Showing 293 items
matching linocuts
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Federation University Historical Collection
Booklet, The Pirate Jenny Prints: A Suite of Linocuts, 1989
... The Pirate Jenny Prints: A Suite of Linocuts ...linocuts ...White covered books with many illustrations of from the Pirate Jenny series.non-fictiondeborah klein, linocuts, printmaking, alumni -
Glenelg Shire Council Cultural Collection
Artwork, other - Linocut Print - Admella Rescue Series, Bob Stone, Admella Rescue Series, 2009
One of a suite of 16 linocuts created for an exhibition at the Portland Arts Centre during the Admella 150th Festival.Black and white linocut print. Title print in suite of 16 prints. 'Admella Rescue series'. Depict SS Admella and Portland Lifeboat. Printing 'scenes from the rescue of Admella survivors by the lifeboat Portland'. Bob Stone 1859-2009 Printed on white archival paper.Front: Front - 'Linocut' 'Bob Stone 2009' - Handwritten, black pen -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 15, There was much celebration when the survivors were taken off the 'Lady Bird', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fifteenth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts band playing in street, by standers each side.Front: 'Linocut Bob Stone 2009 There was much celebration when the survivors were taken off the 'Lady Bird' - Hand written, black pen.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 8, During the night the Portland lifeboat was launched, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Eighth in a suit of 16, of the Admella Resue Series. Depicts a man with a lantern, standing in the bow of the Portland Lifeboat, as it is being launched by several men with ropes. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'During the night the Portland lifeboat was launched.' - hand written, black penadmella, portland lifeboat, 150th anniversary, linocut -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - There is no Escape 1950, Noel Counihan
Australia 1913 - 1986Linocut [Artist's Proof] s.30Inscribed [Linocut] Proof and signed -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No 2, Bob Stone, Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Second print in suite of 16 in the 'Admella Rescue Series. Depicts a hand rising from the sea. Printed in black on white Archival paper.Front: Front - 'Linocut Bob Stone 2009 - Hand written, black pen. 'Poor George Fisher was one of the first swept away.... SA Advertiser 20th August 1859' -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 6, Bob Stone, A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Sixteenth in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts a group of 6 people, one of whom is addressing a crowd of people.Front: 'Linocut Bob Stone 2009' A public meeting was held to raise a fund for the relief of the survivors. Portland Guardian 26th August 1859 - hand written, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 11, Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Eleventh in a suite of 16 in the Admella Rescue series. Printed in black on white archival paper. Depicts man reading telegram to group of men and women.Front: 'Linocut, Bob Stone Our telegrams were passed from hand to hand being read aloud.' SA Advertiser 9th August 1859.' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut Admella Rescue Series No. 5, Bob Stone, Many a heart will bleed to think of what must have been suffered, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fifth in a suite of 16, in the Admella Rescue Series. Depicts 5 distressed people on the deck of the Admella, surrounded by rough seas. Printed in black on white archival paper.Front: Front - Linocut Bob Stone Many a heart will bleed to think of what must have been suffered.... SA Advertiser 9th August 1859 - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 12, Bob Stone, The boat at times appeared to stand up perpendicular on a wave that rose up like a wall, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Twelth in a suit of 16 in the Admella Rescue Series. Printed in black on white archival paper. Depicts Portland lifeboat being rowed through heavey seas.Front: Linocut Bob Stone 2009 The boat at times appeared to stand up perpendicular on a wave that rose up like a wall. 'SA Advertiser 20th August 1859' - Black pen, hand writtenadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 13, Bob Stone, Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Thirteenth in a suite of 16 in the Admella rescue series. Printed in black on white archival paper. Depicts 3 men on Admella, with a rope from them to the Portland lifeboat.Front: 'Linocut Bob Stone, 2009 Help had reached the sufferers at last... Every heart will rejoice over this good news Portland Guardian 11th August 1859' - Handwritten, black ink.admella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella REscue Series No. 9, Bob Stone, 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859, n.d
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Ninth in a suite of 16, in the Admella Rescue Series. Depicts Crew rowing the Portland lifeboat through rough seas. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 2009 'She (The Portland Lifeboat) rode most splendidly over the high waves' Portland Guardian 2nd September 1859 - hand written, black pen.admella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 4, Bob Stone, Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Fourth in a suit of 16 in the 'Admella Rescue Series'. Depicts the head of one horse, and the head and one forelegg of the second horse, among large waves. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 'Some valuable horse stock was on board .... the horses were thrown overboard.... SA Advertiser 7th August 1859' - hand written, black penadmella, portland lifeboat, shipwreck -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Tenth in a suite of 16, in the Admella Rescue series. Depicts Portland lifeboat. 3 crew members leaning leaning over sid eof life boat towards someone in water. Printed in black on white archival paper.Front: Linocut, Bob Stone. ...'Four heavy seas struck ... washing one man overhead, who was, however, picked up. Portland Guardian 18th August 1859' - Handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 16, Bob Stone, 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859, 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut print. Sixth in a suite of 16 in the Admella Rescue Series. Shows head and shoulders and right arm of man on Admella, holding the hand of someone in the sea. Two bands and forearms of another person in the the sea reaching up. Printed in black on white archival paper.Front: Front - Linocut, Bob Stone 'Exposed for a whole week without shelter - clinging to the bulworks for very life....' Portland Guardian, 15th August 1859 - hand written in black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 3, Bob Stone, '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut Print. Third print in suite of 16 in the Admella Rescue Series. Shows two men on rocky shore, rough sea in background. One man on hands and knees, the other, still in water, holding a long box. Printed in black on white archival paper.Front: Front - Linocut Bob Stone 2009 '..... they were four hours amongst the rocks and breakers before they got ashore' - SA Advertiser 20th August 1859' - handwritten, black penadmella, shipwreck, portland lifeboat -
Glenelg Shire Council Cultural Collection
Print - Linocut - Admella Rescue Series No. 14, Bob Stone, on arrival at Lady Bird some 3 or 4 were in the last stage of existence 'Portland Guardian 15th August 1859', 2009
Part of suite of 16 Linocuts created for an exhibition at the Portland Arts centre for the Admella 150th Festival.Linocut. Fourteenth in a suite of 16 in Admella Rescue Series. Printed in black on white archival paper Depicts a man with a rope around his chest and under his arm pits, being hauled up the side of the 'Lady Bird'. Two members of the Portland life boat also visible, watching procedure from lifeboat.Front: 'Linocut Bob Stone 2009 ... on arrival at Lady Bird some 3 or 4 were in the last stage of existance. Portland Guardian 15th August 1859' - hand written in black ink.admella, portland lifeboat, shipwreck -
Latrobe Regional Gallery
Print, SPOWERS, Ethel Louise b.1890 South Yarra, Victoria d. 1947 Melbourne, Victoria, The Works - Yallourn
Coloured linocutVerso: Signed and dated l.r. in pencil "E.L. Spowers 1933" Titled l.l. in pencil "The Works - Yallourn". Editioned: "4/30". Inscription l.r., pencil "Linocut L2 /2 /5"yallourn, power station -
Federation University Art Collection
Work on paper - Printmaking - Linocut, Shimmen, Heather, The Ubiquitous Balance by Heather Shimmen, 2003
Heather SHIMMEN (1957- ) Born Melbourne, Victoria Heather Shimmen is a painter and printmaker who ises etching, lithographic and linocut techniques. She often uses mixed media and collage. Throughout her prints Heather Shimmen interleaves personal histories. Between 1976 and 1978 Heather Shimmen studied Fine Art Painting at RMIT in Melbourne. During that time she was taught for one year by George Baldessin This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed linocut with fabric overlayart, artwork, heather shimmen, shimmen, linocut, printmaking, edition, bird, hand, tree branch, bee, moth, princt council australia, pca, available -
Buda Historic Home & Garden Castlemaine
Print - Linocut print, Tasmanian Berries, c 1928
Owned by the Leviny family. Collected by Kate Leviny. The Leviny women at Buda in Castlemaine were keen collectors of artworks by women printmakers from the early twentieth century.This original print by Australian woman artist, Mildred Lovett, is from a period in Australia's history when women artists and printmakers were gaining recognition for their work that had been a previously been an area dominated by male artists.Hand coloured linocut of a jug full of assorted berries, mounted in a frame. By Tasmanian artist, Mildred Lovett. Paper, ink, paint.Lower left corner 'Tasmanian berries'. Lower centre 'coloured linocut'. Lower right 'M. Lovett'. Verso '44' encircledmildred lovett, tasmania, linocut print, tasmanian berries, australian women printmakers, leviny collection, buda, castlemaine -
Glenelg Shire Council Cultural Collection
Print - Linocut, Landscape, c. 2015
Linocut, black and white, white mount, blondewood frame, wire for hanging across width of frame at back, reflective glassFront: 'A/P Landscape Darren Beattie 2015' pencil, in border between linocut and mount Back: Black stamp Holland's Picture framing -
Glenelg Shire Council Cultural Collection
Print - Linocut, DARREN BEATTIE, Lee Breakwater, c. 2015
Linocut, black and white, white mount, blondewood frame, reflective glass, wire for hanging across width of frame, at backFront: 'A/P Lee Breakwater Darren Beattie 2015' pencil in border between linocut and mount Back: Holland's Picture Framing - black stamp, bottom left corner -
Glenelg Shire Council Cultural Collection
Print - Reduction Linocut, Bob Stone, Working Tug II, c. 2015
Reduction linocut, blue, grey, white, red, green, black; white mount, blondewood frame, reflective glasss. Hanging wire across width of frame, on backFront: '1/7 linocut Working Tug II Bob Stone 2015 Back: Holland's Picture Framing, black stamp, lower left corner -
Federation University Art Collection
Print - Artwork, David Frazer, The Text Message [study] by David Frazer, 2015
David FRAZER (1966- ) Born Foster, Victoria, Australia David Frazer works in painting, wood engraving, etching, lithography and bronze. He studied a B.A. Fine Arts (Painting) at Phillip Institute of Technology, followed by a Diploma of Education (Secondary- Art/Craft) at Latrobe University in 1991. He completed an Honours Degree in Fine Art (Printmaking (at Monash University in 1996, and between 1998 and 2000 Frazer undertook a Master of Arts (Visual Arts) by research: “Pastoral Melancholia”, at Monash University. One of Austalia's foremost printmakers David Frazer's highly detailed woodblock and linocut prints often explore the emotional and fragile state of the human condition. His work offers a nostalgic image of Australia through its examinations of landscape, Australian buildings, sheds, and itinerant travellers. He has held seven solo exhibitions between 1996-2006 in Melbourne, Sydney and a survey show curated by the Horsham Gallery, which toured Victorian regional galleries from 2004-2005. David Frazer’s work was seen in 37 group exhibitions between 1996-2006 including the 5th British International Miniature Print Exhibition in the UK, in the 2003. He more recently held a solo exhibition with Rebecca Hossack in London 2011. (http://www.thestockrooms.com/, accessed 06/03/2015) David was awarded the Keith Wingrove Bookplate Design and in 2002.Framed limited edition linocut on paper.lls '2/36' lc 'The Text Message (study)' lrs 'D. Frazer 15'artist, artwork, david frazer, parallel prints, printmaking, linocut -
Federation University Art Collection
Work on paper - Printmaking - Linocut, 'Laughing Christ', 1970 by Noel Counihan, 1970
Noel COUNIHAN (04 Oct 1913 - 05 Jul 1986) This lino cut is the second largest version of Counihan's Laughing Christ series of linocuts from the 1970s. Janet McKenzie in her book 'Noel Counihan' (1986, p. 25) uses Counihan's quote in his description of the Laughing Christ series of art works: "Once again the armies of the Western world were moving against people behind the image of Christ: they were Christian armies. The American and Australian armies in Vietnam had their chaplains with them and were slaughtering Buddhists, as well ironically enough, as Vietnamese Catholics". Counihan's fury at the blood shed and massacre of war behind the image of Jesus is evident in his ironic portrayal of a Laughing Christ. Was this what Jesus was about? Not likely! This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007. Description by Dr Susan Paterson Framed linocut, the second large version of the Laughing Christ series. The linocut was commissioned by the Print Council of Australia for members' annual subscription and printed on Japanese paper by William Caulfield & Sons, Melbourne.art, artwork, noel counihan, counihan, printmaking, available, christ, linocut printmaking, print council of australia, workers art guild, social realist, social realism, expressionist artist -
Latrobe Regional Gallery
Print, GREEN, Rona b. 1972 Geelong, Rom, 2004
LinocutSigned 'Rona Green' lower right corner of print. Titled 'Rom' to the lower left of printed image. Edition 11/25, numbered in lower left corner of print. -
Latrobe Regional Gallery
Print, HENG, Euan b. 1945 Scotland. Arrived Australia 1977, Night Time, 2004
LinocutSigned and dated 'Euan L Heng 04' in lower right under printed image. Title 'Night time' under printed image. Edition 11/25, numbered lower left corner under printed image. -
Geelong Gallery
Print - Bedhan Lag: Land of the Kaiwalagal, ROBINSON, Brian, 2019
Linocut -
Geelong Gallery
Painting - An opera house in every home, THANKE, Eric, 1972
Linocut -
Geelong Gallery
Print - Stoutheart banishes all evil, WOOD, Marjorie, 1932
Linocut