Lloyd Tann Life Story

Hardcover w/ Dust JacketPostcard invitation to a Preview Exhibition of Craig Holmes's Photography at Christine Abrahams Gallerywalsh st library

Debbie LLOYD Debbie Lloyd returned to study in 2005 completing a Bachelor of Fine Arts (Visual Arts) degree at the University of Ballarat (now Federation University) in 2007, with honours the following year. She returned to the university as Artist in Residence in 2009. During her time at the University Debbie exhibited in many group exhibitions and her work was selected for the National Graduates Show at PICA in Western Australia. Debbie’s first solo exhibition was held at Space22 in Ballarat, towards the end of 2010. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two artworks featuring a third dimension created with folded paper. Artist's Statement: "My artwork explores the visual experience that can be achieved using black and white, lineal patterns or by creating illusion and surface movement through the simple manipulation and repetition of forms. In these works I have used everyday objects, and shapes, repeated, reconfigured and recontextualised to provide the viewer with visual challenges that slow down and complicate the reading of the work. In the words of a former lecturer of mine, who kindly delivered the opening speech at one of my exhibitions – There is in Debbie’s work a belief in the transcendental power of repetition, a tribute in many respects to the fact that human kind is defined by nothing more noble and uplifting than its ability and obligation to persist." (http://100thgallery.com/gallery/debbie-lloyd/, accessed 08 May 2018) art, artwork, debbie lloyd, available, recycling, envelopes

Ordained 1958: Darwin 1958–61; Alice Springs 1962–63; Launceston 1964–67; Tennant Creek 1968–73; Alice Springs 1974– Retired Minister of the Uniting Church. Former Methodist. Died 14 September 2025.Lloyd and Judy Shirley are seated facing the camera. Lloyd holds his daughter Meredith on his lap. "Rev. Lloyd Shirley, student at Otira 1950. Judy Shirley."shirley, lloyd, shirley, judy, meredith shirley

Elizabeth WEBBER nee EDDY. c1851 - 1928, the daughter of James & ... EDDY was born in Cornwall cl 851. At the time of her marriage she was living at her father's home in Ballarat where James EDDY was a ginger beer manufacturer. Elizabeth, who was 21 years of age exchanged marriage vows with the Reverend Samuel Phelp WEBBER on 4th April 1871. The groom who had left Cornwall in April 1869, was 29 years of age.| The wedding rites, performed by the Rev. Richard WARREN, were those of the Bible Christian Church which at a later date combined with various branches of the Wesleyian to become at the end of the 19'h century, the Methodist Church of Australia.| During Samuel's ministry, he and his wife moved around Victoria - in the goldfields of Ballarat & Sandhurst, later named Bendigo; Horsham and Daylesford and a city parish in Fitzroy. He was also (sic) President Conference B.C.C.| Samuel died during the summer of 1897, on the 14th February, St| Valentine's Day.| It is thought by a family member that this couple had five children, three girls and two boys.| After his death, Elizabeth who was confined to a wheel chair lived with her children. While visiting a daughter in Adelaide she died on Christmas Eve 1928.| Elizabeth,' with a younger daughter made baby wear to augment their income. This daughter's daughter, Beryl married W. GRAY.| The photograph and the above information was supplied by Elizabeth's granddaughter, Beryl B. GRAY and her husband.| Victorian Records; Marriages, 1871; number 2247N|B. Beryl GREY was for a number of years an active member of the Nunawading Historical Society. 27 March 2004Black and white photo of Mrs. Elizabeth Webber.webber, elizabeth

Lloyd CRUMP (1961- ) Lloyd Crump graduated from Ballarat College of Advanced Education (now Federation University Australia) in 1985 with a Diploma of Fine Art majoring in Ceramics. He was a self-employed potter from 1986-2004. He exhibited this work in the end of year 'Graduat '85' exhibition which was opened by Michael Leunig. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, lloyd crump, ceramics, available, available ceramics, alumni

A black and white photograph of the Marysville Hotel Motel in Marysville. The photograph was taken in the early 1960s by Lloyd Hull, a local man.A black and white photograph of the Marysville Hotel Motel in Marysville.PHOTOGRAPHY/ BY/ Lloyd Hull/ 27 CANTERBURY RD, BLACKBURN WX 1696/ WHEN RE-ORDERING/ PLEASE QUOTE M-001219victoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, marysville hotel, hotel marysville, photograph, marysville hotel motel, lloyd hull

A black and white photograph of the Marysville Hotel Motel in Marysville. The photograph was taken in the early 1960s by Lloyd Hull, a local man.A black and white photograph of the Marysville Hotel Motel in Marysville.PHOTOGRAPHY/ BY/ Lloyd Hull/ 27 CANTERBURY RD, BLACKBURN WX 1696/ WHEN RE-ORDERING/ PLEASE QUOTE M-001240victoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, marysville hotel, hotel marysville, photograph, marysville hotel motel, lloyd hull

A black and white photograph of the Marysville Hotel Motel in Marysville. The photograph was taken in the early 1960s by Lloyd Hull, a local man.A black and white photograph of the Marysville Hotel Motel in Marysville.PHOTOGRAPHY/ BY/ Lloyd Hull/ 27 CANTERBURY RD, BLACKBURN WX 1696/ WHEN RE-ORDERING/ PLEASE QUOTE M-001218victoria, australia, keppel hotel, keppel's australian hotel, australian hotel, keppel family, maurice john keppel, accommodation, marysville hotel, hotel marysville, photograph, marysville hotel motel, lloyd hull

Travis Webber was born in South Australia in 1900. He died in 1968. He studied at the South Australian School of Arts where he went on to teach. Webber established himself as one of the Australia's most prolific landscape artists. His work is held in several large galleries.Bluestone building with a shingle roof. In foreground right is a wooden fence. A carriageway cuts through centre of building, and above this is a window filled in with corrugated iron. The right side of building has large cracks. A tree is growing against the building in image centre, and bushes at image left and right. Framed in wooden frame.Front: Travis Webber (brown paint, lower left) Back: Geelong Picture Framers, 211 Moorabool Street, Gelong. Ph: 97805 (blue ink stamp, lower centre).oil painting, greenmount, landscape, portland landscape

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.art, artwork, debbie lloyd, available

Index, maps, p2104 v.2.non-fictionDetailed account of the WWI memoirs of David Lloyd Georgeworld war 1914-1918 - causes, world war 1914-1918 - history

1. Roger Webber wins the Bright's autumn art festival top prize for painting (from Ringwood Mail). 2. Death of Roger Weber (sic.) [May 1970] Refer to Artists in the Ringwood Area book (Russ Haines OAM) p252 for further details

As one of Geelong's finest forwards, Lloyd Hagger was relatively tall and possessed the ability to take high-flying, spectacular finger-tip marks at chest height as he tumbled over packs. His accurate punt and drop kicks resulted in many goals for the team. He became well known for scoring many acute angle goals. A mobile performer who could kick effectively with either foot, he played with equal effectiveness at centre half-forward and full forward. His durability was remarkable. During his 12 seasons he only missed eight matches. He was never short of a word on the field. - Col Hutchinson GFC HistorianHand drawing on paper card. Drawing of a black cat with one paw holding on to it's bow. At the bottom of the sketch in blue pen states "SKETCH BY LLOYD HAGGER, 1925". Lloyd Hagger was the original artist behind the cats logo and a Geelong player."SKETCH BY LLYOD HAGGER, 1925"cats mascot, gfc black cat, lloyd hagger, geelong cats

Roger Webber had stroke (1969) and won Art competition. Refer to Artists in the Ringwood Area book (Russ Haines OAM) p252 for further details

Ivy Lavinea Weber came to Victoria from New South Wales after her first husband died. She married Clarence Weber, a widower with seven children. After his death she became involved in many worthwhile societies, and in 1937 she won the Legislative Assembly seat of Nunawading, becoming the first woman to be elected to the Victorian Parliament. Further information from documents.Black & white photograph of a female speaking into a 3UZ microphone. Large tree behind, 2 males to rightweber, ivy

Roger Webber wins the Bright's autumn art festival top prize for painting Refer to Artists in the Ringwood Area book (Russ Haines OAM) p252 for further details

Photographic portrait of Terry Lloyd. terry lloyd, ballarat school of mines

Part of S E Surman collection (album) page 3 upper left.Sepia photograph of a bearded man wearing a suit, with left arm resting on chair back, right hand holding hat on lap, seated beside a well dressed woman wearing long sleeved long gown with large collar. seated with left arm on lap, right elbow in chair back with hand up to face."Mr and Mrs Lloyd".mr lloyd, mrs lloyd, surman collection

Letter of thanks to "Miss Elsie" by Lloyd, for his having received the pair of sox she knitted. Lloyd enclosed some Turkish (paper) money got from a captured Turkish cavalryman.Two page handwritten letter of Edwin Lloyd (1067 - 6th Light Horse Regiment, 6th Reinforcement), dated 12th July 1917.ww1, letters, 6 light horse, edwin charles waldegrate

This book was compiled by Esther Temple and David Lloyd with illustrations by Betty Barberis and additional material provided by Clare Roper, Joan Macdonald, Wilma Davies and Nell Bateman. The book was first penned in 1971. It briefly covers the period from the indigenous tribes(broken down into family groupings) known as the "first Australians" who lived in the valley well before English settlers arrived. first white settlement (graziers, miners, stockmen) to smaller settlements.The development or transformation from a pristine(hunter/gatherer) valley environment to one that has been gradually changing to a more commercial rural/industrial landscaped valley. This transformation was made within a time span of two hundred years. The book details the first pioneers and their descendants, along with the changes to their environments both domestic and commercial. The book highlights dates and events that shaped the "feel" of the valley. The extreme hardships faced by pioneer families during the extremely isolated times away from "civilisation".This publication provides an insight to the struggles and victories against the harsh Australian bushland by people who had not been raised in such a sometimes inhospitable environment. It was this transformation which instilled into the Australian psyche of self sufficiency and the ability to grasp onto ideas or "bush" remedies to overcome enormous difficulties. It is is ability that has produced the many inventions useful in the 20th and 21st centuries.This book has a 250 g/m cream coloured cover with print and drawings of rural aspects of historical significance ( Aboriginal and early white settlers). The book contains 124 pages of black and white photographs(139), black and white sketches(75), two pages of sketches and freehand drawings, two freehand maps one county lease /subdivision plan and black and white printing. See KVHS 0237 (B) for the official invitation to the launch of the book.The front top cover heading(in shaded print and enclosed in a banner form) "A HISTORY OF THE KIEWA VALLEY" The bottom printing "BY ESTHER TEMPLE & DAVID LLOYD ILLUSTRATIONS BY BETTY BARBERIS" and at the very bottom "KIEWA VALLEY HISTORICAL SOCIETY" oN THE BOOK SPINE "A HISTORY OF THE KIEWA VALLEY.....BY ESTHER TEMPLE & DAVID LLOYD"early settlers, dederang, tawonga, mount beauty, sec vic hydro electricity, falls creek early settlers, bonegilla

Portland Town CouncilPainting of a bluestone building. There are four columns to the front of the building. One either side of a green front door and the other two either side of each side window. Above the front door is a sign which reads ' Town Hall 1869' A footpath is in front of the building, with a man and woman walking together. The man wears a suit and hat and the woman wears a red shirt and blue skirt. At the other side of the building there is another figure - shadowy. A dirt road curves from foreground centre towards and past the building to the left. Two tall pines are behind the building on right.Front: Town Hall Portland '55 (brown paint, lower let). Travis Webber (brown paint, lower right). Back: Geelong Picture Framers, 211 Moorabool Street, GEELONG. Ph. 97805 (blue ink stamp, lower centre).portland town hall, bluestone building, bluestone, 1800s

Lloyd HAGGER (7 December 1898 – 27 June 1968) Lloyd Hagger was an Australian rules footballer who played with Geelong Football Club in the Victorian Football League (VFL) from 1917 to 1929. He also worked as a cartoonist for The Sun News-Pictorial. The cartoon was created by Lloyd Hagger and was presented to John Gervasoni.Digital copy on an original caricature of John Hogan Gervasoni who played foortball for Fitzroy in the 1950s. It included\s the word "Talented" at the base of the caricature. The cartoon was created by Lloyd Hagger and was presented to John Gervasoni.football, fitzroy football club, jack gervasoni, john hogan gervasoni, caricature

The university of Ballarat was a predecesor institutionof Federation University Australia.Portrait of Univesity of Ballarat Mt Helen Campus Library Staffmember Lloyd Stintonlibary, e.j. barker library, mt helen library, natalie radanski

"26th March 2019 In contribution to the historical account of the Mission to Seafarers, Melbourne. To whom it may concern, In 2005, the Mission to Seafarers’ Padre Bevil Lunson assigned an upgrade to the existing bar and gift shop. The brief outlined alignment with health code and liquor licence regulations, rethink of stock display and aesthetic upgrade of white peg-board and fluorescent-lit display-case. Two students of architecture answered the call and provided pro bono design, building and installation services. Beyond the updated flooring, work surfaces and new hand-wash point their ethos of sustainable design presented a strategy of redressing the existing on a shoe-string; helping minimise trades and protect the heritage substrate. A new standing-bar was proposed to envelope the display case and re-orient the hall back toward the stage. Punters were directed to the seated-bar for purchases. The chosen palette aimed to anchor the bar below the hall’s half-timbered dado-line utilising the muted tones of recycled materials. Glass bottles set in resin diffusing panels and timbers sourced from throw-outs were dressed and composed to suggest the multiple approaches to a calling of the sea. This flotsam and jetsam was intended to provide a shifting background that is representative of the many walks of life that support and are supported by the mission. Two uninstalled elements further accented the design: -the flying angel logo was to appear hovering within the bar’s archway and also inverted by the dado-line in the bar’s rear mirror (refer attached sketch), -and the two lampshades, referencing the inverted form of nautical beacons, were to shepherd clientele to the bar (refer attached sketch). Where are they now? Derek Stevenson – Turner Townsend Thinc Stuart Webber – ARM Architecture The bar was dismantled during the renovation mid 2019 and replace by another bar.These documents provide insight into an early 21st C refurbishment to the interior of the MTSV and Mission club operations in the early 21st Century and provides names and details of both the consideration of the need to: protect heritage components, provide a functional service point, incorporate recycled materials that related to aspects of the sea and environment, the flotsam and jetsam that is found where the sea, and those from the sea meets the land. Also provides an example of early career designs by two practising 21st C Australian architects and designers. During the renovations in winter 2019, the decision was made to demolish to make space to another more convenient one brought from a cafe, along with new chairs and tables for the club.Digital copy files sent in March 2019 by architect Stuart Webber after a visit to the Mission. Along with two sketches he submitted, he sent a document telling how the bar came to life in 2005.bar, stuart webber, derek stevenson, mts club, mts interior, bevil lunson

Picture of Carlton Player John LloysThe picture is of Carlton Player John Lloyd who played 29 games for Carlton from 1965-1967. John is player #773. John's three sons Matthew, Simon & Brad all worked or played football in various roles within the VFL. Matthew was unable to play for Carlton as his father did not play enough games to be eligible under the Father/Son rule. Matthew played for Essendon as a champion full forward. John's son Brad to date (2019) is Carlton's Football Manager.Black & White PhotoDate 2/5/67 on back of photo, name John Lloyd

Black and white photograph of Lil Allen and fiancee Lloyd Jackel taken in back garden of Lil's parents home in Myer Street Lakes Entrancegenealogy

CEMA Art Collection Previously located in History HouseThe painting depicts a large stone building with two smaller buildings in the foreground. Within the foreground is a small patch of dirt and grass with a side view of a small building to the right and a front and side view of a small stone building to the left. In the background is the large building which features two chimmneys. To the left of the building is a leafless tree and pale blue sky. The work has a gold and green frame with glass.Front: "GREENMOUNT" (brown, lower left) TRAVIS WEBBER (brown, lower right) 23 (white sticker attached to glass Back: (No inscriptions)