Owned by the Leviny family. Collected by Kate Leviny. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.This original print by Australian woman artist, Mildred Lovett, is from a period in Australia's history when women artists and printmakers were gaining recognition for their work that had been a previously been an area dominated by male artists.Hand coloured linocut of a jug full of assorted berries, mounted in a frame. By Tasmanian artist, Mildred Lovett. Paper, ink, paint.Lower left corner 'Tasmanian berries'. Lower centre 'coloured linocut'. Lower right 'M. Lovett'. Verso '44' encircledmildred lovett, tasmania, linocut print, tasmanian berries, australian women printmakers, leviny collection, buda, castlemaine

Acquired by Kate Leviny. The Leviny daughters were friends with Ursula Ridley Walker. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.Ursula Ridley Walker is a little know Australian woman artist who was working in many artistic fields during the first part of the twentieth century. Buda holds the largest public collection of Walker's work in Australia.Print by Tasmanian woman artist, Ursula Ridley Walker, depicting blue hydrangeas in a dark blue jug with a green octagonal plate in the background. Mounted and framedLower left: 'Hydrangeas' Lower centre: '- Coloured Lino Cut -'. Lower right: 'Ridley Walker 5/50'.ridley walker, linocut print, australian women printmakers, hydrangeas, leviny collection, buda, castlemaine, 1925, ursula ridley walker, tasmanian artist

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed monoprintart, artwork, jo-anne pelchen, monoprint, printmaking, horsham campus, wimmera campus, available horsham

Kate Hudson's highly patterned and decorative prints reflect her love of Australian birds and flowers from her immediate environment, as well as oriental art and her training in textile design. Her work is influenced by the Australian artist (printmaker) Margaret Preston and the vases depicted in her prints are based on the ceramic works of her husband Stephen Hudson. The wattle depicted is the Acacia Terminalis (Sunshine Wattle), a shrub or small tree that grows to six meters in height. It’s an Australian native commonly found in New South Wales, Victoria and Tasmania.A reduction coloured lino print. A ceramic vase with a black and white target print at its' centre holds a bunch of Acacia Terminalis (Sunshine Wattle). The vase rests on an orange table cloth decorated in white stylised flowers. The background is light pink. Hand written in pencil: low left '8/26'; bottom centre ' Wattle and Circle Vase'; low right 'Kate Hudson' hudson, linocut print, sunshine wattle, acacia terminalis, still life, margaret preston, ceramics, textiles, orient

Rona GREEN (1972- ) Born Australia This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Linocut featuring three faces, one on a horse. 'Non Compos Mentis' is a musing on humankinds inability to fathom what is out there. It was produced for the Print Council of Australia. signed edition 16/40art, artwork, rona green, printmaking, linocut, print council of australia, edition, limited edition, available

Linocut print-

Linocut printSigned and dated 'Stewart MacFarlane 1985' in bottom right beneath image. Titled 'Love Come Down' bottom centre under image. Edition 1/10, lower left corner under printed image.

Linocut printSigned and dated 'T de Kessler 1959' lower left corner under printed image.

Linocut printSigned and dated 'Narelle Oliver '99' in lower right under printed image. Edition A/P, lower left under printed image. 'from 'Sand Swimmers" - written lower right corner of page.

Coloured linocut printSigned and dated along bottom of print.yallourn, landscape, linocut

Donated by Freestone Press, 2016Linocut print on papergippsland, artwork, permanent collection

Purchased, 2019Linocut print on papergippsland, artwork, permanent collection

Donated by the artist, 2019Linocut print on papergippsland, artwork, permanent collection

Donated by the artist, 2019Linocut print on papergippsland, artwork, permanent collection

Donated by Monash University, Gippsland Campus, 2002Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Donated by Freestone Press, 2016Linocut print on papergippsland, artwork, permanent collection

Purchased, 1997Linocut print on papergippsland, artwork, permanent collection

Purchased, 2016Linocut print on papergippsland, artwork, permanent collection

Purchased, 1996Linocut print on papergippsland, artwork, permanent collection

Purchased with the assistance of the Gippsland Art Gallery Society, 2015Linocut print on papergippsland, artwork, permanent collection

Donated by Lesley Duxbury through the Australian Government Cultural Gifts Program, 2017Linocut print on papergippsland, artwork, permanent collection

Purchased, 2019Linocut print on papergippsland, artwork, permanent collection