1933, due in part to the Great Depression, and also to the growing popularity of moving pictures. On the site was erected Manton’s department store, then Coles, Target, and now Kmart. The Quaker Girl, a 1910 Edwardian musical comedy with long running success in London, Paris and Broadway, opened in Melbourne at the Theatre Royal on 22 July 1933. Stars Cyril Ritchard and Madge Elliott were to become husband and wife, their Sydney wedding photograph now an iconic Australian image of that time. The theatre closed 13 November 1933. MCK080 Published: The Age 4 November 1933 Featured in "Newsworthy: Melbourne in photographs 1933-1936" exhibition at East Melbourne Library, October to December 2023. Exhibition caption by project volunteer, Louise McKenzie. THEATRE ROYAL (1933, November 4). The Age (Melbourne, Vic. : 1854 - 1954), p. 5. Retrieved October 16, 2025, from http://nla.gov.au/nla.news-article203364238 Additional research by project volunteer, Fiona Collyer and librarian, Fiona Campbell: The Theatre Royal closed on 13 November 1933. During demolition in December, a worker was pinned by the legs under two tons of collapsing ceiling concrete. Miraculously he escaped with only a broken leg. A commemorative plaque was unveiled in 1937, displayed at the front of Manton's department store. The event was covered in The Age on 20 Dec 1937. It was a beautiful blue enamel and brass with the comedy and tragedy masks, one crying and one laughing, at the top with a timeline of the theatre underneath. Its whereabouts became unknown after the multiple changes with department stores on the site. In 2019 Greg Sampson set out on a mission to find it and in 2021 eventually tracked it down, on a wall behind the door of a staff tea room in Kmart. After much arduous lobbying by Greg it was eventually relocated to the Kmart arcade on the site where the Theatre Royal was originally located. Annette Cooper's history of Manton's and the Bourke Street site described the process of acquisition and demolition of the theatre: "Around 1933, the theatre came on the market – ‘a gift from heaven’ for its enterprising neighbours. Manton’s acquired the theatre and started planning for its demolition to enable the expansion of the store. William Manton and his sons, Jack and Ivor, watched the final production at the theatre, Harold Fraser-Simson’s musical comedy The Maid of the Mountains. 'It was, for the theatre-goers, a nostalgic last appearance, an emotional night, the end of an era. There were those who were mortified at the prospect of a store taking the place of their palace of dreams.' Even Whelan the Wrecker sensed the importance of the occasion and donated four bricks from the theatre to the National Museum of Victoria. They are the oldest bricks in the museum’s collection and form part of its Whelan the Wrecker collection." UNDER BIG FALL OF CONCRETE (1933, December 8). The Herald (Melbourne, Vic. : 1861 - 1954), p. 1. Retrieved April 14, 2026, from http://nla.gov.au/nla.news-article243215969 The Relocation of the Theatre Royal Plaque, Greg Sampson, https://theatreheritage.org.au/on-stage-magazine/news/item/989-the-relocation-of-the-theatre-royal-plaque Photo of theatre interior, Arts Centre Melbourne, https://collections.artscentremelbourne.com.au/#details=ecatalogue.184409 OLD THEATRE ROYAL (1937, December 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 10. Retrieved March 25, 2026, from http://nla.gov.au/nla.news-article205554847 AMATEUR ATHLETICS -- LIFE SAVING DISPLAY MEMORIAL PLAQUE UNVEILED (1937, December 20). The Age (Melbourne, Vic. : 1854 - 1954), p. 15. Retrieved March 25, 2026, from http://nla.gov.au/nla.news-article205554863 It's smart to be thrifty: the story of Manton's department store, Annette Cooper, https://www.slv.vic.gov.au/sites/default/files/3%20Annette%20Cooper%20-%20It%E2%80%99s%20smart%20to%20be%20thrifty%2C%20the%20story%20of%20Manton%27s%20department%20store.pdfPhotographer notations on slide: "Theatre Royale 1933 B4". theatres, 1930-1939, fires, musicals, films, department stores, demolished buildings, commemorative plaques, incidents, concrete, whelan the wrecker, bricks, kmart, bourke street melbourne, manton's department store, theatre royal, coles, target