British Reader series used in education. At one stage this booked belonged to childre of artist Walter Withers.Various names handwritten in ink: Inside Cover (Crossed out) Mary Withers Tuesday 10th March 1908 Mary Withers (Crossed out) Edith, Elizabeth Edith, Elizabeth, Inez Goods Edeith, Elizabeth Inez Goods Plumbfield Ledbury W. McDonald Montmorency Facing Page W. McDonald Montmorency (Crossed out) Margery Withers Eltham October 24th (Crossed out) Edith Goodsedith goods, elizabeth inez goods, w. mcdonald, mary withers, margery withers, literary reader

xvi, 218 p. illus. : non-fictionA collection of stories of Aboriginal mythsaboriginal, human rights, myths, legends, robinson roland edward, australian indigenous tribes, storytellers, poetry, roper river, northern territory, sydney morning herald, the age, folk-lore, dreamtime legends, sacred songs, vesper alexander, worrell eric, naturalist, zoology, legend and dreaming

Issue of ''All About Books - For Australian and New Zealand Readers'' (Nov 13,1933). 20 page stapled magazine with review information on books, plays, literary news etc. Handwritten annotation ''Merle Bush''.person, individual, bush collection - personal, bendigo, bush collection, collection, books, literature, william shakespeare, katherine mansfield, drama, exploration, novels

Ill, maps, p.127.non-fictionCome see my little dugout - way up on the hill it stands, Where I can get a lovely view of Anzac's golden sands.' The Anzac Book was the finest 'trench publication' produced during the Great War and was an instant bestseller when first released in 1916. Created by soldiers under enemy fire and in extreme hardship, the illustrations, stories, cartoons, and poems were intended as a Christmas and New Year diversion for soldiers facing a harsh winter in the trenches on Gallipoli. The way these young men powerfully captured their felt experiences and struggles in the trenches had a huge emotional effect on readers back home in Australia. From Desk to Dugout explores this particular moment in Australian literary and educational history and its intersections with the war at Gallipoli and the history of ANZAC.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal narratives

Second issue of poetry magazine Overland founded by Stephen Murray-Smith in 1954. Overland – Australia’s only radical literary magazine – has been showcasing brilliant and progressive fiction, poetry, nonfiction and art since 1954. The magazine has published some of Australia’s most iconic writers, and continues to give space to underrepresented voices and brand-new literary talent every single day. In Overland’s very first edition in 1954, Stephen Murray-Smith noted that the magazine would ‘publish poetry and short stories, articles and criticism by new and by established writers. It will aim high … [but] will make a special point of developing writing talent in people of diverse backgrounds. We ask of our readers, however inexpert, that they write for us; that they share our love of living, our optimism, our belief in the traditional dream of a better Australia.’ (from Overland website) overland, dr h.v.evatt, vance palmer, hugh anderson, laurence collinson, jack lindsay

Winners of the Monash University Undergraduate Prize for Creative Writing are announced at the Emerging Writers' Festival and receive a paid opportunity to publish something in the EWF publication 'The Emerging Reader'. Monash University is a major EWF partner.A blue and white flyer with black text advertising the 2013 Monash University Undergraduate Prize for Creative Writing, which is run in conjunction with the Emerging Writers' Festival.10th emerging writers' festival, sam twyford-moore, 2013, program, the wheeler centre, emerging writers', literary, anniversary, festival, monash university, undergraduate prize for creative writing

The Reader includes articles, essays, poems, stories and artworks that presents highlights from the 2009 Festival and the writing world beyond. Recreating the diversity of writing forms and styles that the Emerging Writers’ Festival showcases, The Reader includes novelists, journalists, screenwriters, comedians, poets, playwrights, spoken word artists, comics writers and others, all talking about or showcasing their particular craft – all talking shop – but in a way that is useful and interesting to all writers. The book was published in 2009 and edited by Dion KaganThe Reader is the first Emerging Writers' Festival book. It has a black and silver cover with circular motifs on the front.emerging writers' festival, 2009, literary programming, the wheeler centre, the reader, books, dion kagan

The Reader brings together ideas and insights into the craft, philosophy and politics of being a writer. It’s about writing and everything that comes with that: editing and publishing, motivation and distraction, the missed opportunities and the poetics of failure. With articles, essays, poems, fiction and artworks, The Reader blurs the lines between the creative and the critical, ultimately asking, what is it to be a writer? The book was published in 2010 and edited by Aden RolfeThe second volume of The Reader, this book has a blue cover depicting a drawn writer at work in the only light room of a building.emerging writers' festival, 2009, literary programming, the wheeler centre, the reader, books, aden rolfe, 2010,

Index, bib, notes, p.632.non-fictionOne country, two languages, and a sequence of great artists in every generation. From the Gaelic bards to the Belfast Agreement, Irish writers have drawn equally on two traditions to heal the rifts of their land." "A celebration of the enduring Irish classics, this book by one of their most eloquent and adept readers offers an unusually brilliant and accessible survey of the greatest works since 1600 in Gaelic and English. Together, they have shaped one of the world's most original literary cultures.english literature - irish authors, irish literature - history and criticism

Index, p.609non-fictionThe French Revolution is a work by Scottish essayist, philosopher, and historian Thomas Carlyle. It is a massive, even heroic undertaking - one which hadn't been achieved before and has not since. Carlyle's literary style is unique: written in the present tense first-person plural, A History follows along chronologically as the events of the Revolution unfold with sweeping, apocalyptic grandeur. The reader feels as though he or she were observing, participating almost in, the events occurring on the Paris streets. The reader is carried along day-by-day, month-by-month as the as the inevitable. french revolution, france - history

This book is a school text book in the 19th Century and was used in British and in British Empire schools . It would have been used in secondary school classes as a reader and a literary appreciation text.The extracts are of a very classical character.This book is retained as a reference book and kept as a fine example of a 19th century school text. Red cloth and card cover with black text.400 pages. Inside front and back covers are lists of the Chambers’s Educational Courses. NATIONAL READING BOOKschool text, chambers educational course

The name "Analecta" refers to a collection of short literary pieces, however the students who put the Analecta together in 1964 defined it as meaning crumbs or gleanings. Their hope was to 'bring to its readers something of what happens at Luther College day by day, year by year'. The inaugural publication of the Analecta contains a number of short articles, including a brief history of the establishment of Luther, musings about the common room where there was never a dull moment for the boarding students, and small black and white photos of 'around the school'.An original copy of the 1964 school magazineanalecta

An overview of activities and achievements during the past financial year. Articles in annual report include: the handing over from former President Sir Alexis Albert to Paul Cullen, the implementation of Project 5000 (increasing C77 Talking Book Machines to that number as well as book titles), new fitness groups and CB clubs supported by John Simon and Norman Healey, new course that teaches Braille at home via cassette developed by Louise Long, continued success in supporting children to attend integrated kindergartens rather than an segregated one, introduction of music therapy and Father's Groups, loss of beloved reader John Dease, 3rd RBS Arts Festival at the Grace Gallery, Chatswood, sales increase for workshop products particularly bicycles, the success of the Black and White Ball (held since 1936), and the production of two films sponsored by OPSM and depicting the impact of RBS "I see, I see" and "Future Sight". It also updates on the Braille Writers Association, the RBS Literary Contest (inaugurated 6 years ago by Max Nisbett) and the successful production of some works by the Mitchell Street Theatre group, name change of William Street Blind Women's Bowling Club to Blind Society Women's Bowling Club, Enfield and Blind Sporting Association formed just over a year ago and competed in the Leeton Rowathon.1 volume of text and imagesroyal blind society of new south wales, corporation records, alexis albert, paul cullen, sir robert drew, laurel brennan, john simon, norman healey, carol lausch, margaret smallwood, louise long, sylvia manuel, loreen rosser, diana palmer, anne palfrey, john dease, mitchell manufacturing, ken martin, sueann wilson, duncan archbold, cath littlefair, gai wibberley, jack chamberlain, des lean-fore, michael simpson, ron black, john mountford, marno parsons, black and white committee, graham laurence, w. cannington, films, lee smith, matt ponsonby, ray hunter, joan ledermann, mitchell street theatre, max nisbett, vivian hargrove, australian national council of and for the blind, braille writers association of new south wales, blind sporting association, william street blind women's bowling club, balmain blind bowling combination