Commemorative Seats x 3, Ballarat Botanical Gardens. They are the "Rats of Tobruk", "Lucas Employees World War 2" and "Victor Catherall" seats.The three seats commemorate citizens of Ballarat who made valuable contributions during their lifetimes and who were to be remembered. Two sheets of pale green paper; one and a quarter sheets of print. p.1 top right hand corner, Eureka flag logo, "City of Ballarat".john garner collection, garner, dr, commemorative seats, seats, tobruk, lucas, catherall, ballarat botanical gardens, ballarat, gardens, victor moreton catherall, rats of tobruk, lucas employees, world war 2, location of seats, reg middleton, irene lillingstone nee catherall.

In February 1913 the Ballarat Junior Technical School opened its doors to its 86 pupils. The old bluestone building in the grounds of the Dana Street Primary School became their temporary for eight years. In its early years the school offered only a two-year course. The first year was of a general nature giving a thorough grounding in Mathematics and Instrumental Drawing, and introducing students to the various branches of trade work. The second-year students studied for the Junior Technical Certificate and specialized in a course of their choice - either a trade (Woodwork or Fitting and Turning) or a course leading to higher studies at the School of Mines. The photograph shows the students outside the school building. Musical instruments, trophy and shield are shown. When World War 1 began, the school formed a 16 piece Bugle Band. A squad of Junior Cadets led by Mr A Williams and later Mr H Wakeling competed at the South Street contests. Mr A Steane (the Headmaster) is shown to the right of the bass drum.Black and white copy of original photograph that is mounted on brown card. Photograph shows the students and staff outside the bluestone building at Dana Street Primary School - first location of the Ballarat Junior Technical School. Drums, a shield and a trophy are located in the foreground. The Headmaster, Albert E. Steane is seated in the centre front row. ballarat junior technical school, bass drum, steane, drum, dana street primary school, bluestone, albert steane, a steane, dana st, world war 1, south street contests, junior cadets, williams, wakeling, bugle band, junior technical certificate, mathematics, instrumental drawing, woodwork, turning and fitting, dana street state school

Quartz is an extremely common mineral to find across the world. Quartz can have two forms; Microcrystalline quartz or Crystalline quartz. Microcrystalline quartz is a fine grain quartz where crystalline quartz is often a large crystal. This specimen is a crystalline quartz. Made of silicon oxide, this specimen is called smokey quartz crystals because of its brownish colour. However, the colour of quartz can vary. In addition, quartz are formed in deep-seated igneous rocks and crystallized through hot aqueous solutions. This type of crystal can be found all over Australia, including Beechworth in Victoria. Other places quartz can be found is the Ashburton River area in Western Australia, Marlborough in Queensland, the Lune River area in Tasmania and Kingsgate in New South Wales. This specimen is significant because it is common to find this kind of mineral. While the location of where this specimen was originally from is unknown, it highlights the many places in Australia where quartz is found. It demonstrates that quartz makes up a large portion of Australia's geology. In addition, quartz itself can vary in its colour and shape. This specimen represents one of these variations. That being smoky quartz crystals. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A large hand-sized quartz mineral with shades of brown and gray throughout.Smoky quartz / crystals /locality/ unknown / (needs a wash) /BBgeological specimen, geology, geology collection, burke museum, beechworth, microcrystalline, quartz, quartz mining, quartz reefs beechworth, smokey quartz crystals, crystals, crystalline, silicon oxide, brown, colour, igneous rocks, magma, ashburton river, western australia, marlborough, queensland, lune river, tasmania, kingsgate, new south wales, nsw

The Port of Portland opened in 1959. Straight after the Mission had the desire to establish a Mission at this location. A building was found in November 1961 on Cliff Road (AR 1961). After alterations and renovations, it was officially dedicated and opened the 30 June 1962. The Portland Mission was the fourth building to be opened in Victoriasmall b & w photograph depicting outdoor Mission to Seafarers church service, with attendees seated in chairs.stamp: "PORTLAND GUARDIAN" PHOTO / COPYRIGHTportland-victoria, 1962, victoria, opening, dedication

The Bentwood chair has been called ‘the world’s most popular chair’. The original Bentwood chair, was designed by German-Austrian cabinet maker and Master Joiner, Michael Thonet (b.1796 - d.1871) and introduced to the market in 1859. Thonet started his business in his home town of Boppard as an independent cabinet maker in 1819. In the 1830’s he began trying to make furniture from glued (laminated) and bent wooden slats. Over the next few years his attempts to patent this process failed in Germany, Great Britain, France, and Russia. He then began using lightweight, strong wood and bending it into elegant, comfortable furniture. The Bentwood technology took Thonet years to perfect. In simple terms, the wooden rods or lengths were wet by soaking or steaming, bent into shape and then held in place until they hardened into the moulded curved shape or pattern. The wood usually chosen for the bentwood chairs was maple or beech. Thonet had revolutionised an older process by industrialising the process. The dowels of wood were cut and prepared as components of furniture, treated by the ‘bentwood’ process, then ready immediately for assembling with very little extra workmanship needed. Thonet held 2 patents for this process, the second one ended on 10th July 1869 and was non-renewable. At the Trade Fair at Koblenz of 1841 Prince Klemens Wenzel von Mettemich was very impressed with Thonet’s furniture, especially the chairs. In 1842 Thonet sold his Boppard business and emigrated to Vienna, and began working, along with his sons, on the interior decoration of the Palais Leichtenstein, for the Carl Leistler establishment. In 1849 he began his own business again, the Gebruder Thonet to include his sons (translated “Brothers Thonet”). He produced the “No. 1” Bentwood chair. He received a bronze medal for his Vienna bentwood chairs at the World Fair in London in 1851, and a silver medal in Paris in 1855. In 1856 he opened a new factory in Koritchan (Moravia), where there were extensive woods of beech trees available for his enterprise. In the next years, five more Eastern European production sites were established in Bystritz (1862), Nagy-Ugrócz (1866), Wsetin (1867), Hallenkau(1867) and Nowo-Radomsk(1880). Thonet’s 1859 No. 14 “chair of chairs” (or “Konsumstuhl Nr. 14” – coffee shop chair no. 14) was the most famous of all of Thonet’s Bentwood chairs. In 1867 he received a gold medal at the Paris World Fair. This new style of furniture making became very popular. Up until 1830 50 million of these chairs had been produced. By the 1870’s Thonet owned offices in almost 20 countries, with sales locations across Europe, in Chicago and New York. In 1889 he set Thonet set up a head office in Frankenberg, Hesse. Bentwood models designed in the mid to late 19th century featured hand-caned or laminated wood seats and were usually stamped with the country of origin. The Bentwood elements were the backrest, seat rim and legs. Typically the seat was covered with ‘bucket’ leather. After the Patent ran out in 1869, companies such as Jacob & Josef Kohn began the production of bentwood furniture.The popularity of the Bentwood chair that was introduced by Michael Thonet in the 1850s is due to its versatility and timeless quality. Its style, whether varnished or painted, suits any room in the house. The lightweight chairs are also popular for café and restaurant seating, as well as for public gatherings. They can be easily moved around and grouped in a variety of ways to suit any occasion.Chair, bentwood, pair of two. Backrest has full length inverted U inside frame. Support rail and wire reinforcing between legs. 3692.01 seat has floral pattern pressed into wood 3692.02 seat is plain (replacement seat). Made by Harnison & Co.3692.01 chair's marks; Label ""HARNISON & CO./ NEUSOL / BUDAPEST" and "WIENER NOBEL" and "(symbol) N inside circle, under Crown" flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, domestic furniture, dining furniture, bentwood chair, harnison & co., neusol, budapest, wiener nobel

This private late-nineteenth-century four-wheeled carriage has been built to transport a family or group of passengers with a coachman in the front seat. It can be pulled by one horse, or by two horses if the T-pole is attached. The button fittings along each side of the carriage indicate that a folding roof or hood was once attached. The frame across the front of the carriagewas likely to have been a ‘dashboard’ with a leather or wood covering to prevent water, mud and other particles from splashing onto the passengers. The rear step between the two side-facing bench seats is adjustable to allow for ladies’ long skirts. These rear seats appear to be removable, in which case the carriage could be converted to a wagon to transport goods and equipment. The carriage could have been illuminated by oil or carbide lamps placed into the lamp holders on the sides. The carriage was kept under cover for many years in an open-front sandstone building that also included living quarters and an area that may have been stable. It was at ‘Murweh’ a Warrnambool property at 203 Liebig Street. The home is now Heritage and National Trust Listed and described as a ‘gentleman’s residence’. It was built by James Wotton Shevill in the 1860s. Shevill was a councillor from 1875 to 1878, serving in 1878 as Mayor of the Borough of Warrnambool. Jeremiah Wade lived at Murweh there from 1879-1880. By 1915 F.B. Whitehead and his family were living there, and by 1930 the address was used by Mr T.J. Rome and his family. Thomas James Rome was still using that address in September 1973 after his 100th birthday. It is believed that one of the property’s owners had been an Obstetrician in Warrnambool. The current owner re-told the story that children used to hide in the back section of the carriage and smoke, hidden from the sight of onlookers. He had heard the story from a previous owner.The well-appointed horse-drawn four-wheeled carriage is likely to have first belonged to a local councillor and past Mayor of the town of Warrnambool, J.W. Shervill, whose 1860s city property was the carriage location for many years. The carriage is a rare local example of a town-based lifestyle befitting a prosperous personality of the late 19th century. It adds to the story of Warrnambool's development as a town influenced by the port, wealth gained from shipping and the home place of prominent local people such as the Councillor and later Mayor. The side-facing rear seating is unusual for a passenger carriage. It has the feature of removable rear bench seats, allowing for the dual purpose of a carriage or wagon.Carriage; the Victorian-era horse-drawn four-wheeled open carriage has a coachman’s bench seat across the front and two side-facing bench seats in the rear. There are steps at the front on each side and a centre adjustable step and the back. It has a hinged shaft, two lamp holders and a separate T-pole. The bench seats have padded backrests upholstered in green leather and each has padded armrests at the ends. A rectangular metal frame, likely to have been a dashboard, is mounted across the front of the carriage. It has two inner vertical bars. The carriage's body is painted dark green with crimson highlights on some of the panelling. Decorative oval panels with hand-painted motifs are mounted along the sides. The side panels of the carriage have metal fastener buttons attached. The iron-rimmed wheels have sixteen wooden spokes and copper cuffs on the outside of the hubs, and the rear wheels are higher than the front wheels. Wooden brake blocks are mounted onto the back wheels and are active by a metal lever at the front right side of the carriage. The undercarriage is fitted with leaf springs on each side, mounted from front to back axles. Included are: (1) The separate T-pole that allows two horses to be harnessed to the carriage (2) Leather horse winkers with metal hardware and oval brass plate on the side of each winkerMotif painted on an oval panel [a musical lyre within a blue floral wreath flanked by scrolls] flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, murweh, buggy, cart, carriage, wagon, horse-drawn vehicle, victorian buggy, four-wheeled carriage, coachman’s seat, bench seat, side-facing benches, upholstered seats, victorian decals, heritage vehicle decoration, antique hand painting, hand painted decals, motifs, iron-rimmed wheels, wooden brake blocks, leaf springs, t-pole shaft, rear step, equine carriage, 19th century vehicle, victorian transport, transport, gentleman’s vehicle, james wotton shevill, councillor, mayor, jeremiah wade, f.b. whitehead, thomas james rome, warrnambool obstruction, warrnambool genealogy, warrnambool pioneers, victorian carriage, one horse carriage, two horse carriage, horse drawn carriage

Christmas time at sea has traditionally been a key focus of Mission services to seafarers. It has also been a location where family members or friends can meet up briefly. This image was taken at the Hastings Mission to Seafarers.Part of a collection of Hasting Memorabilia collected by Keith and Pat Dann over a number of years. Prior to helping set up Hastings mission Keith Dann was also an active member at 717 Flinders St Mission.small colour photograph depicting decorated Christmas tree two seated and one standing seafarer. Also an older Sikh gentleman and his wife, possibly related to one of the seafarers. A chess and draughts confutable in foreground. christmas, hastings mission, keith dann, pat dann, pool table, television

Herbert Trangmar ALLAN, refer Cat No 2755.4 for his extensive service records and awards. .3) Taken during his appointment to Headquarters of the Command & Staff School, 2nd Military District. .7) Col H T ALLAN former commander of the Pacific Islands Regiment. .10) See newspaper articles 3046.52 & 3046.53 a., b., c. .11) - .14) See newspaper articles 3046.52 & 3046.53 a., b., c. .16) The flap staff was donated by the Royal Papua & New Guinea Constabulary. See newspaper articles 3046.52 & 3046.53 a., b., c. Th photos are of various sizes with an average as per the size field. .1) Black & white full length photo of Capt Herbert T ALLAN, 17th Battalion, in Australian Army uniform from WWI, location unknown. .2) Black & white studio portrait of Herbert T ALLAN in suit & tie. Photo is mounted on cream card with a khaki border. Photo is secured in a cream card folder. .3) Black & white photo of a group of Australian Army Officers in uniform. Front row seated, rear / middle rows standing. Herbert T ALLAN seated front row 2nd from right. Headquarters of Command & Staff School in background. .4) Black & white photo of a battalion of soldiers marching down a street with sloped rifles & fixed bayonets. Battalion led by an Officer most likely to be Herbert T ALLAN. Solder on horseback in foreground. Civilian observers line the street. .5) Black & white photo of an Australian Army Officer, most likely Herbert T ALLAN, standing in front of a tent in New Guinea. .6) Black & white photo of Col Herbert T ALLAN seated, taken in New Guinea. .7) Black & white photo of Col H T ALLAN talking to 3 New Guinea natives who are possibly former members of the Pacific Islands Regiment. .8) Black & white photo of Col H T ALLAN & his New Guinean driver in an Australian Base Command jeep. .9) Black & white photo of New Guinean spectators at the opening of the Rabaul Ex-Servicemen's Club. .10) Black & white photo of Col Herbert T ALLAN with a group of PNG Ex-Servicemen. All are wearing medals. To the immediate left of Col Herbert T ALLAN is Raymond Martin, Club President. On wall behind is a rifle donated by Capt R CLAMMER of Rabaul Police. .11) Black & white photo of a presentation table to the Rabaul Ex-Servicemen, by the New Britain Boy Scouts. Club President, Raymond Martin is receiving the table with Colonel Herbert T ALLAN looking on. .12) Black & white photo of Rabaul Ex-Servicemen's Club President, Raymond Martin making a speech at the Club's opening with Colonel Herbert T ALLAN, a Naval Officer & a group looking on. Group is in front of PNG Rabaul Branch of Native Ex-Servicemen's Association building. .13) Black & white photo of the parade of PNG Ex-Servicemen, Boy Scouts & spectators at the opening of the Rabaul Ex-Servicemen's Club. .14) Black & white photo of Colonel Herbert T ALLAN inspecting a parade of PNG Ex-Servicemen at the opening of the Rabaul Ex-Servicemen's Club. .15) Black & white photo of the official party at the opening of the Papua & New Guinea Rabaul Branch Native Ex-Servicemen's Club. .16) Black & white photo of Colonel Herbert T ALLAN raising the Australian flag in front of a parade of PNG Ex-Servicemen, Boy Scouts & spectators at the opening of the Rabaul Ex-Servicemen's Club. .1) Handwritten on back: Armistice Day Nov 11th 1918. Hence the smile. .2) Printed on folder front: Portrait study by Howard Harris. Handwritten on back: Blue Allan. .3) On front: Handwritten 'X' below H T ALLAN. On back: Stamp of S J Hood photographer detailing order No 1. .5) Handwritten in pencil on back: Return to I Marsh Woolgoolga. .6) Stamped in blue ink on back: Photograph No MH 75552 Supplied by Military History Section (SD?) General? LHQ For official purpose ONLY NOT TO BE PUBLISHED .7) Stamped in blue ink on back: Photograph No MH 75553 Supplied by Military History Section (SD?) General? LHQ For official purpose ONLY NOT TO BE PUBLISHED Handwritten in pencil on back: Return to I Marsh Woolgoolga. .8) Stamped in blue ink on back: Photograph No MH 75556 Supplied by Military History Section (SD?) General? LHQ For official purpose ONLY NOT TO BE PUBLISHED photographs, articles, pacific, new guinea

Amy Huxtable was born at Cheltenham in 1918, to Robert Henry Huxtable and Violet A Dagg. Her father was an installer for an oil company and travelled the State. taking his family with him. She completed her education at the Bendigo High School and later attended the Bendigo Business College, becoming an expert shorthand writer. Her first position was as a copy writer with Radio 3BO, in the mid 1930s. She worked with an advertising agency in Melbourne and then with the Age,newspaper. In 1953, Miss Huxtable was appointed temporarily to succeed Miss E B Millane as social editress of the Bendigo Advertiser, during the latter's absence abroad. In 1956, Amy travelled abroad and on her return in 1957 was appointed permanently as Women's editor, a position she held for twenty-three ears. During her early years with The Advertiser she wrote under the name Toora, but in later years her own name became widely known. Miss Huxtable was well known both in her professional capacity and through a interest and involvement in community activites. She was life governor of the Bendigo Hospital, the Bendigo Home for the Aged, and Mirridong Home for the Blind, she was a member of Soroptimist International and the Business and Professional Women's Club. Amy was also a tireless worker for the spastic society and a strong supporter of the YWCA. When Amy Huxtable died at Mt AJvernia Hospital on 16 January 1980 Mayor Campbell ordered the city flag to be flown at half-mast. "Lowering the flag is the least we can do for such a lady" Cr Campbell said. Douglas Lockwood, editor of the Bendigo Advertiser said, "She was a devot d colleague who gave her craft and her newspaper the kind of service which identified a rare and generous spirit." She was a true professional who decided to make Bendigo her home. More than 300 people packed St Paul's Church for her funeral ervice the bell tolled as the casket was carried from the church. At a ceremony in the Conservatory Gardens on No ember 22 1981 The Amy Huxtable Memorial Committee presented to the City of Bendigo, a garden seat in memory of the late Miss Huxtable. This Bendigo manufactured seat was a fitting tribute to one ofBendigo's most loved and esteemed citizens. All Miss Huxtable's Advertiser articles were microfilmed and presented to the Library by the above committee. Amy Huxtable Memorial Seat - Bendigo Conservatory Gardens. Four Newspaper articles from the Bendigo Advertiser: 2808.7a Article entitled " Committee of 9 for Huxtable Memorial 1/4/1980". Describes how the Mayor of Bendigo called for a committee to consider a suitable memorial to Amy, the former Bendigo Advertiser women's editor. Also mentions a portrait to be painted and hung in a prominent location, perhaps the Advertiser Office. There were a number of other suggestions to honour her including a book to be produced containg Miss Huxtable's numerous history articles. 2808.7b A public notice 21/11/1981 from Miss N Young, President, Amy Huxtable Memorial Committee, inviting people to the presentation of the Amy Huxtable Memorial Seat to the City of Bendigo at the Conservatory Gardens on Sunday Nov 22 1981 2808.7c Article contains a photo of the seat being installed by the Superintendant of Bendigo Parks and Gardens Andrew Taylor, and the deisgner, President of the Memorial Committee Bill Delecca. It acknowledges the seat was bought by the Committee and the Business and Professional Women's Club. 2808.7d Article advising that the Bendigo City Council had granted approval for the seat.history, amy huxtable, bendigo, amy huxtable memorial committee, bendigo professional women's club, bendigo conservatory gardens

The Army Survey Regiment, formerly the Royal Australian Survey Corps, was the Australian Army’s primary military mapping and charting capability. Operating out of the historic Fortuna Villa in Bendigo from 1942 until its disbandment in 1996, it was the largest mapping entity in the Southern Hemisphere. In October 1988 the commanding officer Lieutenant Colonel J.W. Winzar outlined a proposal by the Australian Army's Historical Committee to restore part of the grounds surrounding the Fortuna mansion to their approximate 1900 appearance. The main objective was to Install a cast iron fountain with water recirculating equipment and pool; also to re-establish lawns and flower beds to match the historical layout from around 1900. The Scope of Works included removal of existing shrubs and a section of bitumen pathway; installation of the fountain and necessary plumbing. Also to replant the area with lawn and appropriate plants. The restoration focused on the main approach area to the Fortuna mansion, which was currently in need of renovation. The proposal references plans and photographs (in Annexes A, B, and C ) to illustrate the intended restoration area and its current condition.Fortuna Articles - Restoration of the gardens, and Scope of Works from the Australian Army. This item contains the following documents: 11217.71a An 8 x 6 inch black and white photo of Fortuna and its gardens (as it was in 1900) including the fountain and pathways. 11217.71b A quote from Plants and Sculptures, 10 High St Glen Iris for a cast iron fountain for $2,200 and includes hand-written letter and product release pictures from B and C Foundries Co. Pty Ltd 11217.71c Letter and Scope of Works from Lieutenant Colonel J W Winzar Commanding Officer of Fortuna to the Secretary, third Military District Historical Committee, Headquarters Third Military District, Victoria Barracks, Melbourne - Proposal to restore a portion of the Fortuna grounds. 11217.71d Photograph of the location for the fountain in 1988 11217.71e Sketch of new fountain, and restored pathways (5 copies of the sketch plus the original tracing) 11217.71f Plan of the works for the new landscaping. (7 copies) 11217.71g Plan - A3 Side elevation showing the new fountain 11217.71h Letters to suppliers and information (product catalogs) re the fountain and accessories 11217.71i Letter to the Chief Engineer HQ Third Military District - progress report as at May 1989 11217.71j Letters to Billman's Foundry Castlemaine for quote on lamp pole and fitting and seat ends; and to Ajax Foundry Kyneton for seat ends, included coloured photosnon-fictionbendigo, fortuna, george lansell, army survey regiment, fortuna fountain, lieutenant colonel j w winzar

8375a: The Victorian soldier settlement scheme created in 1917 to lease farming land to soldiers and nurses returning from WW1. The Scheme was heavily criticised. Some reasons for this were the settlers' lack of capital, the size of the land allocated, and the prices of agricultural products both purchased and sold by the farmers. In the wake of WW2, the soldier settlement scheme was refined and, under the supervision of the Soldier Settlement Commission, was re-established. The Yarraberb Settlement was one of the settlements established in 1948. 8375b: Archibald Edmund "Archie" Robertson was born in Eaglehawk in 1884 to Martin Robertson and Anna Margaretha/Hannah Marguerita (nee. Weseloh/Wesloah). Robertson was a commissioned officer during WW1 and contributed to the welfare and advancement of the California Gully community. Following his death in 1922, following a fall from his bike, the community honoured Robertson with a memorial seat in 1923.A3 colour photocopies of newspaper articles pertaining to the North Central Victoria Region. Date of photocopy unknown. Location of original paper unknown (likely the Eaglehawk Times, unable to confirm). Both articles were cut from a larger paper. Article 8375a briefly describes the Yarraberb Solder Settlement. Article 8375b recounts the dedication of Archie Robertson's seat in California Gully. newspaper, eaglehawk heritage society, yarraberb soldiers settlement, soldier settlement commission, archie robertson, california gully, ww1, ww2

Phillip Dresher (1823-1906), was born in Germany and emigrated to Ireland before coming to Australia in 1852. He was married to Margaret Cosgrove. After Phillip died his son John Thomas (1873-1919) took over the business. John Thomas was also a watchman for the fire brigade.black and white photograph. Part of commercial streetscape, Level shop front, upper residential. Dresher Watchmaker Jeweller, Globe Hotel, R. hand verandah, shop not identified. Two trees, paved footpath, bench seat, small child by Dresher window. Gas light outside bar, twin doors to bar,unknown - reprintorganization, business, dresher jeweller, globe hotel, re location: j. lerk, 26.11.1999 ' globe was in mitchell street near wills street' d. walker 5.11 1999 'suggest dresher, jeweller, bridge street, bendigo close to hibernia hotel.

The children were students at the Platrithia school when the photograph was taken in 1931. Platrithia is a village located in northern Ithaca. A black and white photograph of fourteen school children with their teacher posing outside a building. Eight girls are standing behind the teacher and another three girls and three boys are seated in the front. Two of the older girls are standing on the RHS of the photograph. Written on the back in biro are the location and date of the photograph as well as names of some of the people in the picture.Written on the back and translated from the Greek: STATE SCHOOL PLATRITHIA 1931.

Part of the Meade Collection. See Cat No. 10785P for details of service for "Ernest James Meade" (No.2112). Unidentified group of WW1 Australian Army Australian Rules footballers. The team was based at the No1 Command Depot at Sutton Veny, Wiltshire, UK. The officer seated is Lieutenant Colonel William Owen ('Old Bill') Mansbridge who was OC of No1 Command Depot. Compare this photograph to one of the depot's Soccer Football team taken on the same day and in the same location, which is held in the Australian War Memorial's photographic collection (AWM A 03388) The photographs were both taken by photographer Graystone Bird, whose studio was in Bath, U.K. Sepia toned photograph of a team of 1st AIF Australian Rules foorballers in three rows. Eighteen are in football kit. Two Officers are in the middle of the group. Australian soldiers in uniform at either end of the group. Footballer on left of seated officer is holding a football with, writing on it. Writing “No 1?12, 19 COMMAND DEPOT”. In white lettering on bottom LH corner: - “Graystone Bird, Bath.” Postcard format on back.Illegible handwriting in pencil on back.meade collection, australian rules football, ww1, 1st aif, photograph, graystone bird, ernest james meade

Colour slide in a mount. Park seats, unknown locationMade in Australia / Encircled 5 (Handwritten)slide, robin boyd

In 1878, Mrs Charlotte Anderson founded an private school for girls in her home at Bulleen Road, Kew (now 63 High Street South, Kew). She moved her school to ‘Edgecomb’, in Studley Park Road in 1882 and named it Ruyton. Charlotte Anderson retired in 1888, and sold her school to Miss Eliza Bromby. This image was used to illustrate The Ruytonian, June 1915, p2. The date of manufacture of the duplicate photograph is unknown.Black & white duplicate photograph of Mrs Charlotte Anderson with staff and a group of younger students from Ruyton Girls’ School, c.1885. The group is arranged in three rows of seated and standing individuals, and is located on a garden setting. The photograph was taken at ‘Edgecomb’, Studley Park Road, Kew which was the location of Ruyton from 1882-1888. Mrs Anderson is seated in the middle row, third from right. ruyton girls' school, kew, charlotte anderson

Digital image scan of a Keith Kings slide showing the interior of a Geelong Pengelley tram in particular the detail of the end seat arrangement, doors, pay as you enter sign and the location of the builders plate.Yields information about the interior of a Geelong Pengelley tram.Digital image - Keith Kings number K(f)(83),geelong, pengelley, trams, tramways, builders plate

The photo is of Sturt St showing Town Hall Ballarat Vic, looking east towards Grenville St from Doveton St. An ESCo tram is in the far distance. In the view are Stansfield and Smith, Snows, and the Bucks Head Hotel. On the left can be seen Shoppee's Square marketplace tents. Photo is very similar in location to item 7364, a later version of this Rose Series photo with the same number 1712. Wal Jack has written on the rear "One of the Sebastopol type of trams (cross seater with centre aisle) about 1916, photo from Doveton St" Demonstrates a postcard of Sturt St south side.Postcard Black and white - Rose Series No 1712 - divided back with the rose symbol, publisher details on the left side and that it is a "Real" photograph.See image 2 for Wal Jack's notes.sturt street, ballarat, tramways, esco, town hall, shoppee's square

Yields information about some of the individual street tramways shelters at tram stops and their appearance.Set of four Colour 27 x 27 mm slide in a Kodachrome cardboard mount. .1 - Grenville St with two ladies sitting inside, has the Big W store in the background. .2 - Concrete shelter with curved roof - Wendouree Parade near - has the photographer's purse and umbrella on the seat. This shelter was located at Forest St. From discussions with Dave Macartney and Alastair Reither 11/9/2016, it was there in the 1990 hail storms as they sheltered under it, but disappeared soon after - the construction of the roundabout would have absorbed its location. .3 - timber based shelter with flat roof - Wendouree Parade near Dowling St. This shelter remains in position in 9/2016. See Reg Item 6551 for a digital image. .4 - Shelter at Tramway Centre, City, Sturt St and Lydiard Sts, looking towards the Town Hall Slide mount date August or September 1971. Photo from the collection of Lilian Butler.ballarat, tramways, trams, shelters, grenville st, wendouree parade, sturt st, lydiard st, city, tramway centre, forest st, dowling st

Bob Kelly paints landscapes of culturally significant sites along the Mornington Peninsula and depicts these locations as he imagines they originally were before colonisation. Using traditional Western painting techniques, Kelly records the underlying spirit of the Peninsula from a Wathaurong perspective. Chinaman’s Creek in Capel Sound (Rosebud West) was an important watercourse that originally ran from Wonga (Arthur’s Seat) down through Tootgarook Swamp into Port Phillip Bay. It was a great fresh water and food source and home for many Boonwurrung people. Since settlement over 170 years ago, the creek has been drained, blocked, reconstructed and damaged. Kelly depicts a lush green landscape in which the clean creek water winds through the surrounding vegetation of spinifex grasses and gum trees, the background hills are abundant with trees, untouched from man's intervention. Using painstaking detail, Kelly records each blade of grass and ripple on the surface of Chinaman’s Creek. His attention to detail serves to powerfully reimagine this important cultural site, returning it to its former pristine state, and reinvigorating its role as a key place of sustenance for the Indigenous populations of the Peninsula. Chinaman's Creek was a finalist in the 2017 Bayside Acquisitive Art Prize.oil and acrylic on canvaslandscape, creek, trees, chinaman's creek, painting, indigenous, robert kelly, bayside acquisitive art prize, bob kelly, wathaurong, rosebud, arthur's seat, tootgarook swamp, port phillip bay, boonwurrung

Stawell Bowling Club 1929 opening day. Seated front centre Mayor Cr C Brown and Mayoress Mrs. Brown (Holding flowers). Black and white photograph of a group of people seated and standing infront of the pavilian.Stawell Bowling Club 1929 See Page 8 Club History (Mag. Box 4) Page 8: 1929, the pavilion faced east, location, B Green Stawell Bowling Club Opening Day, Names listed by W. Holmes (snr). Second row, from left, reading left to right: 1, C. Johnson; 2, Geo Smith; 3, J. McDonald; 4, J. G. McDonald; 5, Bob McCracken; 6, Bill Carter; 7, Rowlands; 8, G. Sharpley; 9, 'Tug' Wilson; 10, Jack Bennett; 11, Bert Whiteside; 12, Syd Maddison; 13, Leck Grant; 14, Don Wright; 15, Vicar Anderson; 16, Alex Larkin. Front row: 9, Charlie Brown (Mayor); 10, Mrs Brown; 13, Gus Haase, President. Ron Robson explained the entrance to pavilion and the green was from Victoria Street, gate entrance approx where single gate is now (1991), facing Cato Park. W.J. Chapman Photo Artist Stawell stawell sport

Photo of seven men seated around a table. Mounted in a wooden frame. Plaque in the bottom centre of frame.Wording: The Lockwood Studios, Geelong; Method: White ink; Location: Bottom right of image

The 'Black Saturday' bushfires were a series of bushfires that ignited across the Australian state of Victoria on and around Saturday, 7 February 2009. It was Australia's worst ever natural disaster. The fires occurred during extreme bushfire-weather conditions and resulted in Australia's highest ever loss of life from a bushfire: 173 people died and 414 were injured as a result of the fires. For most women being part of the Lasting Memories Mosaic Group was a way of reconnecting to the area, friends and neighbours. As the months went by, the idea of creating a gift to the community together was born. The women wanted to artistically express their memories of what they had experienced. Creating a mosaic seat in the heart of St Andrews allowed the group to be 'in control' of building something from the ground up - a symbol of hope, recovery and renewal. All of their experiences and memories have been included into the seat design, which makes it so special. This mosaic seat is proudly positioned outside the St Andrews Hall, which is also the site for the St Andrews market held every Saturday throughout the year.The Lasting Memories Mosaic group began this piece just after the Black Saturday fires in 2009. After the horrific fires ravaged through St Andrews and the surrounding areas, a group of bushfire affected ladies bravely came back to St Andrews to begin their healing in an artistic way. Each woman created something beautiful and meaningful, using remnants of crockery, glass, tiles and bricks salvaged from their own properties. This artworks identifies who they are and tells their personal 'life journey' and family heritage and memories of what they had experienced before, during and beyond Black Saturday. It is also an expression of their love for the St. Andrews area and the nature and people within it. A large concrete seat in the style of an organic chaise lounge covered in mosaic (broken tiles, glass, crockery and ceramics of all shapes and colour). The pieces have been placed to form pictures, words and patterns that tell and recount stories and memories of reflection, hope and love of a group of people who experienced the Black Saturday bushfires. (Click on links to view details of the seat) black saturday, mosaic, art, lasting memories, st andrews, tiles, glass, fire, concrete, cement, chris reade, ekphrasis2017

Poster produced by the City of BrimbankExperience Brimbank|Explore town centres of Deer Park, Keilor, St. Albans, Sunshine & Sydenham|Get up close with nature - Brimbank Park, Maribyrnong River Trail, Organ Pipes, Taylors Creek Trail, Kororoit Creek & Jones Creek Trail|Out and about with the kids - Alice's Playspace, Buckingham Reserve, Cliff Harvey Lagoon Reserve, Isabella Williams Memorial Reserve, Kevin Flint Memorial Reserve & The Lakes Reserve|Key places of interest - H.V. McKay Memorial Park, Overnewton Castle, Bowery Theatre, Black Powder Mill, Keilor Golf Course, Mt. Derrimut Golf Club, Brimbank Cente Shopping Centre, Keilor Central Shopping Centre, Sunshine Marketplace Shopping Centre, Sunshine Plaza Shopping Centre, Watergardens Shopping Centre, Clader Park Thunderdome|Public Art locations - Eagle sculpture Federation Trail Brooklyn, Spiral Graph Seat Lennon Parkway Derrimut, Seeds of Hope and Dreams Drift Alfredia St, Seeds of Hope and Dreams Yam Daisy St. Albans Square, Kangaroo Sculpture Matthews Hill, Reflexio Qualis sculptures Sunshine Bus Interchange and City Place, Man Lifting Cow Hampshire Rdbrimbank

Photo shows the body of the horse tram No. 1 with a row of seats on the top. On display at the BTPS depot fan with tram 18 behind. Photographed on the day of the Society's 1986 AGM.Yields information about BTPS Operations and work in 1986Colour print of Kodak paper - Ballarat - BTPS Depot - Horse tram and tram 18Has details of the location and dates on rear along with photographers number.ballarat, tramways, tramcars, btps, tram 18, tram 1, horse tram

Photo shows tram 26 nearing completion of the conversion to a California Combination car. Seat backs and trolley pole yet to be fitted. On display at the BTPS depot fan with tram 28. Photographed on the day of the Society's 1986 AGM.Yields information about BTPS Operations and work in 1986Colour print of Kodak paper - Ballarat - BTPS Depot - tram 26Has details of the location and dates on rear along with photographers number.ballarat, tramways, tramcars, btps, tram 26

Set of 15 items personally collected or given to Les Denmead by visiting Tramway enthusiasts or other interested people to Ballarat. Retained as a sample of images or other mementoes given by people though not directly of Ballarat. The following items are a summary only: 1901.1 - Postcard from South Pacific Electric Railway of L/P class tram No. 154 on SPER track , SPER-1 - Nucolorvue. 1901.2 - Photograph of Brisbane FM 440? and drop centre behind - CBD area Brisbane. Has 'Brisbane' written on back. 1901.3 - Photograph of Brisbane FM 473, showing Grange, as for 1901.2. 1901.4 - Photograph of Brisbane FM 422, showing Chermside, Brisbane CBD area, has "Brisbane May 1955' written on front of photo. 1901.5 - Illustration of Christchurch Horse Tram, Tramway Historical Society / Shell Oil company produced card, full details on rear. 1901.6 - Illustration of Wellington 'Fiducia' tram No. 238, operating on Wellington Tramway Museum track. Produced by Museum, with full details on rear. 1901.7 - Colour illustration of Wellington tram No. 257, central or downtown Wellington, outside the Parliament grounds. Full details on rear of card - produced by Shell Oil Company? 1901.8 - Photo of four H class trams at Victoria Sq. Adelaide, 25/3/1967. Taken by Douglas A. Colquhoun. On left hand side is a single car 378 and on the other track a three car set 366, 367 and 368. 1901.9 - Photo of Adelaide E1 111, crossing the Holland St. Bridge, 24.10.1953. Photo by Douglas A. Colquhoun. 1901.10 - Photo of Adelaide A 82, Wayville Junction, Feb. 1952. Photo by Douglas A. Colquhoun. 1901.11 - Photo of Adelaide A 10, later SEC Ballarat 21, in Adelaide CBD, with Ferors Gresham Hotel alongside. Has written note on background re tram. 1901.12 - Two prints of the front vestibule of a Toronto PCC tram, with operator (driver) seated. 1901.13 - Two prints of Toronto PCC 4400 and 4404, coupled together, 9/8/1949 with a depot? or carbarn building in the background. Has caption on the base of the photograph - copy photograph. 1901.14 - Two prints of a close up photograph of the coupling between the two cars in 1901.13. 1901.15 - Photograph of a Fare Box on a Toronto Streetcar. (1901.13 to .14) have "Canada" written on the back. 1trams, tramways, sydney, brisbane, adelaide, wellington, christchurch, toronto, pcc, victoria sq., tram 21

splitting railings for post and rail fence from huge log. Three small children seated on log unknown location in VictoriaBlack and white photograph showing Alf and Herb Howlett genealogy, farm, families

The ticket documents a Royal Concert held during the 1963 visit of the British monarch and consort to Australia, organised by the Government of Victoria with the Australian Broadcasting Commission, reflecting its civic and national significance. Hosted at Melbourne’s Sidney Myer Music Bowl, the event required large-scale crowd management, evidenced by the printed access map on the ticket. The named bearer and fixed, non-transferable seating indicate controlled attendance and heightened security appropriate to a royal event.This item has local historic significance for Broadmeadows and Campbellfield, providing primary evidence of major industrial development and civic engagement in Victoria during the 1960s.This item is of historic and social significance as tangible evidence of civic life, monarchy-related public events, and state-organised cultural programming in Victoria during the early 1960s. It documents public engagement with royal visits and the ceremonial relationship between Australia and the British Crown in the mid 20th century.Single sheet of pale pink paper, printed in black ink, folded vertically. The recto contains formal event text and seat information. The verso contains a printed location map and directional diagram.Recto (front): “In the presence/of Her Majesty The Queen and His Royal Highness/The Duke of Edinburgh”/“Royal Concert”/“arranged by/the Government of Victoria”/“in association with the Australian Broadcasting Commission”/“at the Sidney Myer Music Bowl”/“on Sunday, 24th February, 1963”/“at 2.30 o’clock p.m.”/“Admit… Mr C. Mutton” / “This Ticket is issued to the bearer and is not transferable”/“SECTION 3”/“ROW X”/“SEAT 69” Verso (back): “From Linlithgow Ave”/“King George V Memorial”/“Swan St Bridge”/“Alexandra Ave”/“To Sections 2 & 3”/ Hand-applied label: “WI-4242” royal visit, royal concert, 1963, sidney myer music bowl, victoria government, australian broadcasting commission, queen elizabeth ii, duke of edinburgh, melbourne, souvenir, admission ticket, civic ceremony, crowd management, seated allocation, cultural event