A publication of 144 pages including illustrations, images and and extensive table of contents.non-fictionThis is a book for the dog lover, and more especially for all who are interested in Australian Antarctic history. The collection of stories from ex-expeditioners tells of their love and admiration for these hard working heroic animals who played such a significant part in exploration work, transporting scientists to dangerous crevassed areas in outlying mountains and over the sea ice. The episodes are contributed by expeditioners who served in Antarctica during the past 45 years. siberian huskies, huskies in antarctica, antarctica - discovery and exploration

A paperback book titled ''Mr. Gilfil's Love Story.'' Written by George Eliot. Published by Collins' Clear-Type Press. London and Glasgow. 62pgs. Collins Penny Library.George Eliotbooks, fiction, romance, lydia chancellor, collection, fiction, romance, love stories, collins' penny library, recreations, book, books

Article about the passing and funeral of Allan Robinson formerly Principal of Montmorency Secondary College, with a transcript of Eltham MLA Vicki Ward's speech to Parliament about Mr Robinson.Text and good colour imageallan robinson, montmorency secondary college, vicki ward

Tells te story of the first Japanese 'war bride' to be admitted entry to Australia after World War II. This book was owned by Ruby Fort.161 pages. b&w photographs. Brown dust jacket with drawing of bamboo.On fly leaf: "Ruby Fort Emily Rough"world war ii, japanese war brides, cherry parker

169 p.; 22 cmnon-fictionJourney with a stranger : the love story of an artist and a writer - Hilde Knorrhilde knorr, australian authors

p.345.fictionA romantic novel. Mary Lavelle, a beautiful young Irish woman, travels to Spain to see some of the world before marrying her steadfast fiance John. But despite the enchanting surroundings and her three charming charges, life as governess to the wealthy Areavaga family is lonely and she is homesick. Then comes the arrival of the family's handsome, passionate - and married - son Juanito and Mary's loyalties and beliefs are challenged. Falling in love with Juanito and with Spain, Mary finds herself at the heart of a family and a nation divided. love story, spain - history - republic 1931-1939

Eric Liffman was a refugee from Nazi Germany who, as a prisoner, is transported to Australia on the troop ship HMS Dunera. He became the most celebrated tenor in Australia during WW11.Dunera Voyage. Eric Liffman's rise from refugee/prisoner to become a celebrated tenor during WW11Book -199 pages, B/W photos. Soft cover. Narrated & Illustrated by Eric Liffmann. Written by Patricia & Kurt LiffmannPhotos of Eric Liffmann on coverdunera, jewish refugee

Front of the book shows a photographic image of two children posing for the camera in a garden. The title is printed in red across the top, the author's name is printed in white across the bottom of the image and bellow that the subtitle is printed in black in a handwritten style. The spine of the book is white with the title printed in red and the author in black print.non-fictionThis is a story about the occupation of Rabaul, New Guinea, by the Japanese in World War II, written by the daughter of an Australian who died there. This is a moving and intriguing account of a time and place that still resonates for many Australians, and of tragic wartime events whose effects still reverberate in many families. - Trovespensley family, montevideo maru (ship), papua new guinea, war crimes, missing in action, world war ii, ww2, rabaul

Admiral Stockdale's account of the Tonkin Bay occurrence is exciting and revelatory history; and he has justly become a national figure for his heroic and canny leadership of the American prisoners of war in Hanoi.air pilots, military - united states - biography, united states. navy - aviation - biography, prisoners of war - vietnam - biography, vietnamese conflict, 1961-1975 - personal narratives, american

Charles Stewart Parnell Vol 1 His Love Story and Political Life Author: Katharine O'Shea (Mrs Charles Stewart Parnell) Publisher: Cassell & Company Date: 1914Label on spine cover with typed text RH 923.2 PAR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, charles stewart parnell vol 1, charles stewart parnell, katharine o'shea, mrs charles stewart parnell

Charles Stewart Parnell Vol 2 His Love Story and Political Life Author: Katharine O'Shea (Mrs Charles Stewart Parnell) Publisher: Cassell & Company Date: 1914 Label on spine cover with typed text RH 923.2 PAR Pastedown front endpaper has sticker from Warrnambool Mechanics Institute and Free Library Front loose endpaper has a stamp from Corangamite Regional Library Service warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, shipwrecked-artefact, great ocean road, book, warrnambool library, warrnambool mechanics’ institute, mechanics’ institute library, victorian library board, warrnambool books and records, warrnambool children’s library, warrnambool public library, charles stewart parnell vol 2, charles stewart parnell, katharine o'shea, mrs charles stewart parnell

Boyd praises Reyner Banham's book titled "Los Angeles: The Architecture Of Four Ecologies" published in 1971. Boyd describes Banham's unconventional, positive attitude toward Los Angeles as an architectural love story. Boyd notes that Banham is somewhat idealistic about Los Angeles but declares the book a successful and interesting balance between history and architecture.Original manuscript of an book review published as 'Los Angeles: architectural love story' in "The Sunday Australian" on 04.07.1971.Typewritten (c copy), pencil edits, quarto, 7 pagesreyner banham, los angeles, historian, modern architecture, age of technology, robin boyd, manuscript

Transferred from original performance location in Fitzroy to Melbourne Athenaeum Theatre. The Elizabethan Trust production was performed after a season at the Sydney Biennale. The performance consisted of five, 20-minute variations on a fictional love story. The theatre review by Leonard Radic comments: This kind of performance theatre is an attempt to cross the boundaries between art and theatre. It is genuinely experimental in that it seeks to give new meaning to old situations. ... It dares to be different.Large flyer, 2 small flyers and newspaper articleprediction piece 8: winter/passion, lyndal jones, athenaeum theatre, the australian elizabethan trust, program

Front cover has a photograph taken on Black Saturday by Alex Coppel from the Sunday Herald Sun; smoke from Black Saturday fires turns day into night as CFA volunteers race towards a new firefront at Labertouche. There is also a banner across the top of the front cover that says 'All proceeds from this book go to the Salvation Army Victorian Bushfire Appeal. non-fictionStories of love, loss and courage from the Victorian bushfires on Black Saturdaybushfire, black saturday, victoria, kilmore east, wandong, strathewen, kinglake west, st andrews, steels creek, kinglake, flowerdale, marysville, gippsland, bendigo, beechworth, medgegonga

FIRST LOVE tells the story of three passionate young girls from Phillip Island who aspire to make a career out of surfing. The film stars Jess Laing, Nikki Van Dijk, India Payne. Also appearing Stephanie Gilmore, Coco Ho and Alana Blanchard.The first feature length Australian surf film which tells the story of a group of young female surfers. The film has screened at a number of major film festivals and won two major awards at the X-Dance Film Festival in 2011.DVD cover features a colour photograph of the three stars of the film, Jess Laing, Nikki Van Dijk and India Payne.Rip Curl Logo, film festival logosfirst love, jess laing, nikki van dijk, india payne, stephanie gilmore, fran derham, clare plueckhahn, georgia fish, cahill bell-warren, coco ho, alana blanchard, claire gorman

fictionA satirical illustrated tale of artist Hephzibah Brown who is persuaded by Cedric the Imp of Perversity to follow him to the recently independent Ghana to compose a tourist book he will write and she illustrate. She follows him but changes it to a novel about two tourists, one pragmatic and one an idealistic, a woman, to examine "real life'' being a form of transience.collage, drawing, travelogue, weaving, sexuality, satire, writing

Mazazine on 21 pages featuring a black and white image of the Ballarat Arch of Victory on the front cover. Contents include: * Making Australia's History (John Campbell Miles and Mount Isa) by S. Warren Shears * Cricket Club Notes by Arthur Smith (Doug Mills, Stan Fraser, Tubby Grundy) * Badminton Notes (W. Shears, I. JOnes, T. Hubble, M. Drabsch, Joan Sutherland) * Combating Asian 'Flu (Photo of June Blundell receiving injection from Dr W. Jenkin) * Greater Love (Original short story by L.W.) * Social Page * What is a Boy by Allen Beck Images include photographs of workers on the job, and the Lucas Past Employees Memorial Cairn on the Learmonth end of the Avenue of Honour. e. lucas and co., s. sarori, f. gillies, john tunbridge, lucas memorial cairn

A sculpture of local author Alan Marshall welcomes visitors in the grounds of Eltham library. Alan loved telling stories and talking to children and his own story overcoming the legacy of polio has been an inspiration to generations of Australians. Marcus Skipper, the sculptor, knew Alan well and the sculpture is said to capture his spirit and appearance perfectly; the jumper was even cast from one of Alan’s own. A realistic depiction (almost life size) of Alan Marshall (1902-1984) cast in bronze with green patination. Dressed in a jumper and slacks, Marshall is shown perched on a crutch, holding a book to his heart, gesturing to his audience to come and listen to his words. It was scupluted by local artist Marcus Skipper (b.1950 Melb. died 2011). HISTORICAL INFORMATION Alan Marshall was an author of more than fifteen books, and lived much of his life in Eltham. He became a central figure in the area's arts community of writers, artists, sculptors, film makers, actors and musicians . He is shown stroking a book to his heart, perched on a crutch, which references his disability (contracted polio when he was young), and his status as one of Australia's most successful and loved authors. His most famous book, 'I Can Jump Puddles' is based on his life story and the obstacles he faced as a child in trying to overcome his disability. Marcus Skipper submitted the idea for the work to the first 'Art in Public Places' Awards in 1990. The selectors at the time recommended that the work would be more suitably placed near the Eltham Library. It was commissioned and installed for the new Eltham Library, which was designed by Greg Burgess in 1994. It was partially funded by the then Shire of Eltham's Art Development Fund (Eltham Arts Council) and the rest donated by the artist Marcus Skipper. - Highlights from the Nillumbik Public Art Collection. "The setting and location are ideal and Marcus has really captured the typical Marshall character. It has attracted much favourable comment since its completion. .. Alan Marshall, A.M., O.B.E., Hon.LL.D. (1902-1984) was born at Noorat, Victoria and became one of Australia's most famous authors. His association with the Eltham area began in 1920 when he started his first job as a junior clerk at the Eltham Shire Offices, Kangaroo Ground. In the 1940s he spent some time living at Research. From 1955 he lived in Eltham for nearly 20 years. Disabilities resulting from polio as a young child did not prevent a wide range of experiences. Alan's occupations have been listed as clerk, night watchman, fortune teller, freelance journalist and author. He has been patron of many disadvantaged Children's Societies. Alan's books are numerous and include novels, short stories, children's books, history and travel. Among the best known are his autobiographies "I Can Jump Puddles" and "This is the Grass". Others include "These are My People", "Ourselves Writ Strange", "People of the Dreamtime", "The Gay Provider" and "Wild Red Horses". In 1971 he wrote the Centenary History of the Shire of Eltham, "Pioneers and Painters". -EDHS Newsletter No. 104, September 1995This work has significance for its reference to two well known names associated with Eltham and its history. The sculpture is a realistic statue of the famous Australian author Alan Marshall who wrote "I Can Jump Puddles". He lived and worked in the Shire. The artist Marcus Skipper represents a highly recognised family of artists associated with Monsalvat . The sculpture 'Alan Marshall' has been classified as of regional significance by the National Trust of Australia. - Highlights from the Nillumbik Public Art Collection.Born Digitalart in public places, alan marshall, marcus skipper, sculptures, eltham library

Everyone seemed to know Frances – it was November 1985 – I met Frances at the Victorian Synod office as she lent me her office to interview staff for St Philip’s which I was taking over in 1986. The interviews completed, she took me to a nearby coffee shop where we had a delightful chat. I came away much the richer, more informed about St Philip’s and feeling I had known Frances forever. And so started our 23 year friendship, with me hearing the first of many stories – for Frances was a wonderfully gifted story teller with a capacity to turn the past into life, and its characters into real people. It seems fitting that a person destined to add to Australia’s history should be born down the beach from Mendonca’s Mahogany ship – Port Fairy on the 28 January 1924. There she went to school – first to primary school then to Camperdown’s Higher Elementary School which went to Year 10. She was the eldest of four children with three brothers, Jock, Norman and Rod. After Year 10, Frances took a job in Camperdown as a dental nurse. She tackled this successfully until deciding to study at Rolland House in Carlton to become a Deaconess. Jock, her brother, recalls asking Frances what made her decide to be a Deaconess. At a Presbyterian Fellowship camp at Warrnambool, Frances and the others were sleeping in the Church Hall on palliases. During the night she awoke and her eye was drawn to a stained glass window, unusually brightly lit. On the window were the words “Follow Me”. Without flinching Frances took the words to heart and decided to serve God as a Deaconess, and during her time with the Australian Inland Mission she became quite a legend. What a patriot Frances was! She loved the stories of pioneers and knew well the history of where she had come from – the Western District. A keen follower of cricket, she would be right up with the last test and the issues of the team. Originally a Melbourne football supporter, she became an avid Geelong supporter and would often score at the annual self destruct St Philip’s vs Flynn Church match. She loved the gladiatorial, albeit often suicidal display. And though an Aussie through and through she loved her Scottish roots. Through her stories, she could easily transport a person in the Centralian landscape onto the heather of the Highlands. In spite of her love for Scotland, the city which was her favourite was New York. Frances – truly a citizen of the world. As a citizen of the world Frances fought for Indigenous and migrant women’s rights and was active in the World Council of Churches, sponsoring local and overseas women to study in Australia and to return to their homes as trained teachers and theologians. Up until recently she was involved in the Spina Bifida and Hydro Cephalis Association of SA. By the time she had taken up with the AIM Frances had a well tuned desire for social justice. To her it was important that the poor and less fortunate were given a go. She felt that the Labor Party provided her best avenue to push her social justice desires. After joining the party in 1956, she quickly became a respected member of the party and worked tirelessly for it, being honoured in the end with life membership. In the party she knew everyone and everyone knew her. She introduced me to Bob Hawke and when I spoke to Gough Whitlam once on a plane, he affirmed to me his friendship with Frances. In her cottage was a picture of her with Kevin Rudd with his arm around her. She is remembered by her party colleagues as someone who had a real compassion for helping people. She believed in the traditional ethic of the Labor Party which is to help those who are less fortunate. Interestingly, she supported St Philip’s moving from solely being a residential college to a school because we had chosen a relatively low fee base to enable maximum access for people and our boarding house continued to, and still does, offer accommodation to any student wishing to attend schools in Alice. Having supported the outback for years from the engine rooms of the mission arm of the church in Victoria, Frances then decided to move to Alice for her retirement. Settling in the little cottage at the far south eastern corner of Old Timers, this became to me, my family and I’m sure to plenty of people, Frances’ Cottage. But moving to Alice was hardly moving into retirement. She quickly became Chaplain at St Philip’s where she clearly showed her love for the children and staff and a real belief in St Philip’s role – to provide access to education for isolated children. She became a stalwart of the Adelaide House Museum, a wonderful member of the congregation, a powerful contributor to the Presbytery and the Annual Synod. Frances was strong, never flinched on a point of principle and discussed things face to face so that you truly knew where you stood with her. She had a great feeling for the pastoralists and knew many of them well. As Chaplain of the College she related well to the children and in addition, knew many of their families. She also felt deeply for the Indigenous people and regularly tackled the issue of how conditions could be improved for them. As we developed the school at St Philip’s, Frances worked with me on so many things. She would visit the College each week for Chapel, run a Sunday school for little kids and the service for all the boarders. When the school was ready to start she wrote the College prayer, said now every week by all students. The prayer says so much about Frances. She pioneered the RE program, teaching RE and in addition to Sunday, visited staff and students every Wednesday. At Presentation Night she presented a homily and provided the blessing – always a strong presence in front of the College community. She was so much part of St Philip’s that when we built the new boarding house in 1990 it seemed so obvious to call it McKechnie House. As a faithful servant of Adelaide House for years and an enthusiastic member of the National Trust, Frances was the first chairperson of the committee, a driving force to redevelop Adelaide House and she worked tirelessly to present John Flynn’s Hospital in the best light. She helped to deliver the stories of Flynn and McKay and the Outback missionaries to so many people and was instrumental in producing meaningful displays. I enjoyed walking around the museum with her intensely, enjoying her detailed stories of the past missionary era and I know many others would have as well. As a loyal and loving member of the Flynn Church, and being such a comrade of Fred McKay’s, Frances understood intricately the symbols which lie within the architecture. Once again, as a story teller, each one had a yarn attached to it. Over her twenty-three years as a member of the Flynn Church she has made a wonderful contribution. As a charismatic personality people were naturally attracted to Frances and were touched and affected by her. Peter Robson, twenty-two years at St Philip’s, remembers her asking him why he had stayed so long at the College. He explained to her that it was her address one day in Chapel in the early times that inspired him to keep going. With great wisdom she had said, “You can’t conquer something, unless you allow it to conquer you.” St Philip’s had conquered him. Wherever she went, whomever she was with, she had a real and lasting impact. Frances brought the reality of the Outback to so many as she addressed congregations around Victoria. She started the Australian Church Women’s Fellowship in the Northern Territory in 1997. She was also involved in setting up the Institute for Aboriginal Development. I believe that Frances should have been recognised nationally for her work with an AM. However, she was the Northern Territory finalist in the Senior Australian of the Year Awards in 2003. In 2004 she was awarded an OBE – not from the Queen but at Old Timers. This is a coveted award which means “Over Bloody Eighty”. Frances was part of it all, in the river, at a bush dance, at a dinner, at a service, at a party, at a meeting, at a footy game, at a cricket game, at Synod, at Presbytery, at Labour meetings, I could go on. Frances McKechnie, what a wonderful Australian. (Eulogy by Chris Tudor) Frances McKechnie died mid-2008. Deaconess Frances McKechnie is seated in front of a map of Australia marked with Australian Inland Mission places identified.At the time the photo was taken, McKechnie was the Victorian Regional Officer for the Australian Inland Mission (Presbyterian). At one stage, she worked for National Mission Frontier Services from 1968 to 1986. See below for the eulogy at her funeral by Chris Tudor. (Frances died May or June 2008.)deaconess frances mckechnie; australian inland mission; presbyterian church

.1 This is a book of 145 pages.The cover has a yellow background with an image of a ship and dark red printing. The back cover and spine have red and black printing. The pages contain black and white photographs and sketches and printed material. .2 This is a bookmark with two colour images and printed material on one side and one image and printed material on the other side.non-fictionHistory of the ship, 'Casino'the ship 'casino', warrnambool shipping history

Paperback Background is dark green with sepia photo in bronze coloured frame. Precis on back cover is printed in white lettering. 132 pages.non-fictionBiography of early Warrnambool settler, John Hyland.warrnambool, john hyland, james nicholas, warrnambool mayors

Handkerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five handkerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother.This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as handkerchiefs to their loved ones at home.White linen painted with an image of a lady in red crinoline dress with black lined pattern around bottom of dress. Three blue birds on the left side.and surrounded by semicircles of flowers around bottom half of hankerchief. Bordered with pink printed line and hemmed in green stitching.warrnambool,, world war 1 hankerchief, printed silk hankerchief, redman hankerchief, crinoline lady hankerchief

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief embroidered in cream silk white work.The edge is done in blanket stitch on a scalloped edge. The embroidery is patterned around the edge in a wide border.warrnambool,, world war 1 hankerchief, hankerchief, redman hankerchief, embroidered hankerchief

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with gold coloured blanket stitch on scalloped edge. Hot pink flowers with green leaves and stems are embroidered in each corner.warrnambool, silk hankerchief, embroidered hankerchief, ww1 embroidered hankerchief, redman

Hankerchiefs have been used for centuries as a piece of cloth deemed useful for personal hygiene. They are usually kept in one's pocket but at times through history have been fluttered to attract attention or send a message. In harder times they proved to be a cheap item often used to add interest to an outfit. This item is one of five hankerchiefs which were brought back from France after WW1 by great uncles of Gloria Redman and have been passed down through her grandmother and mother. This item has significance as an item linked to a local family and World War 1 and as such has social, and historical significance. It is well provenanced and can be used to provide interest to the relating of a fairly common story whereby many soldiers brought or sent back small items such as hankerchiefs to their loved ones at home.Cream silk hankerchief with soft pink edge in blanket stitch Embroidered with cluster of flowers and leaves in each corner with embroidered mauve butterfly. Smaller embroidered flowers above each butterfly. All done in colours of pink mauve, green and cream.warrnambool, embroidered hankerchief, ww1 embroidered hankerchief, redman hankerchief ww1