A recording of 'Lilac Time', an operetta by Franz Schubert, composed in 1741first performed in Vienna in 1916, with the English version premiering in London in1922. This performance by the Diamond Valley Choral Society was recorded at Templestowe Village circa 1980.1 audio cassette in clear plastic case, 1 copies of a printed libretto.Handwritten on case: "Lilac time".diamond valley choral society, lilac time (schubert)

GIFT OF MCKENZIE FAMILYA PAINTING OF LILAC COLOURED CLEMATIS AND BROWN JUGON FRONT: R FORD 1944 (SIGNED IN BOTTOM RIGHT HAND CORNER OF PAINTING) ON REVERSE: A WHITE STICKER WITH "DONATION" HANDWRITTEN ON "W H & C E MCKENZIE 18 DRYSDALE ST PORTARLINGTON" HAND WRITTEN IN BLUE PAINTillustration, oil, local artist, richard ford

Postcards to Lilac Rogan of Maryborough from various soldiers in WWI..1), .2) & .3) Handwriting on rear. .1) "God have you in his keeping - To Lilac Rogan from Jack Bury" .2) "Thinking of you - To Lilac Rogan from Jack Bury" .3) "Karnak grande Cotonne de Napoleon at Temple - To Lilac Rogan from Service No 2123" passchendaele barracks trust, postcards

.1) Envelope address to Miss Lilac Rogan Casey Street, Maryborough, Victoria, Australia. Postmarked British Camp. .2) Postcard - Le Caire - L'Obelisque d'Heliopolis.1) Envelope YMCA, light khaki colour with one stamp. .2) Postcard to Lilac Rogan of Maryborough from her brother, sent from Egypt..1) Handwritten address on envelope. Envelope "YMCA" wit "H.M. Army & Navy" .2) Handwriting on rear of postcard.passchendaele barracks trust, envelopes, postcards

Black and White photo. On the right is the Central Red White and Blue Mine at the corner of Lilac and Honeysuckle Sts, at the front of the photo is Fadies Whim in Nettle Street, Iron Bark. Landscape view in background most likely High Street Bendigo/Golden Square boundary. Markings/Inscriptions: Central Red White and Blue Mine, Corner Lilac and Honeysuckle Sts. Fadies Whim, Nettle Street, Photo Taken early 1900s. Central Red White & Blue Whim. On rear of photo: Evolution in mining apparatus is illustrated in this photograph - Bendigo. 2 Royal Historical Society of Victoria, Bendigo Branch stamps on rear also.central red white and blue mine, mining, lilac, honeysuckle, fadies whim, 1900s, poppet head

Pins are essential sewing tool, the second half of the 19th century saw mass production of them and many 'receptacles' to protect and keep them were made. Disc style pin cushions were very popular, this one has been made with elegantly carved ivory making it a status symbol. Era of improving technology for making pins, growing middle class with a taste for luxury needlework toolsSquare double sided ivory pin cushion with floral covering on one leaf, the other plain. Cushion covered in red velvetLow relief flowers with leaves - possibly lilac on decorated side.pin disc, ivvory

11 Lilac Street - Date Unknown -Kodakbendigo, streetscape, lilac street

White china plate with lilac and green decoration on border.domestic items, crockery

9 Lilac Street - Date Unknown - Gravel road and GateKodakbendigo, streetscape, lilac street

Slide, Garden (Flowers) 12 Hope Street. Lilac tree.slide, bendigo, garden (flowers) 12 hope street, garden (flowers) 12 hope street

A History of Stawell West Ladies Auxiliary. A group of ladies who raised funds for various groups.Card cover. Lilac cover with purple stripes and purple print.In Purple Print: - Stawell West Ladies' Auxiliary. A Very Charitable Group stawell education club

Goulburn (pink) WAR MEMORIAL (white) GOULBURN (yellow) LILAC HALL NSW (white)goulburn, new south wales

Small Lilac coloured booklet of By-Laws with black and White printed insert. Ringwood Mark Lodge No 135, On the Register of The United Grand Lodge of Mark Master Masons of Victoria. Consecrated 21st July 1952 by M. Wor. Bro. J. C. Farrin Webb, Grand Master of the Lilydale Masonic Hall.

Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Lilac glittery knitted ribbed dress, with elbow length sleeves and collar.front [label]: PURE / NEW WOOL back [label]: DRY CLEAN / ONLY / A (60) / 072829knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community

Slide, Garden (Flowers) 12 Hope Street. Lilac tree without flowers.slide, bendigo, garden (flowers) 12 hope street, garden (flowers) 12 hope street

Made by Isobel on her marriage to John McNamara on 04/04/1953, as a going away outfit.Lilac crepe dress, beaded top with clear buttons: pleated skirt with beltwedding, dresses, mcnamara isobel & john

Wilbraham LIARDET & his family arrived on what was to be known as Sandridge Beach in November 1839. The Lee-Ar-Day Days festival was a weekend program of events celebrating this centenary with activities such as a 'Carriage Tour' featured on this ticket.Lilac card with black print. Sunday 14 November down left hand sidewilbraham frederick evelyn liardet, liardet family, city of port phillip cultural programs board, celebrations fetes and exhibitions, lee-ar-day days festival

Letters to Albert (her brother Linton Cyprus Rogan Service No. 6947A) from Violet Rogan of Maryborough. Envelopes stamped returned & deceased (DOD 11.6.1918). All stamped with one penny red stamp.Postcards from Lilac Rogan to her brother Albert (L C Rogan Service No. 6947A).Handwriting in ink on rear of postcards. Patriotic verse on front.passchendaele barracks trust, postcards, envelopes

Came from the Gwen Goedecke CollectionSt. Albans Community Youth Club The Founding Years 1954 - 1956 by J. Carstairsst. albans community youth club, history

Part of complete toilette set on display. From the home of Sebire.Large bedroom jug and basin set, white ceramic with green and lilac striped pattern in wavy lines."Grimwades Potteries England" on base of both piecesjugs, basins

Part of Toilette set, from home of Wandin Sebire.White ceramic vase with green and lilac stripes in a wavy pattern. Fluted neck has a floral design.Grimwadesvases

Ladies' gloves for formal and semi-formal wear come in three lengths for women: wrist, elbow, and opera or full-length (over the elbow, usually reaching to the biceps but sometimes to the full length of the arm). In the late 19thC and early 20thC Gloves were expected to be worn for both daytime and evening wear with most types of outfits. The most expensive gloves are custom-made of kid leather. Mousquetaire gloves have buttons at the wrist so the wearer could open the buttons and slip her hand out without taking the whole glove off. The finger section would be folded in and kept away tidily. This is how ladies wore gloves while dining. After the meal they would put their hands back into the gloves, usually for the rest of the evening. William and Elizabeth Box were early settlers in Moorabbin Shire and resided in 'Box Cottage' 1865 -1913. John Box 1841-1913 was William's brother. Carole Eldridge was a descendant of John Box who with his first wife Martha Sheldrake were the parents of Alonzo Box.A pair of lady's 3/4 length, lilac, kid leather gloves with 2 pearl buttons at wrist opening.clothing, gloves, leather work, mousquetaire gloves, moorabbin, bentleigh, brighton, box elizabeth, box william, box avis, eldridge carol, early settlers, pioneers, market gardeners, box john, sheldrake martha, box alonzo

Part of toilette set, from home of Wandin Sebire.White and green ceramic bowl with white, green and lilac lid. The lid has four embossed leaf designs on it.soap dishes

Embroidered by Vicki Evans-Jones Hand embroidered wall hanging Schwerkolt Cottage. Historic Home, Mitcham Royal blue cotton background Black stiffened paper backings Embroidered wall hanging Colours - brown, pink, mauve. lilac, white Royal blue Cotton background Black stiffened paper backingschwerkolt cottage, historic home, craft

These wooden toys were handmade for children to play 'House'.A white and lilac painted wooden homemade dolls high chair with a lift up tray, four legs, two arms and a back support.toys, children's toys, dolls accessories, dolls chairs, dolls furniture

"Oklahoma!" is the first musical written by Rodgers and Hammerstein and is based on Lynn Rigg's 1931 play "Green Grow the Lilacs'. Music Programme for "Oklahoma!"-an 8 page programme with advertisements, acknowledgements, details of cast and story synopsis (Penned date 1985)programme, concert