Showing 1964 items matching linen
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Gippsland Art Gallery
Painting, Wray, Jennifer, Exit, 1998
Purchased, 1998Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Yardley, Heidi, Hidden Charms, 2013
Purchased, 2014Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, La Gerche, Geoff, Cathedral Range - Mt Buffalo, 2000
Donated by the artist, 2005Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Langlois, Chris, Waterfield, no.2, 2012
Donated by the artist through the Australian Government Cultural Gifts Program, 2013Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Lloyd, Tony, Expanded Sphere, 2012
Purchased, 2012Oil on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Lloyd, Tony, Tomorrow Follows Yesterday, 2008
Purchased, 2009Oil on linengippsland, artwork, permanent collection -
Latrobe Regional Gallery
Painting, Gippsland Twilight 54, 2011
Oil on linen-gippsland, view, twilight, suburban, sky -
Latrobe Regional Gallery
Painting, HAMMOND, Kirrily b. 1975, Newcastle, New South Wales, Gippsland Twilight 53, 2011
Oil on linen-gippsland, twilight, local, suburban, sky, urban structures, shadows, clouds, street lights -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Portrait of Robert Smith 2008, Carmel O'Connor
Oil on linenSigned and dated l.r -
Mont De Lancey
Pedestal Cloth
Table linenmanchester -
Bass Coast Shire Council - Art Collection
Artwork, other - Anderson Inlet, Janet Bodaan Inglis
Australia 1995Oil on linenSigned -
Bass Coast Shire Council - Art Collection
Artwork, other - Kooyoora, John Adam
AustraliaOil on linenSigned -
Bass Coast Shire Council - Art Collection
Artwork, other - Minah Swansong, Jill Rogers
AustraliaAcrylic on linenSigned -
Flagstaff Hill Maritime Museum and Village
Textile - Altar Cloth, ca 1970-1986
This altar cloth is representative of ecclesiastical linen in use in the early to mid-20th century. It is used in the Chapel of the St Nicholas Seamen's Church at Flagstaff HIll Maritime Museum and Village. The Missions to Seamen organisation The Missions to Seamen is an Anglican (Church of England) charity that has been serving the world's seafarers since 1856. It was inspired by the work of Rev. John Ashley who, 20 years earlier, had pioneered a ministry to seafarers in the Bristol Channel in Great Britain. When Ashley retired because of ill health, others determined that the work should continue, and they founded the Missions to Seamen. It adopted as its symbol a Flying Angel, inspired by a verse from Revelation 14 in the Bible. Today there are over 200 ports worldwide where the Missions to Seamen has centres and chaplains. A Missions to Seamen’s Club offers a warm welcome to sailors of all colours, creeds and races. A sailor can watch television, have a drink and a chat, change money or buy goods from the club shop or worship in the Chapel. In Victoria, the Missions to Seamen still has clubs in Melbourne, Portland and Geelong. The altar cloth is representative of the ecclesiastical linen in use in the early to mid-20th century, when the original St Nicholas Seamen's Church was opened in Williamstown, Victoria. Altar cloth: simple white linen cloth, long rectangle shape with wide hems.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, religious service, st nicholas seamen’s church flagstaff hill, altar cloth, church linen, ecclesiastical linen -
Orbost & District Historical Society
doily, first half 20th century
This item is an example of a handcrafted item and reflects the needlework skills of women in the first half of the 20th century.A large round hand-sewn linen doily with damask centre and lacework border. White linen. handcrafts doily linen lacework -
Whitehorse Historical Society Inc.
Container - Linen Bag
Linen bag with drawstring. 'Linen' in yellow embroidered on front and surrounded by white flowers and green leaves.handcrafts, needlework, domestic items, laundering -
Footscray Community Arts Centre
Deface, Penelope Long, 2006
MEDIUM: Oil on linen -
Footscray Community Arts Centre
Moon Age Day Dream, Bill Nicholson, 2000
MEDIUM: Oil on linen -
Footscray Community Arts Centre
What Happen, Adam Sime, 2006
MEDIUM: Oil on linen -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Kevin Chin, Less than white, 2015
Winner of the Bayside Acquisitive Art Prize, 2015.oil on linen (diptych)snow, landscape, trees, figures, kevin chin, winter, bayside acquisitive art prize, pig -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Rob McHaffie, Word of mouth (Half Moon Bay), 2018
Word of mouth (Half Moon Bay) 2018 is a two-panel work which is the largest painting the artist has made to date. It is a colourful and fun, light-hearted scene of an imaginative party that the artist would love to attend at Half Moon Bay in Black Rock. Depicted in the work are over 30 figures, including international tourists, family and friends of McHaffie as well as famous identities such as musicians David Bowie and Solange Knowles, and fashion designer Karl Lagerfeld. McHaffie’s DJ friend Lucreccia Quintanilla has set up a DJ deck and speakers on the beach while the party goers are wading in the shallow waters, dancing on the cliff and mingling on the beach in what appears to be an idyllic summer’s day in Bayside.oil on linen (diptych)painting, beach, half moon bay, black rock, bayside, coast, party, rob mchaffie, dj, dance, musician, karl lagerfeld, david bowie, solange knowles, lucreccia quintanilla, port phillip bay, word of mouth, mooji, jon campbell, tourists, family, friends, cliff, rocks, water -
Bayside Gallery - Bayside City Council Art & Heritage Collection
Painting - oil on linen, Ellen José, Pipi, 1998
Ellen José, Pipi 1998, oil on linen, 92 x 92 cm. Bayside City Council Art and Heritage Collection. Purchased 2022oil on linen (diptych)pipi, ellen josé, ellen jose, torres strait, indigenous, painting -
Nillumbik Shire Council
Painting: Penelope AITKEN (b.1967 Melb. AUS), Penelope Aitken, Mapping Mass & Void 10, 2008
Penelope Aitken lives and works in Melbourne, Australia. She makes paintings and installations about relationships: between people, between things and between people and things. Recurring subjects include friendship, genealogy, romantic liaisons, and cross-cultural exchange as well as gardening, craft and landscape design. 'I am interested in the social, psychological and aesthetic motives behind organisation, belonging and displacement and I often make work that investigates such arrangements.' She has held regular solo exhibitions since 1995 and has been represented in group exhibitions since 1989. These have included shows in public and commercial galleries, artist run spaces, outdoor projects and festivals in Melbourne, Sydney, Perth, Brisbane, Bundaberg, Kuala Lumpur, Taipei, Tokyo and Famagusta, Northern Cyprus. Aitken has previously worked at the Australian Centre for Contemporary Art and at Asialink at the University of Melbourne. From 2006 - 2009 she was a board member of the Melbourne artist run gallery, West Space and she has also curated and coordinated numerous exhibitions and written and edited catalogues, articles and essays. She holds a Bachelor of Arts and a Bachelor of Education (Visual Arts) both from The University of Melbourne and completed her Masters of Fine Art at the Victorian College of the Arts in 2004. In 1997 Aitken was selected to be a studio artist for two years at Gertrude Contemporary Art Spaces, Melbourne and in 2000 she undertook an Australia Council Studio at the Taipei National University of the Arts, Taiwan. More recently she spent two months in 2007 at the Laughing Waters Residency, Birrarung, in Eltham, Victoria. There she began her current interest in the rocks used in the landscape designs of Gordon Ford. Paintings of Ford's rocks made since 2007 as well as glacial erratics, meteors, and other natural and displaced rocks were exhibited in March 2011 at the Light Factory Gallery in Eltham in a show called My History of here, and Second Nature, one work from this exhibition, was awarded first prize at Eltham Masterworks 2011. Other work made about rocks in nature and culture include: the project, A dark archive, as well as in two installations: You seem so settled for one that doesn't belong held at West Space in 2009 and Gathering these things to remind me of home shown in 2010 at the Bundaberg Regional Art Gallery, Queensland. In July and August 2007 Aitken undertook an arts recidency at Birrarung, a house and garden designed by Gordon Ford and managed as the Laughing Waters Artist in Residence Program by the Shire of Nillumbik Victoria. The rocks depicted in the painting 'Mapping Mass & Void 10' are all taken from the garden at Birrarung. Aitken has made reference to those rocks and the way in which Ford thought of the rocks as individuals that need to be handled and placed with consideration to show off their best aspects.oil and acrylic on linen ek prac 2015 -
Gippsland Art Gallery
Painting, Forbes, Rodney, Tellers and Listeners, 2001
Donated by the artist through the Australian Government Cultural Gifts Program, 2005Oil and alkyd on linengippsland, artwork, permanent collection -
Gippsland Art Gallery
Painting, Thomas, Angela, In Reflection, 2019
Donated by the artist, 2019Mixed media on linengippsland, artwork, permanent collection -
City of Whittlesea
Sign (item) - Shire of Whittlesea Notice, Reservoir Printing Works, Notice given to stop carting on roadway
Shire of Whittlesea / Notice is hereby given that as / is likely to be seriously injured by traffic - to wit / soil, clay, sand or stone carting / The Council of the Municipality of the Shire of Whittlesea has decided to / stop all carting on such roadway as from the - day of / - 196 - , to the - day of - 196 - , / both dates inclusive / Any person who contravenes or fails to observe the provisions of this / notice shall be liable to a penalty of not more than forty dollars ($40) / By order / R G C Cook, Shire Secretary / Reservoir Printing Workspublic notices -
Dandenong/Cranbourne RSL Sub Branch
Textile - Framed Linen Souvenir, Souvenir of Egypt
Framed linen tapestry Souvenir of Eqypt, God Save The King and Arabic writing -
Whitehorse Historical Society Inc.
Textile - Handkerchief
White linen handkerchiefcostume accessories, female -
Horsham Regional Art Gallery
Painting, Di BRESCIANI, Keep on singing that song, 1995
Gift of the artist, 1995oil on Belgian linen -
Flagstaff Hill Maritime Museum and Village
Ceremonial object - Priest's robe sash, Joyce Maslen, February 1982
This item is part of the collection of Ecclesiastical Linen once used by St. Andrews Anglican Church on the corner of the Esplanade and 14 Drummond St, Dennington, Victoria. The first Anglican service was conducted on December 22nd, 1907. The church was decommissioned in January 2003. This item is part of the Ecclesiastical Linen collection, which is significant for its examples of handworked embroidery and drawn-thread work from the early 20th century. The items are also examples of a collection used for religious services during this period. The Ecclesiastical Linen is also significant for its association with the early development of the local township of Dennington and the importance the the community of setting aside land in the 1850's for the purpose of religious worship. The Ecclesiastical Linen is also significant for its connection to St Andrews Anglican Church, Dennington. The church was funded and attended by the local community in the early 1900's and is now listed on the Victorian Heritage Database (VHD 118083) as a building of historical and social significance. Priest's robe sash or stole, part of a set of Ecclesiastical Linen once used in St. Andrew's Anglican Church, Dennington, Victoria, between the years 1907 and 2003. The soft, white cotton, twisted cord is finished at each end with a knot and tassel.flagstaff hill, warrnambool, maritime museum, shipwreck coast, great ocean road, st andrews anglican church dennington, dennington church, warrnambool church 1907, ecclesiastical linen, communion linen, hand worked linen, religious service, religious ceremony, priest's stole, priest's robe sash, sash, knotted sash, priest's vestment