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The ubiquitous balance
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All rights reserved
This media item is licensed under "All rights reserved". You cannot share (i.e. copy, distribute, transmit) or rework (i.e. alter, transform, build upon) this item, or use it for commercial purposes without the permission of the copyright owner. However, an exception can be made if your intended use meets the "fair dealing" criteria. Uses that meet this criteria include research or study; criticism or review; parody or satire; reporting news; enabling a person with a disability to access material; or professional advice by a lawyer, patent attorney, or trademark attorney.
Please acknowledge the item’s source, creator and title (where known)
SHIMMEN, Heather, The ubiquitous balance, 2000, Linocut with fabric overlay, 76 x 56 cm, Latrobe Regional Gallery Collection
Have a question? Contact Latrobe Regional Gallery
Linocut print with fabric overlay
Signed and dated lower right corner under printed image "Shimmen 2000"
Edition 29/40, lower left corner under printed image
Titled "the ubiquitous balance" centred under printed image
Oil on paper
Signed lower left of paint "Serwan"
Pastel on paper
Gouache, watercolour and ink on paper, aluminium strip border
Signed vertically lower right corner in comp in composition "Suggett"
Paper relief print
Signed and dated lower right beneath composition "J. Taylor 1973" Edition and title inscribed in lower left below print, 2/25 "Negative Yellow"
Wood engraving
Signed and dated lower right corner below printed image "Tim Jones 1984". Edition and title to the lower left below composition, A/P "Gippland"
Wood engraving
Signed and dated bottom right beneath printed image, "Jones 85" Edition and title in lower left corner "A/P Gibsland"
Watercolour
Signed and dated lower right corner in composition "M Macq 15-8-82"
Serigraph print
Titled lower left in white ink "Black Out Print". Edition lower left in white ink "34/50".
Etching
Signed and dated lower right corner below printed image, "George Baldessin 67" Edition and title "Ed 25 'City Monuments" lower left corner under printed image
Lithographic print
Signed and dated in lower right along bottom edge within printed image "John Peart 73" Titled "THORNHILL BLUE" centre along bottom edge of print Edition 10/100, inscribed lower left in printed image
Etching on aluminium foil
Signed and dated lower right corner beneath printed image "George Baldessin 71" Edition and title in lower left corner below printed image "Edition 25 'window & factory smoke'"
![Sculpture, GUNN, Mandy arr. Australia 1966, [W]RAPT, 2012-2013](https://victoriancollections.net.au/media/collectors/510b3f7f023fd725b4cd52a0/items/5faa11d96d17f126301ddb2f/item-media/5faa11ea6d17f126301ddbec/item-fit-380x285.jpg)
Recycled paper shopping bags and wrappings on cardboard construction
Large format photochromic print (C type)
Pencil on paper
Not signed, not dated
Signed and dated lower right corner beneath printed image "Sue Frazer 95" Edition 14/30, lower left corner under printed image Titled "Travellin' Light" in centre below printed image
Blown and sandblasted glass
Engraved on foot of bowl "Tony Hanning '95"
Coloured pencil, graphite, air brushed drawing ink on paper
Signed and dated lower right corner "F MESARIC '93"
Coloured pencil drawing on paper
Signed and dated lower left corner in image "Caroline Durre' 90"
Watercolour and pastel on paper
Signed and dated in bottom right corner of drawing
Oilstick on paper
Not signed, not dated
Oil on canvas
Signed and dated on reverse top left "Euan L Heng 85"
Oil paint and pastel
Not signed, not dated.
Pastel
Signed and dated lower right corner of drawing, pencil, monogram "R.S./ 86".
Pastel
Not signed. Not dated.
Porcelain, glazed.
Painted collage on graph paper and tissue paper
Signed and dated lower right corner "G CLARKE 74."
Oil on canvas
Signed and dated on reverse.
Wood engraving
Signed and dated 'D Frazer 98' lower right corner under printed image. Titled 'Over the Hills are Burning (East Gippsland)' centred below print. Edition 7/22, lower left corner under printed image.
Plastic on canvas
Victorian Collections acknowledges the Australian Aboriginal and Torres Strait Islander peoples as the first inhabitants of the nation and the traditional custodians of the lands where we live, learn and work.
