Showing 1947 items matching linen
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Koroit & District Historical Society
Pack of cards
Playing cards, linen grain. Kraft Cheese -
Stratford and District Historical Society
Bedspread, Bower, Archibald James, 1915-c.1920
Archibald James Bower enlisted in World War I in November 1915, and was killed in action in France in August 1916. Before he left Australia, he drew designs on linen for his mother, Harriet Bower nee Harper, to embroider a quilt - mainly flowers, butterflies and moths. Mrs Bower finished the quilt, which was then used for many years by her grandson, Archibald William Luxford. He went to sleep every night, knowing the designs were drawn by the uncle he had never known, after whom he had been named.This quilt has historic significance as a memorial to a soldier lost in World War I. It is important as a tangible reminder of loss in war, and an example of how memorials to those lost in war take many forms. It has aestetic significance as an example of needlework that is original in design, with an impressive range of different stitches used to execute the design. It has spiritual significance to the Luxford family and the Munro community (even though Archie Bower was from Sale and the quilt moved later to Munro), as the quilt that Arch Luxford, a prominent member of the community, often spoke about as one his most important possessions. He was born after the death of his uncle, and named in memory of him. He grew up sleeping under the quilt, and knowing the story of his loss in World War I.A bedspread made principally of three sections of white linen sewn together with panels of crochet, with a deep linen edging and crochet edging. There are moths, butterflies and flowers embroidered on all sections in white cotton, as a form of candlewicking.world war 1914-1918, craft, needlework -
Flagstaff Hill Maritime Museum and Village
Textile - Doily
Linen doily with orange crochet with spoke stitched scalloped edges.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin -
Flagstaff Hill Maritime Museum and Village
Plate cloth
Cotton plate cloth for a cake tray. Linen with cotton and crochet and embroided edging.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, plate cloth, linen, embroided, haberdashery, manchester -
Flagstaff Hill Maritime Museum and Village
Tablecloth
Tablecloth, white linen with 2" lace edge, Size 36" x 38", Some staining in the middle.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth, linen -
Brighton Historical Society
Smock, early-mid 19th century
Agricultural worker's hand-loomed linen smock, dyed brown. Fully hand-stictched with smocking details on front and back and sleeves. Opening at front and back neck area fastened with now missing buttons.smock, rural dress, linen, hand stitching, agriculture -
Brighton Historical Society
Skirt, late-nineteenth century & 1950s
This skirt belonged to Olga Black, a long-time Brighton resident. The linen used for the skirt were woven by Olga's great-grandmother Efstathia in the late-nineteenth century with flax grown on the island of Ithaca. In the 1950s, Olga made the fabric into a skirt, embellishing it with hand embroidery. Olga Maria Black was born in Melbourne in 1930, the daughter of Ithacan migrants Constantine and Toula Mavrokefalos. Constantine first emigrated to Australia in 1902, returning to Greece circa 1912-13 to serve his home country in the Balkan Wars. Toula's family had left Ithaca for Romania when she was only six months old, but she happened to be visiting the island at the very time that Constantine arrived, fresh from the war. Within three weeks they were married, and when Constantine returned to Melbourne in 1914 his new bride came with him. Constantine had trained as an accountant, but his qualifications were not recognised in Australia. Changing his surname to the Anglicised "Black", he started off working in his older brother Dionysios's cafés before going into business on his own. In 1917 he opened the Paris Residential Café at 54-56 Swanston Street, which offered both dining and accommodation. The business saw some years of success, but did not survive the Great Depression. Constantine died in 1944. Olga's mother Toula learned to sew as a child, while growing up in the Romanian village of Brila. She developed her skills making lace and embroidering items for her trousseau. Some of the linen she embroidered had been woven from flax on Ithaca by her own grandmother, Efstathia. During the Depression, when money was scarce, Toula embroidered at home, doing work for a factory in Flinders Lane. Using a cotton reel, a threepence and a sixpence she created and embroidered designs on hundreds of blouses. Olga spent her preschool days sitting at the table where her mother worked. Toula would involve Olga by allowing her to help choose the colour combinations. Toula lived with Olga in Brighton until her death in 1976. Olga inherited her mother's sewing skills. She re-invented some of Toula’s trousseau nightdresses and skilfully altered other clothing, making dresses which she wore around Brighton for many years.Ankle-length full cream linen skirt with multi-coloured cross stitch embroidery featuring mountains, birds and trees. Fullness is pleated into wide waist band. Left side opening. The fabric widths have been whipped together by hand probably at the time the cloth was woven in the late-nineteenth century. The skirt is machine stitched.skirt, linen, hand woven, embroidery, ithaca, migration, greek diaspora, olga black -
Flagstaff Hill Maritime Museum and Village
Tablecloth
Tablecloth, white linen with 3" lace edge, Size 40" x 40", Some damage on corner.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, tablecloth, linen, linen tablecloth -
Slovenian Association Melbourne
Idrija Lace doily, Marcela Bole Idrija Lace doily, 1928
circular Idrija lace doilyThe Idrija lace was inserted in a thin off-white linenidrija lace doily, tomaj, italian school, slovenia, slovenian association melbourne -
Whitehorse Historical Society Inc.
Textile - Embroidered doiley
The doiley was worked by Betty Harrison, wife of Don Harrison. It is a sample of cutwork embroidery. The doiley was worked and when finished the pattern was cut out, leaving the centre uncutThe doiley is a part of a handcraft kit sold by Fautleys fancy work shops, and Needlework shops. Needle work such as embroidery was a very popular social activity during that era.Unfinished piece of cutwork in shape of oblong doiley. Brown cotton thread has been worked to shape star-shaped flowers at each end as well as the bordersFautley's Linen-Weft 5 x 11 No. 1863handcrafts, embroidery -
Flagstaff Hill Maritime Museum and Village
Textile - Doily
Linen doily with fine embroidery and a stitched edge, with cut-out embroidery in the centreflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, doily, doiley, doyly, doyley, haberdashery, manchester, linen, decorative napkin -
Kew Historical Society Inc
Decorative object, Birds of Australia, 1950s
One of a collection of fourteen items of clothing and household textiles donated by Lisa Sylvan, a long-term resident of Kew, Five of the items are homemade aprons made and worn by her mother. Of the seven pinafores, three identical but differently sized pinafores were made in her parents' factory, while the other three are handmade. The handmade aprons and pinafores are representative samples of women's work, often using commercial or patterns using fabrics originally deigned for dresses. Typically the examples, contrasting fabrics and colours were selected to provide visual interest. The donation also includes a hand embroidered linen supper cloth and a commercially produced 'birds of Australia' printed table cloth. Most of the collection derives from the 1950s.Linen table cloth with printed images of birds of Australia with a two-tone green borderlisa sylvan, household linen, table cloths, australiana, australian birds -
Footscray Community Arts Centre
Mount Zero, The Grampians, 05, Phil Kreveld, (exact); 2005
MEDIUM: Oil on linen DESCRIPTION: Oil painting on linen. Landscape. No frame- NILoil, kreveld, mount, zero, grampians -
Frankston RSL Sub Branch
Souvenir, Tea Towels
Souvenir tea towels made for the 40th anniversary commemoration of the formation of the Australian Women's Army Service which was formed on the 13th August 1941. These tea towels are linen and are screen printed in olive green on a plain background. The tea towels feature the badge of the Australian Commonwealth Military Forces. These tea towels have the following screen printed in colour: The 'rising sun' badge of the Australian Commonwealth Military Forces with "A.W.A.S." uppermost and "40th ANNIVERSARY" above the badge and "AUSTRALIAN WOMEN'S ARMY SERVICE" below the badge. Beneath that "1941 - 1981" and the note "PURE LINEN" world war 2, ww2, awas, a.w.a.s., nurses, service, womens, women's, army, australia, -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth, ca 1970-1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is used in the Chapel of the St Nicholas Seamen's Church at Flagstaff HIll Maritime Museum and Village. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. Altar cloth: simple white linen cloth, long rectangle shape with wide hems.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen -
Australian Commando Association - Victoria
Memorabilia - Facsimile Number plate "RIMAU"
Linen camouflaged -
Brimbank City Council Art Collection
Painting, Darling Flour Mills, 1984
Notable Historical BuildingOil on Linen -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Why did we go further than monkeys, monkeys know how to be monkeys, 2008
This work was painted following Rob McHaffie’s Australia Council Residency at Cité Internationale des Arts in Paris in 2007. Despite Paris being a beautiful city, McHaffie also found the experience challenging and felt that on a bad day, the city was no more than an ornately decorated concrete jungle. In this painting a monkey looks out from a green building onto an imagined scene abound with art historical references. A classical European figurative sculpture is surrounded by flowers from Monet’s gardens, while a contemporary sculpture by Franz West dominates the foreground of the work. McHaffie questions the so-called evolution of cultured humanity in comparison to the imagined contentedness of our pre-evolved species.oil on linenmonkey, sculpture, painting, rob mchaffie, paris, flowers, franz west -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Victoria Reichelt, Flood 3, 2014
oil on linencardboard box, paper, water, documents, painting, victoria reichelt, fragile, photorealist, archive -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Michael Vale, Snow, 2016
Winner of Bayside Acquisitive Art Prize 2017. oil on linensnow, figures, animals, painting, michael vale, dream-like, skeleton, pipe, city, bayside acquisitive art prize -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, A little bit more foliage should block out the Empire State bastard next door, 2016
oil on linenpainting, buildings, mother, baby, plants, apartments, rob mchaffie, high rise, parquetry, neighbourhood, foliage -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Dani McKenzie, Camp, 2019
Winner of the Bayside Acquisitive Art Prize 2019. oil on linendani mckenzie, camp, figures, painting, bayside acquisitive art prize, tent -
Gippsland Art Gallery
Painting, Kalabishis, Gina, Swell, 2011
Donated by the artist through the Australian Government Cultural Gifts Program, 2015Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Kelly, Vanessa, Wyatt Brothers Chicory Kiln, Corinella Gippsland, 2018
Acquired as winner of the 2018 John Leslie Art Prize, 2018Acrylic on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Paterson, Jim, Bonsai, 2008
Donated by the artist, 2014Acrylic on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Pryor, Gregory, Roll of Silk Before the Landscape, 1996
Purchased, 1997Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Douglas, Neil, Swallow Skimming The Water, c.1996
Purchased with the assistance of the Gippsland Art Gallery Society, 1996Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Ford, Juan, Hot Spot, 2012
Purchased with the assistance of the Gippsland Art Gallery Society and the Robert Salzer Foundation, 2012Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Gibbs, Linda, Yellow Hoddle, 2009
Purchased with the assistance of the Gippsland Art Gallery Society, 2011Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Rolando, Charles, Woodcutters Clearing, c.1890
Purchased with the assistance of the Gippsland Art Gallery Society, 1997Oil on linengippsland, artwork, permanent collection