Black and white photo of Luke Family. Mr. Luke was an accountant with Australian Tesselated Tile Co. Pty. Ltd.luke family, australian tesselated tile co. pty. ltd.

Black and white photograph of Luke Family. Back row L-R Edith, Margaret, and Thomas Samuel. Front row L-R Frida, Alan and Nero (dog).luke, edith, luke, margaret, luke, thomas samuel, luke, alan, luke, frida, families, homes

A yellow programme with blue print. On the front cover are the words ' Kiwanis Club of Bendigo GRAND VARIETY CONCERT, J.B. Osborne Theatre, Kangaroo Flat, Bendigo in support of St. Luke's Family Care Saturday, 15th September, 1964. Bendigo Premier Town Victoria 1982-1985.' On the inside is the programme and some acknowledgements. On the back cover is an advertisement for A.N.A. Downtown 'Reception Specialists.' Bendigo Modern Press.program, music, kiwanis service club, lydia chancellor, collection, kiwanis, service clubs, concerts, entertainment, singing, ballet, dance, instrumental, event, program, programme, grand variety concert

Grand Variety Concert, J. B. Osborne Theatre, Kangaroo Flat, Bendigo in support of St. Luke's Family Care. Saturday, 15th September, 1984. KIWANIS Club of Bendigo. Bendigo Premier Town Victoria 1982-1985. Les Roberts, President, Kiwanis Club, Bendigo. Bendigo Theatre Co., Fred Trewarne, Margaret's School of Dancing, Heather Lindhe, Melinda Wilcock, Bryan Roberts, Megan Beckwith, Kennington & Epsom Primary Schools (60 Students Conductor: David Tunley, Piano Accompaniment: Eileen Hetherington), The Niyama Dancers, Family Gospel Singing Group (Wendy, Peter, Andrea, Sally, and Paula. Piano Accompaniment: Peter Somerville), Fred Trewarne, Bendigo Country Talent Club, Patricia Lyon (Piano Accompaniment: Leila Watson), Miss Margaret's School of Dancing. Allan Stewart, Executive Director, St Luke's Family Care. Bendigo Community Theatre & Arts, Piano Accompaniment: Kath Veitch. Acknowledgements: Alan Williams, Sound Systems Specialist., Greg Harris & Danny Mulqueen, Central Victoria Video Productions. A.N.A. Downtown.Bendigo Modern Pressperforming arts, music, kiwanis club of bendigo, grand variety concert, j. b. osborne theatre, kangaroo flat, bendigo st. luke's family care, 1984. kiwanis club of bendigo. bendigo premier town victoria 1982-1985. les roberts, president, kiwanis club, bendigo. bendigo theatre co., fred trewarne, margaret's school of dancing, heather lindhe, melinda wilcock, bryan roberts, megan beckwith, kennington & epsom primary schools (60 students conductor: david tunley, piano accompaniment: eileen hetherington), the niyama dancers, family gospel singing group (wendy, peter, andrea, sally, and paula. piano accompaniment: peter somerville), fred trewarne, bendigo country talent club, patricia lyon (piano accompaniment: leila watson), miss margaret's school of dancing. allan stewart, executive director, st luke's family care. bendigo community theatre & arts, piano accompaniment: kath veitch. acknowledgements: alan williams, sound systems specialist., greg harris & danny mulqueen, central victoria video productions. a.n.a. downtown

Isabel Wells was born in Beechworth in 1914. Her father, Mr. Newey, was a butcher; his shop was in Ford street and he took over from his grandfather. The family business, along with the local residents, was supplying the main government institutions in the region, like Mayday Hills Hospital and The Ovens and Murray Home, making a large percentage of his profit. Mr. Newey was also a captain of the fire brigade and Isabel mentioned that there were more fires happening in those days. The menace of a huge fire was impending in Beechworth for many years, due to the lack of adequate water supply and the absence of trained firefighters. The first fire brigade in the town was voluntary and was formed in 1858 under Superintendent Luke Reilly. A few other schemes deployed the following years, with all failing to sufficiently control the fires that occurred, until the creation of the first reliable fire brigade in the 1870s. The worst fire in the town's history happened on 23rd March 1867; it swept through many shops and the post office, leaving behind a damage cost estimated at £12,000. Isabel's mother was in a wheelchair, suffering from osteoarthritis; thus, Isabel had taken over the responsibility for looking after her mother and assisting her with daily living needs and personal care activities. She used to play golf and tennis and she was a member of the town tennis club. In terms of social life, Boxing Day was a big occasion for the town, with horse-races and games taking place. According to her narration, the use of cars was a turning point in the town's social activities, since people were able to visit nearby places and take day trips, such as having a picnic at Lake Kerferd or Buffalo. This oral history recording was part of a project conducted by Jennifer Williams in the year 2000 to capture the everyday life and struggles in Beechworth during the twentieth century. This project involved recording seventy oral histories on cassette tapes of local Beechworth residents which were then published in a book titled: Listen to what they say: voices of twentieth century Beechworth. These cassette tapes were digitised in July 2021 with funds made available by the Friends of the Burke. Isabel's account of her life in Beechworth and the local area during the 20th century is historically and socially significant as it offers valuable information about the business activity in the region and provides a deeper insight into the operation of butcher shops and meat supply during the first half of the previous century. Additionally, it offers invaluable information about the everyday life of people living in Beechworth, and highlights aspects of the overall social life and activities.This is a digital copy of a recording that was originally captured on a cassette tape. The cassette tape is black with a horizontal white strip and is currently stored in a clear flat plastic rectangular container. It holds up 40 minutes of recordings on each side.Mrs Isabel Wells/ isabel wells, beechworth, mr. newey, ford street, butcher, mayday hills hospital, the ovens and murray home, fire brigade, 23rd march 1867, fire, osteoarthritis, boxing day, horseraces, lake kerferd, buffalo, picnic, cars, firefighters, luke reilly, wheelchair

Reprinted history of Murrumbeena Baptist Church 1890 – 1990 compiled for the church’s centenary celebrations in 1990 by Ross Harrison Snow and Geoft Barthold. Each chapter details certain periods of church history and associated events Handwritten notes, including wording on foundation stone, by person unknown & undatedmurrumbeena, murrumbeena baptist church, pitt annie sophia, dandenong road., george samuel, baptist church, emily street, whitlam janet, box henry, snow ross harrison, gallop abel, pay henry mrs., rollings william, barthold geoff, thomas pay, pay e – miss godfrey, w- mrs, pitt st clair percival, godfrey william, pay t. a. h – mrs, blair mrs, white mrs, shearer mrs., box marie miss, box nellie miss, gallop prudence miss, gallop e. j. miss, rosstown wesleyan churches, murrumbeena baptist church, churches, gresswell f. l. mrs, neerim road, public halls, murrumbeena railway station, union chapel, kangaroo road, oakleigh, cole. j. h., turner mr., williamson r. rev, stewart allan., rosstown., architects, laver and flick messrs, mayhew george mr., chambers a. r. mr., godfrey brother, whitley w. t. rev., williamson rev., endersby elizabeth miss., meehani francis, french john, whyte mrs., thompson isabella mrs., burgess mary mrs., organ, tarry j. brother, mclean donald f. rev., wilkins george mr., sutherland mr., sydney street, nopkins ivor. rev, gallop mrs, pay brother, pitt brother, hopkins mrs, thompson ethel. miss, thompson mabel. miss, lavender mr. fred, whitlam george. master, varley frank mr, whitlam fred. mr, varley mrs, hale g. e. rev., whitlam crissie miss, curnick elizabeth miss, byrne mr, clemens f. rev., tennis club, tennis courts, cheffer mr., peace george mr., green mr., nash w. f rev., earl stanley j. rev, earl mrs., parker miss, adelaide street 12 manses, endersby david, harvey nellie. miss, fasham f. miss, mills mr., kelly mr., dyason mr, mckeon mr, lavender b. mr., chaffey alf, nelson norman, guthrie andrew, hopkins mrs., kindergarten, girl guides, loyal orange lodge, hall, fire, juniour christian endeavour league, intermediate christian, endeavour society, endersby mr, wilkins mr, wills mr, kelley mr, golden jubilee 22- 29 sept. 1940, knight e. o. rev, marriott e staunton m stone j., clay clark e. messrs, carter mr, carter mrs, deacenesses, helmore p. h. mrs, ryall c. m. mrs, carbis l. miss, wilson a. mrs, clark e. j. mrs, cornock m. miss, smith a. w. rev, mcdonald h. miss, stewart j. miss, edwards. w. messrs, crowe m. messrs, diggins l. messrs, wilson k. mr, ryall c. m. mr., wright a. mr., watkins mr., smith k. a. rev, scout groups, hobart street – 59 manses, helmer p. mr, filmer mr, carter mr., staunton martin mr., lewis donald rev 1951- 1956, perri john, collrus barry, ferguson mrs, white mrs, outhread noel mr., burleigh betty miss, orchestras, clark ted mr., daniels alan mr, staunton keith mr., staunton martin mr, steer doug mr, pascoe vack mr., ryall mert mr., clay ken mr., carter francis mr., chambers harry mr, hendry t. j. mr, andrews. e. f. rev, venning frank, provis keith, lee milton f. rev, kingdom max rev, kingdom fredq, allison c., eleiner e mrs, provis jan miss, chambers merle miss, collicot allison miss, cook john, cook family, horn neville rev, horn family, benneld family, bennett john., bennetts cliff, wiesmayrs’ family, allison barbara miss, jones ross, jones joy, fverst walter, doyle family, bertram estelle, bertram family, saletta margaret, saletta len, close kevin, close family, close anne, stewart des, stewart family, peel family, fisher family, leis family, arms harry, jones ross, jones family, jones joy, langdon family, bertram bill, staunton ian, staunton yvonne, staunton jean, staunton keith, staunton martin, clifferd. patricia, clifferd. charles, chambers awen, wall brian, wall bev, ryall geoff, ryall kay, ryall edna, davidson max, davidson mary, freeman john, hendry t s, provis keith, terrington michael, terrington doreen, carbis hazel miss, butterworth ern, clay ken, clay mrs., clay judith, clay noelle, muller ron, cook john, kingdom joy, kingdom graham, strong david, owens cliff, chambers harry, christy family, warr bill dr., morrison grace mrs., soderholm harvey, soderholm mrs, harris jeanette mrs, harris trevor rev., freeman pauline, freeman john., hendry t. j., steer doug, owens allison, owens graham, henderson ray, henderson chris, rathbone ian, rathbone pat, jenkins marion, girls’ club, wilson cliff dr., ladies evening group (legs), anderson family, l’ amont family, powell harold., harris luke, harris trevor, davies mrs, young george, anderson russell, wade joan, sauvarin lois, hill fred, wilson david., hansell fiona, hansell jane, brammer leanne, bertram ruth, langton john, crowe ken, dobney john, nobbs steve, jordan mr., steer david., steer doug, murrumbeena christian education centre (cec), suggare alwyn, gray s. mr., wilson clive rev., jephcott hume, jephcott heather, mccleary ross, mccleary glenn, claringbold mary, bennetts marcia., langton phil, worthy reg, thomson ave, mckerlie darrell rev., henderson ray, langenberg stewart van, crowe malcolm., sydney street, wall brian, zegelis imants, allison doug, owens rhonda, anderson peter, provis ken, vaitch fay, longenberg roger van, ife david, warren lena, churches bruce, churches mrs, bennetts john, mcdonald. k., cathie ian., cathie wendy, wright norman rev., alma street, mckerlie darrell rev., hampton keith rev., robinson john rev, jolly rod, crowe malcolm, lakey m, ferdinands ann, ferdinands ken, inders brett, inders jenny, cooke stephen, cooke deanne, langenberg jeremy van, binks paul, wall john, leslie geoff, leslie debbie, macleod nelson, macleod heather, dalton steven, pugh jeff, jones ross, ceulson joy, jackel lindsay, jackel sue, berry graham, wall brian, wheatland don, langton phil, stewart margaret, wheatland elise, wall bev., chambers gwen., foundation stone, morley john rev., sunday seekers, young marrieds, mothers’ group, choirs, walrond cw, turner mr, chisholm mr, mcdonald mr, church furniture, williams brother, sunday schools, victorian baptist preachers’ society, pitt mrs, thompson m miss., pitt w. miss, pay miss, thompson e. mrs., stained glass, christian endeavour society, young worshipper’ league, baptist women’s association, men’s society, murrembeena baptist football club, children’s church, youth council, junior christian endeavour, buds, baptist girls’ fellowship, boys club, baptist men’s society, youth fellowship life boys, boys brigade, alma street 17 chadstone manse, one way searchers’ group

.1) This is the original old style. .2) Clip on top with "73" means financial member that year. Item in collection relating to the Jackson Family..1) Badge, large, brass, crown at top, two central figures, rear has two lugs and is stamped. .2) Badge, small, brass, crown at top, three central figures, rear has one lug and stamped. The crown has a clip on with the number "73" on..1) "Returned Sailors & Soldiers Imperial League", on rear, "11693" .2) "Returned Sailors, Soldiers & Airmans Imperial League"badges, rsl, league

This stainless steel surgical contain with lid was amongst the medical and surgical equipment used by Dr. W.R. Angus in his medical practice. The steel for the containter was made by Paramount and the container maunfactured by K.G. Luke of Fitzroy North in Melbourne, Australia. (Sir) Kenneth Luke was born in Port Melbourne and had a very successful business that grew from small beginnings in 1921 in the metal and silverware business “making an ever-increasing range of products: silverware, stainless steel surgical equipment, plated goods and glass-washing machines.” K. G. Luke (Australasia) Ltd was registered as a public company in 1953. During World War 2 Kenneth Luke became an honorary advisor to the Australian Department of Supply and Shipping. He was also an administrator for Football in Victoria. This container was donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) According to Berry, her mother Gladys made a lot of their clothes. She was very talented and did some lovely embroidery including lingerie for her trousseau and beautifully handmade baby clothes. Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . Its first station was in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill and purchased a share of the Nelson Street practice and Mira hospital (a 2 bed ward at the Nelson Street Practice) from Dr Les Middleton one of the Middleton Brothers, the current owners of what previously once Dr Tom Ryan’s practice. Dr Tom and his brother had worked as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He had been House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan had gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. When Dr Angus took up practice in the Dr Edward and Dr Tom Ryan’s old premises he obtained their extensive collection of historical medical equipment and materials spanning 1884-1926. A large part of this collection is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. and an ALDI sore is on the land that was once their tennis court). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served with the Australian Department of Defence as a Surgeon Captain during WWII 1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. He had an interest in people and the community They were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The stainless steel container is significant for its association with business man Sir Kenneth Luke and his manufacturing factory K.G. Luke Pty Ltd. and early and successful Melbourne business. The container is also significant for because of its association with the W.R. Angus Collection. This collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Stainless steel, round surgical container with lid, part of the W.R. Angus Collection. Stamped into base “STAINLESS / STEEL / BY / PARAMOUNT / K G LUKE / MELB / 58”flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, surgical container, medical equipment, surgical equipment, k.g. luke pty. ltd. melbourne, paramount stainlett steel australia

Bengal’ THOMAS RADLEY CADMAN & SONS St. Mary's Road, Sheffield In business at least 1892-1919 Originally a trademark of Luke Cadman, Sheffield, England from ca. 1748-1906. From ca. 1906 - 1953, used by: Thomas Radley Cadman & Sons St. Mary's Road, Sheffield. In business at least between 1892 and 1965. The Cadman family originally came from Derbyshire and settled in the village of Eckington, to the south of Sheffield. Luke Cadman (1727-1788) moved to Sheffield in 1740 and became apprenticed into the cutlery trade. He became a freeman of the Cutlers' Company of Hallamshire in 1748 and was granted the trademark "BENGALL". (Another branch of the family was granted the trademark "SENEGALL"). Two of Cadman's sons followed him into the business. The Cadmans' business was located at various addresses in Sheffield over the years. In the early 1870s Thomas Radley Cadman (1833-1917) took over the firm. By 1933 the firm had diversified into safety razor and pocket knife manufacture. T.R.Cadman & Sons, Ltd. ceased trading in 1965. A man's cut-throat razor that folds to protect the blade inside the handle , 'Bengal'on blade 'BENGAL'cut-throat razors, straight razors, shaving equipment, steel blades, sheffield steel, england, thomas radley cadman & sons ltd., cutlers, steel manufacturers, ‘bengal’ trade mark, early settlers, market gardeners, moorabbin, bentleigh, cheltenham,

The badge represents the Emergency Services section of the Red Cross Society. The Australian Red Cross was formed on 21st August 1914 at the outbreak of the First World War. The badge was made by K.G. Luke Pty. Ltd. in Melbourne. Kenneth George Luke, began work as an apprentice in 1910 at Stokes & Sons Pty. Ltd. in Melbourne and stayed with the company for eleven years. He then became a partner in a metalworking business, wholly owning this successful Carlton business in 1925. From 1935-1945 his products included silverware and supplies for military needs. The firm was K.G. Luke Pty. Ltd. by 1936, making buttons, badges, brooches, and heated food trolleys at his office and factory in North Fitzroy, and selling from his showroom in Elizabeth Street Melbourne. His customers included the Australian Red Cross, Victoria Police, TAA Airline, and the military forces of Australia and the United States. Seventeen years later the company was K.G. Luke (A/Asia) Ltd, then twenty-three years on it was Luke Ltd. until in 1983 it was taken over by National Consolidated Ltd. Sir Kenneth George Luke was also a V.F.L. football administrator. This badge is one of a set of badges collected by Dr W R Angus from the organisations in which he was involved. The set of badges is now part of Flagstaff Hill’s comprehensive W.R. Angus Collection, donated by the family of Dr W R Angus, surgeon and oculist. The W.R. Angus Collection: - The W.R. Angus Collection includes historical medical equipment, surgical instruments and material belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) and Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. It includes historical medical and surgical equipment and instruments from the doctors Edward and Thomas Ryan of Nhill, Victoria. Dr Angus married Gladys in 1927 at Ballarat, the nearest big city to Nhill where he began as a Medical Assistant. He was also Acting House surgeon at the Nhill hospital where their two daughters were born. During World War II He served as a Military Doctor in the Australian Defence Forces. Dr Angus and his family moved to Warrnambool in 1939, where Dr Angus operated his own medical practice. He later added the part-time Port Medical Officer responsibility and was the last person appointed to that position. Both Dr Angus and his wife were very involved in the local community, including the planning stages of the new Flagstaff Hill and the layout of the gardens there. Dr Angus passed away in March 1970.This badge is significant for connecting Doctor Angus with organisations that he supported. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The Collection includes historical medical objects that date back to the late 1800s.Badge, rectangular metal and enamel badge, with a blue band across the top and bottom, and a white and gold band in the middle similar to a belt with the buckle of a red cross. The badge has a horizontal pin on the back. Inscriptions on top and bottom bands and on the reverse. It is the badge of the Red Cross Emergency Service, made by K.G. Luke of Melbourne.This badge is part of a set of badges collected by Dr W R Angus. the set represents organisations that he was involved in, and is part of the W.R. Angus Collection.Printed on front; “RED CROSS” above “EMERGENCY / SERVICE”. Embossed on back “8029” “K.G. LUKE / MELB” flagstaff hill, warrnambool, maritime village, maritime museum, shipwreck coast, great ocean road, w.r. angus, badge, organisation badge, flagstaff hill maritime museum and village, australian red cross, charity, volunteer organisation, red cross, k.g. luke pty. ltd., kenneth george luke, north fitzroy, stokes & sons, w.r. angus collection

James Jones was the son of Philip Jones, a Chairmaker, and Ann Jones who settled in East Brighton after the sale of land c1852 in the area of the Henry Dendy Special Survey of 1841. Mary Ann Moore was the daughter of Thomas Moore, a Gardener, and Sarah Harris who also settled in Brighton c1852. James and Mary Ann Jones settled and raised their family in East Brighton now Bentleigh. They sadly lost Martha Jones born 1888 died in 1890 ,and. Baby Ethel May died 1893 and a stillborn baby was buried in 1900. However, their daughter Elizabeth Ann Jones born 1885 married John Patrick Kennedy born 1885, a the son of Thomas Kennedy , Dairyman deceased, and Jane Donovan early settlers in the Brighton area, at South Melbourne in January 1917 . James Jones and Mary Ann Moore were born in Brighton c1857 and c 1859 into pioneer market gardener families in the area of the Dendy Special Survey of 1841. They married in 1883 and raised their family in East Brighton, now Bentleigh. Sadly infectious diseases took the lives of many infants throughout the Colony of Victoria due to the poor state of water supply and sewerage disposal and locally the swamps of the Elster Creek were a constant breeding ground. Martha Jones born 1888 died 1890 and was interred in the Brighton General Cemetery. In 1893 another daughter Ethel May died and stillborn baby in May1900. Mary Ann Jones died, at age 43years, in January 1903 and in November 1940 Mr James Jones was buried in the family grave. Their daughter Elizabeth Ann Jones , born 1885, married John Patrick Kennedy, born 1885, the son of Thomas Kennedy, a dairyman and Jane Donovan also early settlers in Brighton area at St Luke’s Anglican Church in South Melbourne in January 1917 Original Certificate of Marriage of Elizabeth Ann Jones, the daughter of James and Mary Ann Jones, to John Patrick Kennedy at St Luke's Anglican Church in South Melbourne on January 1st 1917In the State of Victoria/ crest/ In the Commonwealth of Australia/FOURTH SCHEDULE ACTSNOS. 2691 and 2720 -FORM B/ CERTIFICATE OF MARRIAGE B/ Year 1917Parish or Church District South Melbourne Denomination Church of England/ signed by Patrick Kennedy and Elizabeth Jones, witnesses Ada Hewton and Alice Steedman and Vicar David Ross Hewton dated this first day of January 1917anglican church, st luke's south melbourne, jones elizabeth ann, kennedy john patrick, kennedy thomas, donovan jane, dairyman, dairy farms, brighton general cemetery, vaccination, pioneers, early settlers, typhoid, brighton, moorabbin, bentleigh, market gardeners, jones james, jones mary ann, jones martha, dendy henry, dendys special survey 1841, infectious diseases, water supply, elster creek, melbourne, jones ethel may, reverend hewton david ross

'Back to' St. Luke's Toddlers' home - 24 pages with photographs, illustrations. Includes history of St. Luke's, time line, childcare in Bendigo, residential child care.St. Luke's support committeeevent, back to, st. luke's toddlers' home, bendigo, child care, st. luke's, st. luke's orphanage, st. luke's family care.

Application form to Local History Grants Program Round 3. Four pages with Public Record Office Victoria and logo in the top left corner and Victoria the Place To Be and logo in the top right corner. Written at the top of the page is ? Draft. Application is for a Poppet Head to acknowledge the Men and their families who worked in the underground mining industry and the achievement that Underground Mining made to make the City of Greater Bendigo what it is today. Also mentioned is estimated cost of of the project.bendigo, history, long gully history group, the long gully history group - local history grants program round 3, public record office victoria, long gully community house inc, long gully history group, mr george ellis, city of greater bendigo, long gully linear park, city of greater bendigo recreation department, city of greater bendigo community environmental education department, long gully community newsletter, eaglehawk times, bendigo advertiser, bendigo tourist bureau, shared action project (st lukes)

1. Rock-art of the Western Desert and Pilbara: Pigment dates provide new perspectives on the role of art in the Australian arid zone Jo McDonald (Australian National University) and Peter Veth (Australian National University) Systematic analysis of engraved and painted art from the Western Desert and Pilbara has allowed us to develop a spatial model for discernable style provinces. Clear chains of stylistic connection can be demonstrated from the Pilbara coast to the desert interior with distinct and stylistically unique rock-art bodies. Graphic systems appear to link people over short, as well as vast, distances, and some of these style networks appear to have operated for very long periods of time. What are the social dynamics that could produce unique style provinces, as well as shared graphic vocabularies, over 1000 kilometres? Here we consider language boundaries within and between style provinces, and report on the first dates for pigment rock-art from the Australian arid zone and reflect on how these dates from the recent past help address questions of stylistic variability through space and time. 2. Painting and repainting in the west Kimberley Sue O?Connor, Anthony Barham (Australian National University) and Donny Woolagoodja (Mowanjum Community, Derby) We take a fresh look at the practice of repainting, or retouching, rockart, with particular reference to the Kimberley region of Western Australia. We discuss the practice of repainting in the context of the debate arising from the 1987 Ngarinyin Cultural Continuity Project, which involved the repainting of rock-shelters in the Gibb River region of the western Kimberley. The ?repainting debate? is reviewed here in the context of contemporary art production in west Kimberley Indigenous communities, such as Mowanjum. At Mowanjum the past two decades have witnessed an artistic explosion in the form of paintings on canvas and board that incorporate Wandjina and other images inspired by those traditionally depicted on panels in rock-shelters. Wandjina also represents the key motif around which community desires to return to Country are articulated, around which Country is curated and maintained, and through which the younger generations now engage with their traditional lands and reach out to wider international communities. We suggest that painting in the new media represents a continuation or transference of traditional practice. Stories about the travels, battles and engagements of Wandjina and other Dreaming events are now retold and experienced in the communities with reference to the paintings, an activity that is central to maintaining and reinvigorating connection between identity and place. The transposition of painting activity from sites within Country to the new ?out-of-Country? settlements represents a social counterbalance to the social dislocation that arose from separation from traditional places and forced geographic moves out-of-Country to government and mission settlements in the twentieth century. 3. Port Keats painting: Revolution and continuity Graeme K Ward (AIATSIS) and Mark Crocombe (Thamarrurr Regional Council) The role of the poet and collector of ?mythologies?, Roland Robinson, in prompting the production of commercial bark-painting at Port Keats (Wadeye), appears to have been accepted uncritically - though not usually acknowledged - by collectors and curators. Here we attempt to trace the history of painting in the Daly?Fitzmaurice region to contextualise Robinson?s contribution, and to evaluate it from both the perspective of available literature and of accounts of contemporary painters and Traditional Owners in the Port Keats area. It is possible that the intervention that Robinson might have considered revolutionary was more likely a continuation of previously well established cultural practice, the commercial development of which was both an Indigenous ?adjustment? to changing socio-cultural circumstances, and a quiet statement of maintenance of identity by strong individuals adapting and attempting to continue their cultural traditions. 4. Negotiating form in Kuninjku bark-paintings Luke Taylor (AIATSIS) Here I examine social processes involved in the manipulation of painted forms of bark-paintings among Kuninjku artists living near Maningrida in Arnhem Land. Young artists are taught to paint through apprenticeships that involve exchange of skills in producing form within extended family groups. Through apprenticeship processes we can also see how personal innovations are shared among family and become more regionally located. Lately there have been moves by senior artists to establish separate out-stations and to train their wives and daughters to paint. At a stylistic level the art now creates a greater sense of family autonomy and yet the subjects link the artists back in to much broader social networks. 5. Making art and making culture in far western New South Wales Lorraine Gibson This contribution is based on my ethnographic fieldwork. It concerns the intertwining aspects of the two concepts of art and culture and shows how Aboriginal people in Wilcannia in far western New South Wales draw on these concepts to assert and create a distinctive cultural identity for themselves. Focusing largely on the work of one particular artist, I demonstrate the ways in which culture (as this is considered) is affectively experienced and articulated as something that one ?comes into contact with? through the practice of art-making. I discuss the social and cultural role that art-making, and art talk play in considering, mediating and resolving issues to do with cultural subjectivity, authority and identity. I propose that in thinking about the content of the art and in making the art, past and present matters of interest, of difficulty and of pleasure are remembered, considered, resolved and mediated. Culture (as this is considered by Wilcannia Aboriginal people) is also made anew; it comes about through the practice of artmaking and in displaying and talking about the art work. Culture as an objectified, tangible entity is moreover writ large and made visible through art in ways that are valued by artists and other community members. The intersections between Aboriginal peoples, anthropologists, museum collections and published literature, and the network of relations between, are also shown to have interesting synergies that play themselves out in the production of art and culture. 6. Black on White: Or varying shades of grey? Indigenous Australian photo-media artists and the ?making of? Aboriginality Marianne Riphagen (Radboud University, The Netherlands) In 2005 the Centre for Contemporary Photography in Melbourne presented the Indigenous photo-media exhibition Black on White. Promising to explore Indigenous perspectives on non-Aboriginality, its catalogue set forth two questions: how do Aboriginal artists see the people and culture that surrounds them? Do they see non-Aboriginal Australians as other? However, art works produced for this exhibition rejected curatorial constructions of Black and White, instead presenting viewers with more complex and ambivalent notions of Aboriginality and non-Aboriginality. This paper revisits the Black on White exhibition as an intercultural event and argues that Indigenous art practitioners, because of their participation in a process to signify what it means to be Aboriginal, have developed new forms of Aboriginality. 7. Culture production Rembarrnga way: Innovation and tradition in Lena Yarinkura?s and Bob Burruwal?s metal sculptures Christiane Keller (University of Westerna Australia) Contemporary Indigenous artists are challenged to produce art for sale and at the same time to protect their cultural heritage. Here I investigate how Rembarrnga sculptors extend already established sculptural practices and the role innovation plays within these developments, and I analyse how Rembarrnga artists imprint their cultural and social values on sculptures made in an essentially Western medium, that of metal-casting. The metal sculptures made by Lena Yarinkura and her husband Bob Burruwal, two prolific Rembarrnga artists from north-central Arnhem Land, can be seen as an extension of their earlier sculptural work. In the development of metal sculptures, the artists shifted their artistic practice in two ways: they transformed sculptural forms from an earlier ceremonial context and from earlier functional fibre objects. Using Fred Myers?s concept of culture production, I investigate Rembarrnga ways of culture-making. 8. 'How did we do anything without it?': Indigenous art and craft micro-enterprise use and perception of new media technology.maps, colour photographs, b&w photographswest kimberley, rock art, kuninjku, photo media, lena yarinkura, bob burruwal, new media technology

Brick Home 9 Seaby Street originally built by Crothers Family. Now owned by Mr. and Mrs. Peter Carey, The house is located on the corner of Luke and Seaby St. This house was imported from Canada. All components are numbered. It has a cavity wall construction. The present owners have carefully restored this house.Two black and white photograph of a large brick home. Roof is corrugated iron with a veranda across the front. A large palm tree in front. Fence along the side is wire mesh with timber supports. The second photo is a closer side view of the house. stawell

Extract from scrapbook of Mrs Jessie Williams. 100 year old bell re-dedicated and re-installed at Mitcham Uniting Church as part of the centenary celebrations. Descendants of founding families, the Barellis and the Walkers joined celebrations. Church historian Jean Cornell's book 'Gathered into one' launched.Extract from scrapbook of Mrs Jessie Williams.williams, jessie, mountview uniting church, mitcham, cornell, jean, arrowsmith, valda, beale, julian, rosenthall, luke, julia

small sheet of film 1895 LUKE B TO 1895 MASON Abirth, family, register

Black & white photo of Bruce & Ross Livermore with horse levelling ground for a tennis court at St Luke's Vermont in 1947.livermore family, livermore bruce, livermore ross, st lukes anglican church, vermont.

The Loreto Chapel, or Children’s Chapel as it was known, was built between 1898 and 1902. The architect was William Tappin and the builder, George Lorimer. It is built in an English Gothic style with French influence. The stone is Barrabool Hills sandstone from near Geelong with white Oamaru, New Zealand, stone detailing. Building was interrupted through lack of funds but the project was finally completed with a large bequest from the German Countess Elizabeth Wolff-Metternich, who had been a student at the Convent in 1898. The Countess tragically died on a return visit to her family in Germany. The inside of the Chapel is decorated in soft pastel colours with artwork and statuary donated to the sisters by Ballarat and Irish families. The Rose Window over the Organ Gallery depicts St. Cecilia, patron saint of music, surrounded by symbols of the four Evangelists, Matthew, Mark, Luke and John. The windows over the altar depict the instruments of the Passion of Christ. The marble altar features the Nativity scene as was requested by the children. The interior of the Chapel was restored in 1999 through the bequest of past pupil, Lucy Kerley and maintenance is continued with a bequest from past pupil, Eileen Macintyre (McGrath) (https://loreto.vic.edu.au/loreto-college/facilities/loreto-chapel/, accessed 06 June 2019_ Colour photograph of a chapel at Loretto convent, Ballarat. The chapel is made of Barrabool sandstone. loreto chapel, ballarat, children's chapel, william tappin, george loromer, english gothic, elizabeth wolff-metternich

Bronze metal plaque commemorating the life of student Lucas Fortinato Smith. This tree was planted in loving memory of LUCAS FORTUNANDO SMITH who died by tragic accident 8 December 1993. Luke will live forever in the hearts of family, 7E classmates and friends

Luke's Toddlers' home - Article about new matron Betty Milne (1971) Newsaper article from Bendigo AdvertiserSt. Luke's support committeeorganization, institution, st luke's toddlers' home, bendigo, child care, st. luke's, st. luke's orphanage, st. luke's family care.

The house was formerly known as formerly 'Guildford' and built in 1888 to the design of architect Mr George Jobbins. 1900-1902: Home of Mr William Holmes, later of 'Lugano' in Mont Albert Road. 1906-1923: Home of Mr Phillip Parer and family. Briefly the home of Mr Phillip Dicker and family. From 1988 to March 2019 it was the home of Mr Peter Nicholls and his wife Clare (nee Coney) and their sons Jack and Luke. Peter Douglas Nicholls (8 March 1939 – 6 March 2018) was was born in Melbourne and was an Australian literary scholar and critic. He was the creator and a co-editor of The Encyclopedia of Science Fiction with John Clute.A colour photograph of the front entrance to a brick house showing the lacework on the veranda. Grey and white tiles set in a diamond pattern are set on the veranda and remnants of a vine adorn the left post of the veranda.house names, mont albert road, wandsworth road, surrey hills, 1988, 'monserrat', 'guildford', (mr) peter nicholls, (ms) clare nicholls, (ms) clare coney, (mr) george jobbins, (mr) phillip dicker, (mr) phillip parer, (mr) william holmes